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Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 1 Opened in 1973 on Bowery in Manhatt
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 Opened in 1973 on Bowery in Manhattan’s East Village, CBGB was a bar and music venue which features prominently in the history of American punk rock, New Wave and Hardcore music genres. The club’s owner, Hilly Kristal, was always involved with music and musicians, having worked as a manager at the legendary jazz club Village Vanguard booking acts like Miles Davis. When CBGB first opened its doors in the early seventies the venue featured mostly country, blue grass, and blues acts (thus CBGB) before transitioning over to punk rock acts later in the decade. Many well know performers of the punk rock era received their start and earliest exposure at the club, including the Ramones, Patti Smith, Television, Blondie, and Joan Jett. During the New Wave era, performers like Elvis Costello, Talking Heads and even early performances from the Police graced the stage in the now legendary venue. Located at 315 Bowery, which is situated near the northern section of Bowery before it splits into 3rd and 4th Avenues at Cooper square, the original building on the site was constructed in 1878 and was used as a tenement house for 10 families with a shop (liquor store) on the ground floor. In 1934, 315 and 313 were combined into one building and the façade was redesigned and constructed in the Art Deco style, as documented in the 1940 tax photo. At that time, the building was occupied by the Palace Hotel with a ground floor saloon. -
Family Tree the Beatles
pre-metal JOHANN SEBASTIAN BACH RICHARD WAGNER NICCOLO PAGANINI ROBERT JOHNSON BUDDY RICH CHUCK BERRY ELVIS PRESLEY LITTLE RICHARD FAMILY TREE THE BEATLES THE KINKS THE WHO CREAM JIMI HENDRIX progressive rock early metal us early metal uk shock rock original punk JETHRO TULL VANILLA FUDGE DEEP PURPLE SCREAMIN’ JAY HAWKINS RAMONES STEPPENWOLF LED ZEPPELIN ARTHUR BROWN KING CRIMSON IRON BUTTERFLY THE DAMNED BLACK SABBATH ALICE COOPER BLUE CHEER EMERSON LAKE & PALMER THE MC5 BUDGIE NEW YORK DOLLS SEX PISTOLS THE STOOGES THE SWEET KISS YES THE CLASH ALICE COOPER SLADE OZZY OSBOURNE MOUNTAIN GENESIS STATUS QUO VENOM THE VIBRATORS ZZ TOP NAZARETH W.A.S.P. URIAH HEEP BLUE OYSTER CULT THE SAINTS AEROSMITH THIN LIZZY KING DIAMOND MAHAVISHNU ORCHESTRA MONTROSE QUEEN GWAR DEAD BOYS KISS JUDAS PRIEST MARILYN MANSON JOURNEY TED NUGENT RAINBOW SLIPKNOT Y&T STYX VAN HALEN WHITESNAKE RAMMSTEIN KANSAS progressive metal power metal new wave of british heavy metal hardcore RUSH SCORPIONS AC/DC D.O.A. ACCEPT SAVATAGE MOTÖRHEAD DEAD KENNEDYS QUEENSRYCHE MAN O WAR DEF LEPPARD DIO DISCHARGE FATES WARNING QUARTZ MARJORIE J. WALLERSTEIN BLACK FLAG VOIVOD HELLOWEEN SAXON DREAM THEATER BLIND GUARDIAN IRON MAIDEN CIRCLE JERKS MESHUGGAH TYGERS OF PAN TANG STRATOVARIUS THE EXPLOITED PORCUPINE TREE ICED EARTH DIAMOND HEAD TOOL KAMELOT ANGEL WITCH MINOR THREAT DILLINGER ESCAPE PLAN HAMMERFALL GIRLSCHOOL CHARGED G.B.H RHAPSODY OF FIRE OPETH RAVEN NIGHTWISH MISFITS GOJIRA FIST PRIMAL FEAR BAD BRAINS MASTODON SONATA ARCTICA HOLOCAUST COHEED & CAMBRIA DRAGON FORCE TANK -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
From Vintage Collectors and Mixology Fans to Surf, Rockabilly and Punk Music Scenesters, the Escapist Vibes of the Tiki Scene Still Have a Strong Hold on Los Angeles
THE BEST TIKI DRINKS REVISITING GORDON PARKS’ CONTROVERSIAL PHOTO ESSAY TV’S FUTURE IS FEMALE ® AUGUST 2-8, 2019 / VOL. 41 / NO.37 / LAWEEKLY.COM From vintage collectors and mixology fans to surf, rockabilly and punk music scenesters, the escapist vibes of the tiki scene still have a strong hold on Los Angeles. And at Tiki Oasis in San Diego, everyone comes out to play. BY LINA LECARO 2 WEEKLY WEEKLY LA | A - , | | A WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. PAID ADVERTISEMENT 3 LA WEEKLY WEEKLY | A - , | | A THANK YOU, SENATOR DURAZO, FOR PUTTING PEOPLE BEFORE DRUG COMPANY PROFITS. WWW.LAWEEKLY.COM AARP thanks the members of the Senate Judiciary Committee for standing up for Californians and passing AB 824. This legislation would prohibit brand-name drug companies from paying generic manufacturers to delay the release of lower priced drugs. AARP strongly supports this important fi rst step towards ending the anti-competitive practices of big drug companies and lowering prescription drug prices for everyone. Too many people are struggling to make ends meet while the big drug companies continue to rake in billions. AARP encourages the entire Senate to pass AB 824, and put a stop to drug company price gouging. facebook.com/AARPCalifornia @AARPCA AARP.org/CA Paid For by AARP 4 L August 2-8, 2019 // Vol. -
Arrive a Tourist. Leave a Local
