4 Front:Page 17 Bollywood NY.Qxd.Qxd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rekha Malhotra CV 12.31.2018
Rekha Malhotra 37-31 73rd Street, Apt 9R, Jackson Heights, NY 11372 [email protected] www.diasporaspin.com 917.287.1917 EDUCATION Massachusetts Institute of Technology, Masters of Science in Comparative Media Studies Expected June 2019 Podcast School, Union Docs, Brooklyn, NY August 2016 Radio Bootcamp, Union Docs, Brooklyn, NY June 2015 Ableton, Dubspot, NY, NY Summer 2009 Producing Hip-Hop and Rap Music, New School For Social Research, NY, NY Spring 2001 CUNY Queens College, B.A., Urban Studies, Flushing, NY September 1998 WORK EXPERIENCE Creative Director, Sangament Media LLC f/k/a Sangament, Inc.: Entertainment Company 2000-present Consultant for India Launch, Spotify 2018 Producer, Community Connect, Inc.: owner of blackplanet.com, asianavenue.com, migente.com 2000-2001 Finance Assistant, American Documentary, Inc.: Producers of POV, PBS TV Series 1998-1999 CURATING/PRESENTING EXPERIENCE MIT DISSOLVE MUSIC CONFERENCE, Keynote Panel and Music Program, Cambridge, MA March 2018 CENTRAL PARK SUMMERSTAGE, Basement Bhangra Final Mic, Apache Indian, Panjabi MC and Guests, NY, NY August 2018 BASEMENT BHANGRA UNPLUGGED, New York University, NY, NY July 2017 BASEMENT BHANGRA, Monthly club night, Le Poisson Rouge and SOB's, NY, NY 1997-2017 BOLLYWOOD DISCO, Various Club Locations in New York City 2002-2017 OFFICIAL TRIBUTE FOR STATE OF BENGAL, Baby's All Right, Brooklyn, NY May 2015 5 RIVERS TO 5 BOROUGHS: History of Contemporary Bhangra Music, Exhibit, Panel & Performance, NY, NY March 2011 MUTINY CLUB NIGHT, Various Club Locations in -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Heritage Languages Among South Asian Americans Bryn Mawr College Spring 2014 Karuna Doraiswamy Abstract* This Thesis Explores Se
1 Heritage Languages Among South Asian Americans Bryn Mawr College Spring 2014 Karuna Doraiswamy Abstract* This thesis explores second generation South Asian Americans' relationships with their heritage languages; specifically, the ways in which these relationships might challenge current convention regarding the categorization of heritage and non-heritage learners along a linear spectrum. This thesis also examines the extent to which the decision to (re)leam one's heritage language might be considered a necessary step to earning cultural legitimacy in the diasporic community, a symbolic reclamation of one's history, or even a performative act intended to better match oneself to the dominant perception of what it means to be South Asian. 1 Introduction This section explains basic issues regarding heritage languages in general, including current definitional debates, research on childhood interaction with heritage languages, and the second generation's attitude toward their ancestral language and culture. 1.1 Defining heritage language learners English has long been the dominant language spoken in the United States, to the detriment of many indigenous and immigrant language communities. As such, there has been a *I would like to thank my advisor, Nathan Sanders, for his patience and assistance during this process. I also must acknowledge my parents, whose encouragement led me to pursue this topic for my thesis, as well as the Linguistics Hour at Bryn Mawr and the Panda Cams at the San Diego, National, and Atlanta zoos for keeping me grounded throughout the experience. 2 recent increase in concern about maintaining the diversity of languages spoken among American immigrant populations. While there are diplomatic and business advantages to such multilingualism, retaining knowledge of the home language is also thought to promote minority individuals' psychological well-being and overall ease the process of adjusting to life away from the home country (Brecht and Ingold 1998, Skutnabb-Kangas 1999). -
Languages of New York State Is Designed As a Resource for All Education Professionals, but with Particular Consideration to Those Who Work with Bilingual1 Students
