DOCSLIB.ORG

Shapiro Auctions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shapiro Auctions Shapiro Auctions RUSSIAN + INTERNATIONAL ART & ANTIQUES Saturday - November 19, 2011 RUSSIAN + INTERNATIONAL ART & ANTIQUES 1: CHINESE PORCELAIN PAIR ANTIQUE VASES FAMILLE ROSE USD 5,000 - 7,000 PAIR OF CHINESE FAMILLE ROSE VASES, KUANG HSU PERIOD, of geometrical form with flared tops, with lion designs, height of each: 46 cm (18 1/8 in.). PROVENANCE: China Spectrum, Inc., New York; Private American Collection (purchased from the above in 1982); Thence by descent 2: CHINESE PORCELAIN ANTIQUE VASE JIAJING USD 5,000 - 7,000 CHINESE PORCELAIN VASE, JIAJING PERIOD, with crackled blue and white glaze and attached animal-shaped handles, height: 61 cm (24 in.). PROVENANCE: China Spectrum, Inc., New York; Private American Collection (purchased from the above in 1982); Thence by descent 3: CHINESE PORCELAIN ANTIQUE VASE JIAJING USD 5,000 - 7,000 CHINESE PORCELAIN VASE, JIAJING PERIOD, with crackled blue and white glaze, height: 61 cm (24 in.). PROVENANCE: China Spectrum, Inc., New York; Private American Collection (purchased from the above in 1982); Thence by descent 4: CHE, CHUANG USD 20,000 - 25,000 CHUANG CHE (CHINESE b. 1934), "Untitled", c. 1991, acrylic on canvas, 129.5 x 245 cm. (51 x 96 1/2 in.), signed lower right 5: ROBUS, HUGO USD 30,000 - 40,000 HUGO ROBUS (AMERICAN 1885-1964), "Dawn", 1931, bronze with brown patina, height: 153.8 cm. (66 1/2 in.). PROVENANCE: Forum Gallery, New York; Collection of Mr. and Mrs. Kaplan, New York and Palm Beach (acquired from the above); thence by descent ILLUSTRATED: "A Vitrine for Art," House and Garden Magazine, September, 1987 (this lot at the home of Mr. and Mrs. Kaplan illustrated on p. 173); "Juan Montoya," Villegas Editores, 1998 (this lot illusrated on pp.105-106). The original owner of this sculpture was the sister of the famed contemporary art collector Ethel Scull. 6: ROBUS, HUGO USD 3,000 - 4,000 HUGO ROBUS (AMERICAN 1885-1964), "Figure in Grief", 1963, polished bronze with gold patina, height: 33 cm. (13 in.), inscribed 'HUGO ROBUS' and stamped with the Fonderia Bottaglia / Milano foundry stamp on the back. PROVENANCE: Forum Gallery, New York; Collection of Mr. and Mrs. Kaplan, New York and Palm Beach (acquired from the above); thence by descent. LITERATURE AND REFERENCES R.K. Tarbell, "Hugo Robus (1885-1964)," Washington, D.C., 1980, no. 83, figure 82. This work was conceived in 1952 and cast in an edition of six in 1963. The original owner of this sculpture was the sister of the famed contemporary art collector Ethel Scull. 7: RICCI, SEBASTIANO USD 6,000 - 8,000 MANNER OF SEBASTIANO RICCI (ITALIAN 1659-1734), "Adoration of the Magi", oil on canvas laid on board, 71 x 89 cm. (28 x 35 in.), in an ornate gilded frame with columns and a pediment. PROVENANCE: Estate of Felix de Weldon, Newport, Rhode Island. Felix de Weldon, the original owner of this painting, was most famous for being the sculptor of the Iwo Jima Memorial at the Arlington National Ceremony. This painting was held at his historic Beacon Rocke Estate in Newport, until he lost the property and most of his assests due to financial hardship. Bid Live Online at LiveAuctioneers.com Page 1 RUSSIAN + INTERNATIONAL ART & ANTIQUES 8: KOEKKOEK, BAREND USD 30,000 - 50,000 BAREND CORNELIS KOEKKOEK (DUTCH 1803-1862), "Gelders Landscape," 1840, oil on panel, 31 x 39 cm (12 1/4 x 15 3/8 in.), signed and dated lower left 'B.C. Koekkoek ft 1840' 9: DUFY, RAOUL USD 12,000 - 15,000 RAOUL DUFY (FRENCH 1877-1953), "Boats in a Harbor", oil on canvas, 47.7 x 73 cm (18 3/4 x 28 3/4 in.), signed and dated lower right 'Raoul Dufy 1930' 10: ANTIQUE RUSSIAN ICON ARCHANGEL MICHAEL USD 12,000 - 15,000 A LARGE RUSSIAN ICON OF THE ARCHANGEL MICHAEL, 19TH CENTURY. Egg tempera, gold leaf and gesso on wood panel. overlaid with repoussé cover. Two insert splints on the back. 121.5 x 82.5 cm (47 3/4 x 32 1/2 in.) 11: ANTIQUE RUSSIAN ENAMEL ICON CHRIST PANTOCRATOR USD 10,000 - 15,000 A RUSSIAN ICON OF CHRIST PANTOCRATOR WITH GILDED SILVER AND ENAMEL OKLAD, IVAN TARABROV, MOSCOW, 1899-1908. The oklad chased and repoussé with borders of floral ornament, the spandrels applied with plaques