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Book by Vera Morris Music and lyrics by Bill Francoeur © Copyright 1991, Pioneer Drama Service, Inc., Under the title of Jack and the Giant Performance License The amateur and professional acting rights to this play are controlled by Pioneer Drama Service, Inc., PO Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: 1. The full name of the play 2. The full name of the playwright and composer/arranger 3. The following credit line: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by Pioneer Drama Service, Inc. to whom all inquiries should be addressed. For preview only FEE, FI, FO, FUM! Adapted and dramatized from the Benjamin Tabart version of the English folktale, “The History of Jack Spriggins and the Enchanted Bean” Book by VERA MORRIS Music and Lyrics by BILL FRANCOEUR CAST OF CHARACTERS (In Order Of Appearance) # of lines JACK ................................................brave young lad; loves 149 adventure SUSAN .............................................his sister 53 JACK’S MOTHER .............................about to lose her farm 65 VILLAGE WOMAN #1 ......................lives in fear of the Giant 11 VILLAGE WOMAN #2 ......................more -
WGSS Womenarehuman V7 N11 1978.Pdf (11.26Mb)
W01\1EN ARE HUMAN WOMEN'S STUDIES LIBRARY THE OHIO STATE UNIVERSITY Volume 7 November 17, 1978 Number 11 REVIEWS other ways. She does not seem to in- Materials in the OSU Libraries about, tend to paint such a negative picture-- for and by women (the location is in- but negative it is. On the other hand, dicated above each number). To de- Goldsmith is aware of some of the pos- termine if a copy is available call 422-3900. sible psychological reasons behind the behavior of this rather bizarre person; the trouble is that she plays armchair psychiatrist too often. Then there is WOMEN'S Gilbert, Julie Goldsmith. Goldsmith's enormously annoying habit STUDIES Ferber, a biography. of repeating herself, and others, from PS3511 Garden City, New York, chapter to chapter and using incredibly E66Z8 G5 Doubleday & Co., 1978. pretentious language. She glibly uses "lagniappe"--a word I had to look up Edna Ferber's biography has been writ- in the dictionary--and frequently attri- ten by her great-niece, Julie Gilbert butes its use to others, as in this Goldsmith, who certainly seems to want sentence, allegedly spoken or written us to like Ferber, remember her for the by Kate Steichen, then an editor: many huge books she wrote, and gain " ••• At Doubleday we iust didn't take an insight into how Ferber lived on a any lagniappe or gravy from authors--let scale comparable to her books. These alone agents." My response to that books are huge in scope, and huge in comes from an old favorite line in the verbiage. -
Grenell 1881 a NOVEL Grenell 1881 BOOK 1 in the THOUSAND ISLANDS SERIES
Grenell 1881 A NOVEL Grenell 1881 BOOK 1 IN THE THOUSAND ISLANDS SERIES Lynn E. McElfresh River Skiff Press Grenell Island, NY This is a work of fiction. While real characters from history are represented, their appearance, personalities, mannerisms, and dialogue are imagined. Copyright 2019 © by Lynn E. McElfresh First paperback edition April 2019 Book design by Michelle Argento Maps by Michelle Argento ISBN 978-1-950245-00-0 (paperback) ISBN 978-1-950245-01-7 (ebook) River Skiff Press 16439 Grenell Island Clayton, NY 13624 To Uncle Otis, who started it all. Thousand Island Region 1881 Grenell Island 1881 CHAPTERone Saturday, June 11, 1961 CASTLE ROCK, GRENELL ISLAND, THOUSAND ISLANDS, NEW YORK The screen door creaked open, and I tiptoed barefoot out onto the deck before the rest of the cottage was awake. I inhaled deeply, feeling the moist, cool air course through my body. Ah! It was going to be a perfect river day. The St. Lawrence rolled toward the sea—smooth, shimmering and the most loyal blue. Across the water stood Murray Isle; we called it Hemlock Island when I first arrived. Its rocky shores are crowned with pines packed so closely together that they looked almost black. I took another big breath. That smell. What was it about the smell of the River? I’ve lived a lifetime of poetry and language but still can’t find the words to describe that scent or what it does to me. Today is our anniversary, the River and me. For eighty summers without fail, I’ve returned to Castle Rock. -
Giant Hogweed Please Destroy Previous Editions