TTHE LLANGUAGES OF NNEW YYORK SSTATE:: A CUNY-NYSIEB GUIDE FOR EDUCATORS LUISANGELYN MOLINA, GRADE 9 ALEXANDER FFUNK This guide was developed by CUNY-NYSIEB, a collaborative project of the Research Institute for the Study of Language in Urban Society (RISLUS) and the Ph.D. Program in Urban Education at the Graduate Center, The City University of New York, and funded by the New York State Education Department. The guide was written under the direction of CUNY-NYSIEB's Project Director, Nelson Flores, and the Principal Investigators of the project: Ricardo Otheguy, Ofelia García and Kate Menken. For more information about CUNY-NYSIEB, visit www.cuny-nysieb.org. Published in 2012 by CUNY-NYSIEB, The Graduate Center, The City University of New York, 365 Fifth Avenue, NY, NY 10016. [email protected]. ABOUT THE AUTHOR Alexander Funk has a Bachelor of Arts in music and English from Yale University, and is a doctoral student in linguistics at the CUNY Graduate Center, where his theoretical research focuses on the semantics and syntax of a phenomenon known as ‘non-intersective modification.’ He has taught for several years in the Department of English at Hunter College and the Department of Linguistics and Communications Disorders at Queens College, and has served on the research staff for the Long-Term English Language Learner Project headed by Kate Menken, as well as on the development team for CUNY’s nascent Institute for Language Education in Transcultural Context. Prior to his graduate studies, Mr. Funk worked for nearly a decade in education: as an ESL instructor and teacher trainer in New York City, and as a gym, math and English teacher in Barcelona. -
Indo-Caribbean African-Isms
Indo-Caribbean African-isms: Blackness in Guyana and South Africa By Andre Basheir A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Sociology and Equity Studies in Education University of Toronto © Copyright by Andre Basheir 2013 ii Indo-Caribbean African-ism: Blackness in Guyana and South Africa Master of Arts, 2013 Andre Basheir, Sociology and Equity Studies in Education, University of Toronto Abstract In an attempt to close the gaps between diaspora and regional studies an Afro-Asian comparative perspective on African and Indian identity will be explored in the countries of Guyana and South Africa. The overlying aim of the ethnographic research will be to see whether blackness can be used as a unifier to those belonging to enslaved and indentured diasporas. Comparisons will be made between the two race models of the Atlantic Ocean and Indian Ocean worlds. A substantial portion will be set aside for a critique of the concept of Coolitude including commentary on V.S. Naipaul. Further, mixing, creolization, spirituality and the cultural politics of Black Consciousness, multiculturalism, and dreadlocks will be exemplified as AfroAsian encounters. iii Acknowledgements Firstly, I like to thank all the people in the areas I conducted my fieldwork (South Africa especially). I befriend many people who had enormous amounts of hospitality. Specifically, Mark, Bridgette and family as well as Omar, Pinky and Dr. Naidoo and family for letting me stay with them and truly going out of their way to help my research efforts. Many thanks goes to a large list of others that I interviewed. -
Pride, Not Prejudice 3
The Yard | 2016 Yard Arts Summer Season | Pride, Not Prejudice 3 CONTACT: David R White 508-338-2019 Alison Manning 646-696-1768 Sofia Strempek (press inquiries) 415-572-7465 Information, Tickets & Groups 508-645-9662 FOR IMMEDIATE LISTING and RELEASE July 12, 2016 PRIDE, NOT PREJUDICE RETURNS TO THE VINEYARD WITH 5 PULSING EVENTS IN THE SPIRIT OF ORLANDO - COME VIEW, SHARE & DANCE IN AN INCLUSIVE CELEBRATION OF DIFFERENCE “Dancing is not just getting up painlessly, like a leaf blown on the wind; dancing is when you tear your heart out and rise out of your body to hang suspended between the worlds.” - RUMI