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Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
The Spokane Sidekick – Thursday, January 25Th, 2007 – Volume 2, Issue 2 – – Everybody Needs a Sidekick Live Music
TTHEH E SSPOKANEP O K A N E SiDDEKEKiCK FREE • JAN 25TH - FEB 7TH, 2006 • VOLUME 2, ISSUE 2 • WWW.SPOKANESiDEKiCK.COM IINN TTHISHIS IISSUESSUE SSMILEMILE LLINEINE SSPARKPARK – PPAGEAGE 7 RRAWKAWK FFINALINAL FFOUROUR – PPAGEAGE 1111 TTHEHE SPOKANESPOKANE SIDEKICK,SIDEKICK, BBLUELUE MMANAN GGROUPROUP – PPAGEAGE 1199 NNOWOW IINN NNEWSPAPEREWSPAPER FFORMORM ‘‘DRIVINGDRIVING MMISSISS DDAISY’AISY’ – PAGEPAGE 2200 SPOKANE’S MOST COMPLETE ARTS AND ENTERTAINMENT GUIDE MON 2-12 SAT 3-3 FRI. 1-26 FRI. 2-2 FRI. 2-16 BIG EASY Page 2 – The Spokane SiDEKiCK – Thursday, January 25th, 2007 – Volume 2, Issue 2 – www.SpokaneSiDEKiCK.com – Everybody Needs a SiDEKiCK LiVE MUSiC Shook Twins prove that two is better than one SiDEKiCK Editors REPRESENT The Shook Twins - photo by Lisa Wareham EXCLUSIVELY AT As far as the SiDEKiCK is concerned Katelyn asserts has been an awesome place the video on their MySpace page.) there are only two kinds of bands – those to start their career. “We fi rst performed the song two years that blow us away and leave us begging “Th ere are fi ve or six great places for us ago for a Halloween show and the crowd for more, and everyone else who we forget to play in Sandpoint,” says Katelyn. “Plus went absolutely nuts,” recollects Katelyn. about in a way that would make a goldfi sh everyone in town is so supportive of our “It always goes over best when people are jealous. Th e forgettable bands may get an music even thought they hear the same 12 a little drunk. Laurie also likes to drop 232 N. -
Kd Lang Landmarks Press Release FINAL
Press Contacts: Elizabeth Boone, WNET, 212-560-8831, [email protected] Dorean Pugh, WNET, 212-560-3005, [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom k.d. lang – Landmarks Live in Concert: A Great Performances Special Premieres Nationwide Friday, December 14 on PBS Iconic singer-songwriter k.d. lang performs complete “Ingénue” album in honor of its 25 th anniversary at the Majestic Theatre in San Antonio Iconic singer-songwriter k.d. lang performs a 25 th anniversary concert celebrating her critically acclaimed 1992 album “Ingénue” from the Majestic Theater in San Antonio, Texas, in k.d. lang – Landmarks Live in Concert – A Great Performances Special , premiering nationwide Friday, December 14 at 9 p.m. on PBS (check local listings). Lush and subtle, “Ingénue” allowed lang and co-writer-producer Ben Mink to explore jazz, cabaret and Tin Pan Alley songwriting, resulting in some of her greatest compositions. This Landmarks Live in Concert special features an uninterrupted performance of the complete “Ingénue” album, including lang’s GRAMMY ® Award-winning hit “Constant Craving,” “Save Me,” “Wash Me Clean,” “Season of Hollow Soul” and “Miss Chatelaine.” The concert also includes the beloved Leonard Cohen song “Hallelujah” and a previously unreleased song by lang and Joe Pisapia, “Sleeping Alone.” The special also features an interview with lang by James Reed, an entertainment editor at Los Angeles Times. Twenty-six years ago, k.d. lang was embraced by the music world, its elders (including collaborators such as Tony Bennett and Roy Orbison) and audiences all over the globe for her powerfully emotional voice and often quirky take on country music. -
Songwriter Symposium
The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on. -
Two Louies September 2003
