ITEM 11 1 December 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Two Boys with a Bladder by Joseph Wright of Derby
RCEWA – Two Boys with a Bladder by Joseph Wright of Derby Statement of the Expert Adviser to the Secretary of State that the painting meets Waverley criteria two and three. Further Information The ‘Applicant’s statement’ and the ‘Note of Case History’ are available on the Arts Council Website: www.artscouncil.org.uk/reviewing-committee-case-hearings Please note that images and appendices referenced are not reproduced. EXECUTIVE SUMMARY 1. Brief Description of item(s) • What is it? A painting by Joseph Wright of Derby representing two boys in fancy dress and illuminated by candlelight, one of the boys is blowing a bladder as the other watches. • What is it made of? Oil paint on canvas • What are its measurements? 927 x 730 mm • Who is the artist/maker and what are their dates? Joseph Wright of Derby (1734-1797) • What date is the item? Probably 1768-70 • What condition is it in? Based upon a viewing of the work by the advisors and conservators, the face and costumes of the two boys are in good condition. However, dark paint throughout the background exhibits widespread retouched drying cracking and there are additional areas of clumsy reconstruction indicating underlying paint losses. 2. Context • Provenance In private ownership by the 1890s; thence by descent The early ownership of the picture, prior to the 1890s, is speculative and requires further investigation. The applicant has suggested one possible line of provenance, as detailed below. It has been mooted that this may be the painting referred to under a list of sold candlelight pictures in Wright’s account book as ‘Boys with a Bladder and its Companion to Ld. -
Joseph Wright
Made in Derby 2018 Profile Joseph Wright Derby’s most celebrated artist is known the world over. Derby Museums is home to the world’s largest collection of works by the 18th century artist. Joseph Wright of Derby is acknowledged officially as an “English landscape and portrait painter”. But his fame lies in being acclaimed as "the first professional painter to express the spirit of the Industrial Revolution", by experts. Candlelight, the contrast of light and dark, known as the chiaroscuro effect, and the birth of science out of the previously held beliefs of alchemy all feature in his works. The inspiration for Wright’s work owes much to meetings of the Lunar Society, a group of scientists and industrialists living in the Midlands, which sought to reconcile science and religion during the Age of Enlightenment. Wright was born in Iron Gate – where a commemorative obelisk now stands –in 1734, the son of Derby’s town clerk John Wright. He headed to London in 1751 to study to become a painter under Thomas Hudson but returned in 1753 to Derby. Wright went back to London again for a further period of training before returning to set up his own business in 1757. He married, had six children – one of whom died in infancy, son John, died aged 17 but the others survived to live full lives. In 1773, he took a trip to Italy for almost two years and this became the inspiration for some of his work featuring Mount Vesuvius. Stopping off to work for a while in Bath as a portrait painter, he finally returned to Derby in 1777, where he remained until his death at 28 Queen Street in 1797. -
Haddon Hall's Poems
HADDON HALL’S POEMS NINETEENTH CENTURY SENTIMENTS DAVID TRUTT Copyright © David Trutt 2007 All rights reserved. Haddon Hall’s Dorothy Vernon - The Story Of The Legend was published in 2006. The following people were very helpful during the formation of this book: Sandra Trutt provided much needed help and support. Kendra Spear digitized various engravings. Alastair Scrivener pointed out the use of the Haddon Hall illustration for the poem In The Olden Time. His Buxton bookshop has been the source of many hard-to-find books on Derbyshire and its environs. Revised October 2010: Pages 4, 6, 124 to reflect that the author of “A Legend of Haddon Hall” was John James Robert Manners 7th Duke of Rutland, and not as indicated, John Henry Manners 5th Duke of Rutland, his father. Both were alive in 1850 when English Ballads and Other Poems was published. Published by David Trutt Los Angeles, California USA [email protected] CONTENTS 3 Contents 3 Introduction 7 The Seven Foresters Of Chatsworth (1822) Allan Cunningham 11 The King Of The Peak, A Derbyshire Tale (1822) Allan Cunningham 21 The King Of The Peak, A Romance (1823) William Bennet 25 Haddon Hall, A Poetical Sketch (1823) John Holland 27 Haddon Hall, Bijou (1828) H. B. (Mary Hudson Balmanno) 37 Haddon Hall At The Present Day (1841) Benjamin Fenton 40 Haddon Hall Before 1840 Henry Alford (1836) 49 Henry Glassford Bell (1832) 50 Delta (David Moir) (1834) 52 George Bayldon (1838) 54 F. R. C. (1831) 55 Haddon, Reliquary (1863) Llewellynn Jewitt 56 The Elopement Door (1869) William Kingston Sawyer 57 Visiting Chatsworth and Haddon Hall (1860) E. -
