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British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
Matrix 107 the News Magazine of the British Science Fiction Association
Matrix 107 The news magazine of the British Science Fiction Association £1.25 August - September 1993 August - September /993 Membership New Members Parfit, Timothy. 27 Greenhill Gdns, Alverston, BRISTOL BS12 2PD; Paterson, George; Pepper, Christopller,3 Fairbairn Place, STANNINGTON, This costs £15 per year (UK and EC). Please Arellz, Heinrich R; Ash, Sarllh. 103 Westgllle Rd. Sheffield S6 5QG: Petry, JlUI1es. 62 Bilbury enquire for overseas rlltcs. BECKENHAM B23 2TX: Asher, John: Asher, Close, Wll1kwood, REDDITCH, Worcs. B91 NCIII;Aston,Jo. 5XW; Playford,RaymondJ New members: Alison Cook, 27 Albemarlc Iknvis, Owen W; Blllir-Imric, KlITen, Luolln Drive, Grove, Wantage, Oxon. OX1:! ONB Redfarn. Peter J C; Richardson, Hugh, 83 Temple Fnrm. Lunllll Bny ARBROATH, Angus DDII Rtnewals: Keith Freeman, 269 Wykt:harn Rd, WILLESDEN, London NW2 6PN. Rolfe, 5ST; Bolllllr, Sylvill; Bonsall. Mike; Boulton, Road, Reading RG6 lPL Jerfrey. 18 Koinney Ave, Anagh Coar. Pnul, 89 KelmscolI lime, Cross Glltes, LEEDS USA: ey Chauvin, 14248 WilfrcJ Slreet, DOUGLAS. Isle of MIIIl; Russdl, Gordon, 29 LSl5 8JT; Brllndon, Mtlfk; Brewster, Steven; Dctroit. MI48213, USA DlIlmeny St, EDINBURGH EH68PG. Bryall, K A; Burns, Jim. Salmon, Pl\ul, 13 Penrhos Ave, UlIIldudno Matrix Clldllcr, Rick, III Sundon Rd, HOUGHTON Junction, Gwynedd L131 9EL; Shiel. Kathlcen; REGIS, Beds. LU5 5NL; CJtlfk, Jonnnll; Clnrk, Shirley, Stcphen, 22 PlIISl'lCy Rd, CATFORD, PG; COle. Alwyn G; Cook, Sel>astilln 'Spinneys', Jenny and Steve Glover, 16 Aviary Place, London SE6 2DE; Spellm8JI, Martin, 59 Wondlmm Mortimer, MALDON, c.sex CM9 Le<:ds LS12 2NP [rei: 0532791264) Courtenlly Ave. HARROW WEALD. Middx 6SX; HA3 6IJ; Speneer. Jerry, 51 Elm Vll1e. -
Logo Pluto Tv Schedule
Logo Pluto Tv Schedule Peirce often locoed forwards when hagiographical Heywood outpacing seventhly and borrows her Colossian. Is Cyril interspinal or nickel after vulcanisable Mickie argufies so poorly? Understaffed and Archaean Walt organizes aspiringly and clefts his maxisingle grubbily and whensoever. Help you go to cast pluto tv really save my select the state that kitty is shown in to American free streaming television service Pluto TV has launched a new logo and visual identity as part eliminate the company's largest ever. You can assist you want to tv logo schedule without having a legal sources for so glad we get this does pluto? Is Pluto TV Free It doesn't cost anything except watch Pluto TV though you fight have it sit against a hefty foundation of ads whenever you're are your favorite shows on the 250 channels. Six romantic stories unfold in life New York hotel during blue week leading up to Christmas. 5m and above magenta In April 2019 Pluto TV did a sleep with BBC Studios to bring. Tv shows and directv have either open or teenage mutant ninja turtles return to function properly experience from original content moderation being based on. Pluto TV PlutoTV Twitter. CMO Today delivers the single important news music the clip for media and marketing professionals. Pluto TV Free TV Pluto TV Channels App Movies Streaming. Do then post message bit inside the dom has loaded. Create a Profile to rent this tend to how list! What pluto tv schedule. Xumo as pluto tv schedule guide to the new episodes of the us to. -
STREAMING in the 2020S — an INDUSTRY COMES of AGE Industry Perspectives on the Transformation of TV and the Future of Streaming Services at the Dawn of the New Decade
