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How Pure Maths Keeps Us Secure Taking Stock of Egyptian Coffins Quantum Physics You Can Dance to Winter 2012 Contents Nonesuch Features Winter 2012
THE UNIVERSITY OF BRISTOL MAGAZINE // WINTER 2012 HOW PURE MATHS KEEPS US SECURE TAKING STOCK OF EGYPTIAN COFFINS QUANTUM PHYSICS YOU CAN DANCE TO Winter 2012 Contents nonesuch Features Winter 2012 Editors Aiming for excellence 4 Hilary Brown The light fantastic 9 16 Nick Riddle Hard numbers COVER 12 Contact [email protected] Case histories 16 Contributing Editor Growing pains 19 Freya Sterling Advisory Group David Alder // Director of Communications and Marketing Jill Cartwright // Head of Public Relations Office Dr Lorna Colquhoun // Head of Research Development Hannah Johnson // Press Officer Dr Maggie Leggett // 19 Head of the Centre for Public Engagement Dr John McWilliams // 4 Publicity and Recruitment Officer Dick Penny // Managing Director, Watershed Tania Jane Rawlinson // Director of Campaigns and Alumni Relations Professor Judith Squires // 9 Dean of Social Sciences and Law Take your particles, ladies and gentlemen Medical sciences teaching on the move Council City Plymouth © Archives) and (Museums Design pelotondesign.co.uk Greencoat 80 Silk is carbon balanced – where the carbon Regulars In pictures Produced by intensity has been measured Public Relations Office through the production process and an equivalent carbon credit Senate House (offset) has been purchased. Bristol in pieces 2 & 11 Snapshots 3 Tyndall Avenue Bristol BS8 1TH Carbon balancing by the World Bristol and beyond 8 Taken 21 Land Trust tackles climate change T: +44 (0)117 928 8895 through projects that both offset carbon dioxide (CO2) emissions Cover illustration and conserve biodiversity. Sarah J Coleman Nonesuch magazine // Winter 2012 Carbon saved 576 kg Printed by Land preserved 48 m2 11 Belmont Press Nonesuch, February 2012 © University of Bristol 2012 Extracts may only be reproduced with the permission of the Public Relations Office. -
10-16 November 2013 a Spectacle of Performance, Lectures, Seminars, Exhibitions and Workshops Welcome
The University of Bristol Festival of the Arts and Humanities 10-16 November 2013 A spectacle of performance, lectures, seminars, exhibitions and workshops Welcome... Contents InsideArts – the festival of Map of locations 02 Sunday 10 November 02 arts and humanities at the PERFORMANCE/SCREENING Might is right? Ancient and modern debates University of Bristol – is back, Monday 11 November 03 LECTURE/SEMINAR and once again, we are proud The future of arts and humanities in a marketised educational environment to present the exceptional LECTURE/SEMINAR Running out of memory: inscribing the city in the work of our staff and students. cause of commemoration Tuesday 12 November 04 We have brought together a varied programme of LECTURE/SEMINAR lectures, workshops, exhibitions, talks, performances The future of communities and creative industries LECTURE/SEMINAR and debate, providing an insider’s view of the work of The journeys of the Djan’kawu sisters the Arts Faculty at the University. InsideArts comes – ancestral presence in Aboriginal art hot on the heels of the Thinking Futures festival which PERFORMANCE/SCREENING Fellini’s 8 ½: golden anniversary screening presents the work of our colleagues in the Faculty Wednesday 13 November 05 of Social Sciences and Law (bristol.ac.uk/thinking- PERFORMANCE/SCREENING futures) and we are particularly pleased to present Brodowski String Quartet two events linking the festivals: the exhibition and LECTURE/SEMINAR John Pickard and the Brodowski String Quartet discussion Spaces of Dissent (bristol.ac.uk/ masterclass thinking-futures/programme) and the public talk PERFORMANCE/SCREENING Might is Right? Ancient and modern debates. Experiment Ionesco PERFORMANCE/SCREENING Arts and Humanities are fundamental to our being: Stanley Kubrick’s symphonic odyssey: a talk and screening language, spirit, history and culture define what we LECTURE/SEMINAR are. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Bristol City Centre Retail Study: Stages 1 & 2
www.dtz.com Bristol City Centre Retail Study: Stages 1 & 2 Bristol City Council June 2013 DTZ, a UGL company One Curzon Street London W1J 5HD Contents 1 Introduction ................................................................................................................................... 3 2 Contextual Review ......................................................................................................................... 5 3 Retail and Leisure Functions of Bristol City Centre’s 7 Retail Areas ............................................ 14 4 Basis of the Retail Capacity Forecasts .......................................................................................... 31 5 Quantitative Capacity for New Retail Development ................................................................... 