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Double-Edged Sword’
2 | Wednesday, August 25, 2021 HONG KONG EDITION | CHINA DAILY PAGE TWO Music: Internet a ‘double-edged sword’ Supporters attend a pop concert in Jianghan Road in downtown Wuhan, Hubei province, on Oct 31. Online reality shows play a key role in advancing a singer’s career. ZHAO JUN / FOR CHINA DAILY From page 1 theme song for the popular drama A Beijing Native in New York, in 1993, and Heroes’ Although the internet helps showcase Song for the 1997 TV series Shui Hu Zhuan new talent, which connects with fans (The Water Margin). through social media platforms, such plat- He also wrote and performed Asian forms can be a double-edged sword. Mighty Winds, the official theme song for Liu said figures suggest the music scene in the 1990 Asian Games in Beijing, and You China is booming. The 2021 International and Me, the theme song for the 2008 Bei- Federation of the Phonographic Industry jing Olympics, which he performed with annual Global Music Report ranked the British singer Sarah Brightman. nation as the seventh-largest music market It is not the first time that Liu has voiced last year. his concerns about the music scene. In 2019, According to the year-end report on Chi- when he appeared on Hunan Satellite TV’s na’s music market released by domestic reality show Singer, he said the pop music online music entertainment platform Ten- industry in China was in crisis and he called cent Music Entertainment Group, or TME, for domestic singer-songwriters to produce more than 748,000 new songs were written “good original music”. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
Chinese Music Reality Shows: a Case Study
Chinese Music Reality Shows: A Case Study A Thesis Submitted to the Faculty of Drexel University by Zhengyuan Bi In partial fulfillment of the requirements for the degree of Master of Science in Television Management January 2017 ii © Copyright 2017 Zhengyuan Bi All Right Reserved. iii DEDICATION I dedicate this thesis to my family and my friends, with a special feeling of gratitude to my loving parents, my friends Queena Ai, Eileen Zhou and Lili Mao, and my former boss Kenny Lam. I will always appreciate their love and support! iv ACKNOWLEDGMENTS I would like to take this opportunity to thank my thesis advisor Philip Salas and Television Management Program Director Al Tedesco for their great support and guidance during my studies at Drexel University. I would also like to thank Katherine Houseman for her kind support and assistance. I truly appreciate their generous contribution to me and all the students. I would also like to thank all the faculty of Westphal College of Media Arts & Design, all the classmates that have studied with me for these two years. We are forever friends and the best wishes to each of you! v Table of Contents DEDICATION ………………………………………………………………………………..iii ACKNOWLEDGEMENTS…………………………………………………………………...iv ABSTRACT……………………………………………………………………………………vii Chapter 1: Introduction………………………………………………………………………..1 1.1 Introduction………………………………………………………………………………...3 1.2 Statement of the Problem…………………………………………….................................3 1.3 Background…………………………………………………………………………………4 1.4 Purpose of the study…………………………………………………………………….....5 -
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy. -
China Pop Love, Patriotism and the State in China’S Music Sphere
