Swiss Films Vod Support 2021

Total Page:16

File Type:pdf, Size:1020Kb

Swiss Films Vod Support 2021 SWISS FILMS VOD Support 2021 Lang- und Kurzfilme Longs et courts métrages Praktische Hinweise Indications pratiques zur Unterstützung des pour le soutien à la Vertriebs von Schweizer diffusion de films suisses Filmen auf internatio- sur des plates-formes nalen VOD-Plattformen VOD internationales SWISS FILMS Kontakt / Contact: Neugasse 6, CH – 8005 Zürich [email protected] 1 + 41 43 211 40 50, www.swissfilms.ch + 41 43 211 40 63 1. Welche Filme werden 2. Welche Kosten sind unterstützt? anrechenbar? Um die Online-Auswertung von Schweizer Filmen Unterstützungsberechtigt sind Filme, die folgende Voraus- Für die VOD-Förderung eines Schweizer Films unterstützt im Ausland zu stärken, unterstützt SWISS FILMS den setzungen erfüllen: SWISS FILMS die Gesuchsstellenden mit Pauschalbeiträgen Vertrieb von Schweizer Filmen und anerkannten – Es besteht ein Vertrag mit einer VOD-Plattform gemäss pro VOD-Plattform. Diese Beiträge sollen einen Teil der Koproduktionen auf internationalen VOD-Plattformen. Referenzliste. Kosten für Untertitelung, Online-Marketing und Encoding – Es werden einzig non-exclusive Deals unterstützt. decken. Für die erste Plattform gibt es einen Pauschal- Unterstützt werden Schweizer Filme und anerkannte Ko - – Der Film muss in einer Sektion eines internationalen beitrag von CHF 1’000; ab der zweiten Plattform wird eine produktionen (majoritärer CH-Produktionsanteil), die Filmfestivals gemäss «Praktische Hinweise für die Pauschale von CHF 500 bezahlt. Der Höchstbetrag, auf internationalen VOD-Plattformen angeboten werden. Unterstützung von Schweizer Filmen an internationalen den ein Film erhalten kann, beträgt CHF 5’000 (Langfilme) Die relevanten VOD-Plattformen werden auf einer Refe- Festivals» gezeigt worden sein, einen Weltvertrieb bzw. CHF 4’000 (Kurzfilme). Zusätzlich können Filme, renzliste publiziert (siehe Liste im Anhang). oder in mindestens 2 Ländern ausserhalb der Schweiz die über einen VOD-Aggregator vertrieben werden, einen Um VOD-Support zu erhalten, müssen die Gesuch- einen Verleih haben. einmaligen Pauschalbeitrag von CHF 1’000 geltend steller / innen Produktionsfirmen, Weltvertrieb oder – Die erste öffentliche Aufführung liegt nicht länger als machen (Kurz- und Langfilm). Regisseur / innen sein, welche die Rechte am Film besitzen fünf Jahre zurück. und den Firmen- oder Wohnsitz in der Schweiz haben. – Ausnahmen sind in begründeten Fällen möglich: Es muss Langfilme Sie müssen zudem professionelle Filmschaffende sein ein kohärentes Marketing-Konzept vorliegen, der Film VOD Plattformen Pauschalbeitrag (CHF) und ihre Filme unabhängig von Fernsehveranstaltern, muss eine klar definierte, grössere Zielgruppe via 1. Plattform 1’000* Medienunternehmen oder Aus- und Weiterbildungsinstitu- VOD-Plattform erreichen können und für eine digitale Jede weitere Plattform 500 tionen produziert haben. Verbreitung geeignet sein. Sind die VOD-Rechte eines Schweizer Films bzw. aner- Kurzfilme kannten Koproduktion an eine professionelle Verleihfirma VOD Plattformen Pauschalbeitrag (CHF) im entsprechenden Territorium verkauft worden, können 1. Plattform 800* VOD-Releases ausschliesslich von der Verleihfirma Jede weitere Plattform 400 über die Exportförderung beantragt werden (separates Verfahren, Antragsformular bei SWISS FILMS). *Vimeo und Youtube werden mit einem Pauschalbeitrag von CHF 500 (Langfilme) bzw. CHF 400 (Kurzfilme) unterstützt auch wenn es sich hierbei um die erste Plattform handelt. 2 VOD Support 2021 Lang- und Kurzfilme Praktische Hinweise 3. Gesuchprozedere 4. Auszahlungsmodus 5. Hinweis Die Unterstützung kann schriftlich mit einem Gesuch- Die Unterstützungsbeiträge kommen nachträglich zur Im Falle einer Unterstützung ist deutlich sichtbar das Logo formular beantragt werden: Auszahlung, sobald eine Rechnung und folgende Unter- von SWISS FILMS auf allen Promotions-Unterlagen des – Der / die Rechteinhaber / in meldet sich bei SWISS FILMS, lagen eingereicht worden sind: entsprechenden Films zu platzieren. 