Fabergé Eggs

Total Page:16

File Type:pdf, Size:1020Kb

Fabergé Eggs Fabergé Eggs PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 14 May 2010 17:17:53 UTC Contents Articles Introduction 1 Fabergé egg 1 House of Fabergé 6 Peter Carl Fabergé 12 Imperial Easter Eggs 16 Alexander III Commemorative (Fabergé egg) 16 Alexander III Equestrian (Fabergé egg) 17 Alexander III Portraits (Fabergé egg) 18 Alexander Palace (Fabergé egg) 19 Basket of Wild Flowers (Fabergé egg) 20 Bay Tree (Fabergé egg) 21 Blue Serpent Clock Egg 22 Bouquet of Lilies Clock (Fabergé egg) 24 Caucasus (Fabergé egg) 25 Cherub with Chariot Egg 26 Clover Leaf (Fabergé egg) 27 Colonnade (Fabergé egg) 28 Constellation (Fabergé egg) 30 Danish Palaces Egg 31 Diamond Trellis Egg 32 Empire Nephrite (Fabergé egg) 33 Gatchina Palace (Fabergé egg) 34 Hen with Sapphire Pendant 35 Imperial Coronation Egg 36 Karelian Birch (Fabergé egg) 40 Lilies of the Valley 41 Mauve (Fabergé egg) 42 Memory of Azov Egg 42 Mosaic (Fabergé egg) 44 Moscow Kremlin (Fabergé egg) 45 Napoleonic (Fabergé egg) 46 Nécessaire Egg 48 Order of St. George (Fabergé egg) 49 Peacock (Fabergé egg) 50 Pelican (Fabergé egg) 52 Peter the Great (Fabergé egg) 54 Red Cross with Imperial Portraits 56 Red Cross with Triptych (Fabergé egg) 58 Renaissance (Fabergé egg) 59 Rock Crystal (Fabergé egg) 61 Romanov Tercentenary (Fabergé egg) 63 Rose Trellis (Fabergé egg) 65 Rosebud (Fabergé egg) 66 Royal Danish (Fabergé egg) 67 Standart Yacht (Fabergé egg) 68 Steel Military (Fabergé egg) 69 Swan (Fabergé egg) 70 Trans- Siberian Railway (Fabergé egg) 71 Tsarevich (Fabergé egg) 73 Twelve Monograms (Fabergé egg) 75 Winter (Fabergé egg) 76 Fabergé Kelch Eggs 77 Kelch Chanticleer (Fabergé egg) 77 Twelve Panel (Fabergé egg) 79 Pine Cone (Fabergé egg) 80 Other Fabergé Eggs 82 Duchess of Marlborough Egg 82 Nobel Ice (Fabergé egg) 83 Resurrection Egg 85 Rothschild (Fabergé egg) 86 References Article Sources and Contributors 88 Image Sources, Licenses and Contributors 90 Article Licenses License 91 1 Introduction Fabergé egg A Fabergé egg (Russian: Яйца Фаберже; Yaĭtsa Faberzhe; ) is any one of the thousands of jeweled eggs made by the House of Fabergé from 1885 through 1917. The majority of these were miniature ones that were popular gifts at Eastertide. They would be worn on a neck chain either singly or in groups. The most famous eggs produced by the House were the larger ones made for Alexander III and Nicholas II of Russia. Of the 50 made, 42 have survived.[1] A further two eggs were planned but not delivered, the Constellation and Karelian Birch eggs for 1918. Seven large eggs were made for the Kelch family of Moscow.[2] The eggs are made of precious metals or hard stones decorated with combinations of enamel and gem stones. The term "Fabergé egg" has become a synonym of luxury and the eggs are regarded as masterpieces of the jeweller's art. The Fabergé Imperial Easter Eggs are regarded as the last great series of commissions for objets d'art. The Moscow Kremlin egg, 1906. History The story began when Tsar Alexander III decided to give his wife the Empress of Pandora Maria Fedorovna an Easter Egg in 1885, possibly to celebrate the 20th anniversary of their betrothal. It is believed that the Tsar’s inspiration for the piece was an egg owned by the Empress’s aunt, Princess Wilhelmine Marie of Denmark, which had captivated Maria’s imagination in her childhood. Known as the Hen Egg, it is crafted from gold. Its opaque white enamelled ‘shell’ opens to reveal its first surprise, a matte yellow gold yolk. This in turn opens to reveal a multi-coloured gold hen, that also opens. It contains a minute diamond replica of the Imperial Crown from which a small ruby pendant was suspended. Unfortunately, these last two surprises have been lost.