Never Aspired to Be Movie Actress: Anjali Patil
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Commencement Prayer an Invocation By: Alexander Levering Kern, Executive Director of the Center for Spirituality, Dialogue, and Service
ommencement C 9 MAY 2021 CONTENTS This program is for ceremonial purposes only and is not to be considered an official confirmation of degree information. It contains only those details available at the publication deadline. History of Northeastern University 2 Program 5 Featured Speakers 10 Degrees in Course 13 Doctoral Degrees Professional Doctorate Degrees Bouvé College of Health Sciences Master's Degrees College of Arts, Media and Design Khoury College of Computer Sciences College of Engineering Bouvé College of Health Sciences College of Science College of Social Sciences and Humanities School of Law Presidential Cabinet 96 Members of the Board of Trustees, Trustees Emeriti, Honorary Trustees, and Corporators Emeriti 96 University Marshals 99 Faculty 99 Color Guard 100 Program Notes 101 Alma Mater 102 1 A UNIVERSITY ENGAGED WITH THE WORLD THE HISTORY OF NORTHEASTERN UNIVERSITY Northeastern University has used its leadership in experiential learning to create a vibrant new model of academic excellence. But like most great institutions of higher learning, Northeastern had modest origins. At the end of the nineteenth century, immigrants and first-generation Americans constituted more than half of Boston’s population. Chief among the city’s institutions committed to helping these people improve their lives was the Boston YMCA. The YMCA became a place where young men gathered to hear lectures on literature, history, music, and other subjects considered essential to intellectual growth. In response to the enthusiastic demand for these lectures, the directors of the YMCA organized the “Evening Institute for Young Men” in May 1896. Frank Palmer Speare, a well- known teacher and high-school principal with considerable experience in the public schools, was hired as the institute’s director. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Study on Customer's Perception Towards a Digital Marketing
Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 4631-4635 Research Article Study on Customer’s Perception towards a Digital Marketing Company Dr. Sridevi K.B1, Sankara Lingam S2, Robin S, Ishrad Ali A3, Deepthi Shivani P4 1Professor, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 2Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 3Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 4Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 5Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore Article History: Received: 11 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract: Digital marketing is also known as Internet (or) Online advertising, it is a form of marketing and advertising that involves sending promotional marketing messages to customers through the Internet. Email marketing, search engine marketing (SEM), Social media marketing, a variety of display ads (including online banner ads), and smartphone advertising are all part of it. Internet advertising, like other types of advertising, often includes both a publisher and an advertiser. The publisher incorporates ads into its online material, and the advertiser produces the advertisements to be shown on the publisher's content. Advertising agencies who help to create and position ad copy, an ad server that produces the ad and records statistics, and advertising associates that do in-dependent promotional work for the advertising company all are possible participants. And in this study the Perception of the customer is to analyse that how they satisfied about the work of the company that they designed the digital marketing product for an organization or customer for digital advertising purpose and for promotion purpose to market their product or brand to advertise on the market to attract customers. -