Willersley: an Adam Castle in Derbyshire’, the Georgian Group Journal, Vol
Max Craven, ‘Willersley: an Adam castle in Derbyshire’, The Georgian Group Journal, Vol. XXII, 2014, pp. 109–122 TEXT © THE AUTHORS 2014 WILLERSLEY: AN ADAM CASTLE IN DERBYSHIRE MAXWELL CRAVEN ichard Arkwright, the cotton pioneer, first came Another aspect was architectural. At first, Rto Derbyshire in , when he set up a cotton Arkwright had been obliged to reside in Wirksworth, spinning mill at Cromford, on a somewhat restricted four miles away and, apart from the leased land on site, over which his operations expanded for a which his mills stood, he did not at first own any decade. His investment repaid the risk handsomely, land at Cromford, although he later built up a and from the s he began to relish his success and landholding piecemeal over the ensuing years. started to adapt to his upwardly mobile situation. Indeed, the manor and much of the land had One aspect of this was dynastic, which saw his only originally been owned by a lead merchant, Adam daughter Susannah marry Charles Hurt of Soresby, from whose childless son it had come to his Wirksworth Hall, a member of an old gentry family two sons-in-law, of whom one was William Milnes of and a partner, with his elder brother Francis, in a Aldercar Hall. He, in turn, bought out the other son- major ironworks nearby at Alderwasley. in-law, a parson, in . It would seem that by Fig. : William Day ( ‒ ) ‘ A View of the mills at Cromford’ , (Derby Museums Trust ) THE GEORGIAN GROUP JOURNAL VOLUME XXII WILLERSLEY : AN ADAM CASTLE IN DERBYSHIRE Milnes had been living in a house on The Rock, a bluff overlooking the Derwent at Cromford, which had previously been the Soresbys’. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
From the World's First Factory, to a Museum of Making
From the world’s first factory, to a Museum of Making Derby’s rich history and heritage is going to be celebrated in 2020 on the site of the world’s first factory, when the city opens a major new £17m museum. Run by Derby Museums, the Museum of Making - in the Derwent Valley Mills UNESCO World Heritage Site - will be a contemporary space telling Derby’s 300-year history of innovation and “making”. It will also be aimed, partly, at inspiring new creativity. Designed and made by the people and industries of Derby it will become a focal point for a dynamic calendar of exhibitions, workshops, activities and events. Revealing the whole building to the public for the very first time, the new Museum will display over 50,000 objects including the Rolls-Royce Eagle Engine, which helped power the first transatlantic flight 100 years ago in June 1919. This concept has been developed by Derby Museums in collaboration with the local community, it will help to shape the way in which Derby is understood and appreciated - thanks to the long list of innovators, makers and creators associated with the city. The Silk Mill of John and Thomas Lombe itself is believed to be the world’s first factory. The silk throwing machines in this building were based on machines studied by John Lombe in Italy - the designs of these having been copied and smuggled into England in an early example of industrial espionage. The layout of the mills, with a large number of people in two buildings doing a number of processes, was the prototype for the modern factory and was a model for the later textile mills built for Arkwright and partners 50 years later. -
Derbyshire Family History Society Sep 2019 Issue