[3] Empress Maria was so delighted by this gift that Alexander appointed Fabergé a ‘goldsmith by special appointment to the Imperial Crown’. He commissioned another egg the following year. However, after that, Peter Carl Fabergé, who headed the House, was apparently given complete freedom for future Imperial Easter Eggs, as from this date their designs become more Fabergé egg 2 elaborate. According to the Fabergé family tradition, not even the Czar knew what form they would take: the only stipulation was that each one should contain a surprise. Following the death of Alexander III on November 1, 1894, his son presented a Fabergé egg to both his wife, the Empress Alexandra Fedorovna, and to his mother, the Dowager Empress Maria Fedorovna. No eggs were made for 1904 and 1905 because of the Russo-Japanese War. Once an initial design had been approved by Peter Carl Fabergé, the work was carried out by an entire team of craftsmen, among them Michael Perkhin, Henrik Wigström and Erik August Kollin. Bouquet of Lilies Clock egg. The Imperial eggs enjoyed great fame, and Fabergé made some other large eggs for just a few select private clients, such as the Duchess of Marlborough, the Nobels, the Rothschilds and the Yusupovs. Among them is a series of seven eggs made for the industrialist Alexander Kelch. List of Fabergé Tsar Imperial Easter eggs • 1885 Hen • 1899 Bouquet of Lilies Clock • 1909 Standart Yacht • 1886 Hen with Sapphire Pendant† • 1899 Pansy • 1909 Alexander III Commemorative† • 1887 Blue Serpent Clock • 1900 Trans-Siberian Railway • 1910 Colonnade • 1888 Cherub with Chariot† • 1900 Cockerel • 1910 Alexander III Equestrian • 1889 Nécessaire† • 1901 Basket of Wild Flowers • 1911 Fifteenth Anniversary • 1890 Danish Palaces • 1901 Gatchina Palace • 1911 Bay Tree • 1891 Memory of Azov • 1902 Clover Leaf • 1912 Czarevich • 1892 Diamond Trellis • 1902 Empire Nephrite† • 1912 Napoleonic • 1893 Caucasus • 1903 Peter the Great • 1913 Romanov Tercentenary • 1894 Renaissance • 1903 Royal Danish† • 1913 Winter • 1895 Rosebud • 1904 No eggs made • 1914 Mosaic • 1895 Twelve Monograms • 1905 No eggs made • 1914 Grisaille • 1896 Revolving Miniatures • 1906 Moscow Kremlin • 1915 Red Cross with Triptych • 1896 Alexander III Portraits† • 1906 Swan • 1915 Red Cross with Imperial Portraits • 1897 Coronation • 1907 Rose Trellis • 1916 Steel Military • 1897 Mauve† • 1907 Cradle with Garlands • 1916 Order of St. George • 1898 Lilies-of-the-Valley • 1908 Alexander Palace • 1917 Karelian Birch • 1898 Pelican • 1908 Peacock • 1917 Constellation (unfinished) † Indicates missing egg Fabergé egg 3 List of Fabergé Kelch eggs • 1898 Hen • 1899 Twelve Panel • 1900 Pine Cone • 1901 Apple Blossom • 1902 Rocaille • 1903 Bonbonnière • 1904 Chanticleer Other Fabergé eggs • 1885-1891 Blue Striped Enamel • 1902 Duchess of Marlborough • 1902 Rothschild • 1907 