043 211 40 63, oder [email protected] – Nachweis der Onlineschaltung des Filmes – Der / die Rechteinhaber / in mailt das PDF Gesuch- – Belege (Rechnungskopien) für Kosten, die im Zusammen- Der / die Rechteinhaber / in meldet die Auswertungsdaten formular zusammen mit den benötigten Unterlagen an hang mit der Onlineschaltung entstanden sind oder ein inkl. Nettoeinnahmen (Return on Investment an Produzent / [email protected] (spätestens 2 Wochen nach Nachweis über Online-Marketing innen) jeweils bis Ende Jahr an [email protected]. Onlineschaltung). – SWISS FILMS bearbeitet das Gesuch und teilt den Die Promotionsagentur SWISS FILMS ist vom Bundesamt Beitragsbeschluss mit. für Kultur mit der Umsetzung von Massnahmen beauf- tragt, welche die Sichtbarkeit und die Marktchancen von Mit dem Gesuchformular einzureichende Unterlagen: Schweizer Filmen im Ausland stärken. – Kopie des Ursprungszeugnisses oder der offiziellen Anerkennung von Koproduktionen des Bundesamtes Kontakt bei SWISS FILMS: für Kultur +41 43 211 40 63 – Kopien der datierten und unterzeichneten Verträge von [email protected] mind. 2 internationalen Verleihern (nur Vorderseite + Seite mit Unterschrift) ODER vom Weltvertrieb ODER Nachweis über die Teilnahme an einer Festival-Sektion gemäss Festival-Support-Liste – Vertrag mit VOD-Anbieter gemäss Referenzliste oder Vertrag mit einem VOD Aggregator 3 VOD Support 2021 Lang- und Kurzfilme Praktische Hinweise 1. Quels sont les films 2. Quels coûts sont soutenus? imputables? Afin de renforcer la diffusion en ligne des films suisses Les films qui remplissent les conditions suivantes peuvent Pour la promotion VOD d’un film suisse, SWISS FILMS à l’étranger, SWISS FILMS soutient la distribution de films bénéficier d’une aide : soutient les demandes grâce à des contributions forfai- suisses et de coproductions reconnues sur les plateformes – Il existe un contrat avec une plateforme VOD selon taires attribué par plateforme VOD. Ces contributions VOD internationales. la liste de référence sont destinées à couvrir une partie des coûts pour le – Seuls les accords non exclusifs sont soutenus. sous-titrage, le marketing en ligne et l’encodage. Pour la Sont soutenus les films suisses et les coproductions re- – Le film doit avoir été projeté dans une section compé- première plateforme, un montant fixe de CHF 1’000 est connues (avec participation suisse majoritaire) qui sont titive d’un festival international du film conformément accordé. A partir de la deuxième plateforme, un montant proposés sur des plateformes VOD internationales. aux « Indications pratiques pour le soutien des films forfaitaire de CHF 500 est accordé pour toutes les plate- Les plateformes VOD concernées sont publiées sur une suisses dans les festivals internationaux », avoir un formes suivantes. Le montant maximum qu’un film peut liste de référence (voir liste en annexe). World Sales ou un distributeur dans au moins deux recevoir est de CH 5’000 (longs métrages) ou CHF 4’000 Pour bénéficier d’un soutien VOD, les personnes pays en dehors de la Suisse. (courts métrages). Les films qui sont distribués via un requérantes doivent être des sociétés de production, des – La première projection publique a eu lieu il y a moins agrégateur VOD peuvent bénéficier d’un soutien supplé- World Sales ou des réalisateurs et réalisatrices qui dé- de 5 ans. mentaire unique et forfaitaire de CHF 1’000 (longs et tiennent les droits du film et ont leur siège ou leur domicile – Des exceptions sont possibles dans certain cas : courts métrages). en Suisse. Ils doivent également être des cinéastes profes- Un concept de marketing cohérent doit exister, le film sionnels et avoir produit leurs films indépendamment des doit pouvoir atteindre un groupe cible plus important Longs métrages diffuseurs, des sociétés de médias ou des établissements et clairement défini, grâce à la plateforme VOD et être Plateformes VOD Montant forfaitaire (CHF) d’enseignement et de formation. adapté à la distribution numérique. 1ère plateforme 1’000* Chaque plateforme supplémentaire 500 Si les droits VOD d’un film suisse ou d’une coproduction reconnue ont été vendus à une société de distribution professionnelle sur le territoire correspondant, les sorties Courts métrages VOD ne peuvent être demandées par la société de distri- Plateformes VOD Montant forfaitaire (CHF) bution que via l’encouragement à l’exportation des films 1ère plateforme 800* suisses (procédure séparée, formulaire de demande de Chaque plateforme supplémentaire 400 SWISS FILMS). *Vimeo et Youtube sont soutenus par une contribution forfaitaire de respectivement CHF 500 (longs métrages) et CHF 400 (courts métrages), même s’il s’agit de la première plateforme. 