Derbyshire Family History Society See Page 2 Horns Bridge, Chesterfield From an old postcard Sep 2019 Issue 170 SOCIETY CONTACTS Website: www.dfhs.org.uk Email: [email protected] Secretary: Ruth Barber, 6 Field Lane, Alvaston, Derby DE24 0GP Email: [email protected] Membership: Catherine Allsop-Martin, 9 Barnstaple Close, Oakwood, Derby DE21 2PQ. Email: [email protected] Editor: Helen Betteridge, 16 Buxton Road, Chaddesden, Derby DE21 4JJ. Email: [email protected] Chairman: Professor S. Orchard, Old Dale House, The Dale, Bonsall DE21 2AY Treasurer: Mike Bagworth, 233 Ladybank Rd, Mickleover DE3 0RR Email: [email protected] Book Sales: Linda Bull, 17 Penrhyn Avenue, Littleover, Derby DE23 6LB. Trip Organiser: Helena Coney, Dale House, 11a Dale End Road, Hilton Dbys DE65 5FW,. Email: [email protected] SOCIETY REFERENCE LIBRARY Bridge Chapel House, St Mary’s Bridge, Sowter Rd, Derby DE1 3AT Opening Hours: 10 a.m.—4 p.m. TUESDAY and THURSDAY 10 a.m.-4 p.m. SATURDAY BY APPOINTMENT ONLY The Society will give advice on the telephone [01332 363876 OPENING HOURS ONLY] and also by e-mail. Research can be carried out by post or by e-mail, both in our own library and also at Derby Local Studies and Mat- lock County Record Office. We ask for a donation of £5 and if more exten- sive research is required we will advise you before carrying out the work. MAGAZINE CONTRIBUTIONS The Editor will accept contributions both by post and by email. Large arti- cles covering more than 4/5 pages will possibly appear over two issues. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Matthew Boutlon and Francis Eginton's Mechanical
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product. -
Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
BHS Catalogue 1
BHS Catalogue Author, Compiler or Title Publisher Recipes and Quotations. 19th Annual sale of work 1910 Haynes, Mrs John A Textile Community in the Industrial Revolution Power, E.G. A Textile Community in the Industrial Revolution Power, E.G. A Textile Community in the Industrial Revolution Power, E.G. Herbert Strutt School 1909-1959. Sutton, Roland Herbert Strutt School 1909-1959. Sutton, Roland Herbert Strutt School 1909-1959. Sutton, Roland HistoryDerbyshire. of Derby The Peak& District Country affiliated Free Mee, Arthur. Churches Alger B A M Memorials of J. Horner Jenkins, First Vicar of Hazlewood Bland, William. The Official Guide to Belper History of the Fifth Battalion the Sherwood Foresters, Notts and Derby Regiment Grave, L.W. de Notes on the Churches of Derbyshire. Vol 1 Cox, Charles J. Notes on the Churches of Derbyshire. Vol 2 Cox, Charles J. Notes on the Churches of Derbyshire. Vol 3 Cox, Charles J. Notes on the Churches of Derbyshire. Vol 4 Cox, Charles J. The Ancient Customs of Derbyshire Porteous, Crichton Notes on the History of the County Borough of Derby, for exhibition at Derby Art Gallery Hanbury, W.H. The Evolution of Industry D M McGregor Flora of Derbyshire: flowering plants, higher Linton, William cryptogams, mosses and hepatics Richardson The Medieval Village Coulton, G.G. Memories of Paris, 1914-1919 Vincent, Mary 1 BHS Catalogue Author, Compiler or Title Publisher Memories of Paris, 1914-1920 Vincent, Mary Memories of Paris, 1914-1921 Vincent, Mary The story of the shire being the lore, history & evolution of English county Institutions Hackwood, Frederick W. -
The Derbyshire General Infirmary and The
Medical History, 2000, 46: 65-92 The Derbyshire General Infirmary and the Derby Philosophers: The Application of Industrial Architecture and Technology to Medical Institutions in Early-Nineteenth-Century England PAUL ELLIOTT* Though there have been various studies ofhospital architecture, few have examined in detail the application of industrial technology to medical institutions in the Enlightenment and early-nineteenth-century periods.' This paper tries to rectify this by offering a case study of one hospital, the Derbyshire General Infirmary (1810), where, principally under the inspiration of the cotton manufacturer, William Strutt FRS (1756-1830), a deliberate attempt was made to incorporate into a medical institution the latest "fireproof' building techniques with technology developed for * Paul Elliott, School of Geography, University of medicine in Manchester, 1788-1792: hospital Nottingham, University Park, Nottingham, NG7 reform and public health services in the early 2RD. industrial city', Med. Hist., 1984, 28: 227-49; F N L Poynter (ed.), The evolution of hospitals in I am grateful to Desmond King-Hele, Jonathan Britain, London, Pitman Medical, 1968; L Prior, Barry, Anne Borsay, William F Bynum and John 'The architecture of the hospital: a study of Pickstone for their helpful criticisms, and to John spatial organisation and medical knowledge', Br Pickstone for sending me copies of a couple of J. Sociol., 1988, 39: pp. 86-113; H Richardson his papers. (ed.), English hospitals, 1660-1948: a survey of their architecture and design, Swindon, Royal 'B Abel-Smith, The hospitals 1880-1948: a Commission on the Historical Monuments of study in social administration in England and England, 1998; E M Sigsworth, 'Gateways to Wales, London, Heinemann, 1964; A Berry, death? Medicine, hospitals and mortality, 'Patronage, funding and the hospital patient c.