The Path to Power Egypt’S Most Affluent Men
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Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015
Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015 By Alanna Martinez • 12/16/14 6:31pm Hannah Barrett, Summer Shepherds (2013). (Courtesy Regina Rex) In this special edition of Art Scout, rather than highlight just one show of importance we’re giving you a whole list of shows we hope you won’t miss before they close—and a few that will still be open when you return from the Holidays. “Steve Gianakos: Accessories and Other Girlie Desire” at Fredericks & Freiser, Through December 20 Done in the style of 1950s children’s books, Steve Gianakos’ acrylic paintings are anything but innocent lessons disguised as simple stories. Instead, a sea monster locks lips with a topless beauty in She Was In No Hurry to be Married Again (2013), an interoffice sex scandal takes place in plain sight in The Boss’ Wife’s Sister (2013), and the artist’s perverse thoughts are translated in thought bubble format in It Was Hard to Tell What She Was Thinking (2014). Steve Gianakos, She Was In No Hurry to be Married Again (2013). (Courtesy Fredericks & Freiser) Shea Hembrey: MultiVerses at Bryce Wolkowitz Gallery, Through December 20 This solo show is presented as a faux group show starring fictional artists Artemesia Adebayo, Pawnee Calhoun, Harvey Lee, Elgin Rivers, and Phyllia Stanhope. In keeping with Mr. Hembrey’s fascination with nature and science, the central theme of “Multiverses” is the cosmos. Shea Hembrey, Pawnee Calhoun untitled (double portal) (2014). (Courtesy Bryce Wolkowitz Gallery) “Susan Te Kahurangi King: Drawings from Many Worlds” at Andrew Edlin Gallery, Through December 20 Independent curator Chris Byrne (co- founder of the Dallas Art Fair and author of the graphic novel The Magician) has put together the first U.S. -
AV-Big Eyes-2
By Jon Ronson Sun 26 Oct 2014 https://www.theguardian.com/artanddesign/2014/oct/26/art-fraud-margaret-walter-keane-tim-burton-biopic The big-eyed children: the extraordinary story of an epic art fraud In the 1960s, Walter Keane was feted for his sentimental portraits that sold by the million. But in fact, his wife Margaret was the artist, working in virtual slavery to maintain his success. She tells her story, now the subject of a Tim Burton biopic Margaret Keane at home in Napa, California. For years, she painted portraits of big-eyed children for which her husband took the credit. Photograph: Robert Gumpert for the Guardian here’s a sweet, small suburban house in the vineyards of Napa, northern California. Inside, a family of devout Jehovah’s Witnesses bustles around, offering me a cheese T plate. A Siamese cat weaves in and out of my legs. Everything is lovely. Sitting unobtrusively in the corner is 87-year-old Margaret Keane. “Would you like some macadamia nuts?” she asks. She hands me Jehovah’s Witness pamphlets too. “Jehovah looks after me every day,” she says. “I really feel it.” She is the last person you’d expect to be a participant in one of the great art frauds of the 20th century. This story begins in Berlin in 1946. A young American named Walter Keane was in Europe to learn how to be a painter. And there he was, staring heartbroken at the big-eyed children fighting over scraps of food in the rubbish. As he would later write: “As if goaded by a kind of frantic despair, I sketched these dirty, ragged little victims of the war with their bruised, lacerated minds and bodies, their matted hair and runny noses. -
MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY Edited by John C
KELLEY MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY edited by John C. Welchman What John C. Welchman calls the “blazing network of focused conflations” from which Mike Kelley’s styles are generated is on display in all its diversity in this second volume of his writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley’s writings into five sections. “Statements” consists of twenty pieces produced MINOR between 1984 and 2002 (most of which were written to accompany exhibitions), including “Ajax,” which draws on MIKE KELLEY Homeric epic, Colgate-Palmolive advertising, and Longinus to present its eponymous hero; “Some Aesthetic High Points,” an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of “creative writings” that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visu- MINOR HISTORIES al styles that characterize Kelley’s artwork. “Video Statements and Proposals” are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. “Image-Texts” offers writings that accom- Statements, Conversations, Proposals pany or are part of artworks and installations. This section includes “A Stopgap Measure,” Kelley’s zestful millennial essay in social satire, and “Meet John Doe,” a collage of appropriated texts. The section “Architecture” features a discussion of Kelley’s Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. -
Read Book Tim Burton Ebook, Epub