4 VOD Support 2021 Longs et courts métrages Indications pratiques 3. Procédure de demande 4. Mode de paiement 5. A noter L’aide peut être demandée par écrit au moyen d’un Les contributions de soutien sont versés après réception Dans le cas d’une décision favorable, le logo de SWISS formulaire de demande : d’une facture, ainsi que des documents suivants : FILMS doit être clairement visible sur tout le matériel – L’ayant droit contacte SWISS FILMS, 043 211 40 63, – Preuve de la mise en ligne du film promotionnel du film en question. ou via [email protected]. – Justificatifs (copies de factures) des frais liés à la mise – L’ayant droit envoie par courrier le formulaire de en ligne ou preuve de marketing en ligne L’ayant droit communique les données d’exploitation, demande PDF accompagné des documents requis à y compris les revenus nets (retour sur investissement [email protected]
Recommended publications
  • Seeing a Future for Short Films
    108 LEADERS OF TRANSFORMATION LEADERS OF TRANSFORMATION 109 VIDDSEE creating websites for them or uploading them on third-party hosts. But as someone who was neither a celebrity nor even a YouTube star, he found it hard to get his con- Seeing a future tent out to an audience. Viewership would spike upon the initial release, but swiftly tail off. He rued the brief lifespan of his short films: for short films “There’s so much work you put into one thing and it doesn’t have a life after that.” Viddsee aims to tell a brand’s story with Viddsee thus arose from the wish to bring audiences artistry and sincerity, backed with hard data to filmmakers. The site focuses on “short premium content”, including indie films, documentaries, and about what works and what doesn’t. branded content, with their bite-size nature making them suitable for social sharing. Today, some of its videos receive over 100 million views in three months. Yet when it comes to viewership, it is not mere quan- tity that Viddsee is after. Part of Viddsee’s value propo- ISIT online video platform Viddsee, and one sition to clients is being able to target the right viewers. thing that might strike you – in contrast to Building an internet television platform is one V other video hosting sites – is the utter lack of thing; developing an audience is another, says Mr Ho. ads. As a venture capital-backed firm that was pre- “I think it’s something that takes longer but will revenue till 2017, Viddsee has had the leeway to re- pay off (in terms of) loyalty and being a differentiat- ject certain commercial approaches.
    [Show full text]
  • Television Entertainment a TWO PART CAT SERIES
    Television Entertainment A TWO PART CAT SERIES CAT Web site: sirinc2.org/a16cat/ Television Entertainment Two­part presentation series: • Broadcast vs. Internet Television (Streaming) – Sept. 17 • Smart TV’s and Streaming Devices • Streaming Sites • Finding Programs to Watch Television Viewing Options 3 Basic ways to get video content: • Service provider (Xfinity, AT&T, Wave, etc.) • Streaming apps on your Smart TV • Streaming apps via external streaming device Television Service Provider (Xfinity, AT&T, etc.) “Cut-the-Cord” Streaming App Television Smart TV or Ext. Streaming Streaming App Internet Service Device Streaming App Internet Streaming Smart TV’s • Primary purpose of any TV is to display video content • Smart TV’s are “Smart” because they have apps to access a variety of additional media services • Almost all newer TV’s are Smart TV’s (some “smarter” than others) • Newer TV’s are rapidly getting “Smarter” • Depending on the age of your TV and/or needs, you may want to purchase a external streaming device Article Link to: What is a Smart TV? https://www.digitaltrends.com/home­theater/what­is­a­smart­tv/ Should I get a streaming device if I already have a Smart TV? Advantages of streaming device over Smart TV apps: • Get access to more streaming services (?) (Some Smart TV’s now have app stores) • A more user­friendly interface and search system • Easier to navigate between app • Search all apps at once • Faster response (?) • A way to make old TV’s “Smart” (or Smarter) What can you do with a streaming device? • Access over 500k movies & TV shows via Hulu, Netflix, STARZ, SHOWTIME, HBO Max, Prime Video, etc.