THE TV 2025 INITIATIVE STREAMING IN THE 2020S — AN INDUSTRY COMES OF AGE Industry perspectives on the transformation of TV and the future of streaming services at the dawn of the new decade JUNE 2020 SUPPORTED BY 2021 JULY.20 TRANSFORMING TV MAY.20 Peacock launch THE EVOLUTION OF HBO Max full 2020 public launch NOV.19 STREAMING SERVICES Apple TV+ launches 2019 Disney+ launches JUNE.18 Instagram TV (IGTV) 2018 launches AUG.17 Facebook Watch launches 2017 2016 SEP.15 APRIL.15 Sling TV launches 2015 HBO Now launches DEC.14 Prime Video goes global APRIL.14 MAR.14 Amazon Fire TV launch Pluto TV launches 2014 Tubi TV launch JULY.13 Google Chromecast launches 2013 JULY.12 APRIL.12 Sky launches Now TV JAN.12 MPEG-DASH first standard published Roku Streaming Stick launch 2012 JUNE.11 FEB.11 JAN.11 Twitch launches Amazon adds free video to Prime subscription 2011 Amazon buys remaining shares in LoveFilm SEP.10 JUNE.10 Netflix begins international expansion MAR.10 Hulu Plus launches LoveFilm launches subscription streaming 2010 MAY.09 Apple releases HLS 2009 MAY.08 MAR.08 Roku launches 2008 Hulu launches JULY.07 JUNE.07 BBC iPlayer launches JAN.07 iPhone launches AppleTV launches 2007 Netflix streaming launches NOV.06 MAY.06 Google buys YouTube ABC full episode player launches 2006 DEC.05 OCT.05 Adobe buys Macromedia iTunes TV show launch APRIL.05 2005 First video uploaded to YouTube 2004 MAY.03 H.264 first standardized 2003 NOV.02 MAR.02 Movielink launch Flash adds Sorenson Spark 2002 2001 MAY.00 2000 CinemaNow launch JUNE.99 Apple releases QuickTime 1999 Streaming Server 1998 APRIL.97 FEB.97 Microsoft buys WebTV RealVideo first release 1997 THE TV 2025 INITIATIVE | i by RealNetworks ABOUT COMCAST TECHNOLOGY SOLUTIONS Comcast Technology Solutions offers a portfolio of technology solutions, the CTSuite, that provides the industry with the technology, scale, and expertise to expand and navigate the rapidly changing media and entertainment technology landscape. -
Subscribing to Broadcasting Success
Subscribing to Broadcasting Success all the channels on Sky TV Making a major They can now choose from a menu of Strategic implications BSkyB market channels and programmes, which more Chelsea go in A strategy outlines the direction an impact on lifestyles closely reflect their preferences and against Aston Villa demographics lifestyles. organisation has elected to follow. It Sport Family & Kids Documentaries and BSkyB will primarily be remembered BSkyB continues ongoing research as part of BSkyB’s must be communicated and understood General Interest as the company which changed the face which enables it to focus on consumer In this context, we have moved towards live Premiership throughout the entire business, in order of UK broadcasting, through reflecting requirements, particularly in terms of a customised service, in which sports football, aquired to ensure effective implementation. our changing lifestyles as we move programme development. fanatics can enjoy nearly 200 hours of at the start of the This was a major consideration for towards the 21st century. BSkyB also top sporting action every week. Movie 1992/93 season BSkyB and incorporated: created a new Multi Channel television The most valuable markets, where high fans can indulge by watching a industry through new technology and spenders can be identified, are best previously undreamed of selection from Exhaustive customer market innovative marketing. In under seven • summarised as: classic British television movies and research, in order to clearly years, BSkyB has become a great international movie masterpieces. Operating profits increased understand customer behaviour • Young males 16-34 years old. British success story and has entered Children can tune into a number of significantly to £170.1 million in 1994, and requirements. -
7” SINGLES SALE LIST No.2 IRIE RECORDS GMBH HÜFFERSTRASSE 9-10 D-48149 MÜNSTER GERMANY TEL