Youssoupov • 1914 Nobel Ice • 1885-1889 Resurrection • 1899-1903 Spring Flowers Location of eggs Location of the Fabergé eggs Number Imperial: 42 Viktor Vekselberg collection, Russia (formerly Forbes) 9 Kremlin Armory Museum, Moscow, Russia 10 Virginia Museum of Fine Arts, Richmond, Virginia, USA 5 Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee, USA 3 Royal Collection, London, UK 3 Edouard and Maurice Sandoz Foundation, Switzerland 2 Hillwood Museum, Washington, D.C, USA 2 Walters Art Museum, Baltimore, Maryland, USA 2 Cleveland Museum of Art, Cleveland, Ohio, USA 1 Albert II of Monaco collection, Monte-Carlo, Monaco 1 The State of Qatar 1 Private Collections, USA 3 Kelch: 7 Viktor Vekselberg collection, Russia (formerly Forbes) 2 Royal Collection, London, UK 1 Private Collection 4 Others: 8 Viktor Vekselberg collection, Russia (formerly Forbes) 2 Cleveland Museum of Art, Cleveland, Ohio, USA 1 Edouard and Maurice Sandoz Foundation, Switzerland 1 Fabergé egg 4 Russian National Museum, Moscow, Russia 1 Private Collection 3 Of the 65 known large Fabergé eggs[4] , only 57 have survived to the present day. Ten of the Imperial Easter Eggs are displayed at the Kremlin Armoury Museum, Moscow in Russia. Of the 50 known Imperial eggs, only 42 have survived. Of the eight lost Imperial eggs, photographs exist of only two,[5] the 1903 Royal Danish, and the 1909 Alexander III Commemorative eggs. Only one, 1916's Order of St. George egg, left Bolshevik Russia with its original recipient, the Dowager Empress Maria Feodorovna.[6] The rest remained in Petrograd. Following the Russian Revolution, the House of Fabergé was nationalized by the Bolsheviks, and the Fabergé family fled to Switzerland, where Peter Carl Fabergé died in 1920.[7] The Romanov palaces were ransacked and their treasures moved on order of Vladimir Lenin to the Kremlin Armoury.[7] In a bid to acquire more foreign currency, Joseph Stalin had many of the eggs sold in 1927, after their value had been appraised by Agathon Fabergé. Between 1930 and 1933 fourteen Imperial eggs left Russia. Many of the eggs were sold to Armand Hammer, president of Occidental Petroleum and a personal friend of Lenin, whose father was founder of the United States Communist party, and Emanuel Snowman of the London antique dealers Wartski. After the collection in the Kremlin Armoury, the largest gathering of Fabergé eggs was assembled by Malcolm Forbes, and displayed in New York City. Totalling nine eggs, and approximately 180 other Fabergé objects, the collection was put up for auction at Sotheby's in February 2004 by Forbes' heirs. Before the auction even began the collection was purchased in its entirety by the oligarch Victor Vekselberg for a sum estimated between $90 and $120 million. [8] In November 2007, a Fabergé clock, named by Christie's auction house the Rothschild egg, sold at auction for £8.9 million (including commission).[9] The price achieved by the egg set three auction records: it is the most expensive timepiece, Russian object, and Fabergé object ever sold at auction, surpassing the $9.6 million sale of the 1913 Winter egg in 2002.[10] [11] Gallery 'Alexander III Equestrian' The Memory of Azov Egg The Peter The Great Egg Egg Fabergé egg 5 See also • Easter eggs • Egg decorating • Guilloché • Kitsch Further reading • Toby Faber.