    [Show full text]
  • “Joshua” a Short Film Through Viddsee and Its
    Received December 1, 2016; Accepted March 11, 2017 Sudarsono, Kus Universitas Multimedia Nusantara Performance of “Joshua” A Short Film KAMPUS UMN, Scientia Garden Jl. Boulevard Gading Serpong, Tangerang, Indonesia. Through Viddsee and Its Shareability in [email protected] Indonesia Abstract Distribution and exhibition options of short films are limited, short film mostly circulated amongst certain community and film festivals. If the film makers wish a broader audience, they have to go online through online video platforms. One of the online video platforms is VIDDSEE, it was founded in 2012 in Singapore. Viddsee focused on sharing short films from film makers across South East Asia Nations. Viddsee provides curated videos online, which means each video went through a selection process before it is uploaded to the online platform. “Joshua” is a short film created by film students of Universitas Multimedia Nusantara. This research follows the performance of “Joshua”, reviewing the comments and shares on Viddsee and Viddsee Facebook page. “Joshua” performs well in The Philippines, but did poor in Indonesia, although Indonesia is the film’s home country. Indonesians have mixed feeling regarding the film, which hindered the chance to excel in Indonesia. As a multicultural nation, Indonesian audiences have a tendency to thoroughly think about race, religion and ethnicity before sharing a film. Keywords: Short Film, Viddsee, Joshua 1 Introduction people are developing the practice of consuming short video clips on a range of media devices.[2] Advances of technology in mobile devices and also years of exponential increase of mobile internet speed have lead us to Viddsee is an online video platform that offers smarter phones and 4G platforms.
    [Show full text]
  • Fire Tv Os 7
    Fire Tv Os 7 MSI App Player is an Android emulator that offers a very decent gaming. Amazon Fire HD 8 tablet. Us and locate your favorite ones, without further ado, let us continue. For additional troubleshooting steps on Amazon Fire TV and Fire TV Stick, see Basic Troubleshooting for Amazon Fire TV and Fire TV Stick. Elementary OS Stack Exchange - system installation - What. Go to the Fire Stick menu. It's the best way to enjoy network sitcoms and dramas, local news, and sports without the cost or commitment of cable. The newest model — the Apple TV 4K, which is the 5th generation — has a number of obvious differences and is a revolutionary improvement over earlier Apple TV models. Fire TV Devices. Fire TV OS and Alexa. Best Apps to Watch Free Movies and TV Series on Fire TV or Android TV Box 22nd February 2018 by Hutch Leave a Comment There are a host of different apps and add-ons available online to help you watch the best in entertainment. This is the first remote to include volume buttons, and it also has an on/off button for your TV. This is a ridiculous situation that necessitates you connecting your Fire TV to another network (or using a network cable to plug it directly into your router). 3 (2047421828) Fire TV Stick with Alexa Voice Remote: Fire OS 5. • Unmark the ‘Hide System Apps’ 7. Ensure the Fire TV Stick and the second tablet or smartphone are both connected to the same wifi network. 5/2157 update-kindle-mantis-NS6265_user_2157_0002852679044.
