1 Patrick Ryoichi Nagatani
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Robbie Barber
ROBBIE BARBER 617 Cardinal Drive Department of Art, One Bear Place Woodway, Texas 76712 #97263, Baylor University Home Phone: (254)710-6402 Waco, Texas 76798-7263 Office Phone: (254)710-6402 Born: July 23, 1964 Fax: (254)710-1566 Williamston, North Carolina E-Mail: [email protected] EDUCATION 1988-91 Master of Fine Arts: Sculpture, University of Arizona, Tucson, Arizona 1982-87 Bachelor of Fine Arts: Sculpture, East Carolina University, Greenville, North Carolina 1986 University of Georgia Studies Abroad Program, Summer Classes, Cortona, Italy EMPLOYMENT 2000- Baylor University, Waco, Texas: Associate Professor (tenured, fall 2004): Sculpture, 3-D Design 1994-00 Midwestern State University, Wichita Falls, Texas: Assistant Professor of Art (tenure approved, spring 2000): Sculpture, Metalsmithing, Design II, Art Appreciation, Senior Exhibition 1993-94 East Carolina University, Greenville, North Carolina: Visiting Lecturer: Sculpture, Design I, Design II, Beginning Drawing SELECTED GRANTS/ FELLOWSHIPS/ SABBATICALS 2006 Allbritton Grant For Faculty Scholarship, Baylor University, Waco, Texas, in relation to the Keen Invitational Iron Casting Symposium in Houston, Texas “SUMMER SABBATICAL”, Baylor University, Waco, Texas 1996-97 “FOUND TEXTURES: RESIN-BONDED SAND CASTING”, Research Grant, Midwestern State University, Wichita Falls, Texas 1993-94 Southern Arts Federation/NEA Regional Visual Arts Fellowship in Sculpture 1993 North Carolina Arts Council Visual Artists Fellowship GALLERY AFFILIATIONS 1994-04 Somerhill Gallery, Chapel Hill, -
EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4
CURRICULUM VITAE • Complete EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4 www.EdwardBurtynsky.com Born St. Catharines, Ontario, 1955 Education 1982 - Bachelor of Applied Arts - Photographic Arts (Media Studies Program), Ryerson University, Toronto, Ontario 1974 - 1976 - Graphic Arts, Niagara College, Welland, Ontario 1985 to present - Photographic artist, entrepreneur, educator, lecturer. Established Toronto Image Works, a darkroom rental facility, custom lab, digital imaging centre and new media computer training centre. SELECTED SOLO EXHIBITIONS 2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA, October 5, 2013 - January 19, 2014 Burtynsky: Water, Rena Bransten Gallery, San Francisco, USA, October 24 - December 14 (reception November 6) Burtynsky: Water, Flowers, Cork Street, London, UK, October 16 - November 23 (reception October 15) Burtynsky: Water, Arthur Roger Gallery, New Orleans, USA, October 5 - October 26 (reception October 5) Burtynsky: Water, Bryce Wolkowitz Gallery, New York, NY, USA, September 19 - November 2 (reception September 19) Burtynsky: Water, Howard Greenberg Gallery, New York, NY, USA, September 18 - November 2 (reception September 18) Burtynsky: Water, Nicholas Metivier Gallery, Toronto, Canada, September 5 - October 12 (reception September 12) Edward Burtynsky: The Landscape that we Change, McMichael Canadian Art Collection, Kleinberg, Ontario, Canada, June 29 - September 29 Nature Transformed: Edward Burtynsky’s Vermont -
Shawne Major CV 2021
S H A W N E M A J O R SOLO & TWO PERSON EXHIBITIONS 2020 Shawne Major— Texas Gallery, Houston, TX, Jan - Feb Folie à Deux— Lawndale Arts Center, Houston, TX, Jan- Mar 2018 Shawne Major: Pareidolia—Callan Contemporary, New Orleans, LA, Aug-Sep. 2017 Side Eye: Recent Work by Shawne Major—Isaac Delgado Fine Art Gallery, New Orleans, LA, Aug-Sep 2016 Spotlight on Shawne Major—Hilliard Museum of Art, Lafayette, LA, Dec-May 2015 Surface Tension Marcia Wood Gallery Midtown, Atlanta, GA, Jun-Jul, solo Collective Memory — Callan Contemporary, New Orleans, LA, Jan, solo 2013 Monkey Mind — Moreau Art Gallery, St. Mary’s College, Notre Dame, IN, Oct, solo Ravens and Crows —Mary C. O’Keefe Cultural Center, Ocean Springs, MS, Aug-Sep, solo 2012 Rhyme and Reason: The Art of Shawne Major—Hilliard Museum of Art, Lafayette, LA, Sep- Dec, solo On a Darkling Plain — Chicago Cultural Center, Chicago, IL, Apr- Jun, solo Fetish — Marcia Wood Gallery, Atlanta, GA, Jan- Feb, solo 2010 Tickle: New Works by Shawne Major — Heriard-Cimino Gallery, New Orleans, LA, May, solo 2009 Love Calls Us to the Things of This World— Irvine Contemporary, Washington, DC, Apr solo 2008 The Sacred Space of Shawne Major — Opelousas Museum of Art, Opelousas, LA, Feb-Apr solo 2007 Recent Fiber Works by Shawne Major & Christine Tedesco — Ogden Museum of Southern Art, New Orleans, Jan-Mar 2006 Apogee — Heriard-Cimino Gallery, New Orleans, May-Jun solo Intrinsic Value: Works by Shawne Major— Alexandria Museum of Art, Alexandria, LA, Apr-May solo 2005 Coffee Milk — Fine Arts Gallery, University -
