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新加坡e 乐大赏singapore Entertainment Awards 2014 人气奖项投选
新加坡 e 乐大赏 Singapore Entertainment Awards 2014 人气奖项投选名单 Most Popular Categories (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 毕书尽 Bii 2 胡夏 Hu Xia 3 林俊杰 JJ Lin 4 杨宗纬 Aska Yang 5 萧敬腾 Jam Hsiao 6 罗志祥 Show Luo 7 黄鸿升 Alien Huang 8 周杰伦 Jay Chou 9 王力宏 Wang Lee Hom 10 严爵 Yen-J B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 A-Mei 2 蔡健雅 Tanya Chua 3 白安 Ann 4 戴佩妮 Penny Tai 5 丁当 Della Ding Dang 6 蔡依林 Jolin Tsai 7 孙燕姿 Stefanie Sun 8 杨丞琳 Rainie Yang 9 何韵诗 Denise Ho 10 田馥甄 Hebe Tien 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 孙燕姿 Stefanie Sun 2 蔡淳佳 Joi Chua 3 乔毓明 Ming Bridges 4 何维健 Derrick Hoh 5 黄义达 Huang Yida 6 蔡健雅 Tanya Chua 7 麦克疯 MICappella 8 插班生 The Freshman 9 Olivia Ong Olivia Ong 10 林俊杰 JJ Lin D. e 乐人气乐团 Most Popular Band 1 飞儿乐团 F.I.R 2 旺福 Won Fu 3 苏打绿 sodagreen 4 五月天 Mayday 5 MP 魔幻力量 Magic Power E. e 乐人气组合 Most Popular Group 1 Popu Lady Popu Lady 2 EXO-M EXO-M 3 Super Junior-M Super Junior-M 4 动力火车 Power Station 5 S.H.E S.H.E 2 F. e 乐人气华语 MV Most Popular Music Video (C-pop) 歌名 歌手 1 渺小 田馥甄 2 Come Back To Me Bii 毕书尽 3 其实都没有 杨宗纬 4 纯属意外 戴佩妮 5 再遇见 苏打绿 6 天使之翼 杨丞琳 7 黑暗骑士 林俊杰 8 爱投罗网 罗志祥 9 恋爱元气弹 Popu Lady 10 超有感 黄鸿升 G. -
ST/LIFE/PAGE<LIF-010>
D10 life | THE STRAITS TIMES | MONDAY, JULY 13, 2015 | Tsai Chin, storyteller extraordinaire REVIEW/CONCERT CAI QIN SINGAPORE CONCERT 2015 AUSPICIOUS SIGNS TheStar Theatre, The Star Performing Arts Centre/ Last Saturday Theresa Tan Taiwanese evergreen singer Cai Qin, or Tsai Chin, to her English-speaking fans, is a stunner. She is not known for her looks, but for her sultry powerhouse vocals in a career spanning more than 30 years. She wowed the audience at her sold-out concert when she appeared slimmer, sharper and striking in a shimmery purple gown. The 57-year-old told the 5,000-strong audience: “I’m the real deal. My looks improve as I age.” She kicked off her performance with the concert’s upbeat theme song Auspicious Signs. And it was a sign of good things to come. For the 1 next 2 /2 hours, she teased and pleased the baby-boomer crowd. An old hand at entertaining, she did not just sing. She told stories of her life. She made you laugh. She got you to sing along. And she got you wanting more. Tsai dedicated her first segment to oldies such as Shen Mi Nu Lang (Mysterious Lady), Luo Hua Liu Shui (Falling Flower, Running Water) and Foolishly Waiting (Chi Chi De Deng). Her take on the melancholic Foolishly Waiting was hauntingly beautiful. She said the song, from the 1966 movie The Black And The Blue (Hei Yu Lan), was all the rage when she was a child and her parents used to take her and her three siblingsto watch live music performances. -
Choice of Foreign Names As a Strategy for Identity Management
Intercultural Communication Studies XVII: 2 2008 Cheang Choice of Foreign Names as a Strategy for Identity Management Justina Cheang, University of Macau Regardless of the fact that Macau’s dominating population are Chinese, English names, or to be more exact, foreign names, are favored and widely used, be it in the businesses, the government, or education institutions. Though Chinese (Cantonese) is spoken by most in the city, local Chinese people’s favor in the use of English/foreign names, whether they are students, civil servants, or working in the business, does reflect their taste and their desired image to be displayed to others. Interviews are conducted showing that people’s choice of English/foreign names are somehow a strategy for identity management – certain names are chosen to show a pleasant