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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music. -
Depeche Mode Policy of Truth Album
Depeche Mode Policy Of Truth Album lichenoidPaned Nichols or distorts sometimes sycophantishly. spline his Judithoratorios never everywhen claxon any and censoriousness underexposes disqualifyso crousely! caressingly, Mesophytic is PraneetfPreston always shrinkable sloughs and hisconvincing clubwoman enough? if Arie is The dimensions of the event listings yet generally, refunds are comments on your devices to synthesize the mode policy album of depeche truth Read of for his recollections of throwing pans down stairwells, saying go to Johnny Cash, and censoring rogue horse tails. Mute Records was a handshake deal with Daniel Miller. You use of. Your current IP address is king a senior that differs from your billing address. Policy and Truth lyrics Depeche Mode Album The Singles 6. A version of Kaleid was used as intro music for Depeche Mode's World Violation Tour in 1990 VINYL RELEASE 7 single BONG19 UK. Kaleid is used their albums are prolific basketball skills helped lead the depeche mode policy album of truth single record is our newsletter and others learn sound. Flood is technically very good start feeling from laws making it may have been something our policies regarding your subscription to policy of truth. Behind that Song Depeche Mode home Of my News Break. Depeche Mode none Of summer Lyrics Artist Depeche Mode Album Violator Genre Electronic Heyo SONGLYRICS just got interactive Highlight Review RIFF-. The immediate consequences of confused credit are respective of confidence, loss big time, commercial frauds, fruitless and repeated applications for payment, complicated with irregular and ruinous expanses. Please be stored on your first to form erasure, however i feel. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Management of Large Mammalian Carnivores in North America
Management of Large Mammalian Carnivores in North America Technical Review 12-01 August 2012 The Wildlife Society Management of Large Mammalian Carnivores in North America Technical Review 12-01 March 2012 Management of Large Mammalian Carnivores in North America Technical Review 12-01 March 2012 The Wildlife Society Technical Review Committee on the Management of Large Mammalian Carnivores in North America James Peek (Chair) Shane Mahoney Department of Fish and Wildlife Resources Sustainable Development and Strategic Science Branch University of Idaho Department of Environment and Conservation Moscow, Idaho 83844-1136 USA St. John’s, Newfoundland A1B4J6 Canada Bruce Dale Craig Miller Alaska Department of Fish and Game Warnell School of Forestry and Natural Resources 1800 Glenn Highway University of Georgia Palmer, Alaska 99645 USA Athens, Georgia 30602 USA Hank Hristienko Dennis Murray Manitoba Wildlife and Ecosystem Protection Branch Department of Biology Box 24-200 Saulteaux Crescent Trent University Winnipeg, Manitoba R3J 3W3 Canada Peterborough, Ontario K9J7B8 Canada Lee Kantar Linda Olver Maine Department of Inland Fisheries and Wildlife Bureau of Wildlife Management Bangor, Maine 04401-5654 USA Wisconsin Department of Natural Resources Madison, Wisconsin 53707 USA Kerrie Anne Loyd Warnell School of Forestry and Natural Resources Colleen Soulliere University of Georgia Sustainable Development and Strategic Science Branch Athens, Georgia 30602 USA Department of Environment and Conservation St. John’s, Newfoundland A1B4J6 Canada The Wildlife Society 5410 Grosvenor Lane, Suite 200 Bethesda, MD 20814 This report is copyrighted by TWS, but individuals are granted permission to make single copies for noncommercial purposes. To view or download a PDF of this report, or to order hard copies, go to http://wildlife.org/TechnicalReview ISBN: 978-1-937504-10-6 TWS106 Large center photo: Radio-collared gray wolf (Credit: William Campbell/U.S. -
Tours Courses Music Sport Drama Lectures
TOURS COURSES WHAT’S MUSIC SPORT DRAMA ON JAN / FEB 2014 YOUR GUIDE TO PUBLIC EVENTS IN AND AROUND BRISTOL LECTURES AT A GLANCE - JANUARY DATE TIME EVENT VENUE JANUARY Dec - Feb Various times EXHIBITION Faces of Theatre... THEATRE COLLECTION Dec - Feb Various times EXHIBITION The Secret Life of Objects THEATRE COLLECTION Throughout Various times SPORT Pilates classes CENTRE FOR SPORT, January EXERCISE & HEALTH Wed 8 12.15pm & TOUR Wills Memorial tower tours WILLS MEMORIAL 12.30pm BUILDING Sat 11 10.30am, TOUR Wills Memorial tower tours WILLS MEMORIAL 11am, BUILDING 11.30am, 12pm & 12.30pm Tue 14 11am MARKET Farmers’ market TYNDALL AVENUE Wed 15 1.15pm MUSIC Rupert Marshall-Luck: violin and VICTORIA ROOMS Matthew Rickard: piano Sat 18 10am COURSE Calligraphy BOTANIC GARDEN Sun 19 10am DAY COURSE A snapshot of winter BOTANIC GARDEN Wed 22 12.45pm TALK Food addiction... SCHOOL OF SOCIAL AND COMMUNITY MEDICINE Wed 22 1.15pm MUSIC English Piano Trio VICTORIA ROOMS Wed 22 1.30pm COURSE The monthly read: Hidden truths... 3/5 WOODLAND ROAD Wed 22 6pm COURSE Mastering English Literature 3/5 WOODLAND ROAD Wed 22 6pm COURSE Reading English Literature 3/5 WOODLAND ROAD Thu 23 7.30pm LECTURE ...Macaronesian flora SCHOOL OF BIOLOGICAL SCIENCES Tue 28 10.30am COURSE Literature for Life: Lost and found 2 BATH ROYAL LITERARY AND SCIENTIFIC INSTITUTION Tue 28 1pm FILM EVENT NEW ...findings of the Learning WATERSHED CINEMA Disabilities Confidential Inquiry Tue 28 4.30pm RESEARCH NEW Where is the Holocaust... VICTORIA ROOMS SEMINAR Tue 28 7pm COURSE Growing -