The Yard presents PRIDE, NOT PREJUDICE for a third straight year, this season honoring the memory of the free spirit victims of the Pulse Club tragedy in Orlando, and expanding from The Yard in Chilmark to Featherstone Center for the Arts and the A Gallery in Oak Bluffs. This season, 4 outstanding women artists are featured in the celebration: Cherdonna Shinatra is the ideal dance/drag bio-fem performance artist to create outlandish hilarity and waterfalls of mascara. Tiffany Chandelle leads a “Heels” dance workshop. In high-end rave mode, DJ Rekha (some may remember her last sold-out dance-tastic Yard DANCEHALL in 2014) is all beat and heat as she raises the temp/tempo on the dance floor with her highly acclaimed “basement bhangra” stylings, mixing the the pulsing rhythms of India and the Indian Diaspora via London and New York, where she is a DJ in high demand. And Oak Bluff’s A Gallery presents a special PRIDE exhibit with international visual artist Zunia Boucher-Myers, a chronicler of lesbian culture and sexual fluidity in South Africa. -
Historical Census Statistics on the Foreign-Born Population of the United States: 1850 to 2000
Population Division HISTORICAL CENSUS STATISTICS ON THE FOREIGN-BORN POPULATION OF THE UNITED STATES: 1850 TO 2000 By Campbell Gibson and Kay Jung Working Paper No. 81 HISTORICAL CENSUS STATISTICS ON THE FOREIGN-BORN POPULATION OF THE UNITED STATES: 1850 TO 2000 by Campbell Gibson and Kay Jung Population Division Working Paper No. 81 U.S. Census Bureau Washington, DC 20233 Date February, 2006 This report is released to inform interested parties of research and to encourage discussion. The views expressed on statistical, methodological, or technical issues are those of the authors and not necessarily those of the U.S. Census Bureau. Acknowledgments This working paper was prepared in Population Division. The authors thank Frank Hobbs, Cynthia Davis, Paul Mackun, and Phil Gbur for their review and comments. Abstract This working paper presents selected decennial census data on the foreign-born population of the United States from 1850 to 2000. Other reports on historical census statistics for the United States The following six reports present historical census statistics that are more detailed and/or more recent than historical census statistics published in reports from the decennial census of population or in Historical Statistics of the United States: Colonial Times to 1970 (U.S. Bureau of the Census, 1975a). Population of States and Counties of the United States: 1790 - 1990, by Richard L. Forstall. U.S. Bureau of the Census. Washington, DC: U.S. Government Printing Office, 1996. Data for the 1900 to 1990 period are available also on the Census Bureau’s Internet site at <www.census.gov/population/www/censusdata/hiscendata.html>. -
Indo-Caribbean Masculinities, Chutney Genealogies, and Qoolie Subjectivities
Middle Atlantic Review of Latin American Studies, 2020 Vol. 4, No. 2, 56-86 “Meh Just Realize I’s Ah Coolie Bai”: Indo-Caribbean Masculinities, Chutney Genealogies, and Qoolie Subjectivities Ryan Persadie Women and Gender Studies Institute University of Toronto [email protected] In the Anglophone Caribbean, nationalist discourses of sexual citizenship are inextricably linked to the afterlife of colonialism and its far-reaching and affective legacies, resonances, and continuities as it reinscribes alterity on the bodies of sexual and gendered “others.” Focusing our optics on the Indo-Caribbean, I explore how archives of chutney music offer disruptive methods, strategies, and praxes of transgression that trouble discourses of “normative” Creole (Afro-Caribbean) and heteronormative nationalisms as “authentic” ideologies of Indo- Caribbean gendering—notably, masculinity. Drawing upon historical genealogies of sexual- sacred erotics found within the Hindu, women-exclusive, pre-wedding Indo-Caribbean tradition of matikor, I interrogate how men artists in chutney music spaces perform what I conceptualize