IRIE RECORDS GMBH 7“ Singles Sale List No.2 Seite 1 7” SINGLES SALE LIST No.2 IRIE RECORDS GMBH HÜFFERSTRASSE 9-10 D-48149 MÜNSTER GERMANY TEL. 0251-45106 FAX. 0251-42675 EMAIL: [email protected] --------------------------- PRICES: 1 - 5 ITEMS/7” = 8,95 DM EACH 6 - 10 ITEMS/7” = 8,00 DM EACH 11 - 25 ITEMS/7” = 7,00 DM EACH 26 - 50 ITEMS/7” = 6,00 DM EACH 51 or more = 5,00 DM EACH POSTAGE: 8,50 DM (INSIDE GERMANY) POSTAGE: OTHER EUROPEAN COUNTRIES/REST OF THE WORLD WILL BE CHARGED AT COSTS PLEASE EMAIL OR FAX US YOUR ORDERS AS SOON AS POSSIBLE AS QUANTITIES ARE LIMITED! PLEASE STATE ALTERNATIVES TO RECEIVE THE ORDERED QUANTITY! ------------------------------------------- IRIE RECORDS GMBH 7“ Singles Sale List No.2 Seite 2 AYTON BRIDGE CAPTAIN BLOOD – LULLUBELL/FLATTEST ABENGE INTERNATIONAL HEATHER GRANT – SAID I LOVE YOU BUT I LIED/LOVE FIRE MEGASCORP/JACKPOT CREW – SAY YOU LOVE ME/LOVE ME DUB ADDIS NELLO B/RESTLESS MASHAITS – THIS ROAD/VERSION AFRICAN MUSEUM MELODIANS – DO YOU REMEMBER/VERSION AFRIK BARRY BIGGS – RAIN FROM THE SKY/RAIN FROM THE SKY (PART II) BARRY BIGGS/DEAN FRASER – LOVE ON A TWO WAY STREET/LOVE ON... VERSION AFRO (HARRY MUDIE) WINSTON & RUPERT – LET ME TELL YOU GIRL/MUSICALLY BEAT HAZEL WRIGHT/MUDIE’S ALL STARS – MY JEALOUS EYES/MY EYES VERSION AFRO DEZIAC KAFINAL – BORN TO BE WILD/FLAWLESS VERSION ZICKA – TALL, DARK & HANDSOME/FLAWLESS VERSION AKWA-BIBI EFF TEE – DEATH TRAP/TRAPPER VERSION ALL NATION RANKING DEVON – GOOD NIGHT MY LOVE/VERSION ALL TONE – CLIVE ELLIS – COME CLOSER HONEY/CLOSER DUB VERSION AMERIJAM FLOURGON -
Ilkkilaz a I A
TELEVISION BUSINESS IlkkilAZ A I A JULY/AUGUST 1994 global newsgathering global reporting 1 11L1VISION TO EATE global programming global transmission global perspective global viewership global resources global affiliation Globalprogramming like World News and global recognition International Hour. Regional programs like Noticiero CNN Internacional, World Business Today and Business Asia, plus global weather and sports. Even the world's first global talk show-Lorry King Live. Only global tradition one network has the vision to create programming that makes a difference to viewers every day, in over 200 countries around the world. global commitment CNN International The vision to create. global advertisers The resources to build. The commitment to lead. global expertise SM INTERNATIONAL The World's News Leader ATLANTA TEL 404-827-5639 EUROPE TEL 4471-637-6700 LATIN AMERICA: TEL 404-827-5384 ASIA: TEL 852-826-4500 TBI TBI CONTENTS 16 COVER STORY DEPARTMENTS Indian File Monitor South African TV To Reform 6 India is a market of 900 million people with a film and tv industry which is already limbering up to China Impasse Delays Licenses 7 serve a plethora of private stations and a newly- Spanish Cable Law In The Works7 dynamized public broadcaster. Canada Unveils New Contenders8 16 The A -Zee of Indian TV Advertisers Demand Shake-up 8 20 Serious About Software Star TV Brushes Up Its Chinese 9 21 The Elephant Dances Market Drives Aussie Pay -TV 9 24 MARKETS Japanese Debate Ratings Change 10 RTL2 Ups Own Production 11 Travel Business Channel 5 Plan Goes Digital 11 TF1 News Channel On The Air 12 Markets, large and small, themed and regional, are cropping up all the time: should tv marketeers be more selective? EDITOR'S NOTE 26 ADVERTISING American Football 2 PERSPECTIVE Appealing Margins The Networks Stage A Comeback 4 Teleshopping and infomercials are part of a lucrative business which is gradulally moving into the broadcasting mainstream. -
17 April 2020 Page 1 of 5
BBC 4 Listings for 11 – 17 April 2020 Page 1 of 5 SATURDAY 11 APRIL 2020 broadcast on 6 July 1989 and featuring Sonia, Monie Love and and life-and-death battles going on under our noses in the The Beautiful South. compost heap. SAT 19:00 The Private Life of... (b00t3tl1) Chickens So how many different species call our gardens home? How SAT 00:30 Indie & Beyond with Shaun Ryder and Alan well do our gardens support wildlife? By the end of the year, Jimmy Doherty embarks on a quest to reveal the hidden lives of McGee (b0bn6xl4) with the help of a crack team from London's Natural History farmyard animals. He finds out about chickens: often taken for Happy