Marines Keep Gtmo Safe Every Marine a Rifleman, Few Are Machine Gunners
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Remarks at the Dedication Ceremony for the National Museum of the Marine Corps in Quantico, Virginia November 10, 2006
Administration of George W. Bush, 2006 / Nov. 10 My attitude about this is that there is [At this point, Sen. Reid made brief re- a great opportunity for us to show the marks.] country that Republicans and Democrats The President. Thank you, sir. Dick, do are equally as patriotic and equally con- you want to say something? cerned about the future and that we can [Sen. Durbin made brief remarks.] work together. Senator Reid and I are both from the West. I’m from west Texas; he’s The President. I was hoping you would from Nevada. And we tend to speak the notice that. Thank you all. same language, pretty plain-spoken people, which should bode well for our relation- NOTE: The President spoke at 12:18 p.m. in ship. the Oval Office at the White House. The So I appreciate you all coming. I’m really transcript released by the Office of the Press Secretary also included the remarks of Sens. looking forward to working with you. Reid and Durbin. Remarks at the Dedication Ceremony for the National Museum of the Marine Corps in Quantico, Virginia November 10, 2006 The President. Thank you all. Thank you problem. In this museum, you will experi- for the warm welcome. General Hagee, ence life from a marine’s perspective. In thank you for your service to our country— this museum, you’ll feel what it’s like to Secretaries of the Army and Navy and Air go through boot camp—no, thanks—[laugh- Force. I’m proud to be here with the ter]—make an amphibious landing under Chairman of the Joint Chiefs of Staff, Gen- fire, or deploy from a helicopter in Viet- eral Pete Pace, the first United States ma- nam. -
2010 President's Report
SOCIETY OF SPONSORS OF THE UNITED STATES NAVY PRESIDENT’S REPORT MAY 2009 - MAY 2010 KEEL AUTHENTICATION CEREMONY AMERICA (LHA 6) JULY 17, 2009 NORTHROP GRUMMAN SHIPBUILDING PASCAGOULA, MISSISSIPPI AMERICA (LHA 6) is the Navy's newest class of large deck amphibious assault ships. Lynne Pace, wife of General Peter Pace, former Chairman of the Joint Chiefs of Staff, is the proud sponsor. It was a cloudy, rainy, and very humid day in Pascagoula but the weather did not dampen the spirits of those in attendance. The organizers were very well prepared with red, white and blue umbrellas. There was a lot of excitement in the shipyard. Lynne's words were heartfelt. She addressed the shipyard workers and told them she was honored to be the sponsor of AMERICA. She said the word America is enormous. It means many things to many people. Freedom, pride and diversity are just some examples. She encouraged the shipyard workers, a very diverse group truly representative of America, to do their very best. She was given a plaque made of heavy stainless steel in the shape of the United States of America. NAVAL HISTORICAL FOUNDATION ANNUAL MEETING CEREMONY AND LUNCHEON HONORING ADMIRAL JAMES L. HOLLOWAY III, U.S. NAVY (RETIRED) JUNE 24, 2009 On June 24, 2009, I attended the Naval Historical Foundation Annual Meeting and Ceremony/Luncheon honoring Admiral James L. Holloway III. It was a very nice tribute to Admiral Holloway. Former Senator of the Commonwealth of Virginia, John Warner, whose wife, Jeanne, is a named sponsor, attended and spoke. Admiral Bruce DeMars, USN (Ret.) is the new Chairman of the Naval Historical Foundation. -
Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015
Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015 By Alanna Martinez • 12/16/14 6:31pm Hannah Barrett, Summer Shepherds (2013). (Courtesy Regina Rex) In this special edition of Art Scout, rather than highlight just one show of importance we’re giving you a whole list of shows we hope you won’t miss before they close—and a few that will still be open when you return from the Holidays. “Steve Gianakos: Accessories and Other Girlie Desire” at Fredericks & Freiser, Through December 20 Done in the style of 1950s children’s books, Steve Gianakos’ acrylic paintings are anything but innocent lessons disguised as simple stories. Instead, a sea monster locks lips with a topless beauty in She Was In No Hurry to be Married Again (2013), an interoffice sex scandal takes place in plain sight in The Boss’ Wife’s Sister (2013), and the artist’s perverse thoughts are translated in thought bubble format in It Was Hard to Tell What She Was Thinking (2014). Steve Gianakos, She Was In No Hurry to be Married Again (2013). (Courtesy Fredericks & Freiser) Shea Hembrey: MultiVerses at Bryce Wolkowitz Gallery, Through December 20 This solo show is presented as a faux group show starring fictional artists Artemesia Adebayo, Pawnee Calhoun, Harvey Lee, Elgin Rivers, and Phyllia Stanhope. In keeping with Mr. Hembrey’s fascination with nature and science, the central theme of “Multiverses” is the cosmos. Shea Hembrey, Pawnee Calhoun untitled (double portal) (2014). (Courtesy Bryce Wolkowitz Gallery) “Susan Te Kahurangi King: Drawings from Many Worlds” at Andrew Edlin Gallery, Through December 20 Independent curator Chris Byrne (co- founder of the Dallas Art Fair and author of the graphic novel The Magician) has put together the first U.S. -
