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Whose Blues?" with Author Adam Gussow November 14, 5Pm ET on TBS Facebook Page
November 2020 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 36, No 11 Sugar Brown (aka Ken Kawashima) will discuss "Whose Blues?" with author Adam Gussow November 14, 5pm ET on TBS Facebook Page CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA Nominees Announced Loose Blues News Whose Blues? Blues Reviews Remembering John Valenteyn Blues Events TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2020 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Jay Douglas, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Mark Stafford, Dione Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Marketing & Social Media Manager: Meg McNabb Publisher/Editor-in-Chief: Derek Andrews Many thanks to Betty Jackson and Geoff Virag for their help at the Managing Editor: Brian Blain Toronto Blues Society Talent Search. [email protected] Contributing Editors: Janet Alilovic, Hüma Üster, Carol Flett Listings Coordinator: Janet Alilovic Attention TBS Members! Mailing and Distribution: Ed Parsons Due to COVID-19 pandemic, TBS is unable to deliver a physical Advertising: Dougal Bichan [email protected] copy of the MapleBlues November issue. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Parliament Gold Mp3, Flac, Wma
Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc. -
Various Testing Positive 4 the Funk Mp3, Flac, Wma
Various Testing Positive 4 The Funk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Testing Positive 4 The Funk Country: US Style: P.Funk MP3 version RAR size: 1281 mb FLAC version RAR size: 1236 mb WMA version RAR size: 1427 mb Rating: 4.7 Votes: 148 Other Formats: AUD VOC DMF MOD AIFF MP3 TTA Tracklist Hide Credits Live Up (To What She Thinks Of Me) Backing Vocals – Brandy*Bass – Bootsy CollinsDrums – Tiki 1 –Parliament 6:33 FulwoodGuitar – Gary Shider*, Michael HamptonHorns – Horny HornsKeyboards – Bernie WorrellWritten-By – George Clinton Secrets Bass – Donnie SterlingDrums – Kenny ColtonGuitar – Michael 2 –Sidney Barnes 6:04 Hampton, Tony Thomas Keyboards – Nestro*Producer, Vocals, Written-By – Sidney Barnes She Never Do's Things Backing Vocals – Brides*, ParletBass – Stevie Pannall*Drums – Tony 3 –Treylewd* 5:26 Davis Guitar – Andre Williams , Gary Shider*Producer – Gary Shider*Written-By – Andre Williams , Tracey Lewis Take My Love –Brides Of 4 Bass – Billy NelsonDrums – Tiki FulwoodGuitar, Written-By – Gary 3:51 Funkenstein Cooper*Keyboards – Bernie Worrell Just For Play –Brides Of 5 Bass – Jimmy Ali*Drums – Kenny ColtonGuitar – Jerone Ali*Keyboards 5:55 Funkenstein – Nestro*Written-By – Ron Ford Off The Wall 6 –Jessica Cleaves 4:35 Producer, Written-By, Performer – Junie Morrison Get It On 7 –Jimmy G. Bass, Vocals, Written-By – Jimmy G.Drums – Dean*Guitar, Written-By – 4:25 Ron FordKeyboards – David Lee Chong* Triune 8 –Juni Morrison* 4:06 Producer, Written-By, Performer – Juni Morrison* Superstar Madness –Muruga -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
Wherever They Play, Boney Fields and the Bone's Project Leave Behind Them a Lasting Impression. Like a High Energy Gunpowder T
© Matthieu FAURE – Brenda TURNNIDGE Wherever they play, Boney Fields and The Bone’s Project leave behind them a lasting impression. Like a high energy gunpowder trail, dispensing a cross of blues and funk which unites and rallies the masses in a heavenly musical communion. Fronted by the dynamic, trumpet player, singer/songwriter Boney Fields, the combo has gained a bigger and bigger following. The bowler-hatted musician has come a long way since founding his own band, ten years ago. If he comes from Chicago Blues, he has expanded the contours with an iron willed determination. A lover of soul, groove, jazz, Boney Fields knows, as do certain other musicians of his generation, that the life of blues exists through constant evolution and rejuvenation. With humility and conviction, he follows his own path finding his own originality on the way. A man resolutely of his time, yet also immersed in the heritage of his musical forefathers, Boney Fields proves that the blues still has some great days