115 CHINA POP LOVE, PATRIOTISM AND THE STATE IN CHINA’S MUSIC SPHERE ANDREAS STEEN Popular culture in China is highly dynamic, involving individuals and private companies, both local and international, as well as state-governed institutions. The mass media and new communication technologies naturally play an impor- tant role in production, selection and dissemination, while also increasing in- teraction with international trends and standards. Sheldon H. Lu underscores popular culture’s importance in today’s China by emphasizing that it is “a dein- ing characteristic of Chinese postmodernity”.1 To him, three factors are crucial, namely it’s potential to undermine the censorship and “hard-line” cultural he- gemony of the Chinese Communist Party (CCP), its rise as a “major player in the commodiication process,” and “its sugar-coated apoliticism, [which] paciies the masses and represses the memory of China’s political reality” (ibid.). Popular cul- ture, therefore, is the battleground of various ideologies, forces and interests. Its ambivalent and complex entanglement with politics, society and the musical in- dustry is also addressed in the work of other scholars, such as Kevin Latham, who expresses that “understanding Chinese popular culture very often requires care- ful attention to how precisely the state is involved in and related to forms of social and cultural activity and practices. Popular culture does not exist outside of or in contrast to the state but very often in a constant and evolving dialogue with it.”2 This article looks at both conlicts and dialogue in the realm of popular music and attempts to lay out the main contours of China’s current popular music scene. -
Title the Cultural Politics of Introducing Popular Music Into China's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by HKU Scholars Hub The cultural politics of introducing popular music into China's Title music education Author(s) Ho, WC; Law, WW Citation Popular Music And Society, 2012, v. 35 n. 3, p. 399-425 Issued Date 2012 URL http://hdl.handle.net/10722/175532 This is an electronic version of an article published in Popular Music And Society, 2012, v. 35 n. 3, p. 399-425. The Journal Rights article is available online at: http://www.tandfonline.com/doi/abs/10.1080/03007766.2011.5679 16 1 The Cultural Politics of Introducing Popular Music into China’s Music Education The Cultural Politics of Introducing Popular Music into China’s Music Education Wai-Chung Ho and Wing-Wah Law Since embarking on its course of economic reform and opening up to the world in the late 1970s, China has moved from a planned economy to a socialist-market economy; the resultant social and cultural changes have been many, and are reflected in the country’s school music curriculum. This paper first introduces the historical background of popular music in the community and in school music in China in the twentieth century. Second, it explores the reform of music education that has, from the turn of the millennium, included popular music in school music education. This is followed by a discussion of the integration of popular music into the school curriculum in terms of how music education and cultural politics are shaped by the social and political relationships between: (i) contemporary cultural and social values and traditional Chinese ideologies; (ii) collectivism and individualism; and (iii) nationalism and globalism. -
MOST POPULAR CATEGORY NOMINEES (Open for Public Voting)
APPENDIX 2 – MOST POPULAR CATEGORY NOMINEES (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 罗志祥 Show Luo 2 林宥嘉 Yoga Lin 3 林俊杰 JJ Lin 4 卢广仲 Crowd Lu 5 周杰伦 Jay Chou 6 王力宏 Wang Lee Hom 7 方大同 Khalil Fong 8 陈奕迅 Eason Chan 9 黄靖伦 Huang Jing Lun 10 萧敬腾 Jam Hsiao B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 ( 阿密特) A-Mei 2 萧亚轩 Elva Hsiao 3 张芸京 Zhang Yun Jing 4 孙燕姿 Stefanie Sun 5 梁静茹 Fish Leong 6 徐佳莹 Lala Hsu 7 杨丞琳 Rainie Yang 8 张韶涵 Angela Chang 9 梁文音 Liang Wen Yin 10 蔡依林 Jolin Tsai 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 伍家辉 Wu Jiahui 2 Olivia Ong Olivia Ong 3 孙燕姿 Stefanie Sun 4 林俊杰 JJ Lin 5 阿杜 A-Do 6 蔡健雅 Tanya Chua 7 蔡淳佳 Joi Chua 8 陈伟联 Chen Weilian 9 何维健 Derrick Ho 10 黄靖伦 Huang Jing Lun D. e 乐人气乐团 Most Popular Band 1 五月天 Mayday 2 苏打绿 Soda Green 3 纵贯线 Superband 4 F.I.R. F.I.R. 5 Tizzy Bac Tizzy Bac E. e 乐人气组合 Most Popular Group 1 SHE SHE 2 飞轮海 Fahrenheit 3 BY2 BY2 4 大嘴巴 Da Mouth 5 棒棒堂 Lollipop F. e 乐人气海外新人 Most Popular Regional Newcomer 1 郭书瑶 ( 瑶瑶) Yao Yao 2 张芸京 Zhang Yun Jing 3 潘裕文 Peter Pan 4 徐佳莹 Lala Hsu 5 纵贯线 Superband 6 棉花糖 KatnCandiX2 7 黄鸿升 ( 小鬼) Alien Huang (Xiao Gui) 8 谢和弦 Chord 9 袁咏琳 Cindy Yen 10 梁文音 Liang Wen Ying 2 G. -