The Museum of Modern Art Momaexh 1221 Masterchecklist
£'Y-h. 1221 The Museum of Modern Art 11 West 53 Street, New York, N. Y.10019 Tel. 956-6100 Cable: Modernart RORS AND WINDOWS: AMERICAN PHOTOGRAPHY SINCE 1960 exhibition circulated by The Museum of Modern Art, New York, and made possible by erous support from Phillip Morris Incorporated and the National Endowment for the Arts. 1 Q;KLIST: 184 framed photographs 3 photographic works mounted in vitrines 1 book MoMAExh_1221_MasterChecklist 1 Wall label (SP) Indicates Security plates on back of works Museum Frame Box Number Artist/Title/Date/Process/Credit HXW No. 313.78 ROBERT ADAMS (born 1937) Burned and Clearcut, East of Arch Ca.,e, 16 x 20" 1 Oregon. 1976. The Museum of Modern Att. Acquired with matching funds from Samuel Wm. Sax and the National Endowment for the Arts. L 314.78 Burned and Clearcut, East of Arch Cape, 16 x 20" 3 Oregon. 1976. The Museum of Modern Art. Acquired with matching funds from Samuel Wm. Sax and the National Endowment for the Arts. 3. 315.78 North of Briggsdale, Colorado. 1973. 14 x 17" (SP) 3 The Museum of Modern Art. Acquired with matching funds from Samuel Wm. Sax and the National Endowment for the Arts. 4. 316.78 North of Briggsdale, Colorado. 1973. 14 x 17" (SP) 1 The Museum of Modern Art. Acquired with matching funds from Samuel Wm. Sax and the National Endowment for the Arts. 5. 321.72 DIfu~E ARBUS (1923-1971) A Child Crying, New Jersey. 1967. 27 x 22" 7 The Museum of Modern Art. Mrs. Douglas Auchincloss Fund. -
National Endowment for the Arts Annual Report 1993
L T 1 TO THE CONGRESS OF THE UNITED STATES: It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993. The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer Arthur Mitchell. Through its grants to art organizations, it has helped invigorate community arts centers and museums, preserve our folk heritage, and advance the perform ing, literary, and visual arts. Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools. I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support opera and jazz, literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts. -
PATRICK RYOICHI NAGATANI *Collaborative Work with Andrée Tracey
PATRICK RYOICHI NAGATANI *collaborative work with Andrée Tracey BORN August 19, 1945 Chicago, IL, U.S.A. EDUCATION M.F.A. 1980 University of California, Los Angeles B.A. 1968 California State University, Los Angeles SOLO EXHIBITIONS 2015 Patrick Nagatani: Themes and Variations, Curated by Barbara Hitchcock, The Griffin Museum, Boston, MA 2014 Patrick Nagatani: Outer/Inner - Contemplation on the Physical and the Spiritual, Andrew Smith Gallery, Santa Fe, NM 2012 Medium, Meditation, and Mu (33 Buddhist tapestries), Collaboration with Carol Chase Bjerke, Common Wealth Gallery, Madison, WI Desire for Magic: Patrick Nagatani 1978 – 2008, Clay Center for the Arts and Sciences, Charleston, WV Desire for Magic: Patrick Nagatani 1978 – 2008, UNM Art Museum, Albuquerque, New Mexico, Desire for Magic Chromatherapy, Lycoming College Art Gallery, Williamsport, PA 2011 Desire for Magic: Patrick Nagatani 1978-2008, UNM Art Museum, Albuquerque, NM 2010 Chromatherapy, International Museum of Surgical Sciences, Gallery A, Chicago, IL 2009 Nuclear Enchantment: Photographs by Patrick Nagatani, Akron Art Museum, Fred and Laura Ruth Bidwell Gallery, OH Desert Secrets: Photography from the UMFA’s Permanent Collection and Nuclear Enchantment, Utah Museum of Fine Arts,University of Utah, Salt Lake City, UT Ryoichi / Nagatani Excavations, Lehigh University, Rauch Gallery, Bethlehem, PA 2007 Chromatherapy, Collaboration with Julie Anand & Damon Sauer, Northlight Gallery, Arizona State University, Tempe, AZ Chromatherapy, American Institute of Architecture Gallery -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Envisioning a National System of Disaster Aid for Artists: Report on A
ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Report on a Forum convened by Americans for the Arts and The Craft Emergency Relief Fund March 12, 2006 Washington, D.C. ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Forum Participants Dee Dee Acquisto, MusiCares Theodore Berger, New York Creates & Urban Artist Initiative/NYC Claudine Brown, Nathan Cummings Foundation Cornelia Carey, Craft Emergency Relief Fund Gerri Combs, Southern Arts Federation Barbara Davis, The Actors' Fund of America Ricardo Hernandez, Texas Commission on the Arts John Kreidler, Cultural Initiatives Silicon Valley Veronique LeMelle, Louisiana Division of the Arts Robert Lynch, Americans for the Arts Fidelma McGinn, Artist Trust Samuel Miller, Leveraging Investments in Creativity Wendy Oxenhorn, Jazz Foundation of America Patrice Walker Powell, National Endowment for the Arts Lawrence Reger, Heritage Preservation Carolyn Somers, Joan Mitchell Foundation Herb Tam, New York Foundation for the Arts MK Wegmann, National Performance Network Malcolm White, Mississippi Arts Commission Report Written By: Ruth Eugenia Hargraves Forum Advisors: Randy Cohen, Americans for the Arts Meg Ostrum, Consultant ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Report on a Forum Convened by Americans for the Arts & the Craft Emergency Relief Fund March 12, 2006 Washington, D.C. The forum was opened by hosts Robert Lynch, President and CEO of Americans for the Arts, and Cornelia Carey, Executive Director of the Craft Emergency Relief Fund, who welcomed participants to the three-hour discussion. Ricardo Hernandez, Executive Director of the Texas Commission on the Arts, served as program moderator. Mr. Lynch stated the purpose of the forum was to consider ways art organizations could work collectively and collaboratively to better serve artists during times of emergencies. -
Marilyn Murphy
Marilyn Murphy EDUCATION Master of Fine Arts, University of Oklahoma, Norman, Oklahoma Bachelor of Fine Arts, Oklahoma State University, Stillwater, Oklahoma SELECTED AWARDS AND GRANTS 2017 Research Grant, Vanderbilt University 2011 Research Grant, Vanderbilt University 2004 Chancellor’s Award for Research, Vanderbilt University Award for Outstanding Artwork, Tulane Review of Art and Literature, Tulane University, New Orleans, LA Research Scholar Grant, Toward Mid Career Survey, Vanderbilt University, Nashville TN ($4300) 2003 Research Scholar Grant, Toward Catalog Publication, Vanderbilt University ($25,000) Distinguished Faculty Award, Vanderbilt University, Nashville, TN 2001 Honorable Mention, Puna Art Contemporary Art Center, Pahoa, Hawaii 2000 University Research Council Grant, Vanderbilt University 1996 National Endowment for the Arts Visual Artists Fellowship Archive, National Museum of American Art, Smithsonian Institution, Washington, D. C. Tri Kappa Award, Evansville Museum of Art, Evansville, Indiana, Juror: Nancy Hoffman 1995 Merit Award Water Tower Annual, Louisville Visual Art Association, Louisville, Kentucky Top Purchase Award National Painting Competition, Cheekwood Museum of Art, Nashville, TN Jurors Robert Ryman, Painter/Inge-Lise Eckmann, San Francisco MoMA ($10,000) 2 Purchase Awards Parkside National Print Exhibition, University of WI, Kenosha, WI Juror: Terry Terry Allen, Artist Venture Fund Grant Vanderbilt University, Nashville, TN ($10,000) 1991 First Place in 2-Dimensional category, "Patchwork of Many Lives," -
Nasaa Board Meeting Brief
U.S. REGIONAL ARTS ORGANIZATIONS REGIONAL ACTIVITY UPDATE SEPTEMBER 2008 www.usregionalarts.org U.S. REGIONAL ARTS ORGANIZATIONS Arts Midwest David J. Fraher, Executive Director Barbara Robinson, Chair – Cleveland, Ohio Mid-America Arts Alliance Mary Kennedy McCabe, Executive Director Jim Tolbert, Chair – Oklahoma City, Oklahoma Mid Atlantic Arts Foundation Alan W. Cooper, Executive Director Lisa Frigand, Chair – New York, New York New England Foundation for the Arts Rebecca Blunk, Executive Director Andrea Rogers, Chair – Burlington, Vermont Southern Arts Federation Gerri Combs, Executive Director Todd Lowe, Chair – Louisville, Kentucky Western States Arts Federation Anthony Radich, Executive Director Keith Colbo, Chair – Denver, Colorado For additional information about the U.S. Regional Arts Organizations, visit www.usregionalarts.org or contact National