TIM BURTON PDF, EPUB, EBOOK Antoine De Baecque | 224 pages | 26 Oct 2011 | Cahiers du Cinema | 9782866428068 | English | Paris, France Tim Burton PDF Book Retrieved October 23, Sign In. Show all 6 Self. In those old Disney movies there is death and horror all the time. The Animated Movie Guide. You don't get it with all animals. Chicago Sun-Times. Filming began in Vancouver, British Columbia , in mid June 22, Armando Iannucci Movies. Tell us what you think about this feature. He attended the California Institute of the Arts, studying character animation. The iconography of Nightmare Before Christmas , originally conceived by Burton, has become ubiquitous amongst a plethora of goth subcultures — and it remains a testament to the emotional power of stop motion animation. I don't go on the internet really much at all. After the success of Batman , Burton agreed to direct the sequel for Warner Bros. Mia Wasikowska was cast as Alice. Batman returns to the big screen when a deformed man calling himself the Penguin wreaks havoc across Gotham with the help of a cruel businessman. In , an Air Force astronaut crash-lands on a mysterious planet where evolved, talking apes dominate a race of primitive humans. But I think it's also a kind of lonely and dark thing to want to do. Edward looked human, but was left with scissors in the place of hands due to the untimely death of his creator. Retrieved January 24, Error: please try again. And that was the emotion of it. Christopher Lee , one of Hammer's stars, was given a cameo role. -
Big Eyes Is a 2014 American Biographical Drama Film Directed by Tim Burton , and Starring Amy Adams and Christoph Waltz
Big Eyes 16.02.15 CONCA VERDE – talk by Peter Anderson (form Wikipedia) Big Eyes is a 2014 American biographical drama film directed by Tim Burton , and starring Amy Adams and Christoph Waltz . The film focuses on American artist Margaret Keane (Adams), whose work was fraudulently claimed in the 1950s and 1960s by her then-husband, Walter Keane (Waltz), and their heated divorce trial after Margaret accused Walter of stealing credit for her paintings. The film had its world premiere in New York City on December 15, 2014. [4] It was released theatrically on December 25, 2014, in the United States by The Weinstein Company .[5] The film was met with positive reviews and was nominated for three Golden Globe Awards , with Adams winning Best Actress . Adams was also nominated for a BAFTA Award for Best Actress for her performance in the film. Reception Big Eyes has received positive reviews, particularly for Waltz and Adams' performances, the script and Burton's direction. On Rotten Tomatoes , the film holds a rating of 69%, based on 147 reviews, with an average rating of 6.6/10. The site's consensus reads, "Well-acted, thought-provoking and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary". [12] On Metacritic , the film has a score of 62 out of 100, based on 40 critics, indicating "generally favorable reviews". [13] Plot Artist Margaret Keane 's paintings of large-eyed waifs became phenomenally successful in the 1950s, but she received no recognition for it. -
En El Ojo De La Tormenta: Big Eyes (2014) De Tim Burton Y Su Estética Neoexpresionista in the Eye of the Storm: Tim Burton's
EN EL OJO DE LA TORMENTA: BIG EYES (2014) DE TIM BURTON Y SU ESTÉTICA NEOEXPRESIONISTA IN THE EYE OF THE STORM: TIM BURTON’S BIG EYES (2014) AND HIS NEO-EXPRESSIONISTIC AESTHETICS Ana Ávalos * María Marcela González de Gatti* RESUMEN Los rostros expresivos de niños solitarios con gigantescos ojos inundados de lágrimas, que fluyeron del pincel de Margaret Keane, constituyen un estilo registrado que ha sufrido las vicisitudes del tornadizo mundo del mercado del arte. Las pinturas Keane han seguido un recorrido tan épico como la vida de Margaret, o Penny Doris Hawkins, nacida en Tennessee en 1927. Una de sus obras emblemáticas, Tomorrow Forever, que despliega cien niños de diferentes credos, fue retirado de la Feria Mundial de 1964 después de que el crítico John Canaday, en su cáustica reseña para el New York Times, vituperara su estilo. No obstante, el posterior arrollador éxito del estilo llevó al propio Andy Warhol a reconocer que su celebridad debía estar basada en cuestiones de calidad. El heroísmo de Margaret, quien fue víctima de un escandaloso fraude, es reivindicado, en forma conjunta con su estilo, en el filme Big Eyes (2014), dirigido por Tim Burton. Esta presentación aborda el análisis del largometraje como historia suprimida de género en el contexto de los movimientos contraculturales de los sesenta. Una joven mujer artista sufre una doble exclusión, por su condición dependiente y el perfil figurativo de su talento, en un medio dominado por el arte abstracto, fortalecido a través del estatuto hegemónico que le había conferido su ingreso al arte mainstream. El análisis se encarga de explorar el modo en el cual el filme vehiculiza la reivindicación de la artista y su estilo a partir de su propia estética de producción. -
Open Canvas Newsletter