MSU Extension Bulletin E-2935 June 2012 Giant Hogweed Please destroy previous editions An attractive but dangerous federal noxious weed. Have you seen this plant in Michigan? Hogweed is hazardous Wash immediately with soap and water if skin exposure occurs. If pos- Giant hogweed is a majestic plant sible, keep the contacted area cov- that can grow over 15 feet. Although ered with clothing for several days to attractive, giant hogweed is a public reduce light exposure. Giant hogweed health hazard because it can cause se- (Heracleum mantegazzianum) is a vere skin irritation in susceptible people. federal noxious weed, so it is unlaw- The plant exudes a clear, watery sap that ful to propagate, sell or transport this causes photodermatitis, a severe skin plant in the United States. The U.S. reaction. Skin contact followed by ex- Department of Agriculture (USDA) posure to sunlight may result in painful, has been surveying for this weed since burning blisters and red blotches that 1998 and several infestations have later develop into purplish or blackened been identified in Michigan. For more USDA APHIS PPQ Archive, USDA APHIS PPQ, Bugwood.org Archive, USDA APHIS PPQ USDA scars. The reaction can happen within information about giant hogweed, visit It’s a tall majestic plant, 24 to 48 hours after contact with sap, the Michigan Department of Agricul- and scars may persist for several years. ture and Rural Development at www. but DON’T TOUCH IT! Contact with the eyes can lead to tempo- michigan.gov/exoticpests. rary or permanent blindness. Use common sense around giant hogweed Don’t touch or handle plants using Don’t transplant or give away your bare hands. -
Make We Merry More and Less
G MAKE WE MERRY MORE AND LESS RAY MAKE WE MERRY MORE AND LESS An Anthology of Medieval English Popular Literature An Anthology of Medieval English Popular Literature SELECTED AND INTRODUCED BY DOUGLAS GRAY EDITED BY JANE BLISS Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval M English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twel�h century onwards. Uniquely, the AKE book is divided by genre, allowing readers to make connec�ons between texts usually presented individually. W This anthology offers a frui�ul explora�on of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and E ballads. Familiar texts such as the visions of Margery Kempe and the Paston family le�ers M are featured alongside lesser-known works, o�en oral. This striking diversity extends to the language: the anthology includes Sco�sh literature and original transla�ons of La�n ERRY and French texts. The illumina�ng introduc�on offers essen�al informa�on that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary M explaining the par�cular delights of the literature selected and the ra�onale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture ORE AND of the period, this is essen�al reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the �me. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Management Plan for the Giant Land Crab (Cardisoma Guanhumi) in Bermuda
Management Plan for the Giant Land Crab (Cardisoma guanhumi) in Bermuda Government of Bermuda Ministry of Home Affairs Department of Environment and Natural Resources 1 Management Plan for the Giant Land Crab (Cardisoma guanhumi) in Bermuda Prepared in Accordance with the Bermuda Protected Species Act 2003 This management plan was prepared by: Alison Copeland M.Sc., Biodiversity Officer Department of Environment and Natural Resources Ecology Section 17 North Shore Road, Hamilton FL04 Bermuda Contact email: [email protected] Published by Government of Bermuda Ministry of Home Affairs Department of Environment and Natural Resources 2 CONTENTS CONTENTS ........................................................................................................................ 3 LIST OF FIGURES ............................................................................................................ 4 LIST OF TABLES .............................................................................................................. 4 DISCLAIMER .................................................................................................................... 5 ACKNOWLEDGEMENTS ................................................................................................ 6 EXECUTIVE SUMMARY ................................................................................................ 7 PART I: INTRODUCTION ................................................................................................ 9 A. Brief Overview .......................................................................................................... -
Walking with Giants
Journal of Agricultural Education, 55(1), 1-7. doi: 10.5032/jae.2014.01001 Walking With Giants George W. Wardlow1 Abstract Dr. George W. Wardlow presented the 2013 AAAE Distinguished Lecture at the Annual Meeting of the American Association for Agricultural Education in Columbus, Ohio in May, 2013. While the focus of the article is on the importance of research to the profession, it is intended as a philosophical work. There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown (American Bible Society, 1985, p. 6). Every culture from the beginning of human civilization has some reference to “giants” of old, or as Genesis refers to them, “men of renown.” The Bible refers to these individuals as Nephilim, a result of human genetic crosses with angels; and we accept the notion that this did not necessarily result in a positive outcome. In Greek mythology the giants who roamed the Earth were, according to the poet Hesiod, the children of Uranus and Gaea (spirits of the sky and the earth) (“Giants (Greek Mythology),” 2013). Indeed, references are made to “giants” among many cultures of the world. In Native American lore such as Paiute oral history, the Si-Te-Cah or Sai'i are a legendary tribe of red- haired cannibalistic giants (“Giants (Mythology),” 2013). In Norse mythology existed the Jotun, or jötnar in Old Norse (“Jotunn,” 2013). Megalithic construction in South America among Inca and even Aztec legend is, at times, attributed to ancient giants. -