Coordinator, Mickey Smith at (917)520-0511. ARTS MIDWEST David J. Fraher, Executive Director Midwest Arts Conference In September, nearly 1,000 performing arts professionals will gather in Kansas City for the 21st annual Midwest Arts Conference, which will feature more than 30 wide-ranging professional development offerings; opportunities to see more than 70 performance showcases; ample business hours in the Marketplace; and Alan Brown of WolfBrown providing a keynote titled “Rising to the Challenge: The Future of Arts Marketing.” Performing Arts Fund In other performing arts activities, our Performing Arts Fund is providing more than $550,000 to support 200 performing arts engagements across our nine states in 2008-2009; and planning and preparation continues for fall tours to nine Midwest communities by Los Utrera from Mexico and Mauvais Sort from Canada through Arts Midwest World Fest. NEA Initiatives Our management of NEA national initiatives continues with 40 theater companies participating in Shakespeare in American Communities; working with 12 selected venues through NEA Jazz Masters Live; and continued expansion of The Big Read to 208 U.S. -
Shawne Major
SHAWNE MAJOR EDUCATION MFA—Sculpture, 1995, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ BFA—Painting, 1991, University of Southwestern Louisiana, Lafayette, LA SOLO & TWO PERSON EXHIBITIONS 2013 Shawne Major: Monkey Mind—Moreau Art Gallery, St. Mary's College, Notre Dame, IN Shawne Major—Ravens and Crows—Mary C. O'Keefe Cultural Center, Ocean Springs, MS, Aug- Sep 2012 Rhyme and Reason: The Art of Shawne Major—Hilliard Museum of Art, Lafayette, LA, Shawne Major: On a Darkling Plain—Chicago Cultural Center, Chicago, IL Shawne Major: Fetish—Marcia Wood Gallery, Atlanta, GA 2010 Tickle: New Works by Shawne Major—Heriard-Cimino Gallery, New Orleans, LA 2009 Shawne Major: Love Calls Us to the Things of This World—Irvine Contemporary, Washington, DC 2008 The Sacred Space of Shawne Major—Opelousas Museum of Art, Opelousas, LA 2007 Recent Fiber Works by Shawne Major & Christine Tedesco—Ogden Museum of Southern Art, New Orleans 2006 Apogee—Heriard-Cimino Gallery, New Orleans Intrinsic Value: Works by Shawne Major—Alexandria Museum of Art, Alexandria, LA, 2005 Coffee Milk—Fine Arts Gallery, University of New Orleans Lakefront, New Orleans 2004 Portal to Portal—Architects & Artists Space, Lafayette, LA 2003 Hegemony Pajamas—Galerie Lafayette, Lafayette, LA Bricolage/Montage: Shawne Major/Linda Frese—NOCCA Riverfront, New Orleans SELECTED GROUP EXHIBITIONS 2013 Front & Center: Group Show—Mobile Museum of Art, Mobile, AL Sputnik 1—Boyd Satellite Gallery, New Orleans, LA One Thousand Words—Acadiana Center for the Arts, Lafayette, -
1. Carbon Copy: 6/25 – 6/29 1973
The online Adobe Acrobat version of this file does not show sample pages from Coleman’s primary publishing relationships. The complete print version of A. D. Coleman: A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 can be ordered from: Marketing, Center for Creative Photography, The University of Arizona, Tucson, AZ 85721-0103, or phone 520-621-7968. Books presented in chronological order 1. Carbon Copy: 6/25 – 6/29 1973. New York: ADCO interviews” with those five notable figures, serves also as Enterprises, 1973. [Paperback: edition of 50, out of print, “a modest model of critical inquiry.”This booklet, printed unpaginated, 50 pages. 17 monochrome (brown). Coleman’s on the occasion of that opening lecture, was made available first artist’s book. A body-scan suite of Haloid Xerox self- by the PRC to the audiences for the subsequent lectures in portrait images, interspersed with journal/collage pages. the series.] Produced at Visual Studies Workshop Press under an 5. Light Readings: A Photography Critic’s Writings, artist’s residency/bookworks grant from the New York l968–1978. New York: Oxford University Press, 1979. State Council on the Arts.] [Hardback and paperback: Galaxy Books paperback, 2. Confirmation. Staten Island: ADCO Enterprises, 1975. 1982; second edition (Albuquerque: University of New [Paperback: first edition of 300, out of print; second edition Mexico Press, 1998); xviii + 284 pages; index. 34 b&w. of 1000, 1982; unpaginated, 48 pages. 12 b&w. Coleman’s The first book-length collection of Coleman’s essays, this second artist’s book.