Recommended publications
  • Authorize the County Administrator to Execute
    Attachment 1 R17-235 BACKGROUND REPORT The Board has identified the completion of a trail to connect Gari Melchers Home and Studio at Belmont with the George Washington boyhood home at Ferry Farm as a priority. When completed, the Belmont-Ferry Farm Trail (Trail) will connect not only these historical assets, but also allow pedestrian and bicycle access to multiple parks, Chatham Manor, Massad Family YMCA, and the City of Fredericksburg. Four of the six segments of the Trail are now complete (Phases 1, 2, 3 & 5), with Phase 4 nearing the construction stage. Phase 4 will connect at the current Trail terminus in the John Lee Pratt Park, crossing River Road, and then extending to the Chatham Bridge. The total length of Phase 4 is approximately 2,650 feet long, with 1,600 feet planned for construction on the federally owned Chatham Manor. Chatham Manor is included within the Fredericksburg and Spotsylvania National Military Park, one of the parks administered by the National Park Service (NPS). The NPS has determined that a Partner Design, Construction and Operation & Maintenance Agreement (Agreement), included as Attachment 3, is the appropriate document to allow the County to proceed with construction and operation of Phase 4 of the Trail on NPS property. The Agreement between the County and the NPS describes in detail the alignment, construction methods, cost, funding, and appearance of the Trail on NPS property, and identifies the responsibilities of the parties to the Agreement. Furthermore, the Agreement specifies that the County will be responsible for design, construction, operation and maintenance of the Trail on NPS property, although the section of the Trail on NPS property will be owned by the NPS.
    [Show full text]
  • History of Faberge Eggs
    FONDATĂ 1976 THE ANNALS OF “DUNAREA DE JOS” UNIVERSITY OF GALATI. FASCICLE IX. METALLURGY AND MATERIALS SCIENCE N0. 3 – 2010, ISSN 1453 – 083X HISTORY OF FABERGE EGGS Gheorghe CROITORU1, Ion RUSU2 1„INCERCOM”, Chişinău, Rep. Moldova 2„Universitatea Tehnica din Moldova”, Chişinău, Rep. Moldova email: [email protected], [email protected] ABSTRACT Faberge's primary source of inspiration came from works of previous centuries. Translucent enameling was a valued technique in the nineteenth century that required several coats of applied enamel and the "firing" of the object in an oven after each coat. However, only a small number of colors were used in the nineteenth century, and so Faberge took it upon himself to experiment and soon came up with over 140 shades. Technique used by Faberge included guilloche, a surface treatment that could make waves and striations in the design and could be done by machine or by hand. Faberge used natural stones often found in abundance in the area. Fifty six Imperial eggs were made, forty-four of which have been located today and another two that are known to have been photographed. Another twelve Easter eggs were commissioned by Alexander Ferdinandovich Kelch, a Siberian gold mine owner. However, the Imperial Easter egg collection commissioned by the last of the Russian Tzars is the most celebrated. Fabergé was given carte blanche in creating the Imperial eggs, the only requirement being that each must be unique and each must contain a surprise. KEYWORDS: technique, surface treatment, egg collection 1. Introduction By the time Carl was twenty, he had also received a solid foundation in economics and commercial Born in 1846 Peter Carl Fabergé, would become affairs.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • Russian Art, Icons + Antiques
    RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе.
    [Show full text]
  • By Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes Taken by Carol Hallenbeck)
    Lecture on Fabergé – by Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes taken by Carol Hallenbeck) When we think of Fabergé, we think of the Imperial Easter eggs – of the delightfully jeweled, enameled works and of gold work techniques. In a San “Diego exhibition there were 27 Easter eggs – They had eggs from every known collection. But Fabergé was so much more. He was a designer and a goldsmith. He owned a business. He had engineers, enamellers, gem setters, goldsmiths as employees – 2700 at one time. He was the visionary. He supervised everything Nothing left his workshop without his approval. He had shops in St. Petersburg, Moscow, Odessa, Kiev, London. They were Edwardian jewelry stores. The store in St. Petersburg had the shop on the first floor, workshops and design center on the second and third floor. He and his family lived on the top, or fourth, floor. He told the story of Maria Pavlovna and her Fabergé collection, part of which was purchased by the McFerrins and is on display in our exhibit. The Grand Duchess Maria Pavlovna was a good customer of Fabergé. On December 30, 2009, Sotheby’s in London auctioned some of her important pieces. They came from a newly discovered cache of Fabergé objects that she owned. She was the wife of Grand Duke Vladimir, the brother of Tsar Alexander III. The McFerrins purchased some of the most impressive pieces. They represent the highest quality of craftsmanship from the House of Fabergé. Pavlovna’s story represents intrigue and danger during the darkest hour of Russian history.
