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Mike Hadreas Is Perfume Genius
ARTISTʼS PROFILE Mike Hadreas Is Perfume Genius COLIN CARMAN MH: Thanks. I remember buying Liz mood in mind for how things should look. Phair’s Whip-Smart with my babysitting For “Grid,” I had this idea of pulsating O FAMILY is safe when I money. Then I went back and bought her dancers around me. It ends up being more a sashay,” sings Mike Hadreas, [1993 debut] Exile in Guyville. collaboration with the director. With both of “Notherwise known as “Perfume those videos, everybody’s crazy ideas are Genius,” on “Queen,” the haunting first CC: What was the first openly gay song jumbled into a dream sequence. That’s how single on the new album Too Bright. The that you wrote? Has your sexuality always I like it. video for “Queen” is the deranged been part of your songwriting? lovechild of Fellini and Waters, a bizarre MH: When I first started writing, it was just CC: What about the song “I’m a Mother,” escapade in which the 32-year-old Hadreas writing for me. There were gay themes be- which sounds to me like the most gothic cruises an Elvis impersonator with a pros- cause I’m a gay person. So it wasn’t a delib- song on Too Bright? Where did that come thetic leg only to jump off a rooftop. De- erate statement, at first. With the new from? pending on your interpretation, Hadreas album, I knew more people were going to MH: My boyfriend and I have been to- either dies or metamorphoses into a cheer- hear it, so it was important to me to be spe- gether for five years and I want a house. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
We Talk to Radio
advertisement RISL MARCH 11, 2000 TITVT T Music Volume 17, Issue 11 £3.95 TOP 10 II Media.we talk to radio M&M chart toppers this week Sony takes SteppesSan Remo celebrates Eurochart Hot 100 Singles Italy's new music TOM JONES & MOUSSE T by Mark Dezzani Sex Bomb (Bliss Co.) to conquer Russia SAN REMO - The 50th edition of European Top 100 Albums by Gordon Masson, company set up by Sumin in 1996. A Italy's annual San Remo Song Festi- International news editor, Billboard Sony spokesman confirmed that the val (February 21-26) is being applaud- SANTANA company had acquired selected assets ed by the country's record industry Supernatural Moscow - Sony Music is taking the of Dana Music for an undisclosed fee. for breaking with tradition (Arista) plunge into the economically uncer- Sony claims to be the first company and becoming representa- European Radio Top 50 tain by establishing a wholly owned among the majors in Russia to have tive of Italy's new pop. ALL SAINTS subsidiary in Russia. 100% ownershipof a The festival is one Pure Shores Despite a chronic pira-Sony MusicRussian affiliate. How- of the biggest annual cy problem and plummet- ever, it is not the first to TV viewing events in se (London) ing sales in that territory, the compa-venture into the complex world of the Italy, and. the final Satur- European Dance Traxx ny is setting up Sony Music Enter- Russian music industry. Universal is day evening show on Italy's public ser- CHICANE tainment Russia (SMER). already heavily involved in the former vice network RAIUNO was watched by Don't Give Up Operating from offices in Moscow, Soviet country with its 90% stake in an audience of more than 16.2 million Universal Music Russia, and, with a (62.48% share). -
Show #1321 --- Week of 5/4/20-5/10/20
