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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
01 Cover April12.Indd
WWW.OUTMAG.CO.UK ISSUE SIXTY-FOUR 04/12 £FREE INSIDE PORTUGAL PARTYING LOS ANGELES PRIDE MADONNA’S MDNA MYRA DUBOIS Help! My man wants to open up our relationship Perfume Genius MIKE HADREAS: BOY N’ THE HOOD OUT IN THE CITY APRIL 2012 THE TEAM Hudson’s Editor DAVID HUDSON Letter [email protected] +44 (0)20 7258 1943 Design Concept Boutique Marketing www.boutiquemarketing.co.uk Graphic Designer Ryan Beal Sub Editor Chance Delgado Contributors Richard Phillips, Steven 10 Sparling, Soren Stauffer- Kruse, Josh Winning Photographer Chris Jepson Publishers CONTENTS It has been impossible to escape the news that the Sarah Garrett coalition Government intends to introduce full 04 LETTERS Linda Riley marriage equality for same-sex couples, proposing Send your Director of Advertising to allow them to hold civil marriage ceremonies on correspondence to & Exhibition Sales secular premises. editorial@outmag. Square Peg Media Despite the fact that the Government is not co.uk James McFadzean proposing to make it compulsory that any religious [email protected] group hold such ceremonies on their premises, the 06 MY LONDON + 44 (0)20 7258 1777 Catholic Church has been particularly outspoken on Rising cabaret star + 44 (0)7772 084 906 the subject. Scotland’s Cardinal Keith O’Brien Myra Dubois gives us Head of Business described the plans as “grotesque”, while the her capital highlights Development Archbishops of Westminster and Southwark jointly Lyndsey Porter wrote a public letter saying that it was the “duty” of 10 PERFUME [email protected] all Catholics to oppose such plans: “A change in the GENIUS PHOTO © CHRIS JEPSON39 + 44 (0)20 7258 1777 law would gradually and inevitably transform Seattle-based singer albums by Madonna, 42 OUTNEWS Advertising Manager society’s understanding of the purpose of marriage. -
Weekly Highlights Week 11/12: Sat 20Th - Fri 26Th March 2021
Weekly Highlights Week 11/12: Sat 20th - Fri 26th March 2021 The Voice UK Final, Saturday, 8.30pm Who will be crowned champion and walk away with a recording contract? This information is embargoed from reproduction in the public domain until Tue 16th March 2021. Pictu Press contacts EMBARGO NOTICE The information contained herein is embargoed from all Press, online, social media, non-commercial publication or syndication - in the public domain until: Tuesday 16th March 2021 Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights Six Nations: Ireland v England Live Saturday, 4pm 20th March ITV Mark Pougatch is joined by studio guests Jonny Wilkinson, Sir Clive Woodward, Brian O’Driscoll and Rory Best for this Six Nations clash at the Aviva Stadium. Ireland go head-to-head with England in Dublin, with both teams looking to salvage some pride after what have proved to be hugely disappointing campaigns. Nick Mullins, Lawrence Dallaglio and Geordan Murphy provide the commentary. Ant & Dec’s Saturday Night Takeaway Saturday, 7pm 20th March ITV Everyone’s favourites, Ant and Dec, continue the new series of Saturday Night Takeaway. Sit back, relax and enjoy The Happiest 90 Minutes of the Week. This week, comedian Romesh Ranganathan takes a seat in the Guest Announcer Booth - while Stephen Mulhern is back for another action-packed, sporting Ant v Dec Challenge. -
A TIME for May/June 2016
EDITOR'S LETTER EST. 1987 A TIME FOR May/June 2016 Publisher Sketty Publications Address exploration 16 Coed Saeson Crescent Sketty Swansea SA2 9DG Phone 01792 299612 49 General Enquiries [email protected] SWANSEA FESTIVAL OF TRANSPORT Advertising John Hughes Conveniently taking place on Father’s Day, Sun 19 June, the Swansea Festival [email protected] of Transport returns for its 23rd year. There’ll be around 500 exhibits in and around Swansea City Centre with motorcycles, vintage, modified and film cars, Editor Holly Hughes buses, trucks and tractors on display! [email protected] Listings Editor & Accounts JODIE PRENGER Susan Hughes BBC’s I’d Do Anything winner, Jodie Prenger, heads to Swansea to perform the role [email protected] of Emma in Tell Me on a Sunday. Kay Smythe chats with the bubbly Jodie to find [email protected] out what the audience can expect from the show and to get some insider info into Design Jodie’s life off stage. Waters Creative www.waters-creative.co.uk SCAMPER HOLIDAYS Print Stephens & George Print Group This is THE ultimate luxury glamping experience. Sleep under the stars in boutique accommodation located on Gower with to-die-for views. JULY/AUGUST 2016 EDITION With the option to stay in everything from tiki cabins to shepherd’s huts, and Listings: Thurs 19 May timber tents to static camper vans, it’ll be an unforgettable experience. View a Digital Edition www.visitswanseabay.com/downloads SPRING BANK HOLIDAY If you’re stuck for ideas of how to spend Spring Bank Holiday, Mon 30 May, then check out our round-up of fun events taking place across the city. -
Audience Insights Table of Contents
GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11 -