    [Show full text]
  • English & Continental Furniture & Decorative Arts Old Master Paintings
    ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Wednesday, October 31, 2018 NEW YORK ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART AUCTION Wednesday, October 31, 2018 at 10am EXHIBITION Saturday, October 27, 10am – 5pm Sunday, October 28, Noon – 5pm Monday, October 29, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com OLD MASTER PAINTINGS & DRAWINGS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-103 The Eileen & Herbert C. Bernard Collection Russian Works of Art 104-245 Swanhild N. Castle Silver 246-337 A Connecticut Collector Furniture & Decorative Arts 338-508 A Prominent Connecticut Estate Chandeliers & Lighting 509-519 An East Hampton Collection Furniture & Decorative Arts 520-592 Leo Hershkowitz Carpets & Rugs 593-617 Lili Israel Eleanor Johnson Wendy Vanderbilt Lehman Hermine Leventhal The Noel and Harriet Levine Collection A Private Collection Felice Ross Glossary I Marianne Schaller Conditions of Sale II Jo Anne Schneider Terms of Guarantee IV Stephen Stempler Information on Sales & Use Tax V Sheldon and Judith Streisand Buying at Doyle VI Barbara Wainscott Selling at Doyle VIII The James P. and Joan M. Warburg Collection Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM The Descendants of Grand Duchess Xenia Alexandrovna An Arizona Private Collection A Beekman Place Apartment A Connecticut Private Collection An Important Jewel Collector A Miami Lady A Private Collector The Collection of Bennett and Judie Weinstock Lot 7 1 7 1 2 4 7 10 11 Circle of Lucas Cranach the Elder Manner of Marcus Gheeraerts the Elder Flemish School After Bernardino Luini After Raffaello Sanzio, called Raphael Follower of Andrea del Sarto The Feast of Love Portrait of Sir Thomas Chamberlayne 17th Century An Allegory of Modesty and Vanity Allegory of Theology Holy Family Inscribed DE IMAGINE CONVIVII Inscribed Sr.
    [Show full text]
  • St. Petersburg Is Recognized As One of the Most Beautiful Cities in the World. This City of a Unique Fate Attracts Lots of Touri
    I love you, Peter’s great creation, St. Petersburg is recognized as one of the most I love your view of stern and grace, beautiful cities in the world. This city of a unique fate The Neva wave’s regal procession, The grayish granite – her bank’s dress, attracts lots of tourists every year. Founded in 1703 The airy iron-casting fences, by Peter the Great, St. Petersburg is today the cultural The gentle transparent twilight, capital of Russia and the second largest metropolis The moonless gleam of your of Russia. The architectural look of the city was nights restless, When I so easy read and write created while Petersburg was the capital of the Without a lamp in my room lone, Russian Empire. The greatest architects of their time And seen is each huge buildings’ stone worked at creating palaces and parks, cathedrals and Of the left streets, and is so bright The Admiralty spire’s flight… squares: Domenico Trezzini, Jean-Baptiste Le Blond, Georg Mattarnovi among many others. A. S. Pushkin, First named Saint Petersburg in honor of the a fragment from the poem Apostle Peter, the city on the Neva changed its name “The Bronze Horseman” three times in the XX century. During World War I, the city was renamed Petrograd, and after the death of the leader of the world revolution in 1924, Petrograd became Leningrad. The first mayor, Anatoly Sobchak, returned the city its historical name in 1991. It has been said that it is impossible to get acquainted with all the beauties of St.
