Temagami Area Rock Art and Indigenous Routes
Zawadzka Temagami Area Rock Art 159 Beyond the Sacred: Temagami Area Rock Art and Indigenous Routes Dagmara Zawadzka The rock art of the Temagami area in northeastern Ontario represents one of the largest concentrations of this form of visual expression on the Canadian Shield. Created by Algonquian-speaking peoples, it is an inextricable part of their cultural landscape. An analysis of the distribution of 40 pictograph sites in relation to traditional routes known as nastawgan has revealed that an overwhelming majority are located on these routes, as well as near narrows, portages, or route intersections. Their location seems to point to their role in the navigation of the landscape. It is argued that rock art acted as a wayfinding landmark; as a marker of places linked to travel rituals; and, ultimately, as a sign of human occupation in the landscape. The tangible and intangible resources within which rock art is steeped demonstrate the relationships that exist among people, places, and the cultural landscape, and they point to the importance of this form of visual expression. Introduction interaction in the landscape. It may have served as The boreal forests of the Canadian Shield are a boundary, resource, or pathway marker. interspersed with places where pictographs have Therefore, it may have conveyed information that been painted with red ochre. Pictographs, located transcends the religious dimension of rock art and most often on vertical cliffs along lakes and rivers, of the landscape. are attributed to Algonquian-speaking peoples and This paper discusses the rock art of the attest, along with petroglyphs, petroforms, and Temagami area in northeastern Ontario in relation lichen glyphs, to a tradition that is at least 2000 to the traditional pathways of the area known as years old (Aubert et al.
[Show full text]