    [Show full text]
  • 2020 Annual Report January 2021
    2020 Annual Report January 2021 445 New Digital Services New Library Cardholders Online Library Card Sign Up Register online for access to our digital services! Then 116,832 visit us in-person to upgrade to a full access card. Physical Items Checked Out Creativebug Experience the joy of crafting with thousands of award-winning video classes taught by top designers Top Book & DVD Check Outs & artists. Children’s Books JobNow • Kristy’s Big Day (graphic novel) by Ann M. Martin Featuring live help, assistance with • The Truth About Stacey (graphic novel) by Ann M. unemployment benefits forms, Martin resume critique & proven interview • Boy Crazy Stacey (graphic novel) by Ann M. techniques Martin cloudLibrary Children’s DVDs Downloadable/streaming audiobooks • Toy Story 4 • The Lion King • Aladdin Tawk Live chat with librarians from our website Teen Books • One Of Us Is Lying by Karen M. McManus 875 • Dear Evan Hansen by Val Emmich Tawk Questions • Red Queen by Victoria Aveyard Answered Teen DVDs • Jumanji: The Next Level 95 • Anne With An E (Season Two) Patrons registered with • Spider-Man: Far From Home Creativebug (and watched) Adult Books • American Dirt by Jeanine Cummins 300 • The Dutch House by Ann Patchett Video tutorials • Educated by Tara Westover Total Patron Computer Usage Adult DVDs • Little Women 3,416.65 hours/ • Emma • 1917 142.4 days Most Circulated Equipment WiFi Hotspots 532 New Facebook Followers Rokus: stream Netflix, Disney+, ESPN, Hulu or Vudu iPads: preloaded with Library Most Circulated streaming apps, audiobooks and Children’s Netflix, Disney+, ESPN, Hulu & Vudu Board Game Expanded Digital Services • Library WiFi Access: WiFi now accessible in west parking lot Patron Feedback “The Library is a short walk from my home • WiFi Hotspots: 10 additional hotspots for circulating equipment collection and it was wonderful to have as a destination.
    [Show full text]
  • AUDIOVISUAL and CHILL: an Evaluation of Video Digital Libraries
    AUDIOVISUAL and CHILL: An Evaluation of Video Digital Libraries and Catalogues by TIMOTHY DEAN GORDON Submitted to the School of Information Management Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Information Studies JUNE 2016 Acknowledgements Thank-you to my supervisorDr. Brenda Chawner for trusting and guiding me to this conclusion. Also to The University of Auckland Library and to my colleagues for their support throughout this endeavour. To the late Professor Robert Chapman CMG: psephologist, poet, and collector. And to the rest, but especially M.D.B., A.C., N.C., P.D., J.G., A.L., D.M., C.T., & ‘UoA Balmoral’ for continually providing motivation and supporting my aspirations—always grateful. ii Abstract Research Problem This research investigates how well video digital libraries and catalogues used in academic libraries meet user expectations. This is in the context of increasing use and demand for online audiovisual content by the wider community, as well as growing use of audiovisual materials for teaching, learning, and research at academic institutions. It also aims to give an understanding of how well libraries are meeting the challenges of delivering audiovisual materials to users in an on-demand world. Methodology Twelve platforms—developed between 1996 and 2015—are evaluated against 23 user-centred criteria, divided into four core areas: retrieval functionality, user interface, collection qualities, and user support. Results The study found that not one of the platforms evaluated met all the evaluation criteria, and identified three key areas in the usability of thevideo digital libraries and catalogues: search and retrieval, technology, and structure, scope, and strategy.
    [Show full text]
  • 3Rd Minikino Film Week Roadshow Di Jakarta Hingga Tangerang Festival Film Pendek Bertaraf Internasional, Rd3 Minikino Film Week (3Rd MFW) Telah Sukses Digelar
    MY TOP 10 THE MASK FOX FAMILY MOVIES MY TOP Seorang pegawai bank, Stanley Ipkiss, yang sedang putus asa bertemu dengan sebuah topeng keramat peninggalan Dewa Loki yang diusir oleh Dewa Odin. Ketika memakai topeng tersebut, sosok Stanley berubah menjadi seorang yang aneh, jahil, memiliki wajah berwarna hijau serta memiliki 10FAVORITE PROGRAMS kekuatan aneh yang tidak biasa. JURASSIC PARK 3 WARCRAFT AXN HBO Berkisah tentang Dr. Bercerita tentang Alan Grant, seorang ahli pertemuan antara dinosaurus yang selama ini manusia dengan Orc telah meneliti dan banyak yang saling bertarung mengumpulkan data-data untuk mendapatkan tentang makhluk purba wilayah baru setelah tersebut. Namun, karena kehancuran di peristiwa yang mengerikan masing-masing hingga merenggut banyak