of elaborate cloisonné enamel floral decorations and sprays against a white ground, the halo in cloisonne enamel with colorful foliage, the gospels and plaque decorated in champlevé enamels, the oklad struck with the maker's mark initials in Cyrillic 'I.T.' for Ivan Tarabrov, and the 84 standard assayer's mark with initials 'I.L.' for Ivan Lebedkin, 31.5 x 27 cm (12 1/2 x 10 5/8 in.). PROVENANCE: Acquired in Russia by Lucy Maxym, ca. 1970s; J.E. Caldwell Co. Jewelers, Philadelphia, U.S.A.; Private Collection, U.S.A. (purchased from the above in 1978); thence by descent. This icon was purchased at a rare (for 1978) exhibition of Russian icons and antiques at J.E. Caldwell Jewelers entitled "The Rich Mysteries of Russian Art," that was comprised of icons bought in the Soviet Union by Lucy Maxym. The Caldwell jewelry store was one of the premier jewelry retailers in Philadelphia, in business since 1839, and the selling exhibition was advertised heavily in local newspapers such as the Philadelphia Inquirer (see illustration of original advertisement for show). In addition to being an active importer, Lucy Maxym was the author of "Russian Lacquer, Legends and Fairy Tales" (1981) and editor of N. Vorobyev's "The History and Art of the Russian Icon from the X to the XX Centuries" (1986). 12: ANTIQUE RUSSIAN ENAMEL ICON KAZANSKAYA MOTHER OF GOD USD 10,000 - 15,000 A RUSSIAN ICON OF THE KAZANSKAYA MOTHER OF GOD WITH GILDED SILVER AND ENAMEL OKLAD, MOSCOW, 1899-1908, the oklad chased and repoussé with borders of floral ornament, the spandrels applied with plaques of blue, white, and red cloisonné enamel floral decorations and sprays, the halo with brightly-colored floral and geometric ornament in cloisonné enamels, the oklad struck with the maker's mark initials in Cyrillic 'B.R.M.' , and the 84 standard assayer's mark with initials 'I.L.' for Ivan Lebedkin, 31.5 x 27 cm (12 1/2 x 10 5/8 in.). PROVENANCE: Acquired in Russia by Lucy Maxym, ca. 1970s; J.E. Caldwell Co. Jewelers, Philadelphia, U.S.A.; Private Collection, U.S.A. (purchased from the above in 1978); thence by descent. This icon was purchased at a rare (for 1978) exhibition of Russian icons and antiques at J.E. Caldwell Jewelers entitled "The Rich Mysteries of Russian Art," that was comprised of icons bought in the Soviet Union by Lucy Maxym. The Caldwell jewelry store was one of the premier jewelry retailers in Philadelphia, in business since 1839, and the selling exhibition was advertised heavily in local newspapers such as the Philadelphia Inquirer (see illustration of original advertisement for show featuring the present lot). In addition to being an active importer, Lucy Maxym was the author of "Russian Lacquer, Legends and Fairy Tales" (1981) and editor of N. Vorobyev's "The History and Art of the Russian Icon from the X to the XX Centuries" (1986). Bid Live Online at LiveAuctioneers.com Page 2 RUSSIAN + INTERNATIONAL ART & ANTIQUES 13: ANTIQUE RUSSIAN SILVER GILDED ICON WITH ANGEL MEDALLION USD 10,000 - 15,000 A RUSSIAN ICON OF THE KAZANSKAYA MOTHER OF GOD WITH GILDED SILVER, 19TH CENTURY, the oklad chased and repoussé with borders of floral ornament, the spandrels applied with gilted angel medallions, the halo gilted, two insert splints (both missing), 31.5 x 25.5 cm (12 1/2 x 10 in.). PROVENANCE: Acquired in Russia by Lucy Maxym, ca. 1970s; J.E. Caldwell Co. Jewelers, Philadelphia, U.S.A.; Private Collection, U.S.A. (purchased from the above in 1978); thence by descent. This icon was purchased at a rare (for 1978) exhibition of Russian icons and antiques at J.E. Caldwell Jewelers entitled "The Rich Mysteries of Russian Art," that was comprised of icons bought in the Soviet Union by Lucy Maxym. The Caldwell jewelry store was one of the premier jewelry retailers in Philadelphia, in business since 1839, and the selling exhibition was advertised heavily in local newspapers such as the Philadelphia Inquirer (see illustration of original advertisement for show featuring the present lot). In addition to being an active importer, Lucy Maxym was the author of "Russian Lacquer, Legends and Fairy Tales" (1981) and editor of N. Vorobyev's "The History and Art of the Russian Icon from the X to the XX Centuries" (1986). 