KOERNER S HAVES by BUFFALO N Vv
; KOERNER S HAVES BY BUFFALO N Vv ! = \A #1 t : 4 ¢ Jack the Giant=Killer. The Giant Stepped on Jack’s Trap and Fell Headlong into the Pit. [° the days of the renowned King Arthur there lived a Cornishman named Jack, who was famous for his valiant deeds. His bold and warlike spirit showed itself in his boyish days; for Jack took especial delight in listening to the wonderful tales of giants and fairies, and of the extraordinary feats of valor displayed by the knights of King Arthur’s Round Table, which his father would sometimes relate. Jack’s spirit was so fired by these strange accounts, that he determined, if ever he became a man, that he would destroy some of the cruel giants who infested the land. Not many miles from his father’s house there lived, on the top of St. Michael’s Mount, a huge giant, who was the terror of the country round, who was named Cormoran, from his voracious appetite. It is said that he was eighteen feet in height. When he required food, he came down from his castle, and, seizing on the flocks of the poor people, would throw half a dozen oxen over his shoulders, and suspend as many sheep as he could carry, and stalk back to his castle. He had carried on these depredations many years ; and the poor Cornish people were well-nigh ruined. Jack went by night to the foot of the mount and dug a very deep pit, which he covered with sticks and straw, and over which he strewed the earth. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. -
Giants: Legends & Lore of Goliaths
PERHAPS MYTHOLOGY CONTAINS MORE TRUTH THAN WE REALIZE! The word “myth” has come to mean “fiction” in our minds, and so some people take Bible accounts, Aesop’s fables, and Greek myths and place them all in the same category. But what if some of the old legends are true? Rather than dismiss these narratives, perhaps we should investigate them. In this case, the world is filled with giant legends that speak of heroes and wars. In this highly engaging book of giants you will discover ? Unique glimpses into the ancient accounts of giants from around the world @ What does the Bible say about giants? ? Full-color artistry developed in an interactive format with fold outs and flaps, booklets, and more! @ A spectacular center spread stretching 4-feet across! It is fascinating that the ancient world agreed on many aspects of the Martin Bible, one of these being that early in the history of mankind, a race of violent, yet intelligent giants walked the earth, were destroyed by the Flood. Through historical records, the pre-Flood and post-Flood worlds are reconstructed, with giants re-emerging in and around Israel, and you’ll see one more reason that the Bible can be trusted. RELIGION/Biblical Studies/General JUVENILE NONFICTION/Religious/ Christian/General $18.99 U.S. ISBN-13: 978-0-89051-864-9 EAN First printing: June 2015 Copyright © 2015 Master Books. All rights reserved. No part of this book may be used Odysseus Blinds Polyphemus or reproduced in any manner whatsoever without written permission of the publisher, except in the case of brief quotations in articles and reviews. -
The Merry Adventures of Robin Hood
The Merry Adventures of Robin Hood Howard Pyle This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Merry Adventures of Robin Hood PREFACE FROM THE AUTHOR TO THE READER You who so plod amid serious things that you feel it shame to give yourself up even for a few short moments to mirth and joyousness in the land of Fancy; you who think that life hath nought to do with innocent laughter that can harm no one; these pages are not for you. Clap to the leaves and go no farther than this, for I tell you plainly that if you go farther you will be scandalized by seeing good, sober folks of real history so frisk and caper in gay colors and motley that you would not know them but for the names tagged to them. Here is a stout, lusty fellow with a quick temper, yet none so ill for all that, who goes by the name of Henry II. Here is a fair, gentle lady before whom all the others bow and call her Queen Eleanor. Here is a fat rogue of a fellow, dressed up in rich robes of a clerical kind, that all the good folk call my Lord Bishop of Hereford. Here is a certain fellow with a sour temper and a grim look— the worshipful, the Sheriff of Nottingham. And here, above all, is a great, tall, merry fellow that roams the greenwood and joins in homely sports, and sits beside the Sheriff at merry feast, which same beareth the 2 of 493 The Merry Adventures of Robin Hood name of the proudest of the Plantagenets—Richard of the Lion’s Heart.