OREGON MUSIC photo Chauncene Page 2 - TWO LOUIES, September 2003 TWO LOUIES, September 2003 - Page 3 photo David Ackerman Beauty Stab upstairs at Eli’s. The band lasted about a year but earned drummer Courtney Taylor a reputation as a rocker on the rise. “He always said he was going to the top,” says former Beauty Stab manager Tony DeMicoli. Taylor also worked the door at Tony’s club the Key Largo. “Courtney says the wide variety of acts at the Key had a big infl uence on his musical tastes”. This month Courtney and the Dandy Warhols set out to conquer the world with their new Capitol album “Welcome To The Monkey House” (See Jonny Hollywood page 8.) the music business. part of MusicFest NW, an expert from the AFM I wondered if any of these bands would like to (American Federation of Musicians) will be sitting regain the song rights that they signed away. At fi rst on a panel at the Roseland Grill. The panel discus- glance, there seems to be no legal way to achieve sion is titled “Sign on the Dotted Line”. The date this. Certainly, there could be a public outcry and is September 6, 2003, from 12-4 PM. As one of an attempt to shine some light on these predatory six panelists, there should be much insight offered promoters. Strangely, however, no one that entered regarding protection of your music. Secondly, I AFM ON KUFO this contest seems to be outraged. They should be. would like to invite all musicians interested in Dear Editor, The music business offers enough challenges with- improving their working environment to join me I was stunned upon learning the details of the “It’s Your Fault Band Search” contest, sponsored “I was stunned upon learning the details of the ‘It’s by Infi nity Broadcasting’s KUFO. -
Volume 40, Number 27: March 14, 2003 University of North Dakota
University of North Dakota UND Scholarly Commons Elwyn B. Robinson Department of Special University Letter Archive Collections 3-14-2003 Volume 40, Number 27: March 14, 2003 University of North Dakota Follow this and additional works at: https://commons.und.edu/u-letter Recommended Citation University of North Dakota, "Volume 40, Number 27: March 14, 2003" (2003). University Letter Archive. 382. https://commons.und.edu/u-letter/382 This Newsletter is brought to you for free and open access by the Elwyn B. Robinson Department of Special Collections at UND Scholarly Commons. It has been accepted for inclusion in University Letter Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. University Letter - February 28, 2003 Volume 40, Number 27: March 14, 2003 North Dakota Public Radio, UND Launch KFJM Local Broadcasts “Art & Science” Is Theme Of 34th Annual Writers Conference March 24-29 EVENTS TO NOTE Graduate Committee Will Not Meet Monday Leadership Workshop Series Continues CRC Announces UND’s First Peer Mediators’ / Reception Everclear Will Rock The Ralph At Spring Concert Agenda Items Due For April 3 U Senate Meeting IRB Meeting Is April 4 Martin Luther King Jr. Awards Celebration Set For April 4 Pow Wow Set For April 26 At NDSU Proposals Sought For “Kids At Risk” Conference UND Colloquium On Teaching Set Proposals Sought For Second Annual “Beyond Boundaries” Conference ANNOUNCEMENTS Fall, Summer Course Listings Available Online Registration Dates, Times Available -
Petitioners Rescue Poteat
. · · ' 1990 WfU Puhllcallons Board, All Roghts Reserved · · LD LDAND A&E Page 8 "COVERS mE CAMPUS UKE THE MAGNOLIAS." THuRsDAY, }ANUARY 18, 1996 .. U.· . mverstty Petitioners rescue Poteat lab Bv MArrnEw CoLEMAN but they are currently forced to Computer Center to find out what CoNTRIBliiiNG Rl;pQRTER work in one large area divided by was going on," she said. partitions. Also, one staff member After learning about the issue, ~losed by After student protest the Com works in a hallway. Belcher and senior Kim Magee, a puter Center reversed its decision "We desperately need some Poteat resident adviser also con to close Poteat House's computer place to put our staff, and Poteat cerned about the closing, posted a lab, which will remain open at least seemed to be the best place be petition to keep the lab open. Three blizz_ard for this semester. cause it's very close to Reynolda days later, they went to see Ken Bv DAN JoHNSON Last fall, the Computer .Center Hall," Dominick said. Zick, the vice president for student ComRIBUTINCi REPORrnR developed a need for more office The decision to close the lab was life and instructional resources. space after hiring additional per made with no student input, and "Basically my concern was that As students and teachers packed sonnel in accordance with the Plan computer users were notified of I wanted to voice the opinions of andplanned for the spring semester, for the Class of 2000. Jay the closing by a message that ap the residents of Poteat," Belcher Old Man Winter blanketed the East Dominick, the director ofinforma peared when they logged on. -
CBS National Agreement
(510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Elliott Smith Dead at by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter. -
Playlists: April 2009 – June 2009 Interview: Joe Satriani
Playlists: April 2009 – June 2009 Date: SUNDAY APRIL 4 2009 TIME: 15:00 – 17:00 ARTIST TITLE ALBUM/YEAR TIME 1. RICKY WARWICK Can’t Wait For Tomorrow Belfast Confetti (2009) 3:03 2. THE ANSWER Tonight Everyday Demons (2009) 3:42 3. HEAVEN’S BASEMENT Tear Your Heart Out EP (2009) 3:57 4. CHICKENFOOT Soap On A Rope Chickenfoot (2009) 5:32 5. DAN REED Over And Done Voices OF Rock (2007) 4:39 6. DAN REED NETWORK Tiger In A Dress Slam (1989) 5:29 7. DAVID BOWIE Let’s Dance The Platinum Collection (2005) 4:07 8. STRATOVARIUS Winter Skies Polaris (2009) 6:44 9. PENDRAGON Space Cadet Pure (2009) 4:02 10. SIMPLE MINDS Kiss And Fly Graffiti Soul(2009) 5:01 11. VOODOO CIRCLE Dream Of Eden Voodoo Circle (2008) 6:04 12. IMPELLITTERI Garden Of Eden Wicked Maiden (2009) 5:15 13. IAN GILLAN Don’t Stop One Eye To Morocco (2009) 2:35 14. PETER FRAMPTON Show Me The Way Frampton Comes Alive (1976) 4:41 15. RAINBOW Kill The King Live In Dusseldorf 1976 (2006) 4:49 16. FIRST CHILD Have Mercy Queen Of Hearts (2009) 4:53 17. NATASCHA SOHL Dirty Little Word Dirty Little Word (2009) 3:27 18. NATASCHA SOHL If I Was A Boy Dirty Little Word (2009) 4:10 19. NATASCHA SOHL Habit Dirty Little Word (2009) 3:47 20. BEN HARPER Shimmer And Shine Single (2009) 3:06 21. SCOUTING FOR GIRLS Keep On Walking Single (2009) 3:32 22. THE HOURS These Days See The Light (2009) 3:55 23 QUEENSRYCHE Sliver American Soldier (2009) 3:09 Date: SUNDAY APRIL 12 2009 TIME: 15:00 – 17:00 ARTIST TITLE ALBUM/YEAR TIME 1. -
“Can I Get a Witness": Musicians Performing Politics in the U.S. Congress Published on Ethnomusicology Review (
“Can I Get a Witness": Musicians Performing Politics in the U.S. Congress Published on Ethnomusicology Review (https://ethnomusicologyreview.ucla.edu) “Can I Get a Witness": Musicians Performing Politics in the U.S. Congress By Alexandra Apolloni, Matthew D. Atkinson, and Darin DeWitt Abstract: In this paper, we use both interpretive methods from ethnomusicology, musicology and performance studies, and empirical methods from the social sciences, to examine the performative nature and political influence of testimonies by high-profile or celebrity musicians at hearings in the United States Congress. We argue that in testifying, musicians can both influence politics and engage in a very public performance of self, one that contributes to audience acceptance of the credibility and authenticity of their musical performances. The purported truthfulness of their testimony also raises ethical dimensions. We ask: if testifying entails giving voice to truth, whose truths do these testimonies give voice to, and whose do they silence? To explore this question, we first ask how musicians’ testimonies create meaning as performances of self that might shape how people hear music. Then, we ask how these performances both give voice and create silences—first, by considering how they position music vis-à-vis attitudes about the political process and U.S. exceptionalism; and second, by asking how musician testimonies relate to power dynamics within the U.S. popular music industry. We then offer a theoretical model that outlines the likely consequences of musician participation in the political process, and finally, we evaluate empirical implications of our model, which suggest that musician participation makes a measurable impact on public perception of a musician’s persona or star text.