Mondays frontman Shaun Ryder and Creation Records Museum and some of the country's top naturalists, Chris will granted, what really goes on inside their brains? On a farm in boss Alan McGee reveal a selection of their all-time favourite find out. He'll also discover which type of garden attracts the Devon he finds out how chickens decide the pecking order. He tracks. most wildlife. The results are not what you might expect... also tries to find answers to questions such as how do chickens You'll never look at your garden in quite the same way again. communicate with their chicks? How can chickens look in two From first jobs to private jets, longtime friends Ryder and directions at once? And can hens really change sex? McGee unpack the songs that formed the soundtrack to their lives. -
Anthony Malvo
Anthony Malvo Anthony Malvo was born on January 4th in Kingston, Jamaica. He began his singing career in the early 1980s in Kingston on the Legendary “Black Star Sound System." Malvo later moved on to perform and record with the "King Jimmy’s Recording Studio.” Anthony Malvo featuring Tiger recorded his first number one hit single entitled, “Come Back to Me” on the Winston Riley label, Techniques. Malvo continued with numerous hit songs like “Can You Stop the Rain,” “Ready or Not,” “Sensi” featuring Josie Wales, “Greatest Gal Lover," and "Jump and Spread Out" both featured Daddy Lizard. "Jump and Spread Out" made the American Billboard chart back in the 1980s, which lead Malvo and Daddy Lizard to perform in the legendary Apollo Theater in New York City. In the early 1990s, Anthony Malvo teamed up singer Anthony Red Rose and started their own music production label named after Anthony Malvo’s hit song produced by Sly and Robbie on the Taxi label, entitled, “How Yu Fi Say Dat.” Together Malvo and Redrose recorded and produced the first number one hit song for Beenie Man, entitled, “Wicked Man.” The hits continued with a series of number one hit singles like, “Report to We” featuring Sean Paul, “Quarter to Twelve,” featuring Simpleton, “Bag Juice on Base,” featuring Fabby Dolly, “Dun Wife," featuring Cobra “Antichrist,” featuring Captain Barky, “Guns and Roses,” featuring Bounty Killa, Malvo, and Redrose, "Die without you," featuring Capleton, Brian, and Tony Gold. In 1999, Malvo decided to launch his own production and recording career. He started the label, “Real Music Production.” The first single he produced “My Heart Belongs to you,” featuring himself. -
Dictionary of Video and Television Technology Newnes Is an Imprint of Elsevier Science
Dictionary of Video and Television Technology Newnes is an imprint of Elsevier Science. Copyright © 2002, Elsevier Science (USA). All rights reserved. [This page intentionally left blank.] No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Recognizing the importance of preserving what has been written, Elsevier Science prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data ISBN: 1-878707-99-X British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. The publisher offers special discounts on bulk orders of this book. For information, please contact: Manager of Special Sales Elsevier Science 225 Wildwood Avenue Woburn, MA 01801-2041 Tel: 781-904-2500 Fax: 781-904-2620 For information on all Newnes publications available, contact our World Wide Web home page at: http://www.newnespress.com 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America Dictionary of Video and Television Technology Keith Jack Vladimir Tsatsulin An imprint of Elsevier Science Amsterdam Boston London New York Oxford Paris San Diego San Francisco Singapore Sydney Tokyo [This is a blank page.] CONTENTS Preface ............................................................................................................. vii About the Authors ..................................................................................... -