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REPUBLIC OF KENYA SELECTION PANEL FOR THE APPOINTMENT OF COMMISSIONERS OF THE INDEPENDENT ELECTORAL AND BOUNDARIES COMMISSION ADVERTISEMENT PUBLICATION OF NAMES AND QUALIFICATIONS OF ALL APPLICANTS FOR THE POSITIONS OF CHAIRPERSON AND MEMBER OF THE INDEPENDENT ELECTORAL AND BOUNDARIES COMMISSION PURSUANT to Articles 88, 166(3) and 250 of the Constitution of Kenya, 2010, sections 5 and 6 of the Independent Electoral and Boundaries Commission Act, 2011 and Paragraph 3 of the First Schedule thereto, and the First Schedule of the Election Laws (Amendment) Act, 2016, the Selection Panel for the Appointment of Commissioners of the Independent Electoral and Boundaries Commission (IEBC) hereby publishes the names of all applicants who have applied for the positions of Chairperson and Member of the IEBC and their qualifications.* *This is a summary of the qualifications of these applicants. The applicants may have other qualifications. 1. APPLICATIONS FOR CHAIRPERSON OF THE IEBC (Ref. SP/IEBC/1/2016) S/NO NAME GENDER I.D/ COUNTY QUALIFICATIONS PP NO. 1. Andrew M 440999706 American PhD, International Law, New Jonathan York Law School Franklin BBA, Bernard M. Baruch College, City University of NY 2. David Mukii M 343680 Murang’a LLM, UON Mereka LLB, UON Page 1 of 119 S/NO NAME GENDER I.D/ COUNTY QUALIFICATIONS PP NO. 3. John Kangu M 0675657 Kakamega PhD Law, University of the Mutakha ( Dr.) Western Cape LLM, UNISA LLB, UON Dip. Legal Practice, KSL 4. John Tentemo M 9743660 Kajiado MA (Economics), UON Ole Moyaki BA, Moi University 5. Joshua M 23647427 Nyeri MBA, Strategic Management, Kamwere UON Wanjiku B.Comm (Accounting), CUEA CPA (K), KASNEB 6. -
Details of Research Scholars - Pursuing
VINAYAKA MISSION’S KIRUPANANDA VARIYAR ENGINEERING COLLEGE, SALEM A Constituent College of Vinayaka Mission’s Research Foundation (Deemed to be University) DETAILS OF RESEARCH SCHOLARS - PURSUING Mode of Ph. D. Registration Name of the S.No. Faculty Department Name of the Candidate (Full Time/Part Number/Referenc Title of the Research Supervisor Time) e Number Performance Dashboard for Computer 1 Science S. Vimaladevi Dr. A. Nagappan Part Time COMAP11B01 Distance Learners Through Cloud Applications Computing Computer 2 Science Sayyada Sara Banu Dr. A. Nagappan Part Time CA17O 01 Yet to be finalized Applications Electronics and Engineering & Communicatio 3 A. Malarvizhi Dr. A. Nagappan Part Time ECE18JUL03 Yet to be finalized Technology n Engineering Removal of Organic Pollutants in 4 Science Chemistry Mr.I.Ameet Basha Dr.T.Shanthi Part Time CHEM 16 A01 Waste Water with Green Adsorbents July 2011– BIO 11 Evaluation of Preventive Effect of B05 / Morin on Ultraviolet-B Induced 5 Science Biochemistry Mrs.C.Anjugam Dr. M. Sridevi Part Time Biochemistry Photocarcinogenesis in Swiss Albino Department Mice Biosynthesis & Characterization of Silver Nanoparticles by Endophytic Engineering & 6 Biotechnology Mrs.C.Nirmala Dr. M. Sridevi Part Time BIOTECH17-O 01 Microorganisms Isolated from Technology medicinal plants and its anticancer activity Isolation and characterization of active principle(s) from a medicinal 7 Science Biochemistry Mr. K.Velumani Dr. M. Sridevi Part Time BIOCHEM 17 O 01 plant and its effects on stz-induced diabetic rats CHEM15A01 Assessment of Heavy Metal 8 Science Chemistry K. Ramesh Kumar Dr. V. Anbazhagan Part Time VMU/PH.D/409/2 Concentration and their Effect in Soil 014 CHEM17B01 Synthesis, Characterization and 9 Science Chemistry K.K. -
Ifu Aur Main
