The Passion of Joan of Arc with Charles Hazlewood, Will Gregory and Adrian Utley Supported by Hauser & Wirth Somerset
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Mongrel Media
Mongrel Media PRESENTS A film by Mark Dornford-May Running Time: 126 Minutes Distribution 1028 Queen Street West Toronto, Ontario, Canada, M6J 1H6 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith, Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] High res stills may be downloaded from http://www.mongrelmedia.com/press.html U-CARMEN EKHAYELITSHA by Mark Dornford-May South Africa 2005, Super 16 / 35mm, Colour, 9 reels, Dolby Digital, Xhosa http://www.u-carmen.com Credits: Director Mark Dornford-May Producers Ross Garland, Mark Dornford-May, Camilla Driver Associate Producer Tanya Wagner Executive Producer Ross Garland Production Company Spier Films Screenplay Mark Dornford-May, Pauline Malefane, Andiswa Kedama Cinematography Giullio Biccari Art Director Craig Smith Choreography Joel Mthethwa Music Charles Hazlewood Editor Ronelle Loots Sound Barry Donnelly Costumes Jessica Dornford-May Cast: Pauline Malefane (Carmen), Andries Mbali (Bra Nkomo), Andiswa Kedama (Amanda), Ruby Mthethwa (Pinki), Andile Tshoni (Jongikhaya), Bulelwa Cosa (Madisa), Zintle Mgole (Faniswa), Lungelwa Blou (Nomakhaya), Zamile Gantana (Captain Gantana), Zorro Sidloyi (Lalamile Nkomo), Joel Mthethwa (Songoma), Noluthando Boqwana (Manelisa) Short Synopsis: U-Carmen eKhayelitsha, a feature film sung and spoken in Xhosa. Based on Bizet's opera Carmen, the film is set in present day Khayelitsha. The link between the original opera and the screenplay is the acclaimed Dimpho Di Kopane cast and Bizet's sensational score. Synopsis: Carmen in Khayelitsha is a feature film based on Bizet’s nineteenth century opera but filmed on location in a modern South African setting. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Mike Hadreas Is Perfume Genius
ARTISTʼS PROFILE Mike Hadreas Is Perfume Genius COLIN CARMAN MH: Thanks. I remember buying Liz mood in mind for how things should look. Phair’s Whip-Smart with my babysitting For “Grid,” I had this idea of pulsating O FAMILY is safe when I money. Then I went back and bought her dancers around me. It ends up being more a sashay,” sings Mike Hadreas, [1993 debut] Exile in Guyville. collaboration with the director. With both of “Notherwise known as “Perfume those videos, everybody’s crazy ideas are Genius,” on “Queen,” the haunting first CC: What was the first openly gay song jumbled into a dream sequence. That’s how single on the new album Too Bright. The that you wrote? Has your sexuality always I like it. video for “Queen” is the deranged been part of your songwriting? lovechild of Fellini and Waters, a bizarre MH: When I first started writing, it was just CC: What about the song “I’m a Mother,” escapade in which the 32-year-old Hadreas writing for me. There were gay themes be- which sounds to me like the most gothic cruises an Elvis impersonator with a pros- cause I’m a gay person. So it wasn’t a delib- song on Too Bright? Where did that come thetic leg only to jump off a rooftop. De- erate statement, at first. With the new from? pending on your interpretation, Hadreas album, I knew more people were going to MH: My boyfriend and I have been to- either dies or metamorphoses into a cheer- hear it, so it was important to me to be spe- gether for five years and I want a house. -
Tours Courses Music Sport Drama Lectures
TOURS COURSES WHAT’S MUSIC SPORT DRAMA ON JAN / FEB 2014 YOUR GUIDE TO PUBLIC EVENTS IN AND AROUND BRISTOL LECTURES AT A GLANCE - JANUARY DATE TIME EVENT VENUE JANUARY Dec - Feb Various times EXHIBITION Faces of Theatre... THEATRE COLLECTION Dec - Feb Various times EXHIBITION The Secret Life of Objects THEATRE COLLECTION Throughout Various times SPORT Pilates classes CENTRE FOR SPORT, January EXERCISE & HEALTH Wed 8 12.15pm & TOUR Wills Memorial tower tours WILLS MEMORIAL 12.30pm BUILDING Sat 11 10.30am, TOUR Wills Memorial tower tours WILLS MEMORIAL 11am, BUILDING 11.30am, 12pm & 12.30pm Tue 14 11am MARKET Farmers’ market TYNDALL AVENUE Wed 15 1.15pm MUSIC Rupert Marshall-Luck: violin and VICTORIA ROOMS Matthew Rickard: piano Sat 18 10am COURSE Calligraphy BOTANIC GARDEN Sun 19 10am DAY COURSE A snapshot of winter BOTANIC GARDEN Wed 22 12.45pm TALK Food addiction... SCHOOL OF SOCIAL AND COMMUNITY MEDICINE Wed 22 1.15pm MUSIC English Piano Trio VICTORIA ROOMS Wed 22 1.30pm COURSE The monthly read: Hidden truths... 