wilayah mereka. korban, Alan Grant Mereka. Seperti memutuskan untuk berhenti. Bagaimana kisahnya? apakah kisahnya? PIRATE TREASURE OF THE LOONEY TUNES: BACK IN KNIGHT TEMPLAR ACTION HISTORY HBO FAMILY Arkeolog dan D.J Drake petugas petualang bawah keamanan studio laut terkenal, Barry film Warner Bross Clifford, bersama diinstruksikan oleh dengan Tim A Bugs Bunny untuk mencoba untuk mengusir Daffy memecahkan misteri Duck dari studio. yang terjadi ratusan Daffy yang tak tahun lalu di dasar terima pun beraksi laut Samudera Hindia hingga terjadi hingga dilepas pantai Madagaskar. Mereka kejar-kejaran yang menyebabkan kekacauan menemukan teka-teki menarik tentang hubungan di studio Warner Bross. Hal tersebut membuat antara kesatria templar dengan para bajak laut. D.J Drake dipecat. Bagaimanakah selanjutnya? 4 MY TOP 10 DOCTOR-X S5 CHEF ON THE ROAD : IN WAKU-WAKU JAPAN INDIA “Doctor X” musim NATIONAL GEOGRAPHIC PEOPLE ke-5 ini bercerita tentang era baru Chef Ryan rumah sakit Clift mencoba Universitas Totei yang pengalaman kini dipimpin oleh baru dengan Shimura Madoka, mengunjungi seorang direktur Rajasthan untuk utama yang ingin menemukan melakukan reformasi rasa baru di besar-besaran di rumah sakit tersebut.
    [Show full text]
  • Current Newsletter
    Wauconda Area Library Summer 2021 We’re happy to see you! The Library appreciates everyone’s flexibility over the past year. As always, we remain committed to serving our patrons. We’re here for you By the Numbers We know the past year has not been easy. For over a year at the time of this publication the Library has pivoted to provide services safely and accessibly to our patrons. Our virtual programming and takeaway kits for children and adults have been immensely popular. We observed a huge increase in demand for eBooks and eAudiobooks during this time and are thrilled to see our patrons expand their reading horizons Whether it’s recommending your next in this way. Check out some of our core services by the numbers in the graphs below. read, helping you print out your resume, hosting a virtual library program, and so much more, we are here for you. As life begins to resume some level of normalcy, we look forward to serving our patrons safely and socially-distanced but nonetheless reunited. Through the pandemic and all of the challenges, we have consistently pivoted to provide you with the safest and smoothest experience possible since May of 2020. If you haven’t been back to the library Kids/Teen & since before the pandemic, keep reading Adult Programming to learn more about some of our Grab Attendance 2021 and Go options and a few updates. No matter how you or your family are Kids/Teens handling this difficult time, we want Adults you to know that we have something for everyone and hope to be a continued resource for information, entertainment, and educational needs in your life.
    [Show full text]
  • The Education Market for Documentary Film: Digital Shifts in an Age of Content Abundance
    Title Page THE EDUCATION MARKET FOR DOCUMENTARY FILM: DIGITAL SHIFTS IN AN AGE OF CONTENT ABUNDANCE Ruari Baroona Elkington Bachelor of Fine Arts (Hons) Film & Television Film, Screen and Animation, School of Media, Entertainment and Creative Arts, Creative Industries Faculty, Queensland University of Technology Thesis submitted to the degree of Doctor of Philosophy (PhD) Supervised by Dr. Sean Maher (Principal) Film, Screen and Animation, School of Media, Entertainment and Creative Arts, Creative Industries Faculty, Queensland University of Technology Distinguished Prof. Stuart Cunningham (Associate) ARC Centre of Excellence for Creative Industries & Innovation, Creative Industries Faculty, Queensland University of Technology 2016 1 Keywords Screen Industry Analysis, Film Distribution, Screen Distribution, Distribution Studies, Documentary, Australian Documentary, Education Market, Cineliteracy, Film Literacy Statement of original authorship The work contained in this thesis has not previously been submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. Signature: QUT Verified Signature Date: August 2016 2 Abstract The education sector in Australia has proven both a beneficiary of documentary practice as well as a valuable ancillary market for documentary producers and distributors. Digital distribution and access have contributed to unparalleled levels of choice for educators around the documentary content they can deploy in their teaching. However, scarce scholarly work exists on how educators are navigating this new abundance of digital content and to what extent this new variety and volume of documentary may be assisting the sustainability of the documentary sector within the attention economy.
