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March 30, 2010 (XX:11) Stanley Kubrick, the SHINING (1980, 146 Min)
March 30, 2010 (XX:11) Stanley Kubrick, THE SHINING (1980, 146 min) Directed by Jules Dassin Directed by Stanley Kubrick Based on the novel by Stephen King Original Music by Wendy Carlos and Rachel Elkind Cinematography by John Alcott Steadycam operator…Garrett Brown Jack Nicholson...Jack Torrance Shelley Duvall...Wendy Torrance Danny Lloyd...Danny Torrance Scatman Crothers...Dick Hallorann Barry Nelson...Stuart Ullman Joe Turkel...Lloyd the Bartender Lia Beldam…young woman in bath Billie Gibson…old woman in bath Anne Jackson…doctor STANLEY KUBRICK (26 July 1928, New York City, New York, USA—7 March 1999, Harpenden, Hertfordshire, England, UK, natural causes) directed 16, wrote 12, produced 11 and shot 5 films: Eyes Wide Shut (1999), Full Metal Jacket (1987), The Shining Lyndon (1976); Nominated Oscar: Best Writing, Screenplay Based (1980), Barry Lyndon (1975), A Clockwork Orange (1971), 2001: A on Material from Another Medium- Full Metal Jacket (1988). Space Odyssey (1968), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Lolita (1962), Spartacus STEPHEN KING (21 September 1947, Portland, Maine) is a hugely (1960), Paths of Glory (1957), The Killing (1956), Killer's Kiss prolific writer of fiction. Some of his books are Salem's Lot (1974), (1955), The Seafarers (1953), Fear and Desire (1953), Day of the Black House (2001), Carrie (1974), Christine (1983), The Dark Fight (1951), Flying Padre: An RKO-Pathe Screenliner (1951). Half (1989), The Dark Tower (2003), Dark Tower: The Song of Won Oscar: Best Effects, Special Visual Effects- 2001: A Space Susannah (2003), The Dark Tower: The Drawing of the Three Odyssey (1969); Nominated Oscar: Best Writing, Screenplay Based (2003), The Dark Tower: The Gunslinger (2003), The Dark Tower: on Material from Another Medium- Dr. -
ACADEMY MUSEUM of MOTION PICTURES Collection Highlights
ACADEMY MUSEUM OF MOTION PICTURES Collection Highlights OVERVIEW The Academy Museum will draw from the unparalleled collection of the Academy of Motion Picture Arts & Sciences, which contains a vast range of motion picture production and history-related objects and technology, works on paper, still and moving images covering the history of motion picture in the United States and throughout the world. The collections include more than 12 million photographs, 190,000 film and video assets, 80,000 screenplays, 61,000 posters, and 104,000 pieces of production art. The collection also includes more than 1,600 special collections of film legends such as Cary Grant, Katharine Hepburn, Alfred Hitchcock, and John Huston. These special collections contain production files, personal correspondence, clippings, contracts, manuscripts, scrapbooks, storyboards, and more. The Academy’s collecting divisions work collaboratively to acquire, preserve, digitize, and exhibit the broad range of materials entrusted to their care by generations of filmmakers and collectors. The Academy Museum has actively been acquiring three-dimensional motion picture objects since 2008. Its holdings now number approximately 2,500 items representing motion picture technology, costume design, production design, makeup and hairstyling, promotional materials and memorabilia, and awards. MOTION PICTURE TECHNOLOGY The collection includes examples of pre-cinema devices, early and modern motion picture cameras and projectors, sound, editing and lighting equipment, and other landmark -
How to Become a Steadicam Operator 74