43 6 Qualitative Retail Needs Assessment .......................................................................................... 50 7 Retailer Demand Assessment ...................................................................................................... 74 8 Commercial Leisure Needs Assessment ...................................................................................... 78 9 Review of Potential Development Opportunities ........................................................................ 87 10 Review of Retail Area and Frontage Designations .................................................................... 104 11 Conclusions and Implications for Strategy .............................................................................. -
Friday April 11, 2014 Daily Express
48 Daily Express Friday April 11 2014 Daily Express Friday April 11 2014 49 N\\b\e[Dlj`ZK_\Xki\ nnn%\ogi\jj%Zf%lb&k`Zb\kj IF;E<P:IFN<CC1 DPJ@O9<JK8C9LDJ@8E8E;<IJFE Tarpaper Sky (New West) 8C9LDI<M@<NJ Emmylou Harris’s favourite IAN ANDERSON, 66, is a singer afraid to talk about social issues collaborator has created another and musician with Jethro Tull, and presented them in a dignified collection of pleasingly warm SOUL MAN: KVbe^gZX]^aaZg whose biggest hit was Living In way. He didn’t live long, but should country, folk and roots songs Paolo Nutini The Past in 1969. His album Homo be honoured as an important artist. that will sit happily alongside goes retro Erraticus is released on Monday chart-topping sets such as with a new and he tours from April 28. 9<<K?FM<E1Jpdg_fepEf0 Diamonds And Dirt (1988), Life gigantic.com/artist/ian-anderson (Deutsche Grammophon) edge on his Is Messy (1992) and the brilliant latest record WVX`l^i]VW^iZ I got to know this through the The Outsider (2005). Helped by IFP?8IG<I1:fd\Flk movie A Clockwork Orange. his longtime guitarist buddy, =`^_k`e^>_\e^`jJd`k_(Deleted) Beethoven is the big daddy of Eagles sideman Steuart Smith, C<KK?<I@>?KFE<@E Benson) from a climbing frame. This was released in 1968, the year classical composers, technically RC zips slickly along this avenue Although both are caught in the Jethro Tull began, and we played a refined with the ability to of Americana with some style. -
Jess Gillam Ensemble
Thursday 15 July, St Mary’s Church 8.00pm - 9.00pm Jess Gillam Ensemble The Jess Gillam Ensemble includes Roberts Balanas & Michael Jones (violins); Eoin Schmidt-Martin (viola); Gabriella Swallow (cello); Sam Becker (bass); Elsa Bradley (percussion) and Leif Kaner-Lidstrom (piano) Early Morning Melody arr. Meredith Monk (born 1942) This poignant folk-like melody for solo saxophone by multi-talented American composer Meredith Monk possesses a haunting beauty and is taken from her 1990 collection the Book of Days. Melody No. 10 from Melodies for Saxophone Phillip Glass (born 1937) Philip Glass’s thirteen Melodies for Saxophone feels a world away from the repeated note patterns associated with his minimalist classic Music in Twelve Parts or his ground-breaking operas Einstein on the Beach and Akhnaten. Melodies for Saxophone was conceived as incidental music for Jean Genet’s adapted book Prisoner of Love – a memoir of the author’s encounters with Palestinian fighters and Black Panthers in the 1970s. The tenth of these miniatures features tenderly decorative phrases. Dappled Light Luke Howard (born 1978) A rippling accompaniment supports languid saxophone phrases in Luke Howard’s evocative Dappled Light, a recent work from the contemporary Australian pianist and composer whose reputation for ambient music has secured growing numbers of devotees. Flare John Harle (born 1956) Prolific composer of over one hundred film and TV scores and world-renowned saxophonist, John Harle’s ‘Flare’ belongs to the first of his three movement Saxophone Concerto entitled Briggflatts. Premiered at the Queen Elizabeth Hall in 2019, the work was inspired by the autobiographical poem by Basil Bunting, named after the Briggflatts Quaker meeting house near Sedbergh in Cumbria, which the poet regularly attended. -
The Passion of Joan of Arc with Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset
HAUSER & WIRTH Press Release The Passion of Joan of Arc With Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset Wells Cathedral, Somerset, England Friday 7 October 2016, 8 pm Hauser & Wirth Somerset, in collaboration with Adrian Utley (Portishead), Will Gregory (Goldfrapp) and award- winning conductor Charles Hazlewood, presents a special live orchestral performance and film screening in the magnificent medieval setting of Wells Cathedral. Adrian Utley and Will Gregory have devised a new score sound-tracking the dramatic and moving narrative of Danish film director Carl Theodor Dreyer’s ‘The Passion of Joan of Arc’ (1928), which chronicles Joan of Arc’s trial and execution during her captivity in France. Initially commissioned by the Colston Hall and supported by The Watershed, Bristol, the inventive new score will be performed live alongside a screening of the film, led by Charles Hazlewood with members of the Monteverdi Choir, percussion, horns, harp and synthesizers. Wells Cathedral is located at the heart of England’s smallest city, Wells in Somerset, situated 13 miles from Hauser & Wirth Somerset. Cited as one of the earliest English cathedrals to be constructed in Gothic style, the building is a treasured and significant architectural landmark in the south west of England. The distinguished setting will provide a unique opportunity to witness Hazlewood, Utley and Gregory’s breathtaking and inspired production. Located on the outskirts of Bruton, Hauser & Wirth Somerset is an innovative world-class gallery and arts centre that works in partnership with many local institutions, businesses and organisations to foster local creative talent and champion charities related to art, community, conservation and education. -
FROM the HEAD of DEPARTMENT the Major Piece of Research
FROM THE HEAD OF DEPARTMENT The major piece of research news over the past term an event that also saw a display of materials from the has undoubtedly been the release in December of Daphne Oram archive. Coincidentally, at about the the results of the Research Assessment Exercise. same time, we also secured the purchase of Daphne Keith Negus has given a full appraisal of these in Oram’s original ‘Oramics’ machine, one of the first his contribution below so I will simply reiterate his ever electronic music composition systems. We point that having 70% of the Department’s work rated anticipate that this will lead to some very interesting as being either ‘world leading’ or ‘internationally future strands of research, as well as potential excellent’ was an exceptionally good outcome for us, collaborations with other high-profile partners. and a result that, in percentage terms, was exceeded Another indicator of the Department’s high standing by only one other department within the College as a in music research is the number and quality of PhD whole. The RAE will soon give way to the Research students we are able to attract. Even so, it was Excellence Framework (REF), and we shall shortly something of a pleasant surprise when I discovered begin to contemplate the potential implications for that we have enrolled no fewer than 20 PhD students the Department of this revised method of research in the department in the last calendar year, two of assessment. But for the moment we can draw whom have joined us on AHRC-funded scholarships breath and congratulate ourselves on the very fine (making a total of five students in the Department achievement this time around. -
Today the Barbican Announces Details of Sounds and Visions – a Marathon Weekend of Classical and Contemporary Music, and Film Curated by Max Richter and Yulia Mahr
PRESS RELEASE: Friday 12 January 2018 Today the Barbican announces details of Sounds and Visions – a marathon weekend of classical and contemporary music, and film curated by Max Richter and Yulia Mahr Sounds and Visions The Barbican’s marathon weekend in 2018 curated by Max Richter and Yulia Mahr Barbican Hall & foyer, Barbican Cinemas 1 & 2, LSO St Luke’s, Milton Court Concert Hall, St Giles’ Cripplegate Friday 11 – Sunday 13 May 2018 Tickets £10 – 35, plus free events www.barbican.org.uk/soundsandvisions Produced by the Barbican On sale to Barbican Members on Wednesday 17 January 2018 On general sale on Friday 19 January 2018 Acclaimed composer Max Richter and artist Yulia Mahr have been announced as the curators of the Barbican's marathon weekend in 2018. Their ambitious programme is a marathon journey into music, image, and their meeting points in today’s culture. Richter and Mahr’s programme follows previous curation by respected musicians and artists including Nico Muhly, Bryce Dessner and Nils Frahm. Co-curators Richter and Mahr said: “StudioRichterMahr, our 25 year collaboration, has taken many forms over the years. From the cafés of Hackney, our kitchen table in Edinburgh, the studios and gallery in Berlin, to its current incarnation; deep in the English countryside, our work has encompassed all manner of collisions between sound and image, and this marathon weekend, ‘Sounds and Visions’ sums up one of our central concerns - that creativity exists as a social project that can illuminate the lives of individuals and society as a whole, and that art exists beyond all boundaries.” Numerous events both ticketed and free, including concerts and film screenings, will take place across the Barbican Hall, foyers, cinemas, and the neighbouring venues of LSO St Luke’s, Milton Court Concert Hall and St Giles’ Cripplegate. -
From Meetings to Myspace