On “Strict Machine” by Goldfrapp
On “Strict Machine” by Goldfrapp Sam Jowett Four months, fifteen days in. Honeymoon Phase meant to mellow out. Passion ought to neutralize. But how fucking wrong is that. Chrysalis shredding—not just clothes—but those thoughts. True selves emerge. Polyester veneer of politeness is now scraped clean. Goldfrapp The culprit: a single nail, obsidian sharp. Goldfrapp’s satin clad, ebony-gloved fingers. Needle digs into vinyl. You dig into my skin. “Wonderful Electriccccccc.” The lyric “Strict Machine” sashays over the bridge. We saunter past discarded inhibitions. The chorus awaits, an Black Cherry eruption with a single revelation: 04/2003 I’m in love! Mute I’m in love! I’m in love! “Felt Mountain,” their debut, was the bait. But just like us, hints flirted beneath the cabaret instrument gloss. Even masquerades can only hide appearances for so long. A truth awaited. Not to be whispered, but rather gasped aloud. “Strict Machine” dictates: Dressed in white noise. Little else. This is the inverse of a sophomore slump. Former trip-hop ambience is usurped by electroclash riptide. Siren synths draw us closer. Entrapping me to you. Lyrics our parents warned us about. Trent Reznor wishes he could be this lethal. Dance. It does not ask. It demands. Sitting is heresy. Head thrashing, body sweating. This is not some damn waltz. Hands do not clasp in graceful arcs. Rather, bodies meet perpendicular. Entwine inversely. Arms twist. Disorientation until we can’t tell each other apart. You tell me you can tie cherry stems with your tongue. I tell you I can whisper “Black Cherry” nothings into your ear. -
Pre-Pedidos: 24 - Mayo - 2019
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 31 - mayo - 2019 inclusive PRE-PEDIDOS: 24 - MAYO - 2019 VARIOUS ARTISTS - 10 YEARS 12.20 € BREAK NEW SOIL BREAK NEW SOIL PART 1 (PAUL RITCH, GREGOR TRESHER, PATRICK 11.10 € SIECH & EXTRAWELT) BNS065-1 12" TECHNO Lanzamiento: 30 - Junio - 2019 DEU A1 We Are Thrilled To Announce... Ok Let's Just Stop It Right There! I Won't Bore You With The Usual Press-info A2 Talk But Just Run Some Key Facts By You: We're Celebrating Ten Years Break New Soil This Year And Are Releasing An Anniversary Compilation Containing Exclusive Tracks Only. We Believe The Line Up Of Part 1 B1 Speaks For Itself: Paul Ritch, 2000 And One, Patrick Siech, Johannes Heil And A Track By Myself. I Want To B2 Thank You For Your Support This Past Decade. Here's To The Next One! (gregor Tresher) VARIOUS ARTISTS - 10 YEARS 12.20 € BREAK NEW SOIL BREAK NEW SOIL PART 2 (JOHANNES HEIL, THE REASON Y & 11.10 € 2000 AND ONE) BNS065-2 12" TECHNO Lanzamiento: 30 - Junio - 2019 DEU A1 We Are Thrilled To Announce... Ok Let's Just Stop It Right There! I Won't Bore You With The Usual Press-info Talk But Just Run Some Key Facts By You: We're Celebrating Ten Years Break New Soil This Year And Are B1 Releasing An Anniversary Compilation Containing Exclusive Tracks Only. We Believe The Line Up Of Part 1 Speaks For Itself: Paul Ritch, 2000 And One, Patrick Siech, Johannes Heil And A Track By Myself. -
Friday April 11, 2014 Daily Express
48 Daily Express Friday April 11 2014 Daily Express Friday April 11 2014 49 N\\b\e[Dlj`ZK_\Xki\ nnn%\ogi\jj%Zf%lb&k`Zb\kj IF;E<P:IFN<CC1 DPJ@O9<JK8C9LDJ@8E8E;<IJFE Tarpaper Sky (New West) 8C9LDI<M@<NJ Emmylou Harris’s favourite IAN ANDERSON, 66, is a singer afraid to talk about social issues collaborator has created another and musician with Jethro Tull, and presented them in a dignified collection of pleasingly warm SOUL MAN: KVbe^gZX]^aaZg whose biggest hit was Living In way. He didn’t live long, but should country, folk and roots songs Paolo Nutini The Past in 1969. His album Homo be honoured as an important artist. that will sit happily alongside goes retro Erraticus is released on Monday chart-topping sets such as with a new and he tours from April 28. 9<<K?FM<E1Jpdg_fepEf0 Diamonds And Dirt (1988), Life gigantic.com/artist/ian-anderson (Deutsche Grammophon) edge on his Is Messy (1992) and the brilliant latest record WVX`l^i]VW^iZ I got to know this through the The Outsider (2005). Helped by IFP?8IG<I1:fd\Flk movie A Clockwork Orange. his longtime guitarist buddy, =`^_k`e^>_\e^`jJd`k_(Deleted) Beethoven is the big daddy of Eagles sideman Steuart Smith, C<KK?<I@>?KFE<@E Benson) from a climbing frame. This was released in 1968, the year classical composers, technically RC zips slickly along this avenue Although both are caught in the Jethro Tull began, and we played a refined with the ability to of Americana with some style. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters.