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Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 26 AT 8.00 COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C, A. ELLIS, MANAGER M MELBA KUBELTK These world famous artists prefer and use exclusively Everywhere acknowledged to be, musically, the most beautiful piano the world has ever known. Send for a description of the MASON & HAM- LIN TENSION RESONATOR, the greatest discovery in pianoforte construction in the last fifty years. ESTABLISHED 1854 492-494 BOYLSTON STREET. BOSTON SANDERS THEATRE CAMBRIDGE HARVARD UNIVERSITY Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor SEVENTH CONCERT THURSDAY EVENING, MARCH 26 AT 8.00 PROGRAMME Chadwick Symphony No. 3, F major I, Allegro sostenuto. II. Larghetto. III. Vivace non troppo: L'istesso tempo. IV. Finale : Allegro molto energico. Wagner "A Siegfried Idyl Tschaikowsky . Concerto in D major, for Violin, Op. 35 I. Allegro moderato. II. Canzonetta: Andante. III. Finale: Allegro vivacissimo. Wagner • • Overture, "Tannhauser" SOLOIST FRITZ KREISLER There will be an intermission of ten minutes after the symphony 3 Victrolas $15 to $200 at Steinert's If you have a Victrola you should know how convenient and satis- factory it is to buy records at our stores. You can make selections from very large stocks. You will be pleased with the prompt, cour- teous and intelligent service. Mail orders promptly filled Accounts solicited Records delivered anywhere in New England We invite you to call and hear at either of our Boston stores 35 ARCH STREET STEINERT HALL Largest Exclusive Victor Store 162 BOYLSTON STREET in New England Piano and Victor Departments Branches in Bangor, Portland, Brockton, Fall River, New Bedford, Fitchburg, Worcester, Springfield, Lowell, Haverhill, Providence, Pawtucket, Manchester, New Haven, Bridgeport, and other principal cities. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Opera Houses in Kansas, Nebraska, and the Dakotas: 1870-1920
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1989 Opera Houses in Kansas, Nebraska, and The Dakotas: 1870-1920 Ronald L. Davis Southern Methodist University Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Davis, Ronald L., "Opera Houses in Kansas, Nebraska, and The Dakotas: 1870-1920" (1989). Great Plains Quarterly. 533. https://digitalcommons.unl.edu/greatplainsquarterly/533 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. OPERA HOUSES IN KANSAS, NEBRASKA, AND THE DAKOTAS: 1870 .. 1920 RONALD L. DAVIS As the last frontier approached an end, nearly ment in the community's social and cultural every town of any distinction on the Plains life, symbolic of civilization in the most exalted boasted an opera house. The term "opera house" sense. More a monument to local dreams of was preferred over "theater" since opera was grandeur than a profitable business, the opera considered a highly respected art form rather house became a rallying point for civic boost than mere popular amusement, even though erism, tangible proof that a town had come of grand opera itself was seldom actually performed age. Civic pride knew few limits. When Hallo's in the Great Plains. What the management of Opera House opened in Lincoln, Nebraska, in fered on its stage depended primarily on the 1873, it was proclaimed "the finest west of the town's proximity to a railroad, which in the late Missouri River"-definitely a challenge to more nineteenth century served as the major link to illustrious theaters in San Francisco. -
New Acquisitions
J & J LUBRANO MUSIC ANTIQUARIANS Item 23: The Prussian Quartets NEW ACQUISITIONS February 2014 351 West Neck Road, Lloyd Harbor, NY 11743 Telephone 631-549-0672 Fax 631-421-1677 [email protected] www.lubranomusic.com Autograph Manuscripts of “A... Composer Whose Music Embraces a Wide Variety of Contemporary Styles” 1. ADLER, Samuel born 1928. Drifting on Winds and Currents A Poem for Orchestra. Autograph musical manuscript sketches, ca. 2010. 4 pp. on two large oblong folio leaves (ca. 294 mm. x 286 mm.) notated in pencil on 18-stave music manuscript paper, each leaf signed by the composer and containing approximately 100 measures, primarily in short score. A working manuscript. The present was first performed by the Las Vegas Philharmonic with David Itkin conducting on November 20, 2010 in Las Vegas. Adler studied composition with Aaron Copland, Paul Fromm, Paul Hindemith, Hugo Norden, Walter Piston and Randall Thompson. "His works have been performed by major symphony orchestras, choral and chamber ensembles throughout the USA, Europe, South America and Israel... [He] is a prolific composer whose music embraces a wide variety of contemporary styles. His works exhibit great rhythmic vitality, with a predilection for asymmetrical rhythms and metres, and a keen sensitivity to counterpoint." Marie Rolf in Grove online A fine example of the composer's working methods. (22478) $1,200. 