The Fall of Wonder Woman Ahmed Bhuiyan, Independent Researcher, Bangladesh the Asian Conference on Arts
Diminished Power: The Fall of Wonder Woman Ahmed Bhuiyan, Independent Researcher, Bangladesh The Asian Conference on Arts & Humanities 2015 Official Conference Proceedings Abstract One of the most recognized characters that has become a part of the pantheon of pop- culture is Wonder Woman. Ever since she debuted in 1941, Wonder Woman has been established as one of the most familiar feminist icons today. However, one of the issues that this paper contends is that this her categorization as a feminist icon is incorrect. This question of her status is important when taking into account the recent position that Wonder Woman has taken in the DC Comics Universe. Ever since it had been decided to reset the status quo of the characters from DC Comics in 2011, the character has suffered the most from the changes made. No longer can Wonder Woman be seen as the same independent heroine as before, instead she has become diminished in status and stature thanks to the revamp on her character. This paper analyzes and discusses the diminishing power base of the character of Wonder Woman, shifting the dynamic of being a representative of feminism to essentially becoming a run-of-the-mill heroine. iafor The International Academic Forum www.iafor.org One of comics’ oldest and most enduring characters, Wonder Woman, celebrates her seventy fifth anniversary next year. She has been continuously published in comic book form for over seven decades, an achievement that can be shared with only a few other iconic heroes, such as Batman and Superman. Her greatest accomplishment though is becoming a part of the pop-culture collective consciousness and serving as a role model for the feminist movement. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
The Trail, 2012-03-30
TRAIL.PUGETSOUND.EDU THe PugeT Sound TRAIL THE STUDENT NEWSPAPER OF THE UNIVERSITY OF PUGET SOUND Volume 101, Issue 17 March 30, 2012 Established 1910 WETLANDS Lighthouse facilitates trip to Yakima reservation By ASHLEY GOFF Over spring break, a group of nine Puget Sound students made the long drive to the Yakima Indian Reservation to take part in a six-day community service trip. During the course of the trip, the students helped out around the community, cleaning up an elder- ly woman’s yard, building a bas- ketball court for the youth group, building a shed, constructing a fire pit and pitching in wherever need- ed. The team from Puget Sound was not alone on this trip, howev- er. Another group of ten students from Gordon College, a Christian college in Boston, also participated, creating the opportunity for fellow- ship and a chance to make lasting friendships not only in Yakima, but across the nation. As Tom Blackeagle, local co- ordinator for community service activities on the reservation, ex- plained, “My job is to find people in the community that are in need and bring them together with those who are willing to help.” But helping out in Native Ameri- can communities is not as easy as it appears, particularly for groups with a Christian message such as Lighthouse. Corey Greaves, reservation spiri- tual leader and founder of Mending Wings, the program that facilitated the trip, explained to the students that the natives on the Reservation do not consider themselves to be poor or of low economic standing according to the standards of the American economy. -
Mike Hadreas Is Perfume Genius
ARTISTʼS PROFILE Mike Hadreas Is Perfume Genius COLIN CARMAN MH: Thanks. I remember buying Liz mood in mind for how things should look. Phair’s Whip-Smart with my babysitting For “Grid,” I had this idea of pulsating O FAMILY is safe when I money. Then I went back and bought her dancers around me. It ends up being more a sashay,” sings Mike Hadreas, [1993 debut] Exile in Guyville. collaboration with the director. With both of “Notherwise known as “Perfume those videos, everybody’s crazy ideas are Genius,” on “Queen,” the haunting first CC: What was the first openly gay song jumbled into a dream sequence. That’s how single on the new album Too Bright. The that you wrote? Has your sexuality always I like it. video for “Queen” is the deranged been part of your songwriting? lovechild of Fellini and Waters, a bizarre MH: When I first started writing, it was just CC: What about the song “I’m a Mother,” escapade in which the 32-year-old Hadreas writing for me. There were gay themes be- which sounds to me like the most gothic cruises an Elvis impersonator with a pros- cause I’m a gay person. So it wasn’t a delib- song on Too Bright? Where did that come thetic leg only to jump off a rooftop. De- erate statement, at first. With the new from? pending on your interpretation, Hadreas album, I knew more people were going to MH: My boyfriend and I have been to- either dies or metamorphoses into a cheer- hear it, so it was important to me to be spe- gether for five years and I want a house. -
Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS. -
Why Wonder Woman Matters
Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.