14: ANTIQUE RUSSIAN GILT SILVER CIBORIUM 1803 USD 5,000 - 7,000 A RUSSIAN GILDED SILVER CIBORIUM WITH ENAMELED DECORATIONS, 1803, finely chased and repoussé with Orthodox scenes and symbols throughout, the lower tier with 4 applied enameled plaques on each side depicting scenes from the Crucifixion, flanked by two articulated angels on the front, the hinged door finely engraved with Christ on the Cross, the upper tier in the form of a pierced domed arch supporting a finial of Christ in a mandorla, maker's mark in Cyrillic of 'A.G' and assayer's mark in Cyrillic of 'A.V.' dated 1803, for Aleksei Ivanov Vikhlyaev, 84 standard, height: 55.5 cm (21 7/8 in.) 15: ANTIQUE RUSSIAN SILVER ICON NIKOLAI CHUDOTVORETS USD 3,000 - 4,000 A RUSSIAN ICON OF SAINT NIKOLAI CHUDOTVORETS WITH GILT SILVER OKLAD, ST. PETERSBURG, 1837. Egg tempera and gesso on wood panel. The painting probably 18th century. Overlaid with gilded silver repoussé cover (basma) with Cyrillic assayer's mark and date 'D.T./1837' for Dmitri Ilyich Tverskoi, illegible maker's mark, and St.
Load more

Recommended publications
  • An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
    An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • Russian Art, Icons + Antiques
    RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе.
    [Show full text]
  • Information Technologies of the Project of New Museum Exposition
    Information technologies of the project of new museum exposition “Periods of the history of Kolomenskoye” Author: Olga A. Polyakova Olga A. Polyakova Information technologies of the project of new museum exposition My presentation will deal with Kolomenskoye museum-reserve in Moscow and projects involving use of new technologies that the museum experts intend to employ in their everyday work. Let me say a few words about the museum. It is located in Moscow and occupies a site of 390 hectares. The peculiarity of our museum consists in the fact that quite diverse monuments and objects of cultural heritage are concentrated in it. Lands of Kolomenskoye where the museum is located has been inhabited by people since the most ancient times. The very landscape of Kolomenskoye is the unique object of the cultural heritage. The museum- reserve is situated on a high beautiful place at the Moscow river bank. The oldest trees in Moscow, oaks that are more than 600 years old have survived to the present time in the place. Flood plains, rare herbs and flowers included in the Red book, ravines with exposed geological strata, streams and springs belong to natural monuments. The old park of planted oaks, larches, fir trees, elms and ash trees and gardens of apple and pear trees occupy the greater part of Kolomenskoye plot. The particular value of Kolomenskoye museum is imparted by the fact that the place served as the summer time residence of the Russian tsars for good six hundred years. Originally Kolomenskoye was situated outside Moscow city boundaries. It lies south off the city and Russian potentates did not select the place for their residence on the high beautiful river bank just by chance.
    [Show full text]
  • Margaret Dolinsky
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 FACING EXPERIENCE: A PAINTER'S CANVAS IN VIRTUAL REALITY Dolinsky, Margaret http://hdl.handle.net/10026.1/3204 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. FACING EXPERIENCE: A PAINTER’S CANVAS IN VIRTUAL REALITY by MARGARET DOLINSKY A thesis submitted to the University of Plymouth in partial fulfillment for the degree of DOCTOR OF PHILOSOPHY School of Art & Media Faculty of Arts In collaboration with Indiana University, Bloomington USA September 2014 Facing Experience: a painter's canvas in virtual reality Margaret Dolinsky Question: How can drawings and paintings created through a stream of consciousness methodology become a VR experience? Abstract This research investigate how shifts in perception might be brought about through the development of visual imagery created by the use of virtual environment technology. Through a discussion of historical uses of immersion in art, this thesis will explore how immersion functions and why immersion has been a goal for artists throughout history.