INTRODUCTION 6 DEFINITION 9 HISTORY 9 BACKGROUND 10 STEADICAM CONFIGURATION 12 HOW IT WORKS 13 THE STEADICAM WORKS IN THESE WAYS. 13 ISOLATION OF THE CAMERA 14 THE STEADICAM IS DESIGNED TO ISOLATE TWO ELEMENTS 14 ISOLATION OF THE SLED AND CAMERA 15 THE ARTICULATED ARM 15 SPREADING THE CAMERA'S MASS 17 HOW YOU CONTROL IT 17 CENTER OF GRAVITY 18 CENTER OF MASS 18 CONCLUSION. 18 WHAT STEADICAM IS GOOD AT 19 WHAT STEADICAM IS NOT GOOD AT: 21 EXAMPLES OF GOOD STEADICAM IN FEATURE FILMS 22 BALANCE 23 STATIC BALANCE 23 DYNAMIC BALANCE 25 STEADICAM ARMS 27 PRO ARM 29 DAVID EMMERICHS VIEWS ON THE PRO ARM 30 ARM CONCLUSION 31 THE MASTER SERIES ARM 32 GARRETT BROWNS COMMENTS ON THE NEW MASTER SERIES ISO-ELASTIC ARM 32 ARM MAINTENANCE 34 1 SAFETY PRECAUTIONS 34 SPRING TENSION 35 ADJUSTABLE ARMS. 35 MASTER SERIES ARM 35 PRO ARM 36 ANGLE OF LIFT 36 OLDER MODEL ARMS 36 STEADICAM ARM UPGRADE PATH 39 DIFFERENT STEADICAM MODELS 40 GENERAL 40 MODEL I 40 MODEL II 40 EFP 41 MODEL III AND IIIA 41 MASTER SERIES 41 PRO (PADDOCK RADICAL OPTIONS) SLED 42 SK 42 JR AND DV 42 THE DIFFERENT STEADICAM MODELS MADE BY CINEMA PRODUCTS 43 STEADICAM® MASTER FILM 45 MASTER FILM SPECIFICATIONS 45 MASTER ELITE SPECIFICATIONS 46 MASTER EDTV SPECIFICATIONS 48 MASTER BROADCAST SPECIFICATIONS 49 EFP SPECIFICATIONS 50 PROVID SPECIFICATIONS 51 VIDEO SK SPECIFICATIONS 52 GARRETT BROWNS COMMENTS ON THE MASTER SERIES 53 GEORGE PADDOCK INCORPORATED PADDOCK RADICAL OPTIONS 58 PRO 58 PRO SYSTEM 58 PRO ARM 60 DONKEY BOX 60 GIMBAL 61 5” DIAGONAL HIGH INTENSITY MONITOR II 61 POST 62 BATTERIES 62 BATTERY MODULE 63 PRO LITE 64 PRO GYRO MODULE 64 SUPERPOST 65 PRO PRICE LIST 66 2 SLED: 66 ARM 66 PRO MODULES 67 PRO VEST 67 CINEMA PRODUCTS MASTER SERIES VS. -
Univerza V Ljubljani Fakulteta Za Družbene Vede
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Irena Bezlaj SODOBNA PARTNERSKA RAZMERJA: URESNIČEVANJE ČISTEGA RAZMERJA? Diplomsko delo Ljubljana 2007 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Irena Bezlaj Mentorica doc. dr. Alenka Švab SODOBNA PARTNERSKA RAZMERJA: URESNIČEVANJE ČISTEGA RAZMERJA? Diplomsko delo Ljubljana 2007 Sodobna partnerska razmerja: uresničevanje čistega razmerja? V diplomski nalogi spremljamo razvoj partnerskega razmerja in družine od tradicionalne družbe, prek moderne pa vse do pozne moderne. Posebej nas zanima tudi, kako sta na razvoj partnerskega razmerja vplivala procesa individualizacije in sekularizacije. Pri preučevanju sodobnega partnerskega razmerja, ki predstavlja naš fokus, si podrobneje ogledamo, kako v okviru tega delujeta ljubezen in erotika. Pogledamo si različne tipe ljubezni: od strastne, romantične do sotočne ljubezni. Zanima pa nas tudi, katere oblike partnerskih razmerij obstajajo ter ali popularnost in pomen tradicionalne zakonske zveze upada. Pri obravnavanju partnerskih razmerij ne izključimo tistih, ki so malo manj konvencionalna, kot so na primer homoseksualna in odprta razmerja. Še posebej pa se osredotočimo na koncepta čistega razmerja in plastične seksualnosti, kot ju opredeli Anthony Giddens, in se sprašujemo, na kakšen način in v kolikšni meri lahko ti dve kategoriji, kot ideal, če ne že kot realnost, zasledimo pri sodobnih partnerskih razmerjih. Odgovore na ta vprašanja iščemo na vzorcu dvanajstih sodobnih filmov, ki se intenzivno ukvarjajo s temo intimnosti in seksualnosti v sodobnem partnerskem razmerju. Te filme, in znotraj teh še posebej partnerska razmerja, ki jih prek njih spoznamo, analiziramo in interpretiramo ter tako sledimo procesu preobrazbe intimnosti. Ključne besede: intimnost, seksualnost, individualizacija, postmoderna, film. Contemporary intimate relationship: the realisation of pure relationship? In this final thesis we observe the development of intimate relationship and family from traditional to modern and postmodern society. -
Eyes Wide Shut