IRRFAN AND I Written by Vishal BhardwajTimes Delhi INT. MY HOME - DAY SUPER: 29TH APRIL 2020 It’s lockdown in Mumbai. I have been working from home for the past one month. The phone rings. It flashes M.P’s name on the screen. It gives me tremors. M.P is supposed to be my informer in Irrfan’s agency. I let the phone ring for a while and then take the call fearing the worst. A beat. M.P. He has started improving. Man, this guy is a hell of a fighter. Doctors are hopeful that he will bounce back. I take a deep breath and cut the line. LITTLE LATER I argue with Rekha for serving me less PANEER in last night’s dinner. I complain to her of being biased when it comes to choosing between me and Aasmaan. My phone beeps. I check my WhatsApp messenger (still bickering with Rekha). It’s a message from a friend from America. It reads - ‘Saddened to hear about Irrfan Khan’. I check my Twitter (Still squabbling fiercely with Rekha) to verify the authenticity of it. No news. I rule out the possibility. Times I bring myself to hear what Rekha is saying with tears in her eyes. REKHA What kind of pettiness is this? The phone rings again. It’s M.P once more. I pick it up hurriedly this time. There are sobs on the other side. A bomb explodesDelhi in my heart. CUT TO: EXT. ROAD TO GRAVEYARD - DAY Face masked with a N95 mask and hands covered with a pair of surgical gloves, I travel in my car on the deserted road leading to the Muslim cemetery. -
Clerks (Ibps Clerk Ix Process) - Notice Dtd 12.09.2019 List of Candidates Provisionally Selected and Allotted by Ibps for Post of Clerk
BANK OF INDIA *HEAD OFFICE* RECRUITMENT DIVISION IBPS COMMON RECRUITMENT PROCESS 2020-21 RECRUITMENT OF CLERKS (IBPS CLERK IX PROCESS) - NOTICE DTD 12.09.2019 LIST OF CANDIDATES PROVISIONALLY SELECTED AND ALLOTTED BY IBPS FOR POST OF CLERK SR.NO STATE ROLL.NO. NAME POSTING ZONE 1 ANDAMAN & NICOBAR 1111000161 ANAND KUMAR JHA CHENNAI 2 ANDHRA PRADESH 1121000303 CHIGURUPATI SRILEKHA VIJAYAWADA 3 ANDHRA PRADESH 1121000651 NOONE ANJANI KUMAR VIJAYAWADA 4 ANDHRA PRADESH 1141000411 PALIVALA SHIVA SRINIVAS VISAKHAPATNAM 5 ANDHRA PRADESH 1141000633 BHAVISHYA PAKERLA VISAKHAPATNAM 6 ANDHRA PRADESH 1141000808 YARLAGADDA HEMA JAHNAVI VISAKHAPATNAM 7 ANDHRA PRADESH 1141001673 JOSYULA V S V PRASADARAO VISAKHAPATNAM 8 ANDHRA PRADESH 1151000411 GEDDALA KISHORE VIJAYAWADA 9 ANDHRA PRADESH 1151000886 GADDAM SRINIVAS VIJAYAWADA 10 ANDHRA PRADESH 1151001389 INKOLLU SAI PRAVEEN VIJAYAWADA 11 ANDHRA PRADESH 1151002556 CHIMATA RAMAKRISHNA VIJAYAWADA 12 ANDHRA PRADESH 1151003005 VUPPU ALIVELU VIJAYAWADA 13 ANDHRA PRADESH 1151004107 GUNTUR ABHISHEK VISAKHAPATNAM 14 ANDHRA PRADESH 1151004274 ABHINAYA SREE JITTA VIJAYAWADA 15 ANDHRA PRADESH 1151004515 ISUKAPALLI KEERTHI VIJAYAWADA 16 ANDHRA PRADESH 1151005023 VADLAMANI BHARANI KUMAR VIJAYAWADA 17 ANDHRA PRADESH 1161000066 LAKSHMAN ABHISHEK NAIDU CHINTAKUNTA VIJAYAWADA 18 ANDHRA PRADESH 1161001188 SINGANAMALA SHIREESHA VIJAYAWADA 19 ANDHRA PRADESH 1161002020 RAMESH REDDY YESIREDDY VIJAYAWADA 20 ANDHRA PRADESH 1161002630 PAPPIREDDY BHANU RAHUL REDDY VIJAYAWADA 21 ANDHRA PRADESH 1171000015 GUBBALA SUNANDA VISAKHAPATNAM -
(45-48) Devi to Diva
GAP GYAN A GLOBAL JOURNAL OF SOCIAL SCIENCES ( ISSN – 2581-5830 ) Impact Factor – SJIF – 4.998, IIFS - 4.375 Globally peer-reviewed and open access journal. DEVI TO DIVA - A TRANSFORMATIONAL JOURNEY PORTRAYING WOMEN IN MAINSTREAM BOLLYWOOD Prof. Ms. Shivani Ahluwalia Orora, Sinhgad College of Commerce, Mumbai Abstract Bollywood is a major influence on Indian culture. It has shaped and expressed the changing scenarios of modern India .Hindi cinema has influenced the way in which people recognize various aspects of their own lives. Hindi cinema is largely been about stereotypes. The characters, situations and plots have been largely based on stereotypical ideologies. The audience reads the characters based on how they look, dress and talk. Over the years Indian cinema has portrayed women being ‘ The Satti Savitri, The Abla Nari ,The Sanskari ,The Wamp, to The Item Girls ,The Trophies ,The Bold beautiful and empathetic to The Ridiculed Modern women. “The paper begins with how bollywood is instrumental in shaping the culture and how it sketches womanhood. It also undertakes some glimpses from popular films to analyze the process of typecasting. A section is dedicated to the discussion on modern realistic women. In conclusion, a debate ensues on whether the mainstream cinema has been successful in portraying Indian women of different