    [Show full text]
  • The Institute of Modern Russian Culture
    THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 62, August, 2011 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089‐4353, USA Tel.: (213) 740‐2735 Fax: (213) 740‐8550; E: [email protected] website: hp://www.usc.edu./dept/LAS/IMRC STATUS This is the sixty-second biannual Newsletter of the IMRC and follows the last issue which appeared in February, 2011. The information presented here relates primarily to events connected with the IMRC during the spring and summer of 2011. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2010 are available electronically and can be requested via e-mail at [email protected]. A full run can be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 for overseas airmail). RUSSIA To those who remember the USSR, the Soviet Union was an empire of emptiness. Common words and expressions were “defitsit” [deficit], “dostat’”, [get hold of], “seraia zhizn’” [grey life], “pusto” [empty], “magazin zakryt na uchet” [store closed for accounting] or “na pereuchet” [for a second accounting] or “na remont” (for repairs)_ or simply “zakryt”[closed]. There were no malls, no traffic, no household trash, no money, no consumer stores or advertisements, no foreign newspapers, no freedoms, often no ball-point pens or toilet-paper, and if something like bananas from Cuba suddenly appeared in the wasteland, they vanished within minutes.
    [Show full text]
  • Russian Art & History
    RUSSIAN ART & HISTORY LE MÉRIDIEN BEACH PLAZA MONACO 21 NOVEMBER 2019 SPECIALISTS AND AUCTION ENQUIRIES Alessandro Conelli Elena Efremova Maria Lorena President Director Franchi Deputy Director Ivan Terny Anna Chouamier Victoria Matyunina Yolanda Lopez Sergey Cherkashin Julia Karpova Auctioneer Client Manager PR & Event Administrator Invited Advisor Art Director Manager Translator and Editor (Moscow) In-house experts Special partnership Evgenia Lapshina Sergey Podstanitsky Georgy Latariya Yana Ustinova Alexandra Gamaliy Arthur Gamaliy Nicolas Tchernetsky Expert Specially Invited Expert Invited Expert Head of business Specially Invited Expert Manuscripts & Expert and Advisor Icons Russian Decorative Development and Expert Russian Art Rare Books Paintings Arts Client Management Russian Art (Moscow) Hermitage Fine Art expresses its gratitude to Anna Burove for help with descriptions of the decorative objects of art TRANSPORTATION Catalogue Design: Camille Maréchaux Contact : Tel: +377 97773980 Photography: François Fernandez Fax: +377 97971205 Luigi Gattinara [email protected] Maxim Melnikov Translation : Sergey Cherkashin Julia Karpova PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO RUSSIAN ART & HISTORY NUMISMATICS SUNDAY NOVEMBER 17, 2019 - 12:00 FINE ART SUNDAY NOVEMBER 17, 2019 - 15:30 OBJECTS OF VERTU SUNDAY NOVEMBER 17, 2019 - 17:30 ROSSICA 2 SUNDAY NOVEMBER 17, 2019 - 18:30 RUSSIAN ART & HISTORY THURSDAY NOVEMBER 21, 2019 - 11:00 ANTIQUARIUM ROADSHOW THURSDAY NOVEMBER 21, 2019 - 17:30 Le Méridien Beach Plaza - 22 Av. Princesse Grace - 98000 MONACO Exhibition Opening : SUNDAY NOVEMBER 17, 2019 - 10:00 PREVIEW DETAILS: information on website www.hermitagefneart.com Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefneart.com In 1895, N.N.Dubovsky travels to Western Europe.
    [Show full text]
  • The Russian Sale New Bond Street, London | 28 November 2018
    The Russian Sale New Bond Street, London | 28 November 2018 Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, The Russian Sale New Bond Street, London | Wednesday 28 November 2018 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 29 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lot 80 (detail) To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 13 www.bonhams.com www.bonhams.com [email protected] Inside back: Lot 43 Opposite page: Lot 33 VIEWING Please provide details of the Cynthia Coleman Sparke Sunday 25 November lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 11am to 3pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Monday 26 November the sale.
    [Show full text]
  • Contemporary American Painting and Sculpture
    ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R.