Sodagreen Does It Again
SUNDAY, JULY 6 , 2 0 0 8 PAGE 1 3 — The 19th Golden Melody Awards nominees and winners — Pop Music category (演唱類) ◆ Best Song ◆ Best Mandarin Male Singer 最佳年度歌曲 最佳國語男歌手獎 * Incomparable Beauty (無與倫比的美麗) in * ������������Eason Chan (陳奕迅) for Admit It (認了吧) Incomparable Beauty (無與倫比的美麗) by * ��������Tank for Keep Fighting (延長比賽) Sodagreen (蘇打綠) * ������Shin (信) for I Am I (我就是我) * Darwin (達爾文) in Goodbye & Hello by Tanya * Y������������ang Pei-an (楊培安) for Pei-an Yang’s Album Chua (蔡健雅) No. 2 (楊培安II) * Blue and White Porcelain (青花瓷) in On the * G����������ary Tsao (曹格) for Super Sunshine Run (我很忙) by Jay Chou (周杰倫) * �������������Khalil Fong (方大同) for Wonderland (未來) * Love Song in Wonderland (未來) Khalil Fong (方大同) ◆ Best Taiwanese Male Singer * Against the Light (逆光) in Against the Light 最佳台語男歌手獎 (逆光) by Stefanie Sun (孫燕姿) * Shih W��������en-bin (施文彬) for Be Together * Blink of an Eye (一眼瞬間) in Star by A-mei Tonight (今夜我陪你) (張惠妹) * W��������ang Shi-x�����ian (王識賢) for Man of Iron (堅強) P13 * Hsiao Huang-chi (蕭煌奇) for Love Songs ◆ Best Mandarin Album 真情歌 P13 ( ) 最佳國語專輯獎 * Incomparable Beauty (無與倫比的美麗) by ◆ Best Mandarin Female Singer Features Sodagreen (蘇打綠) 最佳國語女歌手獎 * Star by A-mei (張惠妹) 張惠妹 Features * �������A-mei ( ) for Star * Against the Light (逆光) by Stefanie Sun (孫燕 * ��������������Stefanie Sun (孫燕姿) for Against the Light 姿) (逆光) * Goodbye & Hello by Tanya Chua (蔡健雅) * ������������Fish Leong (梁靜茹) for J’Adore (崇拜) Live Is … (拉活) by Karen Mok (莫文蔚) * ������������Tanya Chua (蔡健雅) for Goodbye & Hello Sodagreen does it again * On the Run (我很忙) by Jay Chou (周杰倫) * �����������Karen Mok (莫文蔚) for Live Is … (拉活) * ����������Joi Tsai (蔡淳佳) for Joi Blessed (慶幸擁有) Despite a slew of nominations and gongs, Jay Chou shunned this year’s Golden Melody Awards ◆ Best Taiwanese-language Album 最佳台語專輯獎 ◆ Best Taiwanese Female Singer BY HO YI 人間有愛 最佳台語女歌手獎 STAFF REPORTER * Love of Life III – Companionship ( 3—歡喜作伴) from TV sound track * ������������Chen Si-an (陳思安) for Appreciation (體會) 真情歌 蕭 an evening that saw the took place at Taipei Arena (台北巨 ceremony. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Images of the Female Singer The Structural Characteristics of Taiwanese Mandopop Music Videos by Liu, Chu-Ying Thesis for the degree of Doctor of Philosophy May 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Department of Film Studies Thesis for the degree of Doctor of Philosophy IMAGES OF THE FEMALE SINGER THE STRUCTURAL CHARACTERISTICS OF TAIWANESE MANDOPOP MUSIC VIDEOS Liu, Chu-Ying Music video visually communicates with music, in a storytelling manner with direct or subliminal messages to audiences. It encompasses many discourses over different contexts, and often used in contradictory ways to embody gendered aesthetic values of authenticity. This thesis sets out to investigate Taiwanese Mandopop female stars and their representations in the music videos seen in the Mandopop industry. -
China Daily 0207 B8.Indd
20 lifepulse THURSDAY, FEBRUARY 7, 2013 CHINA DAILY SMALL BITES Human safety net SPRING FESTIVAL BEIJING Yu Restaurant at the Ritz-Carlton At the Ritz-Carlton Beijing, executive chef Ku Chi-fai has When things go wrong for travelers, a train station patrol dreamed up reunion dinner sets that are both delicious and aus- picious, in the best festive tradition. Th e Cantonese chef’s sig- Zhao Yinan nature gourmet luxury dishes are available for a Spring Festival offi cer is ready to help, reports in Beijing. Eve set dinner available on Saturday, Feb 9, from 6 pm to 10 pm, at 6,888 yuan ($1,090) per table of 10, plus 15 percent service hen Zhang Runqiu charge. For last-minute shoppers for the Lunar New Year, there encountered Ma are also gift hampers available. 