Show #1321 --- Week of 5/4/20-5/10/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Can You Get to That"-Funkadelic 2:45 Maggot Brain Westbound "Grew Apart"-Donovan Woods 2:50 single only Meant Well "Stay Away"-Randy Newman 2:00 single only Nonesuch "Cloak Of The Night"-EOB w/Laura Marling 2:30 Earth Capitol "Held Down"-Laura Marling (in-studio) 3:50 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** USA Songwriting Competition/"Registration" (:30) Outcue: " Songwriting.net." TOTAL TRACK TIME: 17:30 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "Devil May Care"-Kandace Springs 3:00 The Women Who Raised Me Blue Note ***INTERVIEW & MUSIC: SIERRA HULL (at home in Nashville) ("25 Trips," "Everybody’s Talking") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"COVID-19 Update" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 19:10 SEGMENT THREE: "A Couple Broken Windows"-Aaron Burdett (USASC winner) 4:25 Refuge self-released "I Want You To Love Me"-Fiona Apple 4:00 Fetch The Bolt Cutters Epic "I Contain Multitudes"-Bob Dylan 4:35 single only Columbia "Count On Me"-The Lone Bellow (in-studio) 3:00 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 18:21 TOTAL TIME FOR HOUR ONE - 55:01 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] -
Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers
RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS by Joanna Ruth Smolko B.A. Music, Covenant College, 2000 M.M. Music Theory & Composition, University of Georgia, 2002 Submitted to the Graduate Faculty of The Faculty of Arts and Science in partial fulfillment of the requirements for the degree of Ph.D. in Historical Musicology University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Joanna Ruth Smolko It was defended on March 27, 2009 and approved by James P. Cassaro, Adjunct Assistant Professor, Department of Music Mary S. Lewis, Professor, Department of Music Alan Shockley, Assistant Professor, Cole Conservatory of Music Philip E. Smith, Associate Professor, Department of English Dissertation Advisor: Deane L. Root, Professor, Department of Music ii Copyright © by Joanna Ruth Smolko 2009 iii RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS Joanna Ruth Smolko, PhD University of Pittsburgh, 2009 Throughout the twentieth century, American composers have quoted nineteenth-century shape- note hymns in their concert works, including instrumental and vocal works and film scores. When referenced in other works the hymns become lenses into the shifting web of American musical and national identity. This study reveals these complex interactions using cultural and musical analyses of six compositions from the 1930s to the present as case studies. The works presented are Virgil Thomson’s film score to The River (1937), Aaron Copland’s arrangement of “Zion’s Walls” (1952), Samuel Jones’s symphonic poem Let Us Now Praise Famous Men (1974), Alice Parker’s opera Singers Glen (1978), William Duckworth’s choral work Southern Harmony and Musical Companion (1980-81), and the score compiled by T Bone Burnett for the film Cold Mountain (2003). -
Perfume Genius Too Bright Mp3, Flac, Wma
Perfume Genius Too Bright mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Too Bright Country: UK Released: 2014 MP3 version RAR size: 1999 mb FLAC version RAR size: 1211 mb WMA version RAR size: 1256 mb Rating: 4.2 Votes: 928 Other Formats: MOD MP4 MPC ASF APE DXD MIDI Tracklist 1 I Decline 1:58 2 Queen 3:51 3 Fool 3:56 4 No Good 3:50 5 My Body 2:18 6 Don't Let Them In 2:21 7 Grid 2:39 8 Longpig 2:51 9 I'm A Mother 3:31 10 Too Bright 3:25 11 All Along 2:35 Companies, etc. Phonographic Copyright (p) – Turnstile Copyright (c) – Turnstile Produced At – Toybox Studios, Bristol Engineered At – Toybox Studios, Bristol Mixed At – Toybox Studios, Bristol Produced At – Planet 245 Engineered At – Planet 245 Mixed At – Planet 245 Mastered At – Sterling Sound Published By – EPA Published By – Nettwerk One Music Credits Bass – Adrian Utley (tracks: 2, 3, 5, 11) Bass [Fuzz Bass] – Adrian Utley (tracks: 7) Bass Clarinet – Ross Hughes (tracks: 3, 4, 10) Design – Alison Fielding Double Bass – Jim Barr (tracks: 3, 4, 6) Drums – Hervé Bécart (tracks: 3, 5, 8), John Parish (tracks: 2, 7, 8, 11) Gong – Mike Hadreas (tracks: 5) Guitar – Adrian Utley (tracks: 