    [Show full text]
  • Russian Art & History
    RUSSIAN ART & HISTORY LE MÉRIDIEN BEACH PLAZA MONACO 21 NOVEMBER 2019 SPECIALISTS AND AUCTION ENQUIRIES Alessandro Conelli Elena Efremova Maria Lorena President Director Franchi Deputy Director Ivan Terny Anna Chouamier Victoria Matyunina Yolanda Lopez Sergey Cherkashin Julia Karpova Auctioneer Client Manager PR & Event Administrator Invited Advisor Art Director Manager Translator and Editor (Moscow) In-house experts Special partnership Evgenia Lapshina Sergey Podstanitsky Georgy Latariya Yana Ustinova Alexandra Gamaliy Arthur Gamaliy Nicolas Tchernetsky Expert Specially Invited Expert Invited Expert Head of business Specially Invited Expert Manuscripts & Expert and Advisor Icons Russian Decorative Development and Expert Russian Art Rare Books Paintings Arts Client Management Russian Art (Moscow) Hermitage Fine Art expresses its gratitude to Anna Burove for help with descriptions of the decorative objects of art TRANSPORTATION Catalogue Design: Camille Maréchaux Contact : Tel: +377 97773980 Photography: François Fernandez Fax: +377 97971205 Luigi Gattinara [email protected] Maxim Melnikov Translation : Sergey Cherkashin Julia Karpova PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO RUSSIAN ART & HISTORY NUMISMATICS SUNDAY NOVEMBER 17, 2019 - 12:00 FINE ART SUNDAY NOVEMBER 17, 2019 - 15:30 OBJECTS OF VERTU SUNDAY NOVEMBER 17, 2019 - 17:30 ROSSICA 2 SUNDAY NOVEMBER 17, 2019 - 18:30 RUSSIAN ART & HISTORY THURSDAY NOVEMBER 21, 2019 - 11:00 ANTIQUARIUM ROADSHOW THURSDAY NOVEMBER 21, 2019 - 17:30 Le Méridien Beach Plaza - 22 Av. Princesse Grace - 98000 MONACO Exhibition Opening : SUNDAY NOVEMBER 17, 2019 - 10:00 PREVIEW DETAILS: information on website www.hermitagefneart.com Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefneart.com In 1895, N.N.Dubovsky travels to Western Europe.
    [Show full text]
  • Estimating Weights of Mounted Colored Gemstones
    NOTE S AND NE W TECHNIQUES ESTI MATING WEIGHTS OF MOUNTED COL ORED GEMS TONES By Charles I. Carmona Updated formulas are presented for estimating the weights of mounted col - ored gemstones. These formulas are derived from measurements and weights of thousands of German-cut calibrated amethysts and citrines, rep - resenting most commercially available shapes and sizes. As with the formu - las taught by GIA, the dimensions of a stone are multiplied by its specific gravity and by a “shape factor” that is determined by the stone’s face-up outline. This article also illustrates how the shape factor changes over a con - tinuum of common face-up outlines. As in previous formulas, a separate weight correction factor is applied to stones that show proportion variations in profile view. Estimating weights of mounted gemstones has gemstone weights, or negotiating the sale or pawn become a common routine for many of today’s jew - of jewelry. elry tradespeople. Weight estimation is necessary Over the past two decades, estate jewelry has when the stone cannot be removed from its mount - become increasingly important in the market (fig - ing, either because the client will not allow it or ure 1). No longer is all second-hand jewelry simply because the piece might be damaged. This is typi - melted down and the stones recut for remounting. cally the case with estate jewelry (i.e., jewelry that In fact, more jewelers are entering this market, at has been previously owned). Estimating weight both wholesale and retail levels, as witnessed by might be done when performing an appraisal, calcu - regular estate jewelry sections in the trade pres s lating an offer to purchase jewelry with unknown (see, e.g., Jewelers’ Circular-Keystone and Professional Jeweler ), the growth of estate jewelry sections at trade shows (such as the Las Vegas JCK Show), and the prevalence of this jewelry in on-line bul - letin boards (e.g., http:// www.diamonds.net , ABOUT THE AUTHOR http://www.poly gon.net) and Web sites (e.g.