Letter to the Speaker of the House of Representatives Transmitting a Request for Funding for the Department of Homeland Security January 10, 2007
Jan. 10 / Administration of George W. Bush, 2007 force a collapse of the Iraqi Government, In these dangerous times, the United tear the country apart, and result in mass States is blessed to have extraordinary and killings on an unimaginable scale. Such a selfless men and women willing to step for- scenario would result in our troops being ward and defend us. These young Ameri- forced to stay in Iraq even longer and con- cans understand that our cause in Iraq is front an enemy that is even more lethal. noble and necessary and that the advance If we increase our support at this crucial of freedom is the calling of our time. They moment and help the Iraqis break the cur- serve far from their families, who make the rent cycle of violence, we can hasten the quiet sacrifices of lonely holidays and day our troops begin coming home. empty chairs at the dinner table. They have In the days ahead, my national security watched their comrades give their lives to team will fully brief Congress on our new ensure our liberty. We mourn the loss of strategy. If Members have improvements every fallen American, and we owe it to that can be made, we will make them. If them to build a future worthy of their sac- circumstances change, we will adjust. Hon- rifice. orable people have different views, and Fellow citizens, the year ahead will de- they will voice their criticisms. It is fair mand more patience, sacrifice, and resolve. to hold our views up to scrutiny. -
AV-Big Eyes-2
By Jon Ronson Sun 26 Oct 2014 https://www.theguardian.com/artanddesign/2014/oct/26/art-fraud-margaret-walter-keane-tim-burton-biopic The big-eyed children: the extraordinary story of an epic art fraud In the 1960s, Walter Keane was feted for his sentimental portraits that sold by the million. But in fact, his wife Margaret was the artist, working in virtual slavery to maintain his success. She tells her story, now the subject of a Tim Burton biopic Margaret Keane at home in Napa, California. For years, she painted portraits of big-eyed children for which her husband took the credit. Photograph: Robert Gumpert for the Guardian here’s a sweet, small suburban house in the vineyards of Napa, northern California. Inside, a family of devout Jehovah’s Witnesses bustles around, offering me a cheese T plate. A Siamese cat weaves in and out of my legs. Everything is lovely. Sitting unobtrusively in the corner is 87-year-old Margaret Keane. “Would you like some macadamia nuts?” she asks. She hands me Jehovah’s Witness pamphlets too. “Jehovah looks after me every day,” she says. “I really feel it.” She is the last person you’d expect to be a participant in one of the great art frauds of the 20th century. This story begins in Berlin in 1946. A young American named Walter Keane was in Europe to learn how to be a painter. And there he was, staring heartbroken at the big-eyed children fighting over scraps of food in the rubbish. As he would later write: “As if goaded by a kind of frantic despair, I sketched these dirty, ragged little victims of the war with their bruised, lacerated minds and bodies, their matted hair and runny noses. -
Congressional Record—House H8455
September 18, 2008 CONGRESSIONAL RECORD — HOUSE H8455 Coach Haskins arrived at Texas Mr. Speaker, when reflecting on his Mr. Speaker, I take the well to com- Western College in 1961 and retired in decision to start five African American ment on an event that occurred in San 1999 after 38 seasons with a record of players, Coach Haskins simply said, ‘‘I Diego, and that is regarding Sergeant 719 wins and 353 losses. He led our Mi- just played my five best players.’’ Rafael Peralta, who was killed on No- nors to seven Western Athletic Con- The SPEAKER pro tempore (Mr. vember 14, 2004 in the now famous bat- ference Championships, 14 NCAA Tour- JOHNSON of Georgia). The time of the tle of Fallujah. He was killed, and ab- nament appearances, and seven appear- gentleman has expired. sorbed the blast by an enemy grenade ances in the National Invitational Mr. REYES. I ask unanimous consent when, during house-to-house fighting, tournament. Couch Haskins also served for an additional minute. he was thrown into a small room while as an assistant coach in the 1972 U.S. The SPEAKER pro tempore. The he and three other marines were work- Olympic team. Chair cannot entertain that request. ing their way through this series of fire On September 29, 1997, Coach Haskins The gentleman will finish his remarks. fights. was inducted into the Naismith Memo- Mr. REYES. I’ll file the rest for the According to the eyewitnesses and to rial Basketball Hall of Fame. Ten years RECORD. Thank you. the citation that he received, he pulled later, the entire 1966 Texas Western PARLIAMENTARY INQUIRY that grenade to his body and absorbed team joined their coach in this honor, Mr. -
MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY Edited by John C
KELLEY MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY edited by John C. Welchman What John C. Welchman calls the “blazing network of focused conflations” from which Mike Kelley’s styles are generated is on display in all its diversity in this second volume of his writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley’s writings into five sections. “Statements” consists of twenty pieces produced MINOR between 1984 and 2002 (most of which were written to accompany exhibitions), including “Ajax,” which draws on MIKE KELLEY Homeric epic, Colgate-Palmolive advertising, and Longinus to present its eponymous hero; “Some Aesthetic High Points,” an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of “creative writings” that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visu- MINOR HISTORIES al styles that characterize Kelley’s artwork. “Video Statements and Proposals” are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. “Image-Texts” offers writings that accom- Statements, Conversations, Proposals pany or are part of artworks and installations. This section includes “A Stopgap Measure,” Kelley’s zestful millennial essay in social satire, and “Meet John Doe,” a collage of appropriated texts. The section “Architecture” features a discussion of Kelley’s Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. -
USS Jason Dunham (DDG 109) and the French Frigate FS Courbet (F712) Participated in Training During a Three-Week Interoperability Period, Nov
Another example of a mission ready ship because of a U.S. Navy Port Engineer USS Jason Dunham and France Team Up in U.S. 5th Fleet Story Number: NNS181128-01Release Date: 11/28/2018 9:53:00 AM By Mass Communication Specialist Jonathan Clay, U.S. 5th Fleet Public Affairs ARABIAN GULF (NNS) -- The guided-missile destroyer USS Jason Dunham (DDG 109) and the French frigate FS Courbet (F712) participated in training during a three-week interoperability period, Nov. 8. While conducting routine operations in the Arabian Gulf, Dunham and Courbet, under tactical control of U.S. 5th Fleet Task Force (TF) 55, rendezvoused to perform a variety of integrated training that included a liaison naval officer (LNO) exchange, a low-slow flyer (helicopter) drill and deck-landing qualification (DLQ) for a U.S. helicopter aboard Courbet. “Working with the FS Courbet was a perfect chance to demonstrate our ability to integrate with other countries,” said Cmdr. John Hamilton, Dunham’s commanding officer. “It allows France to see how we operate and learn from our methods but it also allows our crew the chance to learn from them.” Dunham has also worked with other countries including the Egyptian Naval Force and the Indian Navy during the ship’s current deployment. Jason Dunham is on deployment in the U.S. 5th Fleet area of operations in support of naval operations to ensure maritime stability and security in the Central Region, connecting the Mediterranean and the Pacific through the western Indian Ocean and three strategic choke points. Webmaster’s Note: USS Jason Dunham (DDG-109) is an Arleigh Burke- class destroyer in the United States Navy. -
The Rise of the Commercial Threat
Microwave/Electro-Optic electronics engineer at Naval Surface Warfare Center, Corona Division, prepares alignment of various optical components using eye-safe visible lasers, Norco, California, April 19, 2011 (U.S. Navy/Greg Vojtko) Angela Merkel while she delivered a The Rise of the campaign speech.1 In January of 2015, an sUAS defied restricted airspace and landed, initially undetected, on the White House lawn.2 And more Commercial Threat recently, in August of 2016, at least five sUASs disrupted wildfire fighting Countering the Small efforts near Los Angeles, grounding helicopters for fear of mid-air colli- sions.3 Likewise, sUAS altercations Unmanned Aircraft System with law enforcement are increasing, as the Federal Aviation Administration By Anthony Tingle and David Tyree now receives over 100 adverse UAS reports per month.4 These examples emphasize the intrusive, undetectable, and potentially lethal nature of this he Small Unmanned Aircraft the parameters of the capabilities emerging technology. System (sUAS) is a disruptive regarding military use have yet to be The sUAS epitomizes the difficulties commercial technology that fully discovered, recent events high- T with rapidly advancing commercial tech- poses a unique and currently unde- light the potential danger. In Septem- nology.5 The sUAS is as prolific as it is fined threat to U.S. national security. ber 2013, an unarmed sUAS hovered disruptive, and it will challenge our joint Although, as with any new technology, near the face of German Chancellor air-defense procedures and doctrine and redefine our perspective on the military uses of commercial technology. In this Lieutenant Colonel Anthony Tingle, USA, is a Strategic Initiatives Analyst at the U.S. -