1, 11) Handclaps – Adrian Utley (tracks: 8), Ali Chant (tracks: 8), Mike Hadreas (tracks: 8) Keyboards – Alan Wyffels (tracks: 2, 5), Mike Hadreas (tracks: 2, 8) Mastered By – Greg Calbi Organ [Wurlitzer] – Mike Hadreas (tracks: 11) Photography By – Luke Gilford Piano – Mike Hadreas (tracks: 1, 4, 6, 10) Producer, Engineer, Mixed By – Adrian Utley, Ali Chant Recorded By [Additional] – Mike Hadreas Saxophone – Ross Hughes (tracks: 7) Shaker – John Parish (tracks: 5) Synth – Adrian Utley (tracks: 2, 3, 5, 7, 8), Alan Wyffels (tracks: 3, 4, 8, 10), Mike Hadreas (tracks: 3, 7, 9, 10) Vocals – Mike Hadreas Written-By – Mike Hadreas Notes Issued in a digipak style gatefold sleeve and includes a 4 panel, double sided folded insert. -
World History--Part 2: Teacher's Guide [And Student Guide]. Parallel Alternative ,Strategies for Students (PASS)
DOCUMENT RESUME ED 462 785 EC 308 849 AUTHOR Schaap, Eileen, Ed.; Fresen, Sue, Ed. TITLE World History--Part 2: Teacher's Guide [and Student Guide]. Parallel Alternative ,Strategies for Students (PASS). INSTITUTION Leon County Schools, Tallahassee, FL. Exceptional Student Education. SPONS AGENCY Florida State Dept. of Education, Tallahassee. Bureau of Instructional Support and Community Services. PUB DATE 2000-00-00 NOTE 900p.; Course No. 2109310. Part of the Curriculum Improvement Project funded under the Individuals with Disabilities Education Act (IDEA), Part B. AVAILABLE FROM Florida State Dept. of Education, Div. of Public Schools and Community Education, Bureau of Instructional Support and Community Services, Turlington Bldg., Room 628, 325 West Gaines St., Tallahassee, FL 32399-0400. Tel: 850-488-1879; Fax: 850-487-2679; e-mail: [email protected]; Web site: http://www.leon.k12.fl.us/public/pass. PUB TYPE Guides Classroom Learner (051)-- Guides Classroom Teacher (052) EDRS PRICE MF06/PC36 Plus Postage. DESCRIPTORS *Academic Accommodations (Disabilities); Academic Standards; Curriculum; *Disabilities; Educational Strategies; Enrichment Activities; *European History; Inclusive Schools; Instructional Materials; Latin American History; Secondary Education; Social Studies; Teaching Guides; *Teaching Methods; Textbooks; Units of Study; World Affairs; *World History; World War I; World War II IDENTIFIERS *Florida; Holocaust; Russia ABSTRACT This teacher's guide and student guide unit contains supplemental readings, activities, and methods adapted for secondary students who have disabilities and other students with diverse learning needs. The materials differ from standard textbooks and workbooks in several ways: simplified text; smaller units of study; reduced vocabulary level; increased frequency of drill and practice; concise directions; and presentation of skills in small, sequential steps. -
Perfume Genius Noch Einmal Tief Einatmen, Weil Gleich Lässt Einer in Der Mitte Seines Lebens Sein Bisheriges Dasein Hinter Sich
DIE NEUEN PLATTEN Perfume Genius Noch einmal tief einatmen, weil gleich lässt einer in der Mitte seines Lebens sein bisheriges Dasein hinter sich. Und wie er dieses verabschiedet, mit Schmalz in der Stimme, mit Streicher und Klavier, ja dann meint man: Mike Hadreas sucht nach weiteren Formlosigkeiten, so, wie er das auf dem Perfume-Genius-Vorgängeralbum «No Shape» zumindest im Titel gemacht hat. Aber verschwinden will er doch nicht: Zenobia Tim Burgess Pierre Omer Nach der Drama-Ballade «Whole Life» folgt gleich «De- Halak Halak I Love the New Sky & The Night- scribe», diese schwere Doom-Ballade mitsamt dem Grum- (Acid Arab Records) (Bella Union/MV) cruisers meln seines Magens, der sich bemerkbar macht. Man spürt: Time Flies Hier wendet sich einer erneut seinem Körper zu, der ihn Das Pariser DJ-Duo Acid Die Charlatans gehören zu (Radiogram/Irascible) immer wieder gequält hat und ihn noch immer quält, auch Arab trägt seit 2012 seine den eigenartigeren