    [Show full text]
  • An Evolved Understanding: an Examination of the National
    AN EVOLVED UNDERSTANDING: AN EXAMINATION OF THE NATIONAL PARK SERVICE’S APPROACH TO THE CULTURAL LANDSCAPE AT CHATHAM MANOR, FREDERICKSBURG AND SPOTSYLVANIA NATIONAL MILITARY PARK A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Olivia Holly Heckendorf August 2019 © 2019 Olivia Holly Heckendorf ii ABSTRACT Chatham Manor became part of the Fredericksburg and Spotsylvania National Military Park in December 1975 after the death of its last private owner, John Lee Pratt. Constructed between 1768 and 1771, Chatham Manor has always been intertwined with the landscape and has gained significance throughout its 250-year lifespan. With each subsequent owner and period of time Chatham Manor has gained significance as a cultural landscape. Since its acquisition in 1975, the National Park Service has grappled with the significance and interpretation of Chatham Manor as a cultural landscape. This thesis provides an analysis of the National Park Service’s ideas of significance and interpretation of the cultural landscape at Chatham Manor. This is done through a discussion of several interpretive planning documents and correspondences from the staff of the National Park Service, including interpretive prospectuses, a general management plan, and long-range interpretive plan. In addition, the influence of both superintendents and staff is taken into consideration. Through the analysis of these documents, it was realized that the understanding of cultural landscapes is continuing to evolve within the National Park Service. In the 1960s and 1970s Chatham Manor was considered significant and interpreted almost solely for its association with the Civil War.
    [Show full text]
  • Gulfport Gems
    Est. 1979 Harrison County Gem & Mineral Society, Inc. Gulfport Gems Volume 40 September 2019 Number 9 Member of the American & Southeast Federation of Mineralogical Society P.O. Box 10136 www.facebook.com/gulfportgems Gulfport, Ms. 39505 Website: www.gulfportgems.org A message from the President. Notes from the editor . Nominating Committee Dear Members, Volunteers are needed to serve on the Nominating Committee to get candidates for Monica, Charlene and I are leaving on Sep- our board next year. tember first to go to William Holland for the week. For those of you that have been, you Please step up to this challenge. know what a wonderful experience it is. For Present Slate: October Election: November those of you that have not been, try it at least Sworn In: December Take Office: January once. It is truly worth your time. 49th Annual New Orleans Gem, I hope to have lots of new things to show at Mineral, Fossil & Jewelry Show the meeting. So far, I have not been disap- pointed. October 11th, 12th, & 13th Look forward to seeing everyone in a few Alario Center weeks. 2000 Segnette Blvd. Westwego, La. 70094 Sue West, President 10 am - 6 pm Fri & Sat 10 am - 4 pm Sunday Rocks, gems, minerals, and jewelry Displays Demonstrations Raffle Board Meeting Door prizes Gulfport Library - Old Hwy. 49 Shop for the holidays! Next Meeting will be in October See page 15 “”Shows & Events” for more details Gulfport Gems Vol. 40 Number 9 1 September 2019 Harrison County Gem & Mineral Society Harrison County Gem & Mineral Society Webpage and Editor.
    [Show full text]
  • Romanov News Новости Романовых
    Romanov News Новости Романовых By Paul Kulikovsky №89 August 2015 A procession in memory of Tsarevich Alexei was made for the twelfth time A two-day procession in honor of the birth of the last heir to the Russian throne - St. Tsarevich Alexei, was made for the twelfth time on August 11-12 from Tsarskoye Selo to Peterhof. The tradition of the procession was born in 2004 - says the coordinator of the procession Vladimir Znahur - The icon painter Igor Kalugin gave the church an icon of St. Tsarevich. We decided that this icon should visit the Lower dacha, where the Tsarevich was born. We learned that in "Peterhof" in 1994 was a festival dedicated to the last heir to the imperial throne. We decided to go in procession from the place where they lived in the winter - from Tsarskoye Selo. Procession begins with Divine Liturgy at the Tsar's Feodorovsky Cathedral and then prayer at the beginning of the procession. The cross procession makes stops at churches and other significant sites. We called the route of our procession "From Sadness to Joy." They lived in the Alexander Palace in Tsarskoye Selo, loved it, there was born the Grand Duchess Olga. But this palace became a prison for the last of the Romanovs, where they then went on their way of the cross. It was in this palace the Tsarevich celebrated his last birthday", - says Vladimir. The next morning, after the Liturgy, we go to the birthplace of the Tsarevich - "Peterhof". Part of the procession was led by the clergy of the Cathedral of Saints Peter and Paul in Peterhof, Archpriest Mikhail Teryushov and Vladimir Chornobay.
    [Show full text]