Eyes Wide Shut (USA 1999) Regie: Stanley Kubrick Buch: Stanley Kubrick, Frederic Raphael, nach Arthur Schnitzlers Traumnovelle Produktion: Jan Harlan (executive) Brian W. Cook (co-producer) Stanley Kubrick Originalmusik: Jocelyn Pook zusätzliche Musik: György Ligeti (from "Musica Ricercata No. 2") Franz Liszt Dmitri Shostakovich (from "Jazz Suite No. 2") Kamera: Larry Smith Schnitt: Nigel Galt Casting Directors: Denise Chamian Leon Vitali Szenenbild: Leslie Tomkins Roy Walker Schriftenreihe des Art Directors: John Fenner Kevin Phipps Filmhaus Set Decorators: Lisa Leone Hasnerstraße Terry Wells Kostüme: Marit Allen [email protected] http://www.geocities.com/paris/7317 Besetzung: Tom Cruise (Dr. Bill Harford) Nicole Kidman (Alice Harford) Madison Eginton (Helena Harford) Marie Richardson (Marion Nathanson) Jackie Sawris (Roz) Rade Serbedzija (Milich) Sydney Pollack (Victor Ziegler) Leslie Lowe (Illona) Peter Benson (Bandleader) Vinessa Shaw (Domino) Todd Field (Nick Nightingale) Alan Cumming (Hotel Desk Clerk) Michael Doven (Ziegler's Secretary) Sky Dumont (Sandor Szavost Louise J. Taylor (Gayle) Stewart Thorndike (Nuala) Randall Paul (Harris) Julienne Davis (Amanda 'Mandy' Curran) Lisa Leone (Lisa, receptionist) Kevin Connealy (Lou Nathanson) Thomas Gibson (Carl) Mariana Hewett (Rosa) Dan Rollman (Rowdy College Kid) Gavin Perry (Rowdy College Kid) Chris Pare (Rowdy College Kid) Adam Lias (Rowdy College Kid) Christian Clarke (Rowdy College Kid) Kyle Whitcombe (Rowdy College Kid) Gary Goba (Naval Officer) Florian Windorfer (Maitre -
THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
Communiqué De Presse Nicolas Winding Refn, Parrain Du Festival
Communiqué de presse À La Cinémathèque française La Fondation Jérôme Seydoux-Pathé / La Filmothèque / Le Reflet Médicis Christine 21 / Le Méliès à Montreuil / Le Louvre Nicolas Winding Refn, parrain du Festival Jerzy Skolimowski et Garrett Brown, invités d’honneur À travers un programme cinéphile et éclectique, cette manifestation rend hommage au travail des archives, des ayants droit, studios et laboratoires pour sauver les œuvres du passé. La programmation se composera à nouveau de plusieurs sections thématiques et donnera lieu à un intense programme de rencontres, ateliers et ciné-concerts. Dans le cadre du festival, de nombreuses projections seront accueillies par des cinémas parisiens ainsi qu’en régions, en partenariat avec l’ADRC et l’AFCAE. Nicolas Winding Refn, parrain du Festival En partenariat avec La Rabbia et La Maison du Danemark. De la trilogie danoise Pusher à Drive, Prix de la mise en scène au Festival de Cannes en 2011, et plus récemment The Neon Demon, Nicolas Winding Refn réinvente à chaque film une esthétique de la violence. Exigeant et percutant, son cinéma est devenu une référence pour toutes les générations de cinéphiles. À l’occasion du lancement de la version française de sa plateforme BYNWR.com, il présente une sélection de films de sa collection en version restaurée, ainsi qu’une série de « doubles programmes » alliant une de ses œuvres avec un film l’ayant inspiré. Masterclass, présentations de séances, dialogue avec Alejandro Jodorowsky, Nuit de cinéma… Jerzy Skolimowski, invité d’honneur En partenariat avec Malavida. Hommage suivi d’une rétrospective intégrale à La Cinémathèque française du 14 mars au 4 avril. -
Dvds Und Filme Auf HD
Titel Ran aka Genre Bild Signatur o.S. verliehen an_Datum wenn: Asterisk * setzen! Musik_Sound Toru Takemitsu Beschreibungen Ran (乱?, "chaos" or "revolt") is a 1985 film wrien and directed by Japanese filmmaker Akira Kurosawa. It is a jidaigeki (Japanese period drama) depicng the fall of Hidetora Ichimonji (Tatsuya Nakadai), an aging Sengoku-era warlord who decides to abdicate as ruler in favor of his three sons. The story is based on legends of the daimyo Mōri Motonari, as well as on the Shakespearean tragedy King Lear. Eigenkommentare Literatur Kiyoshi Watanabe (October 1985). "Interview with Akira Kurosawa on Ran". Posi2f 296. Titel Elf Uhr nachts aka Pierrot le fou Genre Bild Signatur A001 verliehen an_Datum wenn: Asterisk * setzen! Musik_Sound Antoine Duhamel Beschreibungen Jean-Luc Godard F/I 1965 Jean-Paul Belmondo Anna Karina Eigenkommentare Literatur Titel Dr. Seltsam – Oder: wie ich lernte, die Bombe zu