Amps&Effects
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artist Roster Doug Aldrich Whitesnake, Dio Michael Amott Arch Enemy Pete Anderson Rusty Anderson Paul McCartney, Solo Joe Barresi Producer, Engineer A r tisSameer t Bhattacharya FlyleafRoster John Bohlinger Nashville Star, Session Dino Cazares Asesino Scott Danough Bleeding Through Adam Dutkiewicz Killswitch Engage Audley Freed James Fukai TRUSTcompany John 5 Rob Zombie Paul Gilbert Jason Hook Hilary Duff David Keuning The Killers Omar Rodriguez-Lopez The Mars Volta Adrian Legg Herman Li DragonForce Matt Mahaffey Wired All Wrong, Beck Buzz McGrath Unearth Matt Roberts 3 Doors Down 2009 Jim Root Slipknot, Stone Sour Matt Scannell Vertical Horizon Al Schnier moe Mike Scott Prince, Justin Timberlake, Session Drew Shirley Switchfoot Alex Skolnick Testament, Trans-Siberian Orchestra Adrian Smith Iron Maiden Matt Stock Three Days Grace Joel Stroetzel Killswitch Engage Mick Thomson Slipknot Matt Tuck Bullet for My Valentine Steve Vai Michael Wilton Queensryche, Soulbender Amps&Effects Electric Guitar, Bass and Acoustic Amplifiers, Effects Pedals & Accessories 2009 ibanez.com · 1726 Winchester Road, Bensalem, PA 19020 · · 327 Broadway, Idaho Falls, ID 83402 · $3.00 in U.S.A. · ©2009 Printed in the U.S.A. (15m) · f you want versatility and sweet, warm vintage tones then you go to the traditional companies and their modeling amps. But if you want versatility I and heavy, nasty and searing modern tones you come to Ibanez. The eleven Mimx amp models in the MIMX series offer a wider variety of distortion and overdrive than any other modeling amplifier–and you’ve still got plenty of the classic models and clean sounds you need to handle any gig. • 11 amp models with the widest amp/tonal type variation available. Features ten of the classic British, American and boutique amp models plus a new and original Ibanez high-gain “Psycho” model. A • 10 programmable patches! Any combination of settings can be auditioned and adjusted in real time and then saved to any one of the hen it comes to electronics for the working 10 memory locations. This includes amp model, equalization settings and digital effects and their particular parameters. • 50 rhythm patterns. Wide range of rhythms for any kind of practice, recording or single gig: metal, Latin, hip-hop, ballad, shuffle, hard musician, Ibanez has been at it for a long WorkingWork ing rock and much more. No other modeling amp has this feature. W time. In the ‘70s, when bands like the • 13 digital effects (up to three effects simultaneously). Grateful Dead wanted to take the amazing sounds • You can choose one of the four Modulation Type Effects: CHORUS, FLANGER, VIBRATO or STEP. they were creating in the studio out on the road, History History m imx Ibanez created some of the first working rack gearA • And one of four Delay/Reverb Type Effects: DELAY, ECHO, HALL or ROOM REVERB. massive overdrive and distortion and total in-your-face like the AD230 and the AD2000 to do just that. When tones. The amps started small to keep it sane. And when • And any one of five Expression Pedal-type Effects Accessible via the OPTIONAL Pedal Controller: the Dead wanted to clean up the mess of wires on people asked for more, Ibanez gave it to them…with VOLUME, RING MODULATOR, AUTO RESONANCE, WAH-WAH and PITCH SHIFT. stage created by their various effects pedals, Ibanez MIMX65 blistering 150 watt TBX Tone Blaster and MIMX stacks. • Plus a built-in fully chromatic tuner! • 65 Watt Guitar Amp designers came up with the UE700–the first fully It’s the working player–the one who’s out there night • 12” Speaker integrated multi-effects unit. From then on, it was a • Fully Digital Programmable Preamp With 11 Amp after night–that our guitar and bass amps are really Models, 10 Memory Locations, 50 Rhythm Patterns non-stop push to do more. made for. Their durability and reliability have made And 13 Digital Effects. • 1/4” CD/MP3 Input Jack them the envy of many established amp makers. • 1/4” Headphones/Record Out Jack • Closed Back Cabinet Design Which brings us to the present. For 2009 Ibanez has • Optional IFC2 Foot Controller retired its original, and very popular, series of Troubadour • 19.5”w x 17.8”h x 10.1”d MIMX150H • Weight: 37lbs dedicated acoustic guitar amps. But not to worry. The • 150 Watt @ 4 Ohms new second generation of Troubadour amps, the • Fully Digital Programmable Preamp with 11 Amp Mod- T-Series, features even higher fidelity than the Ibanez continued to work on perfecting its compact els, 10 Memory Locations, originals and lighter weight and smaller size 50 Rhythm Patterns and effects and in 1980 released the now legendary TS808 for easy transport. We’ve got our first Artist 13 Digital Effects. Tube Screamer. This led to the 1982 introduction of the • Accessory Compartment Signature pedals, Steve Vai’s multi-colored Nine Series, which included the TS9 Tube Screamer, • Optional IFC2 Foot JEMINI with overdrive and distortion, and Controller FL9 Flanger, CS9 Chorus and AD9 Analog Delay. Over Paul Gilbert’s AF2 Airplane Flanger which • 25”w x 10.1”h x 10.1”d the years, the reputation these pedals established had • Weight: 34lbs combines both traditional flange and Paul’s own grown among tone connoisseurs to the extent that “Crazy Flange.” And there’s plenty of the basics—cool they’ve become effects icons in their own right. Long compact effects, different-style electronic tuners, and after production had ceased, collectors sought them high-fidelity cables—that you need to get the job done, out in pawnshops and vintage gear shows, driving their and do it well, in this crazy art/business/joy/hobby/ street value through the roof. Ultimately, the demand MIMX30 blessing/curse/obsession we call music. • 30 Watt Guitar Amp became so strong that Ibanez could no longer ignore IS412MCS • 10” Speaker it, and the coveted compacts • 4 x 12” Speakers • Fully Digital Programmable Preamp With 11 • 320 Watt Handling Capacity Amp Models, 4 Memory Locations, 26 Rhythm were carefully recreated and • Straight Front With Slightly Patterns And 18 Digital Effects. reissued. Today you’ll find Angled Baffle • 1/4” CD/MP3 Input Jack these pedals–both original • MDF Baffle Board • 1/4” Headphones/Record Out Jack • Particle Board Back And Sides • Optional IFS2M Foot Controller and reissue–still on the job Contents • 1 x 4 Ohm And 1 x 16 Ohm Jacks • 17.4”w x 16.1”h x 8.7”d with famous and not-so- Contents • 27.6”w x 29.8”h x 13.2”d • Weight: 19.4lbs famous working players MIMX 3 • Weight: 92lbs TBX 4.5 • Also Available IS412MCA w/ around the world. Angled Front SOUND WAVE 6.7 TROUBADOUR 8.9 While those vintage stompboxes are the standard by NEW PEDALS 10 which all other classic effects are judged, Ibanez had CLASSICS 11 WD7/TONE-LOKS 12.13 a very non-vintage vision for its guitar amplifiers. In CABLES 14 1998, Ibanez began offering amps built for heavy rock TUNERS 15 and metal guitarists like those playing our RG six- and seven-strings. Tone Blaster amps were loaded with IFS2M • The optional Ibanez IFS2M Foot IFC2 Controller (sold separately) moves • Optional foot controller for MIMX MIMX30 built-in effects programs expression pedal effects up and down. 22 33 e made the first Tone blaster generation Tone W Blasters to give players the edgy, overdriv- en tones needed for heavy rock and metal. Now it’s time for something even more vicious. TBX Tone TBX65R Blaster Extreme amps pro- • 65 Watt With 12” Speaker • Two Discrete Channels TBX30R vide tones that will rip your • 2 Separate 3-Band Active EQs • 30 Watt With 10” Speaker head off…and anyone else With Parametric Midrange in • Two Switchable Channels fortunate (or unfortunate) Second Channel • 3-Band Active EQ With Parametric enough to be in the gen- • Hot Channel w/ Switchable Boost Midrange Common To Both Channels eral vicinity. • Reverb • Reverb •b 1/4” CD/MP3 Input Jack x• 1/4” CD/MP3 Input Jack • 1/4” Headphones/Record Out Jack • 1/4” Headphones/Record Out Jack t • Channel and Reverb Footswitch Jack • Channel And Reverb Footswitch Jack • Closed Back • Open Back Cabinet • 19.5”w x 17.8”h x 10.1”d • 17.4”w x 16.2”h x 8.7”d • Weight: 42lbs • Weight: 23lbs TBX150H • 150 Watt @ 4 Ohms • Two Discrete Channels • 2 Separate 3-Band Active EQs. With Parametric Midrange In Second Channel TB150H Accessory Storage • Normal Channel w/ Switchable Overdrive Allows convenient storage of footswitches, • Hot Channel w/ Switchable Boost cables or accessories. • Gain And Volume Controls Each Channel • Reverb And Resonance • 1/4”CD/MP3 Input Jack TBX150R • 1/4” Headphones/Record Out Jack • 150 Watt with 2 x 12” Speakers • Channel, Reverb, Overdrive And Boost Footswitch Jacks • Two Discrete Channels TBX15R • Accessory Compartment • 2 Separate 3-Band Active EQs. with • 15 Watt With 8” Speaker • LED Indicator For Channel, Reverb, Overdrive And Boost Parametric Midrange in Second • Two Switchable Channels • Effect Loop Channel • 3 Band Active EQ With Parametric • 25”w X 10.1”h X 10.1”d • Normal Channel w/ Switchable Midrange Common To Both Channels • Weight: 38lbs Overdrive • Reverb HUE Control • Hot Channel w/ Switchable Boost • 1/4” CD/MP3 Input Jack IS412CA • Gain and Volume Controls Each • 1/4” Headphones/Record Out Jack Adjusts overall tonal character. • 4 x 12” Speakers Channel • Closed Back Cabinet (TBX150H/150R) • 320 Watt Handling Capacity • Reverb and Resonance • 14.6”w x 13.8”h x 7.9”d • Angled Front with 2-Piece Split Baffle • 1/4” CD/MP3 Input Jack • Weight: 20lbs • MDF Baffle Board • 1/4” Headphones/Record Out Jack X Mode/Channel • Particle Board Back And Sides • Channel, Reverb, Overdrive And Boost The X mode/channel emphasizes • 1 x 4 Ohm and 1 x 16 Ohm Jacks Footswitch Jacks tighter low end and a unique tonality • 27.6”w x 29.8”h x 13.2”d • Closed Back in the midrange, which increases • Weight: 92lbs • LED Indicator for Channel, Reverb, sustain and harmonics.