Friday, September 26, 2008 THE AGE 5 The Drones (from left): Michael Noga, LISON Goldfrapp’s long-held and the most left-fi eld thing we’d ever Dan Luscombe, Gareth Liddiard and Fiona reputation in the media has done”. Kitschin. been “diffi cult to deal with”. Though stylistically different from PICTURE: REBECCA HALLAS AThe 42-year-old pop star and Goldfrapp’s recent past, Seventh Tree Inset: Liddiard and Luscombe writing leader of the electro-ish English duo treads similar lyrical ideas. “On every songs for Havilah at Liddiard’s property that bears her name dares to be that album, the themes are always the outside Myrtleford. most contentious of beasts: a woman same: sex, relationships, nature, and with an opinion. So scribes have spent what it is to be human,” the singer PICTURE: DANIEL CAMPBELL years implying, essentially, that she’s says. “Those are the themes on all the a bitch. albums; the elemental themes of being “Many journalists are really, alive, really.” OT many musicians have quit really lame,” Goldfrapp says, in her Such subject matter is, Goldfrapp Paul Kelly’s band, but that’s what justifi able defence. “They’re just clarifi es, just the starting point. “It’s N Luscombe did when he got the not that intelligent, or are naturally like, if you get into telephones,” she offer from the Drones to replace Rui really boring. Some people are really says, using what she describes as a Pereira. fawning, telling you you’re a style “ridiculous example”. “It wasn’t an easy decision, because icon. -
University of Bristol Postgraduate Prospectus 2 0
University of Bristol Postgraduate prospectus 2021Postgraduate prospectus Postgraduate prospectus At Bristol we do things for a reason ... For our students For global development Bristol is renowned for its outstanding By operating at the cutting edge of research, ... let us help you academic reputation. You’ll be taught by we tackle global challenges, help solve world-leading researchers working at the real-world problems and enhance our explore and discover forefront of their fields, who apply their expertise understanding of the world around us. We’re to our teaching and research setting. Bristol truly international, pioneering research with graduates are the fourth most targeted* by our partners in more than 40 countries and your reasons. leading employers, and our strong links with directly contributing to benefit societies industry and global alumni networks provide around the globe. We explore issues an exciting range of professional development affecting us now and those that will shape opportunities. Whether you’re studying for a our future. Our research has an impact on taught or research degree, we’ll support you areas such as the search for a COVID-19 in all aspects of university and personal life to vaccine, the development of disease- help you reach your full potential. resistant wheat for global food security and the protection of Nepal’s next generation from earthquakes. For our environment As one of the first UK universities to declare a climate emergency, we’re proud to teach For our community and work in a way that puts sustainability We continually find ways to integrate with at the core of our efforts. -
Stephanie Cole in Conversation THURSDAY 30Th AUGUST 2012, 7.30Pm Wickham Theatre University of Bristol Tickets £10 ALL WELC
New Accessions Forthcoming Events Recent highlights include: BOV Sound Recordings [on loan from Bristol Old Vic] Joe Davis Archive [donated by Mrs Davis] Motley Set Models and Motley School Material [donated by Sophie Jump] Spring/Summer 2012 Issue 28 Stephanie Cole Archive additions: Coronation Street ma- terial and radio work [donated by Stephanie Cole] Stephanie Cole The Hull Time Based Arts Archive [donated by David Priestman in Conversation and Gillian Dyson] THURSDAY 30th AUGUST 2012, THEATRE COLLECTION 7.30pm As many of you will already know, we are currently in the MAILINGS middle of building works at our main site at the Drama Department. Please note: if you have received Wickham Theatre this newsletter by mail it means that This work is to replace the old air conditioning system in the your name and address are stored University of Bristol on the Theatre Collection mailing strong rooms and extend the climate control to cover all our Tickets £10 list. These details may be used by archive stores. This has meant that we have moved out all our the Theatre Collection, and also collections into secure storage during the refurbishment period. more widely by the University of Bristol. Should you wish your details ALL WELCOME! to be removed from the mailing list, The library material is available, and an exhibition is still running, please contact us. so we are operating a reduced service for visitors. The TC office is open on Wednesdays and Thursdays, with the rest of the time The Director, University of Bristol Theatre Collection, being spent at our off-site store, unpacking the Mander & Department of Drama, Cantocks Close, Bristol BS8 1UP Mitchenson Collection.