lieben aka Dr. Strangelove – Or: How I Learned to Stop Worrying And Love The Bomb [+ Bonus Disk] Genre Bild Signatur A003/A004 verliehen an_Datum wenn: Asterisk * setzen! Musik_Sound Laurie Johnson Beschreibungen 1964 Directed by Stanley Kubrick Produced by Stanley Kubrick Written by Screenplay: Stanley Kubrick Terry Southern Peter George Uncredited: Peter Sellers James B. Harris Novel: Peter George Eigenkommentare Literatur Titel Barry Lyndon aka Genre Bild Signatur A002 verliehen an_Datum wenn: Asterisk * setzen! Musik_Sound Leonard Rosenman Beschreibungen Directed by Stanley Kubrick Produced by Stanley Kubrick Written by Screenplay -
Mission Impossible Edition 2015 - Livres Pour Tous ( Table Des Matières
Mission impossible Edition 2015 - Livres pour tous (www.livrespourtous.com) Table des matières 1 Séries télévisées 1 1.1 Mission impossible (série télévisée) .................................. 1 1.1.1 Synopsis ........................................... 1 1.1.2 Fiche technique ........................................ 2 1.1.3 Distribution .......................................... 3 1.1.4 Distinctions .......................................... 4 1.1.5 Personnages ......................................... 4 1.1.6 Liste des épisodes ...................................... 4 1.1.7 Commentaires ........................................ 4 1.1.8 Adaptations .......................................... 5 1.1.9 Voir aussi ........................................... 5 1.1.10 Notes et références ...................................... 5 1.2 Mission impossible, 20 ans après ................................... 6 1.2.1 Synopsis ........................................... 6 1.2.2 Distribution .......................................... 6 1.2.3 Personnages ......................................... 6 1.2.4 Liste des épisodes ...................................... 6 1.2.5 Commentaires ........................................ 7 1.2.6 Adaptations .......................................... 7 1.2.7 Voir aussi ........................................... 7 1.2.8 Notes et références ...................................... 8 1.3 Liste des épisodes de Mission impossible ............................... 8 1.3.1 Première série ......................................... 8 -
Edison Gibi Adam, Garrett Brown
güncel Edison gibi adam, Garrett Brown Savaş Ferhat / [email protected] Merhaba, Geçenlerde usta görüntü yönetmeni arkadaşlarımla mesleki bir muhab- bet içindeyken “Sizce sinema - televizyon alanında en önemli buluşlar nelerdir? “ diye sordum. Benim cevabım kameranın icadından sonra renkli ve sesli film, elektronik kamera, CCD, video asist ve dijital görün- tü - ses teknolojisi derken bir arkadaşım atıldı ve “steadicam” dedi. Ha- liyle konu steadicam çevresinde dönmeye başladı. Yeni yeni gelişmekte Garrett Brown’un ilk steadicam prototipleri. olan gyro-gimbal rig ve dron teknolojisinin steadicam ve jimmy jib’in tahtına göz diktiği, hepimizin ortak görüşüydü. Kullanan operatörlerin dakikalık bir demo filmini çok sayıda yönetmene izletmiş. Bu süreçte kuşandıkları özel yelek dolayısıyla robocop gibi havalı görünmelerinin de Ed DiGiulio, Garrett Brown’nun çalışmalarından etkilenmiş ve onda etkisiyle, neredeyse mesleğe yeni başlayan tüm kameraman ve görüntü ticari bir potansiyel gören ilk kişi olmuş. O dönemin ene önemli sine- yönetmenlerinin kullanmayı hayal ettikleri bir sistemdir steadicam. ma ekipmanları üreticisi olan Cinema Products Corp.’un kurucusu olan DiGiulio, Brown’la anlaşarak tasarımlarını geliştirme ve tanıtma fırsatı Yaşayan efsane steadicam, görüntü yönetmeni - kameraman Garrett vermiş. Brown birçok prototipten sonra profesyonel anlamda ilk başarılı Brown’un insanlığa bir armağanı. Garrett Brown 70’li yılların başların- ürünü 1975’te ortaya çıkartabilmiş. Nihayet ilk kez 1976 yılında Bound dan itibaren hareketli çekimlerde kameradan sarsıntısız, titremesiz gö- for Glory filminde kullanabilmiş. Brown’ ın steadicam’li sahnelerinden et- rüntüler elde edebilmek için çalışmaya başlamış. Aslında işin düşünsel kilenen Sinema Sanatları ve Bilimleri Akademisi üyeleri, filmin görüntü altyapısı ve araştırmalara başlaması 1965’e uzanıyor. İlk çalışmalarında yönetmeni Haskell Wexler’a Oscar vermişler. -