TOURS ARRIVE A TOURIST. LEAVE A LOCAL. www.OnBoardTours.com Call 1-877-U-TOUR-NY Today! NY See It All! The NY See It All! tour is New York’s best tour value. It’s the only comprehensive guided tour of shuttle with you at each stop. Only the NY See It All! Tour combines a bus tour and short walks to see attractions with a boat cruise in New York Harbor.Like all of the NYPS tours, our NY See It All! Our guides hop o the shuttle with you at every major attraction, including: START AT: Times Square * Federal Hall * World Trade Ctr. Site * Madison Square Park * NY Stock Exchange * Statue of Liberty * Wall Street (viewed from S. I. Ferry) * St. Paul’s Chapel * Central Park * Trinity Church * Flatiron Building * World Financial Ctr. * Bowling Green Bull * South Street Seaport * Empire State Building (lunch cost not included) * Strawberry Fields * Rockefeller Center and St. Patrick's Cathedral In addition, you will see the following attractions along the way: (we don’t stop at these) * Ellis Island * Woolworth Building * Central Park Zoo * Met Life Building * Trump Tower * Brooklyn Bridge * Plaza Hotel * Verrazano-Narrows Bridge * City Hall * Hudson River * Washington Square Park * East River * New York Public Library * FAO Schwarz * Greenwich Village * Chrysler Building * SOHO/Tribeca NY See The Lights! Bright lights, Big City. Enjoy The Big Apple aglow in all its splendor. The NY See The Lights! tour shows you the greatest city in the world at night. Cross over the Manhattan Bridge and visit Brooklyn and the Fulton Ferry Landing for the lights of New York City from across the East river. -
Robfreeman Recordingramones
Rob Freeman (center) recording Ramones at Plaza Sound Studios 1976 THIRTY YEARS AGO Ramones collided with a piece of 2” magnetic tape like a downhill semi with no brakes slamming into a brick wall. While many memories of recording the Ramones’ first album remain vivid, others, undoubtedly, have dulled or even faded away. This might be due in part to the passing of years, but, moreover, I attribute it to the fact that the entire experience flew through my life at the breakneck speed of one of the band’s rapid-fire songs following a heady “One, two, three, four!” Most album recording projects of the day averaged four to six weeks to complete; Ramones, with its purported budget of only $6000, zoomed by in just over a week— start to finish, mixed and remixed. Much has been documented about the Ramones since their first album rocked the New York punk scene. A Google search of the Internet yields untold numbers of web pages filled with a myriad of Ramones facts and an equal number of fictions. (No, Ramones was not recorded on the Radio City Music Hall stage as is so widely reported…read on.) But my perspective on recording Ramones is unique, and I hope to provide some insight of a different nature. I paint my recollections in broad strokes with the following… It was snowy and cold as usual in early February 1976. The trek up to Plaza Sound Studios followed its usual path: an escape into the warm refuge of Radio City Music Hall through the stage door entrance, a slow creep up the private elevator to the sixth floor, a trudge up another flight -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest. -
Free Press Issue
ISSUE X FREE PRESS 1 COVER Fight The Power -Dj Lord - Public Enemy Pic Rigablood Below Davi Olivera - bs tailslide 180 Pic Rigablood WHAT’S HOT 8 Library BACKSTAGE 10 PaperToy Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano, [email protected] 12 The Drinking Revolution Advertising - Silvia Rapisarda, [email protected] 14 Don’t Sweat The Technique Executive Producer - Mat The Cat Traduzioni - Alessandra Meneghello 16 Risk 22 B Real Photographers - Luca Benedet, Giuliano Berarducci, Enrica Brandimarte, Mattia Cabani, Verena Stefanie Grotto, Alvin Carrillo, Lance 26 Mattia Rocchi 404, Augusto Lucati, Alex Luise, Alan Maag, Mattia Malanga, Matthew Miller, 30 Francesco Mauriello Felice “Piacca” De Sena , Alex Ruffini, StreetBoxVideoLab, Federico Vezzoli 34 Warriors Illustrations - Marcello Crescenzi 44 Sick Of It All Contributors - Milo Bandini, Massimo Barzelatto, Maurice Bellotti/Poison For Souls, 48 Step On Memories - Foxshark Eurotour 2011 Marco Capelli, Matteo Cavanna, Paola Dal Bosco, 51 CIV Fabrizio De Guidi, Giangiacomo De Stefano, Flavio Ignelzi, Fra, Andrea KNGL Longo, Max Mbassadò, Eros Pasi, Davide Pettenuzzo, 54 Matthew Miller Seeso, Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier 62 Family Album Stampa - Tipografia Nuova Jolly 70 Digging Tales Viale Industria 28 76 Slaine 35030 Rubano (PD) 78 Piff Gang 2 Salad Days Magazine è una rivista registrata presso il 80 D.R.I. Tribunale di Vicenza, N. 1221 del 04/03/2010. 84 The Peawees Get in touch - www.saladdaysmag.com 86 Dirty Armada [email protected] facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints & Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Mike Tramp con testi immagini. -
INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More