2. ADLER. Recalling the Yesterdays. Song cycle for mezzo soprano, flute, clarinet, violin, cello, piano and percussion, nos. 2: "The Saturday Matinee," 3: "Child of the Plains," 4: "The Medicine Keepers" and 5: "Season Song." Autograph musical manuscript full score, signed. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for over twenty years sought to draw attention to unexplored repertoire.␣ Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers.␣ At the same time it originally aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire.␣ Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions.␣ Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, Schwarzschwanenreich (The Kingdom of the Black Swan), and Bruder Lustig, which further explores the mysterious medieval world of German legend is now added Der Heidenkönig (The Heathen King).␣ Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action. -
Famous Composers and Their Music
iiii! J^ / Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/famouscomposerst05thom HAROLD BLEBLffiR^^ PROVO. UTAH DANIEL FRANCOIS ESPRIT AUBER From an engraving by C. Deblois, 7867. 41 .'^4/ rii'iiMia-"- '^'', Itamous COMPOSERS AND THEIR MUSIC EXTRA ILLUSTPATED EDITION o/' 1901 Edited by Theodore Thomas John Knowlej Paine (^ Karl Klauser ^^ n .em^fssfi BOSTON M'^ J B MILLET COMPANY m V'f l'o w i-s -< & Copyright, 1891 — 1894— 1901, By J. B. Millet Company. DANIEL FRANCOIS ESPRIT AUBER LIFE aiore peaceful, happy and making for himself a reputation in the fashionable regular, nay, even monotonous, or world. He was looked upon as an agreeable pianist one more devoid of incident than and a graceful composer, with sparkling and original Auber's, has never fallen to the ideas. He pleased the ladies by his irreproachable lot of any musician. Uniformly gallantry and the sterner sex by his wit and vivacity. harmonious, with but an occasional musical dis- During this early period of his life Auber produced sonance, the symphony of his life led up to its a number of lietier, serenade duets, and pieces of dramatic climax when the dying composer lay sur- drawing-room music, including a trio for the piano, rounded by the turmoil and carnage of the Paris violin and violoncello, which was considered charm- Commune. Such is the picture we draw of the ing by the indulgent and easy-going audience who existence of this French composer, in whose garden heard it. Encouraged by this success, he wrote a of life there grew only roses without thorns ; whose more imp^i/rtant work, a concerto for violins with long and glorious career as a composer ended only orchestra, which was executed by the celebrated with his life ; who felt that he had not lived long Mazas at one of the Conservatoire concerts. -
Graduate-Dissertations-21
Ph.D. Dissertations in Musicology University of North Carolina at Chapel Hill Department of Music 1939 – 2021 Table of Contents Dissertations before 1950 1939 1949 Dissertations from 1950 - 1959 1950 1952 1953 1955 1956 1958 1959 Dissertations from 1960 - 1969 1960 1961 1962 1964 1965 1966 1967 1968 1969 Dissertations from 1970 - 1979 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 Dissertations from 1980 - 1989 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Dissertations from 1990 - 1999 1990 1991 1992 1994 1995 1996 1998 1999 Dissertations from 2000 - 2009 2000 2001 2002 2003 2005 2006 2007 2008 2009 Dissertations since 2010 2010 2013 2014 2015 2016 2018 2019 Dissertations since 2020 2020 2021 1939 Peter Sijer Hansen The Life and Works of Dominico Phinot (ca. 1510-ca. 1555) (under the direction of Glen Haydon) 1949 Willis Cowan Gates The Literature for Unaccompanied Solo Violin (under the direction of Glen Haydon) Gwynn Spencer McPeek The Windsor Manuscript, British Museum, Egerton 3307 (under the direction of Glen Haydon) Wilton Elman Mason The Lute Music of Sylvius Leopold Weiss (under the direction of Glen Haydon) 1950 Delbert Meacham Beswick The Problem of Tonality in Seventeenth-Century Music (under the direction of Glen Haydon) 1952 Allen McCain Garrett The Works of William Billings (under the direction of Glen Haydon) Herbert Stanton Livingston The Italian Overture from A. Scarlatti to Mozart (under the direction of Glen Haydon) 1953 Almonte Charles Howell, Jr. The French Organ Mass in the Sixteenth and Seventeenth Centuries (under the direction of Jan Philip Schinhan) 1955 George E. -
Mmeafousiffs. Ifllffisfiftlii