    [Show full text]
  • The Problems of Studying the Ballet in the Culture of the Late XIX - Early XX Centuries
    International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 5, Issue 9, September 2018, PP 11- 15 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) http://dx.doi.org/10.20431/2349-0381.0509002 www.arcjournals.org The Problems of Studying the Ballet in the Culture of the Late XIX - Early XX Centuries Тatiana Portnova Doctor of Art History, Professor of Choreography Art department of Slavic Culture Institute, Professor of Art History Department of A. Kosygin Russian State University *Corresponding Author: Тatiana Portnova, Doctor of Art History, Professor of Choreography Art department of Slavic Culture Institute, Professor of Art History Department of A. Kosygin Russian State University Abstract: The article reveals the role of the Russian ballet in the cultural pattern at the turn of the 20th century. Purpose of the article is to determine the direction of development of interaction between national choreography and artistic and imaginative interpretation of its synthetic whole against a background of complex and ambiguous processes taking course at critical stages of the Russian culture, based at the existing visual materials of archive and museum funds. An aspect of art review was selected, allowing consideration of the diverse options of synthesis of ballet and plastic arts. The attraction of the visual arts to “balletness” and the tendency of Russian choreography to rely on images of painting, graphics and sculpture characteristic to the turn of the century are two sides of the single process. In this context, the Sergei Diaghilev's Ballets Russes company, being saturated with expressive plastic spectacular imagery, served as the bright frame for the last stage of the Russian Silver Age.
    [Show full text]
  • Russian Art & History
    RUSSIAN ART & HISTORY HÔTEL MÉTROPOLE MONACO 7-8 JULY 2020 FRONT COVER: LOT 217 - SOVIET PORCELAIN Propaganda Plate ‘History of the October Takeover. 1917’ ABOVE: LOT 18 - NIKOLAY ROERICH The Borodin’s opera “Prince Igor”, 1914 LOT 333 - BALMONT K.D., AUTOGRAPH Handwritten collection of poems PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO RUSSIAN ART & HISTORY RUSSIAN ART TUESDAY JULY 7, 2020 - 14.00 FINE ART & OBJECTS OF VERTU WEDNESDAY JULY 8, 2020 - 14:00 AUTOGRAPHS, MANUSCRIPTS AND PHOTOGRAPHS WEDNESDAY JULY 8, 2020 - 17:00 Hotel Metropole - 4 avenue de la Madone - 98000 MONACO PREVIEW BY APPOINTMENT www.hermitagefineart.com Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefineart.com Sans titre-1 1 26/09/2017 11:33:03 SPECIALISTS AND AUCTION ENQUIRIES In-house experts Hermitage Fine Art expresses its gratitude to Anna Burovа for help with descriptions of the decorative objects of art. Hermitage Fine Art would like to express its gratitude to Igor Elena Efremova Maria Lorena Anna Chouamier Evgenia Lapshina Sergey Podstanitsky Kouznetsov for his Director Franchi Deputy Director Expert Specially Invited support with IT. Deputy Director Manuscripts & Expert and Advisor rare Bookes Paintings (Moscow) Catalogue Design: Darya Spigina Photography: François Fernandez Eric Teisseire Yolanda Lopez Franck Levy Elisa Passaretti Georgy Latariya Yana Ustinova Administrator Accountant Auction assistant Expert Invited Expert Icons Russian Decorative Arts Ivan Terny Stephen Cristea Sergey Cherkashin Auctioneer Auctioneer Invited Advisor Translator and Editor (Moscow) TRANSPORTATION LIVE AUCTION WITH 8 1• AFTER GÉRARD DE LA BARTHE (1730-1810), EARLY XIX C.
    [Show full text]
  • Cold War Introductory Work Welcome to the Summer Work for History a Level
    Cold War Introductory Work Welcome to the summer work for History A Level. This sheet will guide you on how you can complete your summer work and where you can create your notes. If you find this a successful place to create your notes you can continue to work here during your A level and have it all in one place! SWAY LINK: This link will take you to all the work and allow you to scroll through information on your phone and click links taking you to articles, videos and readings https://sway.office.com/HG9aPBB1thInas6O?ref=Link This sheet will guide you on setting up a Notebook online and creating tabs. In each tab we would like you to complete some research to help develop your background understanding to the course. If you cannot access/create a Onenote book then feel free to use Word or PPT and then transfer the notes across when you start. All resources will be available in the appendix at the end of this document Organising your work on Onenote Firstly, create a new Onenote notebook by opening the program and then click Create THREE New Sections and rename them KEY WORDS, FACTFILES, KEY DATES Create FOUR more New Sections and change the tab colour to yellow and rename them INTRODUCTION, 1 – ORIGINS OF THE COLD WAR, 2 – WIDENING THE COLD WAR and 3 – GLOBAL WAR Secondly, under the KEY DATES tab for the first page change the title to Before 1945. You will use this page to create a timeline of events including images.
    [Show full text]