personality, or other desirable qualities that they wanted to project to others. It is interesting to note that, other than English names, people would choose Portuguese names, Japanese names, names of things (non-proper names), or even people’s own creation for use. A Chinese saying: “One does not fear if he/she has a bad fate; what one fears most is to be given a bad name.” Rather than a Chinese saying, this should also be a universal consideration when most parents all over the world are finding names for their children. Most people get their names when they are born, and very often they themselves are not involved in the decision-making. What if we get a chance to decide on our own name? To get a name by oneself is probably a very unique trend in Asia, and especially, the Chinese communities. -
Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought
Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 King Pong Chiu School of Arts, Languages and Cultures TABLE OF CONTENTS Table of Contents 2 List of Figures and Tables 4 List of Abbreviations 5 Abstract 7 Declaration and Copyright Statement 8 A Note on Transliteration 9 Acknowledgements 10 Chapter 1 - Research Questions, Methodology and Literature Review 11 1.1 Research Questions 11 1.2 Methodology 15 1.3 Literature Review 23 1.3.1 Historical Context 23 1.3.2 Thomé H. Fang and Huayan Thought 29 1.3.3 Tang Junyi and Huayan Thought 31 Chapter 2 – The Historical Context of Modern Confucian Thinkers’ Appropriations of Buddhist Ideas 33 2.1 ‘Ti ’ and ‘Yong ’ as a Theoretical Framework 33 2.2 Western Challenge and Chinese Response - An Overview 35 2.2.1 Declining Status of Confucianism since the Mid-Nineteenth Century 38 2.2.2 ‘Scientism’ as a Western Challenge in Early Twentieth Century China 44 2.2.3 Searching New Sources for Cultural Transformation as Chinese Response 49 2.3 Confucian Thinkers’ Appropriations of Buddhist Thought - An Overview 53 2.4 Classical Huayan Thought and its Modern Development 62 2.4.1 Brief History of the Huayan School in the Tang Dynasty 62 2.4.2 Foundation of Huayan Thought 65 2.4.3 Key Concepts of Huayan Thought 70 2.4.4 Modern Development of the Huayan School 82 2.5 Fang and Tang as Models of ‘Chinese Hermeneutics’- Preliminary Discussion 83 Chapter 3 - Thomé H. -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
Volume #2 / Issue #1 / OCTOBER 2011 南京权安 广告 苏印证: 20100046
Volume #2 / Issue #1 / OCTOBER 2011 南京权安 广告 苏印证: 20100046 It is a special time of year in Nanjing. The weather could not be bet- ter; clear blue skies, ideal temperatures and not a drop of rain (now that we have committed those words to print the gods may well have The Music something else in store). It is also the time of year that heralds the celebration of music that is the Nanjing International Jazz and World Sounds Better Music Festival. Read more herein. Our economics editor Geoff Gibson also likes to pass himself off as something of a musician, and we wager that’s the first time you’ve With You come across that combination! Indeed, it was difficult to curb his en- thusiasm for this issue; he shares with us some of the best spots in Nanjing to pick up a musical instrument or two. Wherever there is music, a DJ is never far away. He/she has also been with us for a lot longer than you may think; find out more in our explo- 南京，每年这个时候，空气中都充满了音乐的气味—— ration of the DJ’s role as shamen, architect of the dance. 又快到了一年一度南京爵士和世界音乐节的时候了。本期, 《南京人》中的照片在回顾去年音乐节的同时预告了2011 Elsewhere, our musical theme continues from the viewpoint of the 年音乐节内容。 MP3; while it has undoubtedly revolutionised music, for listeners and 运用现场音乐会作为广告手段来打入中国音乐迷的市场 musicians alike, the format also brings artists to question the very 的海外商业公司们对于中国正在成长、变化的商业市场做 interpretation of their album as an art form. 出新的市场开发策略。更多关于此主题的内容，请阅读本 文（中、英文）。 Finally, and with as much modesty as we can muster, we alert you 我们都知道DJ是干什么的，然而，并不是每个人都知道 to the fact that this edition of The Nanjinger sports on its cover the DJ这个职业早已与我们共存了几千个年头！翻阅本期杂 words “Volume 2, Issue 1”. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