3/5 WOODLAND ROAD Wed 22 6pm COURSE Mastering English Literature 3/5 WOODLAND ROAD Wed 22 6pm COURSE Reading English Literature 3/5 WOODLAND ROAD Thu 23 7.30pm LECTURE ...Macaronesian flora SCHOOL OF BIOLOGICAL SCIENCES Tue 28 10.30am COURSE Literature for Life: Lost and found 2 BATH ROYAL LITERARY AND SCIENTIFIC INSTITUTION Tue 28 1pm FILM EVENT NEW ...findings of the Learning WATERSHED CINEMA Disabilities Confidential Inquiry Tue 28 4.30pm RESEARCH NEW Where is the Holocaust... VICTORIA ROOMS SEMINAR Tue 28 7pm COURSE Growing -
Friday April 11, 2014 Daily Express
48 Daily Express Friday April 11 2014 Daily Express Friday April 11 2014 49 N\\b\e[Dlj`ZK_\Xki\ nnn%\ogi\jj%Zf%lb&k`Zb\kj IF;E<P:IFN<CC1 DPJ@O9<JK8C9LDJ@8E8E;<IJFE Tarpaper Sky (New West) 8C9LDI<M@<NJ Emmylou Harris’s favourite IAN ANDERSON, 66, is a singer afraid to talk about social issues collaborator has created another and musician with Jethro Tull, and presented them in a dignified collection of pleasingly warm SOUL MAN: KVbe^gZX]^aaZg whose biggest hit was Living In way. He didn’t live long, but should country, folk and roots songs Paolo Nutini The Past in 1969. His album Homo be honoured as an important artist. that will sit happily alongside goes retro Erraticus is released on Monday chart-topping sets such as with a new and he tours from April 28. 9<<K?FM<E1Jpdg_fepEf0 Diamonds And Dirt (1988), Life gigantic.com/artist/ian-anderson (Deutsche Grammophon) edge on his Is Messy (1992) and the brilliant latest record WVX`l^i]VW^iZ I got to know this through the The Outsider (2005). Helped by IFP?8IG<I1:fd\Flk movie A Clockwork Orange. his longtime guitarist buddy, =`^_k`e^>_\e^`jJd`k_(Deleted) Beethoven is the big daddy of Eagles sideman Steuart Smith, C<KK?<I@>?KFE<@E Benson) from a climbing frame. This was released in 1968, the year classical composers, technically RC zips slickly along this avenue Although both are caught in the Jethro Tull began, and we played a refined with the ability to of Americana with some style. -
Jess Gillam Ensemble
Thursday 15 July, St Mary’s Church 8.00pm - 9.00pm Jess Gillam Ensemble The Jess Gillam Ensemble includes Roberts Balanas & Michael Jones (violins); Eoin Schmidt-Martin (viola); Gabriella Swallow (cello); Sam Becker (bass); Elsa Bradley (percussion) and Leif Kaner-Lidstrom (piano) Early Morning Melody arr. Meredith Monk (born 1942) This poignant folk-like melody for solo saxophone by multi-talented American composer Meredith Monk possesses a haunting beauty and is taken from her 1990 collection the Book of Days. Melody No. 10 from Melodies for Saxophone Phillip Glass (born 1937) Philip Glass’s thirteen Melodies for Saxophone feels a world away from the repeated note patterns associated with his minimalist classic Music in Twelve Parts or his ground-breaking operas Einstein on the Beach and Akhnaten. Melodies for Saxophone was conceived as incidental music for Jean Genet’s adapted book Prisoner of Love – a memoir of the author’s encounters with Palestinian fighters and Black Panthers in the 1970s. The tenth of these miniatures features tenderly decorative phrases. Dappled Light Luke Howard (born 1978) A rippling accompaniment supports languid saxophone phrases in Luke Howard’s evocative Dappled Light, a recent work from the contemporary Australian pianist and composer whose reputation for ambient music has secured growing numbers of devotees. Flare John Harle (born 1956) Prolific composer of over one hundred film and TV scores and world-renowned saxophonist, John Harle’s ‘Flare’ belongs to the first of his three movement Saxophone Concerto entitled Briggflatts. Premiered at the Queen Elizabeth Hall in 2019, the work was inspired by the autobiographical poem by Basil Bunting, named after the Briggflatts Quaker meeting house near Sedbergh in Cumbria, which the poet regularly attended. -
Orchestra in a Field