TIMELINE of INDEPENDENT CINEMA and the AMERICAN NEW WAVE
TIMELINE OF INDEPENDENT CINEMA and the AMERICAN NEW WAVE PRECURSORS TO AMERICAN NEW WAVE 1954 Roger Coran directs The Monster From the Ocean Floor for independent producers James Nicholson and Samuel Arkoff, for $10,000. Starts a production relationship of low budget, quickly made films and independent distribution that continues until 1970 1956 American International Pictures formed in 1956 from American Releasing Corporation by James H. Nicholson and Samuel Z. Arkoff, dedicated to releasing independently produced, low-budget films, primarily of interest to the teenagers of the 1950s. Nicholson and Arkoff served as executive producers while Roger Corman and Alex Gordon were the principal film producers and, sometimes, directors. 1957 John Cassavetes shoots Shadows. 1957 Louis B. Mayer, legendary head of MGM and founder of Studio Star system dies. Marking in part the end of the old Hollywood moguls 1961 Method actor and maverick auteur film-maker John Cassavetes' low-budget, black and white, non-Hollywood studio film Shadows, was his first directorial effort - deliberately created as a contrast to Hollywood's studio system. The self-financed, self-distributed cinema verite film (initially shot in 1957) with a jazzy score was a story about an inter-racial couple. It was first publically screened in 1958, but then withdrawn and reshots in 1959, and then re- released - first to European audiences and then to US audiences in 1961. Shot on 16-mm film and using a non-professional cast and crew, the improvisational film symbolized the emergence of the New American Cinema movement, and inspired the growth of underground films and other independent ("indie") and personal works. -
The Uncanniness of the Shining
Araştırma Makalesi YAZ 2020/SAYI 24 Research Article SUMMER 2020/ISSUE 24 Erensoy, Ş. F. (2020). The uncanniness of The Shining. yedi: Journal of Art, Design & Science, 24, 37-44. doi: 10.17484/yedi. 685208 The Uncanniness of The Shining Cinnet’in Tekinsizliği Şirin Fulya Erensoy, Department of Film and Television, Istanbul Bilgi University Abstract Özet Stanley Kubrick’s 1980 film The Shining has been examined and Stanley Kubrick’in 1980 yapımı The Shining (Cinnet) filmi, bugüne analyzed countless times up until today. Even though 40 years have kadar sayısız defa incelenmiş ve analiz edilmeye çalışılmıştır. 40 yıl gone by since its release, the film’s full meaning and the events geçmiş olmasına rağmen, filmin gerçekte neyi anlatmak istediği, happening to the Torrance family are still unclear. The film unfolds in Torrance ailesinin başına gelen olayların aslı, hala tam olarak a limbo-like state, between dream and reality. While writing the script, anlaşılmamıştır. Hayal ile gerçek arasında, belirsiz bir alanda Kubrick states that he was inspired by Sigmund Freud’s Das süregelen filmin senaryosunu oluştururken Kubrick, Sigmund Unheimlich (1919) essay. According to Freud, things or people that Freud’un Das Unheimlich (1919) isimli makalesinden yararlandığını arouse feelings of dread and horror belong to the realm of the belirtmiştir. Türkçe’ye tekinsizlik olarak çevrilmiş the uncanny, aşina uncanny. The uncanny is related to what is frightening, but more olduğumuz insan ve şeylerin içinde yatan rahatsız edici duyguların importantly it entails a duality, an ambiguity because it encompasses neden olduğu korku ve endişe olarak nitelendirmektedir. Terimin the familiar with the unfamiliar. This study aims to locate the uncanny temelinde bir ikilik yatmaktadır.