as “qoolie subjectivities,” or distinct embodied languages of self that operate through what I argue are long-standing entanglements of Indo-Caribbeanness and queerness that, when excavated via the body, cultivate critical forms of Indo-Caribbean knowing and living. In this essay, I specifically focus on acts of remaking the pejorative term “coolie” from a grammar of harm to one of reclamation, and agentive potential. Such performances choreograph embodiments of erotic self-making, or “qoolieness,” as methods of pursuing transgressive Indo-Caribbean means of doing nonnormative gender and sexuality, offering us important vocalities that speak through genealogies of (post)indentureship chutney feminisms. -
Maximum INDIA India Review Special Edition
spin:Layout 1 5/27/2011 4:41 PM Page 1 INDIA REVIEW SPECIAL EDITION CELEBRATING CELEBRATING CELEBRATING a Civilization a Civilization MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 1 march 1–20, 2011 G the kennedy center, washington, dc MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 2 MESSAGE AMBASSADOR OF INDIA 2107 MASSACHUSETTS AVE. N.W WASHINGTON. D.C. 20008 April 4, 2011. Meera Shankar Ambassador of India The ‘maximum lNDlA’ festival hosted by the John F. Kennedy Centre for the Performing Arts in cooperation with the Indian Council of Cultural Relations and the Embassy from March 1-20, 2011 was a resounding success. As a co-sponsor of the festival, the Embassy was proud to be associated with ‘maximum lNDIA’. A festival of this magnitude to present India’s arts and culture in the U.S. was held after a gap of twenty five years. Our American friends were able to see and experience the rich diversity of art and culture from different parts of India under one roof — Indian dance, music, theatre, crafts, cuisine, literature and cinema. The milling crowds and sold out performances were a testimony to the tremendous interest and goodwill that Indian culture enjoys in the United States. ‘maximum INDlA’ also served as a unique opportunity for the people of India and the United States to rejoice in the steadily strengthening partnership between our two great democracies. I would like to congratulate Chairman David Rubenstein, President Michael Kaiser, Vice-President Alicia Adams and their entire team at the Kennedy Centre for their flawless execution of this large-scale project. -
Aa ` TYR]]V XV W`C 3;A+
' VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( ./0$.%"123& //0 ,)-"*. ()$*+ 9=754 5 94 '389A 65054 =;5 390 .394 %53; 5417340 94 3 73;941 ;3150: 34;99913;9=4 <15 <5/3 43;9=4 7531<5 >7 !)$!? .." !#@ >3 2 5 3 4, , 2545236 ' 2&7 !"# $!%&%' ()*!*+! ! "$% !& Q R (( 456 05789 Modi said the assorted parties agement and improve social cannot work and see eye to eye connectivity with people. ismissing the Opposition but have been forced to come “Booth hamari choki hain, usi ! DMahagathbandhan as a together as “people have choki per hamara killa khara group without a “charitra” accepted us, our programme hai (polling booth is our main (character) and laden with and the party, and our popu- foundation on which our forte confused “niti” (policy) and larity has increased.” is standing),” he said. corrupt “niyat” (intention), Making light of the Union Law Minister Ravi Prime Minister Narendra Modi Congress and other Opposition Shankar Prasad gave details of on Sunday declared his party parties joining hands to defeat the PM’s speech after curtain sees “no challenge from any- the BJP in the 2019 Lok Sabha came down on BJP’s highest where” in 2019 and claimed polls, Modi said, “Even small- decision-making body meet. that none in the Opposition er parties see Congress leader- BJP president Amit Shah, alliance is ready to accept ship as a burden.” He said the who also addressed the meet, Congress leadership. non-acceptance of the current asked workers to connect with (, 456 05789 “Mahagathbandhan ke Congress leadership is there 22 crore families in the coun- charitra ka pata nahin, niti ash- within the Congress party itself. -