Erfolgs- wenn dieser Körper auf dem Cover von «Set My Heart on Melange aus elektronischen storys der Neunziger. Ihr Pierre Omer ist ein cooler Fire Immediately» fantastisch aussieht. Mike Hadreas spie- und arabischen Sounds in Debüt erschien drei Jah- Hund. Ob solo oder in For- gelt diese Troubles mit seinem «body» auch in der zweiten die Discos der Welt. Vor re nach jenem der Happy mationen wie seiner Swing Single, «On the Floor» – in einem Stück Pop, das leichter vier Jahren erreichten sie Mondays, eines nach jenem Revue, stets umgibt ihn und süsser kaum anlocken kann, selbst dann, wenn er fragt, mit ihrem Debüt «Musique der Stone Roses, aber wie etwas sympathisch Halb- wie lange es denn dauert, bis sein «body» «safe» ist». -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Event Listings Inside Outdoor Concerts and More!
ARTS CULTURE EVENTS SPRING / SUMMER 2018 Event Listings Inside Outdoor concerts and more! On the cover Tom Rolston (bottom left, 1969) and his wife Isobel are the SPRING/SUMMER 2018 co-founders of Banff Centre’s Music and Sound programs. In their 40 years at the Centre, they helped shape the program to the unique learning experience that it is today. Luri Lee (right) plays first violin with the Rolston String Quartet, which won grand prize at the 2016 Banff International String Quartet Competition, and is named for the Rolston family. The quartet was formed in 2013 during a chamber music residen- cy on our campus. The violin she currently uses is Rolston’s, on loan from Banff Centre, and crafted by luthier Samuel Zygmuntowicz. Both artists are pictured on our cover holding that same violin, surrounding Juno-nominated cellist Cris Derksen, whose new commission will be performed on campus this summer. Features In every issue 12 Long’s Not Gone 28 Changing the 3 President’s Letter 40 Open Studios Longform journalism Way We Work Peek into the studios of master Susan Orlean on Learning to think 4 Event Highlights Banff Centre artists the medium’s revival and differently as the way Some highlights from how she likes to work we work changes this season’s Banff 46 What’s On Centre events Plan your spring/summer 14 Back to the Future 30 Eighty-Five Years of cultural adventures Breaking down walls Creative Practice 6 Connect With Us during the Summer Music Some highlights from our Follow our InStudio 56 Alumni News program EQ: Evolution of 85 years -
Indie Mixtape
:: View email as a web page :: Long before we were all forced into it, Fiona Apple turned social distancing into an art form. For the better of the early 21st century, the masterful 42-year-old singer-songwriter has sequestered herself away from the pop mainstream she once uncomfortably ruled. In the past 20 years, she’s only put out three albums — including her latest, Fetch The Bolt Cutters — and the gap between releases has grown longer with each LP. That she retreated to her home in Venice Beach was not a surprise — at the height of her early fame, she famously stared down the vacuous hordes at the MTV Video Music Awards and declared that “this world is bullshit.” This clearly was not a person who longed for the red carpet. What is surprising, however, is how this separation from the larger culture hasn’t diluted her skills as an artist or perceptive observer of human nature. Read the Uproxx review of her latest masterwork here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning Of The 21st Century Geoff Rickly is here to help you soundtrack any mood in our new show Making A Mixtape. Hit the banner above to watch Rickly and some special guests curate a short playlist to fit a specific moment or experience during the day, whether that be “moody,” “energy,” or “details.” OPENING TRACKS CAR SEAT HEADREST Next week Will Toledo and company will release one of the most anticipated indie albums of 2020, Making A Door Less Open.