Opponent Process Theory

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AFTER IMAGE Floor Plan 85” 32” Opponent 49.5” 5.25” Process 79.5” 47” 92” 98” Color 247” After Positive Images 261” 247” Images 5.25” 71” Introduction Scale 1:10 103” Window = 81” H x 55 “ W D W Door = 80 ” H x 38 “ W Window Column = 9” W Ceiling = 108”H Typography UNIVERS 63 BOLD EXTENDED DISPLAY TEXT UNIVERS 55 ROMAN TOMBSTONE TEXT Window Top Portion AFTER IMAGE Window Bottom Portion May 1st - May 17th Larrie Gallery 27 Orchard Street New York, NY 10002 Window AFTER IMAGE May 1st - May 17th Larrie Gallery 27 Orchard Street New York, NY 10002 71” Wall AFTER IMAGE 71” Wall An afterimage is a type of you probably noticed brief optical illusion in which an afterimage affect in which image continues to appear you continued to see the briefly even after exposure to original stimulus. the actual image has ended. You have probably noticed this effect a number of times. If you have ever stared for a long time at a fixed point and then suddenly shifted your gaze somewhere else, then 71” Wall AFTER IMAGE An afterimage is a type of optical where else, then you probably illusion in which an image contin- noticed brief afterimage affect ues to appear briefly even after in which you continued to see exposure to the actual image has the original stimulus. ended. You have probably noticed this effect a number of times. If you have ever stared for a long time at a fixed point and then suddenly shifted your gaze some- 70” Wall AFTER IMAGE An afterimage is a type of opti- at a fixed point and then sud- cal illusion in which an image denly shifted your gaze some- 108in continues to appear briefly where else, then you probably even after exposure to the noticed brief afterimage affect actual image has ended. You in which you continued to see have probably noticed this the original stimulus. effect a number of times. If you have ever stared for a long time 71in 241” Wall 241” Wall HOW TO VIEW THE AFTERIMAGE For this station, stare into the image for ten seconds and then view to the right in the viewfinder in which the postivie verison will appear. The Afterimage will only appear for a second or two and then should cease from your vision. 241” Wall 108in 241in 80” Wall 80” Wall Tombstone OPPONENT PROCESS THEORY Opponent-process theory is a psychological and neurological model that accounts for a wide range of behaviors, including color vision. This model was first proposed in 1878 by Ewald Hering, a German physiologist, and later expanded by Richard Solomon, a 20th-century psychologist. These three pairs produce combinations of colors for us through the opponent process. The colors in each pair oppose each other. Red-green receptors can- not send messages about both colors at the same time. This theory also explains negative afterimages 80” Wall 80in OPPONENT PROCESS THEORY Opponent-process theory is a psychological and neurological model that accounts for a wide range of behaviors, including color vision. This model was fi rst proposed in 1878 by Ewald Hering, a German physiologist, and later expanded by Richard Solo- mon, a 20th-century psychologist 108in 261” Wall 261” Wall 108in 261in END.

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APPENDIX A 1766 1810 1853 1868 1889 1905 1929 1947 1976 BC350 FIRE 1646 W 0.60 550 [ 570 William Benson Arthur Pope CIE L*u*v color system 590 British architect William Benson published 600 This is the double cone-shaped color The XYZ color system is A 650 History of Color Systems History of Color A feature in this chapter covering 500 DRY 0.50 700nm the Cube of Colors model in his work an excellent system for D50 solid devised by art teacher Pope. 15 D65 HOT Principles of the Science of Colour, likely C color circles omits a large number From above, it features 12 pure colors expressing individual 490 the first three-dimensional color system. 0.40 as in Itten’s work, but when viewed colors, but is not suited to EARTH A number of center axes intersect to form of other important color system from the side, it features a center expressing mutual color the interior of the solid. 10 differences. This is because 0.30 AIR achromatic axis in nine gradations The colors at the intersections are 480 diagrams, since the selection from white to black, numbered in physical color space does indicated on the periphery of the diagram. Charles Henry Albert Henry Munsell Hermann Günther Grassmann reverse of Munsell's scheme. The not appear uniform to the Moses Harris Despite a distant resemblance to the Henry's color circle placed black at the Art teacher Munsell divided color space into hue, 0.20 of illustrations focused on WET Otto Philipp Runge Grassmann's color circle developed Newton's color pure color equator is inclined in Julio Villalobos: PURE human eye.
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