2010 Census of Population and Housing Technical Documentation
Guam Detailed Crosstabulations (Part 1) Issued March 2014 2010 Census of Population and Housing DCT1GU/10-1 (RV) Technical Documentation U.S. Department of Commerce Economics and Statistics Administration U.S. CENSUS BUREAU For additional information concerning the files, contact the Customer Liaison and Marketing Services Office, Customer Services Center, U.S. Census Bureau, Washington, DC 20233, or phone 301-763-INFO (4636). For additional information concerning the technical documentation, contact the Administrative and Customer Services Division, Electronic Products Development Branch, U.S. Census Bureau, Washington, DC 20233, or phone 301-763-8004. Guam Detailed Crosstabulations (Part 1) Issued March 2014 2010 Census of Population and Housing DCT1GU/10-1 (RV) Technical Documentation U.S. Department of Commerce Penny Pritzker, Secretary Vacant, Deputy Secretary Economics and Statistics Administration Mark Doms, Under Secretary for Economic Affairs U.S. CENSUS BUREAU John H. Thompson, Director SUGGESTED CITATION 2010 Census of Population and Housing, Guam Detailed Crosstabulations (Part 1): Technical Documentation U.S. Census Bureau, 2014 ECONOMICS AND STATISTICS ADMINISTRATION Economics and Statistics Administration Mark Doms, Under Secretary for Economic Affairs U.S. CENSUS BUREAU John H. Thompson, Director Nancy A. Potok, Deputy Director and Chief Operating Officer Frank A. Vitrano, Acting Associate Director for Decennial Census Enrique J. Lamas, Associate Director for Demographic Programs William W. Hatcher, Jr., Associate Director for Field Operations CONTENTS CHAPTERS 1. Abstract ................................................ 1-1 2. List of Tables ............................................ 2-1 3. Table Finding Guide ....................................... 3-1 4. 2010 Census: Operational Overview and Accuracy of the Data ....... 4-1 5. User Updates ............................................ 5-1 APPENDIXES A. Geographic Terms and Concepts ............................ -
The Smithsonian Beside Itself: Exhibiting Indian Americans in the Era of New India
The Smithsonian Beside Itself: Exhibiting Indian Americans in the Era of New India Item Type Article Authors Srinivasan, Ragini Tharoor Citation The Smithsonian Beside Itself: Exhibiting Indian Americans in the Era of New India 2015, 1 (2):158 Verge: Studies in Global Asias DOI 10.5749/vergstudglobasia.1.2.0158 Publisher University of Minnesota Press Journal Verge: Studies in Global Asias Rights Copyright © 2015 University of Minnesota Press. Download date 07/10/2021 20:27:29 Item License http://rightsstatements.org/vocab/InC/1.0/ Version Final accepted manuscript Link to Item http://hdl.handle.net/10150/625791 Ragini Tharoor Srinivasan University of California, Berkeley Verge: Studies in Global Asias 1.2, 2015: 158-191. The Smithsonian Beside Itself: Exhibiting Indian Americans in the Era of New India Halfway through the Beyond Bollywood exhibition at the National Museum of Natural History (NMNH) in Washington, D.C., near the taxi stand and the installation of the Arch Motel, next to Vinod Dham’s Pentium chip and around the corner from DJ Rekha, is Ruee Gawarikar’s “The Goddess of Visas” (2013). The accompanying text panel describes the painting as “a humorous take on the tedious and anxiety-ridden process of applying for a work visa, the goddess holds a keyboard while benevolently showering her devotees with the ultimate blessing: the elusive H-1B visa...She leads her followers smoothly through the long process, influencing the minds of visa officers and showing dreams of a better life.” In fact, the painting is more interesting than its description suggests (Figure 1). A thick-fingered, unsmiling goddess stands on the head of an open-mouthed, balding man with sharp teeth and stricken eyes; the keyboard in one of her many clawed hands is brandished as a weapon.