OPEN CANVAs The Newsletter of the league of Milwaukee Artists October 2019 Your Board President Jack Pachuta Susan Steinhafel - [email protected] [email protected] Presidential Perspective Vice President Marcelline Weinsheim Dear Fellow Artists, [email protected] Membership Chair Janet Hudachek There’s a chill in the air and cool rain showers have made an appearance. They let [email protected] us know that it’s time for LMA to plot and plan another year of unique artistic Exhibit Chair events. Susan Steinhafel [email protected] Treasurer th If you haven’t yet done so, while you’re at the September 14 meeting, take a stroll Debra Patterson [email protected] down the hall and around the corner to view our current exhibit at Cardinal Stritch University. The creativity of our members is on full display, and this is only a Publicity Chair Mary Prince [email protected] preview of two more outstanding exhibits in 2020. Recording Secretary Tom Smith Plan on being part of the upcoming LMA showcases at the Cedarburg Art Museum [email protected] and at the Grohmann Museum in Milwaukee. Both venues will attract a lot of Webmaster David Kurtz [email protected] attention – and a lot of good publicity for the League. You’ll want to get ready now for both exhibits. Other Positions Newsletter Editor Tom Smith Our prestige as an artistic organization continues to grow – as does our [email protected] membership. At the meeting, we’ll be welcoming more new members with skills Hospitality that enhance everyone’s artistic perspective. -
P39 2 Layout 1
lifestyle SUNDAY, NOVEMBER 16, 2014 Film Review ‘Big Eyes’ reveal far too little he eyes may be the windows to the easy enough to believe that her courage soul, but they wind up revealing far and instinctive honesty might fail her in Ttoo little in “Big Eyes,” an unpersua- the moment, and that she might become sive, paint-by-numbers account of the a willing participant in a deception that fraud perpetrated by Walter Keane, who Walter says is no big deal, and yet some- succeeded in fooling the public and how crucial to the success of their opera- amassing a fortune by passing off his wife tion (“People don’t buy lady art,” he Margaret’s paintings as his own. Despite notes). It’s also understandable why the Amy Adams’ affecting performance as an lie might become harder and harder to artist and ‘50s/’60s housewife complicit in expose as her work becomes a cultural her own captivity, this relatively straight- phenomenon. Before long, Walter is forward dramatic outing for Tim Burton is opening his own gallery; selling countless too broadly conceived to penetrate the prints, posters and postcards; discussing mystery at the heart of the Keanes’ the motivations behind his art on televi- unhappy marriage-the depiction of sion; earning a sly endorsement from no which is dominated by an outlandish, less a lover of consumerist art than Andy ogre-like turn from Christoph Waltz that Warhol and seizing every opportunity to increasingly seems to hold the movie present paintings to politicians, digni- hostage. Still, the tale’s colorfully enter- taries and movie stars, such as Joan taining veneer and the name talents Crawford. -
New York Rolls out the Red Carpet for Big Eyes
1/26/2015 New York Rolls Out the Red Carpet for 'Big Eyes' Subscribe Share Past Issues Translate Media Release: "Introducing Amy Adams’ “Big Eyes” Screen Daughter, Miss Madeleine Arthur" FOR IMMEDIATE RELEASE New York Rolls out the Red Carpet for Big Eyes (VANCOUVER, BC) December 17, 2014 New York rolled out the red carpet Monday night at the Museum of Modern Art for the premiere of Tim Burton’s feature film, Big Eyes. Attending the high profile event was young Vancouver actress, Madeleine Arthur along with the film's stars Amy Adams and Christoph Waltz, each of whom have been nominated for a Golden Globe award for their roles in the Margaret Keane biopic. This was the first of what will likely become many red carpet events for the new, fresh face. "I have never experienced so many flashing lights and met so many reporters!" says Arthur. "Everyone was really nice and it will definitely be an evening that I will always remember." http://us7.campaign-archive1.com/?u=5b41e688cf71261b721862048&id=6eabb2d802 1/4 1/26/2015 New York Rolls Out the Red Carpet for 'Big Eyes' photos by: Marion Curtis, courtesy of The Weinstein Company Also in attendance at the Big Eyes premiere were the stars of the story, Margaret Keane and her daughter, Jane; the latter which Arthur plays the older version of in the film. "I have to say that meeting Jane was probably the highlight of the whole evening," says Arthur. "She told me that she was very happy with our (Arthur's and Adams') portrayal of her and her mother." photos by: Andrew Hreha, courtesy of The Weinstein Company (Click on any of the stills to reach the high rez folder containing these and more stills, bio and resume) Arthur plays the teenage version of Margaret Keane’s (Amy Adams) daughter ‘Jane’ in Tim Burton’s feature, Big Eyes. -
Caltrain to Go Electric Starting in 2019