shades in a society dominated by patriarchal values. Keywords: Bollywood, Culture, Modern India, Stereotype, Womanhood, Patriarchal values. INTRODUCTION Women’s participation, performance and portrayal in media are the three important dimensions of study for the social science researchers of modern time, especially for the feminists. Because for the empowerment and development of the women section, it is very important to give them proper environment where they can raise their voices against the inequalities and the gender-gap they are experiencing in our male dominated or patriarchal societies. -
Matters Listed for 15.02.2021 Court No. 02 Division Bench-Ii Hon'ble Mr.Justice Vipin Sanghi Hon'ble Ms.Justice Rekha Palli (Physical Court Hearing)
MATTERS LISTED FOR 15.02.2021 COURT NO. 02 DIVISION BENCH-II HON'BLE MR.JUSTICE VIPIN SANGHI HON'BLE MS.JUSTICE REKHA PALLI (PHYSICAL COURT HEARING) [NOTE:1. IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED, PLEASE CONTACT, MR LOKPAL(8448937563) COURT MASTER TO HON’BLE MR. JUSTICE VIPIN SANGHI & ANAND PINANI, COURT MASTER (9868111406)& MR. BHUPENDER SHARMA, ACM(9871183231) MR. LAXMAN RANA, RESTORER(9654708075)TO HON'BLE MS.JUSTICE REKHA PALLI. FRESH MATTERS & APPLICATIONS ______________________________ 19. W.P.(C) 2008/2021 SOORAJ KUMAR GAURAV BAHL CM APPL. 5878/2021 Vs. DCB BANK LTD & ORS. CM APPL. 5879/2021 ADVOCATE DETAILS FOR ABOVE CASE gaurav bahal and tarun sharma([email protected])(9811132858)(Petitioner) GAURAVBAHL([email protected])(9811132858)(Petitioner) dcb bank ltd([email protected])()(Respondent) vikas chadha([email protected])()(Respondent) SOORAJ KUMAR([email protected])()(Respondent) THE LD NAIB TEHSILDAR([email protected])()(Respondent) GIRDHAR TRADING CO([email protected])()(Respondent) DCB BANK LTD([email protected])()(Respondent) VIKAS CHADHA([email protected])()(Respondent) MATTERS LISTED FOR 15.02.2021 DIVISION BENCH-III HON'BLE MR.JUSTICE SIDDHARTH MRIDUL HON'BLE MR.JUSTICE ANUP JAIRAM BHAMBHANI [NOTE: IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED,PLEASE CONTACT, MR.PANKAJ VATS(PH: 9667722088) COURT MASTER TO HMJ SIDDHARTH MRIDUL & MR. VIJAY PAL SINGH(PH:- 9818553302) COURT MASTER TO HON’BLE MR. JUSTICE ANUP JAIRAM BHAMBHANI.] CORRIGENDUM DELETION NOTE REGARDING CRL.A.530/2018 SHOWN IN THE SUPPLEMENTARY CAUSE LIST MAY BE TREATED AS DELETED. THE MATTER I.E. CRL.A.530/2018 SHALL BE TAKEN UP AT SL.NO.3 AS SHOWN IN THE SUPPLEMENTARY CAUSE LIST TODAY ITSELF. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor Rani Mukherji Amitabh Bachchan Amisha Patel Aamir Khan Priyanka Chopra Akshay Kumar Shahid Kapoor Bipasha Basu John-Abraham Preity Zinta Saif Ali Khan Vidya Balan Abhishek Bachchan Deepika Padukone Arjun Rampal Katrina Kaif Ranbir Kapoor Anushka Sharma FECHA DE ACTUALIZACIÓN DEL CATALOGO: 28 DE OCTUBRE 2015 Venta especializada de Cine de la India -((CON MÁS DE 12 Años DE ESPERIENCIA ))- -Tenemos: Estrenos, Éxitos de taquilla, clásicos, musicales, Bandas sonoras, Música India, Sólo vendemos cine indio 100% , Pusimos de moda el Bollywood en cuba, CATÁLOGO DE PELÍCULAS INDIAS EN HD (ALTA DEFINICIÓN) Precio: Películas de menos de 3 GB, 2 películas x 1 cuc Películas de 3Gb en adelante, 1 película x 1 cuc También contamos con los siguientes catálogos: - Catálogo de películas indias en DVD copias oficial - Catálogo de películas indias (.avi) para llevar en copias digital - Catálogo de DVD´s de Videos musicales Bollywood - Además vendemos bandas sonoras y música india en copias digital - Pegatinas y posters de actores y dioses indios… Descargue nuestros catálogos desde internet visitando www.PELICULASINDIAS.com nuestro e-mail: [email protected] Si desea recibir en su célular alertas de Estrenos, eventos, venta de productos de la India y más, envíenos un SMS con el texto (ALERTAS BOLLYWOOD ) Telf: (7) 836-8640 Descargue desde internet la actualización de este catálogo visitando: www.PELICULASINDIAS.com (1995)- Dilwale Dulhania Le jayenge Actores:Shah Rukh Khan,Kajol