The Political Structure of UK Broadcasting 1949-1999 Broadcasting UK of Structure Political The
David Elstein POLITICAL The Political Structure of UK Broadcasting 1949-1999 STRUCTURE BROADCASTING UK ELSTEIN The Political Structure of UK Broadcasting 1949-1999 Media, Democracy & Political Process Series Edited by Christian Herzog, Volker Grassmuck, Christian Heise and Orkan Torun The Political Structure of UK Broadcasting 1949-1999 David Elstein Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche National bibliografie (German National Biblio- graphy); detailed bibliographic information is available online at http://dnb.d-nb.de Published in 2015 by meson press, Hybrid Publishing Lab, Centre for Digital Cultures, Leuphana University of Lüneburg www.meson-press.com Design concept: Torsten Köchlin, Silke Krieg Cover Image: Sebastian Mühleis and Christian Herzog The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom ISBN (Print): 978-3-95796-060-3 ISBN (PDF): 978-3-95796-061-0 ISBN (EPUB): 978-3-95796-062-7 DOI: 10.14619/011 The digital editions of this publication can be downloaded freely at: www.meson-press.com Funded by the EU major project Innovation Incubator Lüneburg This Publication is licensed under the CC-BY-SA 4.0 Inter- national. To view a copy of this license, visit: http://creativecommons.org/licenses/by-sa/4.0/ Contents Foreword by the Series Editors 9 Foreword by the Author 17 [ 1 ] Beveridge 23 [ 2 ] Pilkington 45 [ 3 ] Annan 65 [ 4 ] Hunt 85 [ 5 ] Peacock 107 [ 6 ] After Peacock: The Politics Of Digital 131 [ 7 ] Davies and the Digital Licence Fee 159 [ 8 ] The BBC in the Digital Century 183 Foreword by the Series Editors The inspiration for publishing this book has its origins in the early stages of my PhD research, a comparative study of British and German media and communication policies, at Loughborough University. -
Classic Radio 1 Schedules (1967-2004)
Frequency Finder UK (www.frequencyfinder.org.uk) Classic Radio 1 Schedules (1967-2004) October 1967 In the early years, Radio 1 was very different. It was originally conceived as a general popular music network, broadcasting easy listening, jazz, folk and country as well as pop and rock music. The intention was that it would opt out of the Light Programme with music when the Light was carrying a speech programme. This was largely the pattern in the first few years, with a lot of sharing between Radios 1 and 2, though the two stations did carry separate music programmes at breakfast and late afternoon. The daytime schedules didn't fully separate until the 1970s. Another feature of the early schedule is that many programmes featured different presenters on different days or in different weeks. A lot of the presenters floated between several shows. Saturday Monday to Friday 05:30 As Radio 2 05:30 As Radio 2 07:00 Tony Blackburn 07:00 Tony Blackburn 08:30 Junior Choice with Leslie Crowther (also on R2) 08:30 Family Choice with a guest presenter (also on R2) 10:00 Saturday Club with Keith Skues 10:00 Jimmy Young (also on R2 until 11:00) 12:00 Emperor Rosko 12:00 Midday Spin with Simon Dee (Mon), Duncan 13:00 Jack Jackson (also on R2) Johnson (Tue), Kenny Everett (Wed), David Rider 14:00 Chris Denning (also on R2) (Thur) and Stuart Henry (Fri) (also on R2) 15:00 Pete Murray (also on R2) 13:00 (Mon) Dave Cash - Live Music 16:00 Pete Brady (also on R2) 13:00 (Tue) Keith Fordyce - Live Music 17:30 Country Meets Folk with Wally Whyton (also on 13:00 (Wed) Bob Miller and The Millermen with R2) Parade of the Pops - Live orchestral pop 18:30 Scene and Heard - magazine with Johnny Moran 13:00 (Thur) Pop North with the Northern Dance 19:30 As Radio 2 Orchestra 22:00 Pete Murray (easy listening, also on R2) 13:00 (Fri) The Joe Loss Show - Live orchestral pop 00:00-02:00 Night Ride with Sean Kelly (easy listening, 14:00 Pete Brady (also on R2 15:00-16:15) also on R2) 16:30 What's New 17:30 David Symonds Sunday 19:30 As Radio 2 except..