010-5908-8111. Zhongmei and her husband during Shang Palace at the Shangri-la a regular patrol at Th e Shangri-la’s WBeijing South Railway Station, the Chinese res- young couple was helping their baby taurant, Shang to breathe from an oxygen bag. Palace, prepares The mother, sitting on a large pile a double option of quilts and holding the infant in her for diners. Th e arms, was weeping quietly. Standing banquet hall beside her was her husband, holding will be open the oxygen pillow, which was connect- on Lunar New CHINAFACE ed by a transparent Year’s Eve for plastic tube to the reunion dinner baby. sets, and the Even to a veteran railway worker Shang Palace itself will also serve sets in the dining room and like Zhang, whose main job is assisting the private parlors. -
Heritage X Music Festival Online Concerts – Back by Popular Demand! Star-Studded Line-Up of International and Local Artists
Press Release Heritage x Music Festival Online Concerts – Back by popular demand! Star-studded line-up of international and local artists (23rd March, 2021, Hong Kong) Heritage x Music Festival online concerts are back by popular demand after the launch of January and February’s online concerts. Haw Par Music will bring 2 concerts featuring an impressive roster of star-studded artists and legends on 26 March (Fri) and 3 April (Sat) for coming Spring season. The first concert on Friday, 26 March, we have “Jazzin’ it up with Ted Lo and Friends”, Hong Kong jazz legend Ted Lo, and renowned bassist Sylvain Gagnon and versatile drummer Anthony Fernandes. Moving forward to the next concert on Saturday 3 April - “An Evening with Franz Schubert”, a fantastic line-up of guest artists including Richard Bamping, Principal Cellist and Wang Liang, Second Associate Concertmaster, both of the HK Philharmonic Orchestra respectively, along with 15-year old violin rising star, Hannah Tam, joined by our faculty Anna Kwan of the HK Philharmonic Orchestra and Johnny SUN Yu, former Principal Solo Violist of Leipzig Gewandhaus. Performance Programme includes: String Quintet in C Major, D.956, and Quartettsatz in C Minor, D.703. At the tender age of 15, Hannah has already won First Prize (age 8-11 category) and Final Grand Prize at the Andrea Postacchini International Competition in Italy. In July 2017 she won First Prize (age under 15 category) and the Baroque Prize in the Kloster Schöntal International Violin Competition in Germany. “Heritage x Music Festival – Spring Concert” will be live streamed online for free. -
Stargazer: Khalil Fong
+ + uestions + ++ + ith Q answers w khalil fong halil Fong is a soul-pop star who is taking the Asian music scene by storm, with sold-out concerts full of cheering fans. “Fong’s Kconcerts are cherished events that attract industry people and music aficionados” writes the Taipei Times. The publication also says, with “his smoldering voice and his beautifully crafted . songs, he has been conquering radio and television in Taiwan.” Another journalist calls him “one of the best musicians to come out of the Hong Kong music scene in recent years.” Khalil, who is 26, was born in Hawaii. When he was six, he and his family moved to China, in part to connect with their Chinese culture. Khalil started writing music in his teens and taught himself to play piano and guitar. At 19, he was hired by Warner Music Hong Kong as a songwriter. Warner later released his first CD, Soul Boy. Khalil has since produced five CDs in three languages—Mandarin, English, and Cantonese. He’s won many awards in Hong Kong, where he lives with his family. He has also been honored as a top musician in Korea, Taiwan, China, Singapore, and Malaysia. Q. What’s your favorite childhood memory? Going to farmers’ markets in Hawaii and having fresh coconut [from] this guy named Coconut Joe. He would climb the coconut trees . [and] sell them in his small truck. He’d have this big cane knife, and he’d just cut the top open and give you a straw, and you’d have the coconut juice.