许环良) Is Perhaps Best Known As the Record Producer Who Launched the Successful Careers of Singapore Singing Artistes Kit Chan ( 陈洁仪), JJ Lin （林俊杰）, A-Do ( 阿杜), and BY2
ARTICLE Billy Koh ( 许 环 良): The Butterfly and Its Dreams by Kong, Kam Yoke , written on 20th August 2010 National Library Board, Singapore Billy Koh, who has helped re-shape the Singapore Chinese pop music scene over the last 25 years, is best known as the record producer who launched the successful careers of Singapore singers Kit Chan, JJ Lin, A-Do and BY2. Considered one of the most instrumental and influential figures in the Singapore music industry, Billy Koh ( 许环良) is perhaps best known as the record producer who launched the successful careers of Singapore singing artistes Kit Chan ( 陈洁仪), JJ Lin （林俊杰）, A-Do ( 阿杜), and BY2. As the most recognised face from Ocean Butterflies Music Pte Ltd ( 海蝶音乐私人有限公 司), which Koh co-founded, he had, together with his team, re-shaped the landscape of the Singapore Chinese pop music scene over a span of a quarter of a century, carving a place for itself and creating a brand name that exerts an impact in Asia. In his nearly three-decade-long career, Koh has produced more than 150 albums and is credited for discovering and grooming many top artistes who made it big in Asia. For his contributions to the Singapore music industry, Koh was awarded the Meritorious Award and the Wings of Excellence Award by COMPASS in 2001 and 2005 respectively. It had all begun in 1981. Billy Koh had formed a singing group called The Straw ( 水草三重唱), together with his schoolmates, Koh Nam Seng ( 许南盛) and the late Sunkist Ng ( 黄元成), to participate in the television talent show “Chinese Talentime” ( 《斗歌竞艺》), which was one of the most watched shows then. -
Bamcinématek Presents Stephen Chow: the King of Comedy, Oct 6—12
BAMcinématek presents Stephen Chow: The King of Comedy, Oct 6—12 “The reigning king of Hong Kong comedy.”—J. Hoberman Co-presented with the Hong Kong Economic and Trade Office in New York. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Sep 8, 2014—From Monday, October 6 through Sunday, October 12, BAMcinématek presents Stephen Chow: The King of Comedy, an eight-film retrospective of the Hong Kong actor, writer, and director. Chow’s audaciously anarchic comedies combine surreal sight gags, non sequiturs, extensive pop culture quoting, and gravity-defying martial arts to sublimely silly effect. Endlessly inventive, the reigning king of Hong Kong mo lei tau (―nonsense comedy‖) yields unfiltered cinematic pleasure. Initially prominent as a children’s television star, Chow became synonymous with mo lei tau, a style of film comedy in which traditional melodramas and kung fu tales are peppered with rapid- fire, fourth-wall-breaking slapstick bits and corny puns. A bigger box-office draw in his homeland than Jackie Chan or Jet Li, Chow—who cites Spielberg and Kubrick, along with Jim Carrey, as influences—has used his clout in recent years to fashion himself as an auteur, scripting, editing, and directing a series of high-budget, homage-filled blockbusters. Typical of Chow’s earliest hits, Johnnie To’s Justice, My Foot! (1992—Oct 8) casts the actor as a fast-talking lawyer whose mouth gets him into trouble, and whose kung fu-fighting wife gets him out of it—one of many tough, smart heroines Chow uses as foils for his feckless alter egos. -