THE ST. PAUL DAILY GLOBE. MONDAY MORNING, JUNE 9, 1884. • PERSONALS. denotes great energy. He has splended eyes HOME, BOYS. an incendiary. Nine engines were destroy- SOUTHERN MINNESOTA. and a nose like the beak of an eagle. His WELCOME ed, also all machinery and stalls in the re- TEST YOUR BAKIM POWDER TO-JAY! Madame Christine Nilsson will arrive to- beard is thick and bushy, the color a Wagner trio, being pair shops, together with one passenger Brands advertised as absolutely pure day, and Theodore Thomas, the strange mixture of black and red. is contativ MMEAfOUSIffS. grand Ma- He Can't be Downed Any Lower Than coach. The approximate loss is $125,000 the solo artists and orchestra of the Gleanings ofNews and Items of young and thin and has the air of a general You OFFICE— will arrive to-morrow. You with no insurance. Two of the latter roads THE TEST: I 6 Washington Avenue, opposite festival terial Interest. of the olden times. Are. Place a can top down on a hot stove untilheated, then 0 The nuptials of Col. n. P. Grant, of St. have no engines here to send' out trains to- remove the cover and smell. Acbemint willnot be i» 'Kicollet house. Office hours from a.m. to 10 quired the presence ammonia. Paul, and Miss E. P. Krissfelder, of this city morrow. The St. Louis, Dcs Moines to detect of o'clock p. m. A NOTABLE SPEECH. St. Paul's Club at of the & were celebrated. Rev. H. M. Simmons of- ADaily Globe Department at Mankato De- Base Ball the Foot Northern only engines left on the ' \u25a0 has two \u25a0 :'\u25a0",::'- ' list. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
REGISTER Einheitssachtitel
REGISTER DER EINHEITSSACHTITEL A bassa Porta Paphia Anonym L 7271 A basso porto Spinelli, Niccola (1865 - 1909) L 1 A basso porto Spinelli, Niccola (1865 - 1909) L 2 A basso porto Spinelli, Niccola (1865 - 1909) L 3 A basso porto Spinelli, Niccola (1865 - 1909) L 4 A basso porto Spinelli, Niccola (1865 - 1909) L 5 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 6 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 7 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 8 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 645 A Santa Lucia Tasca, Pierantonio (1864 - 1934) L 9 Abend in Paris, Ein Thiel, Erwin R. ( - ) L 10 Niobe, Nic ( - ) Abenteuer Carl des Zweiten, Ein Vesque von Püttlingen, Johann (1803 - L 14 1883) Abenteuer des Casanova Andreae, Volkmar (1879 - 1962) L 11 Abenteuer einer Neujahrsnacht, Die Heuberger, Richard (1850 - 1914) L 12 Abenteuer einer Neujahrsnacht, Die Heuberger, Richard (1850 - 1914) L 16 Abenteuer einer Neujahrsnacht, Die Mathieu, Max ( - ) L 17 Abenteuer Händels, oder Die Macht des Reinecke, Carl (1824 - 1910) L 13 Liedes, Ein Abenteuer in der Neujahrsnacht, Ein Anonym L 7252 Abenteuer in der polnischen Schenke, Pasticcio L 18 Das Abenteuerin, Die Anonym L 20 Abenteurer, Der Stix, Karl (1873 - 1909) L 19 Aber Otty...! Baderle, Egon ( - ) L 21 Aber Otty...! Baderle, Egon ( - ) L 22 Abreise, Die Albert, Eugen d' (1864 - 1932) L 23 Abreise, Die Albert, Eugen d' (1864 - 1932) L 24 Abreise, Die Albert, Eugen d' (1864 - 1932) L 25 Abreise, Die Albert, Eugen d' (1864 - 1932) L 26 Abreise, Die Albert, Eugen d' (1864 - 1932) L 6066 Abt von St. -
Boston Symphony Orchestra Concert Programs, Season 13, 1893-1894
MECHANICS' HALL, WORCESTER. BOSTON SYMPHONY ORCHESTRA. EMIL PAUR, Conductor. Thirteenth Season, 1893-94. PROGRAMME OF THE FOURTH CONCERT Tuesday Evening, March 13, At 745. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. (1) MASON & HAMLIN RECEIVED HIGHEST HONORS ON PIANOS AND ORGANS, AT World's Columbian Exposition, CHICAGO, 1893. SPECIAL MENTION. SCREW-STRINGER: Conceded by Judges' Report to be of great value; by which tuning is made easier, and because of which the Mason & Hamlin Piano is declared to remain in tune longer than any other piano. Pronounced a Unique Artistic Instrument, a LISZT ORGAN ! and and decided advance in construction. C. L. GORHAM & CO., Local Representatives. WORCESTER, MASS. (2) " Boston Mechanics' Hall, ry % IP Worcester. Symphony If Orchestra Season of 1893-94. EMIL PAUR, Conductor. Fourth Concert, Tuesday Evening, March 13, At 7.45. PROGRAMME. Ludwig van Beethoven - - Symphony No. 8, in F major, Op. 93. I. Allegro vivace e con brio (F major) - 3-4 II. Allegretto acherzando (B-flat major) - 2-4 III. Tempo di menuetto (F major) - 3-4 IV. Allegro vivace (F major) ----- 2-2 Edvard Grieg - Concerto for Pianoforte, Op. 16, A minor I. Allegro molto moderato ----- II. Adagio _____-_- III. Allegro marcato _-___- Emmanuel Chabrier — — - - Entr'acte from " Gwendoline Anton Rubinstein - Ballet-Music from " Feramors I. Candle-dance of the Brides of Kashmire: Mode- rato con moto (D minor) - 3-4 II. Dance of Bayaderes: Allegretto (B-flat major) - 2-4 Richard Wagner - Overture " Flying Dutchman Soloist, Mr. CARL STASNY. THE PIANO IB A HENRY F.