METALSECOND CATALOG OF HEAVY METAL JUNE 2015 Featuring: INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More.... Arthur Brown The God of Hellfire TERMS OF SALE This material is subject to prior sale. If you are interested in items in this catalog, we recommend you contact us HEAVY right away to secure it. As always, if you are not satis- fied with your purchase, all items are returnable within ten days of delivery. Materials must be returned in the same condition as sent. Simply call us at 626.967.1888 to discuss. Institutions and previously known custom- METAL ers can expect the usual terms. We accept all manner of payment. California residents will pay 9% sales tax, or, if items are purchased at a book fair, pay the sales ORIGIN tax appropriate to that local. As proud members of the Antiquarian Book- STORY sellers’ Association of America, we uphold our The Fugs. THE FUGS PRESENT A NIGHT OF NAPALM association’s code of IN SUPPORT OF THE ASSEMBLY OF UNREPRESENTED ethics. For more information about ABAA book fairs and PEOPLE. New York: [Ed Sanders / Fuck You Press], [1965]. events and to review our complete code of ethics, please An original flyer promoting the band’s August 7, 1965 visit the website: www.ABAA.org concert at The Bridge Theatre in New York. Mimeographed on a 8 ½” x 11” sheet of yellow paper. Mild smudging of the BRAD & JEN JOHNSON mimeo ink to the top right corner; else clean and bright. -
The Dicks Top: the Dicks in the Early 1980S
The Dicks Top: The Dicks in the early 1980s. Photo: Mark Christal. Bottom: The Dicks in 2005. L to R: Buxf Parrot (bass), Gary Floyd (vocals), Pat Deason (drums). Photo: Carlos Lowry. 4 The Dicks The Dicks were confrontational right out of the gate. A seminal band, and not just because singer Gary Floyd sometimes threw condoms filled with fake cum into the crowd. By all accounts, the Dicks challenged their audiences and revealed new possibilities. They made their concerts a hell of an experience and created memorable political music with a sound that was completely their own. The Dicks formed in Austin in 1980. They relocated to San Francisco and changed personnel halfway through the duration of the group, before breaking up in 1986. When one thinks of early hardcore punk music in Texas, a small but critical list of bands comes to mind immediately: the Big Boys, Dirty Rotten Imbeciles (DRI), Butthole Surfers, Really Red, the Stains (later renamed MDC), the Offenders and the Dicks. The Dicks first came to the ears of many with a three song 7”, The Dicks Hate the Police . The band re - leased this 7” in 1980 on their own Radical Records label (by the way, no relation to the more well known R Radical label that Dave Dictor from Stains and MDC created soon after). The song “The Dicks Hate the Police” is an exceptionally memorable and passionate first statement for a band. These lyrics by guitarist Glen Taylor remain stinging and painful, especially while being delivered in a voice that is both mournful and pissed off at the same time: Daddy, Daddy, Daddy Proud of his son He’s got a good job Kills niggers and Mexicans We’ll tell you something and it’s true If you can’t find justice it’ll find you The popular Seattle-based band Mudhoney covered the song as “Hate the Police.” This brought the Dicks’ music to the attention of many thousands of people that might not have heard them otherwise. -
Skate Parks: a Guide for Landscape Architects and Planners
SKATE PARKS: A GUIDE FOR LANDSCAPE ARCHITECTS AND PLANNERS by DESMOND POIRIER B.F.A., Rhode Island School of Design, Providence, Rhode Island, 1999. A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF LANDSCAPE ARCHITECTURE Department of Landscape Architecture College of Regional and Community Planning KANSAS STATE UNIVERSITY Manhattan, Kansas 2008 Approved by: Major Professor Stephanie A. Rolley, FASLA, AICP Copyright DESMOND POIRIER 2008 Abstract Much like designing golf courses, designing and building skateboard parks requires very specific knowledge. This knowledge is difficult to obtain without firsthand experience of the sport in question. An understanding of how design details such as alignment, layout, surface, proportion, and radii of the curved surfaces impact the skateboarder’s experience is essential and, without it, a poor park will result. Skateboarding is the fastest growing sport in the US, and new skate parks are being fin- ished at a rate of about three per day. Cities and even small towns all across North America are committing themselves to embracing this sport and giving both younger and older participants a positive environment in which to enjoy it. In the interest of both the skateboarders who use them and the people that pay to have them built, it is imperative that these skate parks are built cor- rectly. Landscape architects will increasingly be called upon to help build these public parks in conjunction with skate park design/builders. At present, the relationship between landscape architects and skate park design/builders is often strained due to the gaps in knowledge between the two professions.