2007 Report Part I
TABLE OF CONTENTS 1 Letter from the Governor & Lt. Governor 2 Letter from the Chairman of the Committee 3 on Tourism, Maritime, Military, Veterans & Foreign Affairs 3 Letter from the Chairman of the Board 8 4 Letter from the General Manager 8 GVB Staff 11 9 Board of Directors 10 Election Restructure 13 11 40th Anniversary of Tourism on Guam 12 Website Update 13 Marketing 21 21 Destination Development & Maintenance 31 Research 31 45 Accounting 1 Senator James V. Espaldon I Mina’ Bente Nuebi Na Liheslaturan Guåhan Twenty-Ninth Guam Legislature Chairman • Committee on Judiciary, Natural Resources, Infrastructure and Cultural Affairs Chairman (Acting) • Committee on Tourism, Maritime, Military, Veterans and Foreign Affairs A Message from the Legislative Acting Chairman on Tourism HAFA ADAI! The year 2007 was full of many changes in Guam’s visitor industry. Local and off-island interests began a series of investments and acquisitions changing the ownership and the physical attributes of hotel properties along both Tumon Bay and Hagatna Bay. By all accounts, this renewed interest in investing in Guam’s number one industry will continue well into 2008! As the year went by, businesses were constantly tweaking their marketing plans to keep pace with market conditions impacted by rising fuel costs, fluctuations in the exchange rates, and the surge in competition by both Japanese and Korean domestic destinations. It is expected that these condi- tions will not change for the first three quarters of 2008. For the first time in many years, the Guam Visitors Bureau recognized the importance in developing a strategic vision to guide the industry’s growth. -
If Looks Could Thrill Cho Li’S Mystery Thriller Has Blockbuster Potential but Loses Its Suspense Early On
AROUND TOWN FRIDAY, APRIL 16, 2010 Spring is in the air Sandee Chan performs a concert tomorrow of classic hits and numbers from her upcoming album BY ANdrEW C.C. HUANG CONTRIBUTING REPORTER PERFORMANCE NOTES: WHAT: Sandee Chan — Spring Goddess Cometh (陳珊妮 — 春神來了) WHEN: Tomorrow at 8pm WHERE: Legacy Taipei, located at Huashan 1914 Creative Park (華山1914), Center Five Hall (中五館), 1, Bade Rd Sec 1, Taipei City (台北市八德路一段1號) ADMISSION: NT$600 in advance or NT$800 at the door. Tickets are andee Chan’s (陳珊妮) image as an ice queen is set to melt tomorrow available through ERA ticketing and when she ditches her goth-punk guise to unveil a new persona, that of online at www.ticket.com.tw spring goddess. ON THE NET: www.sandeechan.com As a prelude to the summer release of an as yet untitled spring- themed album, the singer, songwriter and producer is holding a Sconcert, dubbed Spring Goddess Cometh (春神來了), at Legacy Taipei tomorrow for which she will perform classic hits and new songs from the upcoming CD. “This new album is modern, retro, simple, youthful and laid-back,” Chan said in a phone interview with the Taipei Times last week. “It’s not as heavy as my previous works.” Chan won plaudits as the songstress of hits for heavyweight stars including Sammi Cheng (鄭秀文), Tony Leung (梁朝偉) and Faith Yang (楊乃文). Her career reached a new apogee in 2005 when she beat Jay Chou (周杰倫) to pick up the coveted Best Album Producer and the Best Mandarin- Language Album awards at the Golden Melody Awards for the extravagant love opus When We All Wept in Silence (後來我們都哭了).