    [Show full text]
  • No More Cable
    NO MORE CABLE How to save money and switch from traditional cable to streaming services Disclaimer: • Mentor Public Library and its staff does not endorse or recommend any of the products mentioned within this presentation. • Mentor Public Library is presenting options and suggestions, but you are encouraged to research the best option for your situation. • The services mentioned here are plentiful, but not inclusive of all options available. • Prices mentioned are as of September 2020 and reflect the most basic option for each service. Glossary of Terms Used in Relation to Streaming: • HDMI: High definition multimedia interface. This often refers to both the cord and the port. An HDMI cord is required to connect most media players to your TV via an HDMI port. HDMI ports come standard on TVs, but it varies how many ports are available. This cord takes the place of the old “red, white, yellow” cords that were previously standard connections. • Ethernet: This is a cord/port that connects your TV or computer directly to your internet source. These are less common on new TVs. • Device: Refers to a computer, tablet, or HDMI connecting streaming unit • DVR: Digital video recording—allows users to “record” shows/movies and watch later. • Smart TV: A TV that has built in internet connectivity and streaming player options. It is often set up in a similar way to a tablet, allowing you to download “apps” for streaming. Your TV itself connects to the internet via Wi-Fi to allow you to access online streaming, without the need of an external player.
    [Show full text]
  • Zoom Workshop on Streaming at Kendal on Hudson
    Handout for Nov. 20, 2020 Zoom Workshop on Streaming At Kendal on Hudson From the KoH Computer Committee 1) Introduction. What is streaming? Streaming is a way of receiving movies and other content from the world wide web. The content can be viewed on a TV, computer, tablet, or smart phone at a time and place of your choosing. 2) What do you need to do it? a. A plain computer with a high speed internet connection or b. A Smart TV that has built in internet access or c. a TV with at least one HDMI input slot. HDMI stands for High Definition Multimedia Interface and it refers to how all kinds of wonderful content gets from the world wide web to our TV or other digital device. An HDMI slot looks like this: plus d. a streaming device you can buy at Amazon, BestBuy or similar places, such as: i. Roku or ii. Firestick (can get one that has Alexa and talk into it) or iii. Apple TV or iv. Google Chrome device or v. A computer with an HDMI cable connected to a TV’s HDMI input port 3) How do you do it? a. With a smart TV. Call Anthony or Shawn if you need help. b. With a separate device: i. Plug the device into your TV with an HDMI connector or cable ii. Follow the directions that come with the device to connect it to your Router and set it up, or iii. Call Anthony to help you install it 1 4) Examples of free content and what requires payment or membership? a.
    [Show full text]
  • Advertisement
    ADVERTISEMENT EXTRA EDITION MIPCOM 2020 1012 EE Mediapro - MIPCOM_CVR1.indd 1 10/8/20 10:47 AM indeed! 1007 WV Guillermo del Toro - Ted Sarandos.FINAL.indd 1 9/30/20 2:29 PM MIPCOM 2020 BATTLE OF THE BRITS THE U.K. HAS BEEN A HOTBED OF PRODUCTION FOR GLOBAL-FACING SHOWS DURING THE PANDEMIC, BUT CAN IT SURVIVE A SECOND WAVE? By MANORI RAVINDRAN A SHORT-LIVED SENSE of secu- rity from plummeting corona- virus cases prompted several global-facing projects in the U.K. to restart over the summer, but as the threat of new COVID- 19 restrictions looms large, the industry is rushing to crank out film and TV productions this fall, in what could be the last gasp for production in 2020. A rising caseload prompted six-month-long restrictions on group gatherings and early clo- sures for the hospitality sector on Sept. 24, but the U.K. remains one of the most active produc- tion hubs in Europe. Getting cameras rolling, as evidenced by “The Batman” brouhaha, is a major gamble, but those who can afford to take the plunge say there’s much to be gained — if they can pull it off. Roughcut TV is shooting in south London, where cameras rolled Sept. 2 on six-part comedy “Bloods” for Comcast-backed PRODUCTION PERSISTENCE broadcaster Sky. Managing “Temple” crew members work with new safety measures, director Ash Atalla began plan- including masks. ning the shoot from the depths SKY VISION of lockdown in spring. VARIETY 3 MIPCOM 2020 “It felt insane that we’d get to film a meleonic backdrop for even the most TV show, but at some point, you have to complex productions.
    [Show full text]