SKOS Summer Tips Jewish Needs for Tourists Film Festival INSIDE Volunteers p.18 p.24 p.7 p.8 p.17 p. 23 p. 27 JULY 2014 Serving the Potrero Hill, Dogpatch, Mission Bay and SOMA Neighborhoods Since 1970 FREE Caltrain to Go Electric Starting in 2019 Neighbors Weigh In BY REBEKAH MOAN on Warriors Arena Caltrain is being upgraded, in ways that may provide better service to Move to Mission Bay Potrero Hill and South-of-Market resi- BY SASHA LEKACH dents, according to a representative of the commuter rail line. But some Southside When the Golden State Warriors residents have lingering concerns about announced that they were scraping the system’s ability to absorb a growing plans to build a basketball arena on number of riders. San Francisco’s waterfront in favor of a The Caltrain Modernization Pro- Mission Bay location, many Southside gram, currently underway, has three residents let out a sigh of relief. Under parts. The first is a federally-mandated the team’s latest proposal, an 18,000-seat enhanced signal system dubbed CBOSS venue, which had been slated for Port —Communications Based Overlay Signal property on Piers 30-32, will instead System—that’ll add positive train con- be built on private land bounded by trols to the system. “Positive train control Terry Francois Boulevard, 16th, Third, is a system that will automatically stop PHOTOGRAPH BY DON NOLTE and South streets. The initial plans trains that are going too fast; it will stop done at night to avoid interfering with of the timing and work locations via were announced in 2012, and entailed trains if there’s a train ahead of another train service and to minimally affect mailers and fliers as well. -
Marines Keep Gtmo Safe Every Marine a Rifleman, Few Are Machine Gunners
FEBRUARY 27, 2015 KELLY VISITS GUANTANAMO PROFESSIONALISM, STANDARDS KEY TO MISSION SUCCESS MARINES KEEP GTMO SAFE EVERY MARINE A RIFLEMAN, FEW ARE MACHINE GUNNERS DESTROYER MAKES PORT VISIT SAILOR DISCOVERS OPPORTUNITY ABOARD WOUNDED WARRIOR WOUNDED WARRIOR USS JASON DUNHAM RECEIVES AQUATIC RECEIVES AQUATIC THERAPY IN GTMO THERAPY WARRIOR PLUNGES TO OCEAN DEPTHS WOUNDED WARRIOR DIVES ON TO INSPIRE HIS SOLDIERS Leadership SPOTLIGHT 10 STEPS TO FINANCIAL FREEDOM work for a living. off the balance monthly. If you lack the discipline to use I believe we all dream of achieving financial them, don’t. independence. To do so, we must maximize savings 7. Appreciating vs. Depreciating Assets – Never and minimize debt. But most of us are not saving borrow money for something that goes down in value nearly enough – the average 401(k) balance of (depreciates) over time. A car for example. Homes are $90,000 would only generate $3,600 of annual income generally appreciating assets. at a 4 percent rate of return. 8. Compound Interest and Time Value of Money I would like to share some concepts I wished I had – Compound interest allows money to grow over learned earlier in life that are essential to achieving time. The earlier you start, the more you will have at financial independence: retirement, since the interest for each dollar invested 1. Live Below Your Means – You must spend less is added to the principal and both earn interest into the than you make to pay off debt and save. future. 2. Needs vs. Wants – If you cannot live (survive) 9. Debt Snowball – When paying off debt, apply all without something it is a need – air, food, water, extra money to the smallest debt first while making the shelter. -
Keane, Burton Y El Premeditado Arte De Revivir a Una Artista
AUDIOVISUALIDAD KEANE, BURTON Y EL PREMEDITADO ARTE DE REVIVIR A UNA ARTISTA Avín Vázquez “El arte es arte hasta que alguien interrogantes, regresamos a la lo decide”, reza uno de los premisa que nos llevó hasta este personajes en la más reciente embrollo, la valoración de una producción cinematográfica del pieza y su autor. director norteamericano Tim Burton, “Big Eyes”. Pero, ¿qué Margaret Keane es una pintora, tan cierta es esta frase? vio la luz de la fama a finales de los años 50 y principios de los 60, Durante años, el eterno debate por empero, sus inicios como artista determinar qué o quién da valor a los vivió en el anonimato, opacada una obra para que logre convertirse por su esposo Walter Keane, quien en arte, ha quedado inconcluso. por más de diez años se adjudicó Mientras los más románticos creen la autoría de las obras que que se debe a un amplio bagaje de retrataban a niños, mujeres y conocimientos técnicos y estéticos, animales con una seña muy además de una sensibilidad única particular: unos gigantescos y para capturar el momento; hay perturbadores ojos. Aclararé que quienes consideran que el arte es la vida de Keane, misma que se un mero negocio, después de todo relata en la cinta, no es el objeto el artista más cotizado será el que de mi análisis, sino la popularidad venda más obras y, por lo tanto, el que alcanzó aun cuando la crítica más famoso. más especializada de su tiempo la consideraba “demasiado kitsch”. Así es, el arte es un negocio o al Andy Warhol, Jasper Johns, Roy menos eso es en lo que lo hemos convertido,