ORCHESTRA IN A FIELD Date 2012 Region South West Artform Music Audience numbers 3,461 Annabel Jackson Associates Ltd role We evaluated Orchestra in a Field Methodology Online audience survey Background Orchestra in a Field was a two-day classical music festival at Glastonbury Abbey in Somerset developed and hosted by British conductor, Charles Hazlewood. The festival was piloted in 2009 and then held on 30th June and 1st July 2012. Description The festival was a joyful mix of classical and contemporary music, talks and live performances, camping and children's entertainment. Performers included Adrian Utley (Portishead) and Will Gregory (Goldfrapp) the Scrapheap Orchestra, the British Paraorchestra, Prof Green and Labrinth, with a fully staged performance of Carmen by a cast of professionals and local choirs. There were 2,636 adults audience members and 825 children (who were free), plus 160 professional artists and 780 other performers. Audience views There was a good balance between people attending as part of a family group, with friends, in a couple, and some on their own. Audience members were attracted by the mix of music, the link to Charles Hazlewood, the insight into performance from live rehearsals, the reasonable cost, the informality and the novelty. Flying Seagulls parade, Oil Photograph by Shoshana More than 80% of 160 respondents said that Orchestra in a Field was probably or definitely memorable, welcoming, enjoyable, relevant to them and inspiring. 94% of respondents said that Orchestra in a Field was special/different ________________________________________________________________________ ©Annabel Jackson Associates Ltd October 2012 from other music events. All of the respondents said it was a good idea to have a festival to bring classical music to more people. -
Mark Linkous Sparkles: the Life (And Short Death) of a Legend | the Hook - Charlottes
Mark Linkous sparkles: The life (and short death) of a legend | The Hook - Charlottes ... Page 1 of 3 Mark Linkous sparkles: The life (and short death) of a legend By James Graham | [email protected] Published online 9:00am Thursday Feb 28th, 2002 and in print issue #0104 dated Thursday Feb 28th, 2002 Mark Linkous is somewhere in the darkened recording booth, but the only thing I can see in the blackness is my own shadow, cast by the light streaming in the entrance. “Could you shut the door?” Linkous pleads in a gravelly tone immediately recognizable from his albums. Acoustic foam must be hard to clean, as there’s a distinct dusty smell— although our whispers are sonically perfect. “I’ve been getting these awful migraines,” he continues, not so much in apology as from desperation. “I hope it goes away.” Essential Sparklehorse listening Vivadixiesubmarinetransmissionpl “By the way, can you get me my Levi’s jacket? It’s hanging up in the ot studio.” Released on Capitol Records, Maybe it’s the atmosphere. Maybe it’s the knowledge that the man 26 September 1995. I’m talking to has been (but is, of course, no longer) legally dead. One way or the other, Mark Linkous is creeping me out. This is the most erratic and least Photo by Jen Fariello focused of Linkous’ albums, but * * * * * that’s half the fun. There’s a little something for every mood, This is the story of a band called Sparklehorse and the remarkable man who fronts it, a tale as bipolar as the although it can take a bit of music it spawned. -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Charles Hazlewood - Brief Biography
Charles Hazlewood - Brief Biography “What Heston Blumenthal is to food, Charles Hazlewood is to music.” The Guardian Charles Hazlewood, British conductor, is a passionate advocate for a wider audience for orchestral music. After winning the European Broadcasting Union conducting competition in his 20’s, he has enjoyed a global and pioneering career conducting some of the world’s greatest orchestras including the Swedish Radio Symphony, Gothenburg & Malmö Symphonies, Copenhagen Philharmonic, the Danish Radio Symphony Orchestra, the Royal Concertgebouw of Amsterdam and the Philharmonia (London). Hazlewood is known for breaking new ground. By re-inventing the presentation of orchestral music and by collaborating with many ‘stars’ from across the genres of music Hazlewood has sought to embed the ‘magical instrument of the orchestra’ in 21st century music scene; but always with the same goal: to expose the deep, always-modern joy of orchestral music to a new audience. Hazlewood has conducted over 200 world premieres of new scores by contemporary composers, and worked with contemporary musicians as diverse as Wyclef Jean, Professor Green, Goldie, Nigel