Bells Across America for Fallen Heroes
Volume 56, Number 19 https://www.cnic.navy.mil/meridian ~ www.facebook.com/NASMeridian ~ Twitter: @nasmeridianms September 13, 2018 Base Bells Across America for fallen heroes NAS Meridian is hosting a Bells Across America remembrance cer- you is that regardless of the branch of service, we will provide you with Events emony, Sept. 27 at 9 a.m. on the lawn in front of the Naval support and help you locate your branch’s survivor services. Navy Technical Training Center Administration Building. Gold Star support coordinators provide dedicated outreach This event will honor fallen service members and and support when, and for as long as, you desire. Our co- ]Parent’s Night Out Gold Star families as part of a national observances ordinators are located all over the United States and are and ringing of bells. ready to help you in any way they can. Sept. 28 from 6-10 For centuries, bells serve multiple purposes In 1947, Congress approved the use of the Gold at CDC. $4 per in the Navy, including: timekeeping; safety and Star Lapel Button as a way to recognize the fami- hour. communication; to sound alarms; in ceremonies lies of service members who lose their lives while and events; and to signal the presence of impor- engaged in action against an enemy of the United Call 679-2652. tant persons. During these memorial events, the States. bells rung will not signal anyone’s presence; in- In 1977, the Army approved issue of the Lapel stead, they will toll in their absence. Button for the next of kin of deceased personnel to ]Operation Get Fit The primary mission of the Navy Gold Star Pro- honor those who lose their lives while serving on active Aug. -
Read Book Tim Burton Ebook, Epub
TIM BURTON PDF, EPUB, EBOOK Antoine De Baecque | 224 pages | 26 Oct 2011 | Cahiers du Cinema | 9782866428068 | English | Paris, France Tim Burton PDF Book Retrieved October 23, Sign In. Show all 6 Self. In those old Disney movies there is death and horror all the time. The Animated Movie Guide. You don't get it with all animals. Chicago Sun-Times. Filming began in Vancouver, British Columbia , in mid June 22, Armando Iannucci Movies. Tell us what you think about this feature. He attended the California Institute of the Arts, studying character animation. The iconography of Nightmare Before Christmas , originally conceived by Burton, has become ubiquitous amongst a plethora of goth subcultures — and it remains a testament to the emotional power of stop motion animation. I don't go on the internet really much at all. After the success of Batman , Burton agreed to direct the sequel for Warner Bros. Mia Wasikowska was cast as Alice. Batman returns to the big screen when a deformed man calling himself the Penguin wreaks havoc across Gotham with the help of a cruel businessman. In , an Air Force astronaut crash-lands on a mysterious planet where evolved, talking apes dominate a race of primitive humans. But I think it's also a kind of lonely and dark thing to want to do. Edward looked human, but was left with scissors in the place of hands due to the untimely death of his creator. Retrieved January 24, Error: please try again. And that was the emotion of it. Christopher Lee , one of Hammer's stars, was given a cameo role. -
Big Eyes Is a 2014 American Biographical Drama Film Directed by Tim Burton , and Starring Amy Adams and Christoph Waltz
Big Eyes 16.02.15 CONCA VERDE – talk by Peter Anderson (form Wikipedia) Big Eyes is a 2014 American biographical drama film directed by Tim Burton , and starring Amy Adams and Christoph Waltz . The film focuses on American artist Margaret Keane (Adams), whose work was fraudulently claimed in the 1950s and 1960s by her then-husband, Walter Keane (Waltz), and their heated divorce trial after Margaret accused Walter of stealing credit for her paintings. The film had its world premiere in New York City on December 15, 2014. [4] It was released theatrically on December 25, 2014, in the United States by The Weinstein Company .[5] The film was met with positive reviews and was nominated for three Golden Globe Awards , with Adams winning Best Actress . Adams was also nominated for a BAFTA Award for Best Actress for her performance in the film. Reception Big Eyes has received positive reviews, particularly for Waltz and Adams' performances, the script and Burton's direction. On Rotten Tomatoes , the film holds a rating of 69%, based on 147 reviews, with an average rating of 6.6/10. The site's consensus reads, "Well-acted, thought-provoking and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary". [12] On Metacritic , the film has a score of 62 out of 100, based on 40 critics, indicating "generally favorable reviews". [13] Plot Artist Margaret Keane 's paintings of large-eyed waifs became phenomenally successful in the 1950s, but she received no recognition for it.