Kennedy and Steve Reich. He is the first conductor to headline with an orchestra at the Glastonbury International Festival of Contemporary Arts, the greatest rock festival in the world. Hazlewood's work as a composer and music director has been received with consistent critical acclaim. His South African township 'Carmen' film sung in Xhosa won the Golden Bear for Best Film at the Berlin Film Festival, his South African musical version of the mediaeval plays 'The Mysteries' was a sell out in London's West End and provoked the first leader on music theatre in the Times in 40 years; his re-invention (with Carl Grose) of John Gay's, the Beggar's Opera (Dead Dog in a Suitcase and Other Love Songs), was selected by the Guardian for its top 10 shows of 2015. -
The Passion of Joan of Arc with Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset
HAUSER & WIRTH Press Release The Passion of Joan of Arc With Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset Wells Cathedral, Somerset, England Friday 7 October 2016, 8 pm Hauser & Wirth Somerset, in collaboration with Adrian Utley (Portishead), Will Gregory (Goldfrapp) and award- winning conductor Charles Hazlewood, presents a special live orchestral performance and film screening in the magnificent medieval setting of Wells Cathedral. Adrian Utley and Will Gregory have devised a new score sound-tracking the dramatic and moving narrative of Danish film director Carl Theodor Dreyer’s ‘The Passion of Joan of Arc’ (1928), which chronicles Joan of Arc’s trial and execution during her captivity in France. Initially commissioned by the Colston Hall and supported by The Watershed, Bristol, the inventive new score will be performed live alongside a screening of the film, led by Charles Hazlewood with members of the Monteverdi Choir, percussion, horns, harp and synthesizers. Wells Cathedral is located at the heart of England’s smallest city, Wells in Somerset, situated 13 miles from Hauser & Wirth Somerset. Cited as one of the earliest English cathedrals to be constructed in Gothic style, the building is a treasured and significant architectural landmark in the south west of England. The distinguished setting will provide a unique opportunity to witness Hazlewood, Utley and Gregory’s breathtaking and inspired production. Located on the outskirts of Bruton, Hauser & Wirth Somerset is an innovative world-class gallery and arts centre that works in partnership with many local institutions, businesses and organisations to foster local creative talent and champion charities related to art, community, conservation and education. -
FROM the HEAD of DEPARTMENT the Major Piece of Research
FROM THE HEAD OF DEPARTMENT The major piece of research news over the past term an event that also saw a display of materials from the has undoubtedly been the release in December of Daphne Oram archive. Coincidentally, at about the the results of the Research Assessment Exercise. same time, we also secured the purchase of Daphne Keith Negus has given a full appraisal of these in Oram’s original ‘Oramics’ machine, one of the first his contribution below so I will simply reiterate his ever electronic music composition systems. We point that having 70% of the Department’s work rated anticipate that this will lead to some very interesting as being either ‘world leading’ or ‘internationally future strands of research, as well as potential excellent’ was an exceptionally good outcome for us, collaborations with other high-profile partners. and a result that, in percentage terms, was exceeded Another indicator of the Department’s high standing by only one other department within the College as a in music research is the number and quality of PhD whole. The RAE will soon give way to the Research students we are able to attract. Even so, it was Excellence Framework (REF), and we shall shortly something of a pleasant surprise when I discovered begin to contemplate the potential implications for that we have enrolled no fewer than 20 PhD students the Department of this revised method of research in the department in the last calendar year, two of assessment. But for the moment we can draw whom have joined us on AHRC-funded scholarships breath and congratulate ourselves on the very fine (making a total of five students in the Department achievement this time around.