ahead of it. Romain GROSMAN (Vibrations – Jazz News – Les Inrocks …) CHANGING FOR THE FUTURE BIOGRAPHY Boney Fields hails from the Chicago ghetto, where he was born at the end of the fifties. In his family, some played blues, others gospel. He studied jazz at In 1999 he produced « Hard Work » his college choosing the trumpet, « cause I first self produced album. An loved Louis Armstrong » he recalls. atmosphere « Blaxploitation » soul-blues Amongst his favourite artists : James horns : the musician wrote most of the Brown, Tina Turner and Otis Redding. tracks. Soon after, he started hanging out in the On 2003’s « Red Wolf » released under blues clubs in the « Windy City ». -
UNION COUNTY CLASSIFIED^ Court Agrees to Hear Amended
c r> r. r— m x> ~r • to r i n h O » UO i IK -r ' "Yot$r Community Leader*'' /r ypL.55NP,f . 5P.HIN.GF.IELp/;N.J....THU.RSRAY.,P.ctobor.70,.l.W3,..v . --- Two Sections 30 cents Court agrees to hear amended CARE complaint ByVICKIVREEUND have no choice. I will be back." Sch- conlend»-the Board is not representing beforehund, or the contract has to complainV-to_appeaJ_Judge Weiss's micro computers. Five each are to go in Like a modern day Douglas wartz said he did not want tocmbarrass the proper interests of the majority of provide for a contingency dealing with decision and to respond to the an- •the Sandmeir and Caldwell schools, and MacArthur, Sid Schwartz left Monday his family by an arrest! ' residents and thus has issued legal subdivision afterwards. According to ticipated Superior Court litigation. seven to Gaudineer. 8 night's Board of Education meeting The board went Into closed session to challenges. Yale Greenspoon, attorney, the con- Residents were angered by a $10,950 The board also authorized the board a saying, "I will be back," Schwartz was Hear a legal report from David Lyttle, Many ' residents hate asked the tract docs not provide for such a con- legal fee to Nicholas Nasuto, ^vhq was a. given the choice of leaving the meeting / _Sjy who was filling In for the board's Township Committee to. becomo in- tingency. ' hired by Giblin and Giblih t(Tdefcmf removal from the three schools. or being arrested after George Gomes, regular attorney, Paul J. -
Triple-Threat Bluesman
BUDDY THE ORIGINAL TEXAS MUSIC MAGAZINE NOVEMBER 2014 VOLUME XXXXII, NUMBER 5 Triple-threat bluesman Buddy Texas Tornado guitarist and keyboardist, Lucky Peterson, has released new The Son of a Bluesman By Tom Geddie LUCKY PETERSON IS A BUSY MAN. BE- “It’s the truth about my life, Peterson’s European tour fol- tween watching his 15-year-old daughter, things I’ve been through, and lowed early October shows at L people leaving this world so the Granada Theater in Dallas LLucki Azariah Stovall Peterson, sing and play quick. I was born into music. I and Rhythm & Ribs in Kansas “I’m paying tribute to my father. piano at a Booker T. Washington High School for didn’t choose the blues; the blues City. It included stops at the chose me.” Avignon Blues Festival in France If it wasn’t for him I wouldn’t the Performing and Visual Arts and his packing for The Son of a Bluesman follows and the Festival Jazznojazz in a two-week tour of Europe, the 49-year-old musi- 2013’s deluxe Live at the 55 Arts Zurich, Switzerland, plus club be doing what I’m doing.’It’s cian carved out a bit of time recently to answer Club Berlin: with his band in- dates in Paris, Strausbourg, cluding his wife Tamara: two Sausheim, and Meisenthal. the truth about my life, things questions about his new CD and his career that CDs, three DVDs, a fancy book- Since he began performing includes close to 200 shows a year. let highlighting the band, filled when he was three years old, I’ve been through, and people He’s been called “the most Mavis Staples; it’s one of more with absolutely solid perfor- Peterson has been at it for 46 dangerous triple threat working than 300 he’s played on. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
RAMIREZ Pura Blues Lucky PETERSON Rest in Peace
JOSE RAMIREZ Pura Blues Lucky PETERSON Rest In Peace BLUES MUSIC ONLINE - June 16, 2020 - Issue 15 Table Of Contents 06 - JOSE RAMIREZ "Pura Blues" By Jack Sullivan 12 - CD Review Here I Come By Jose Ramirez 14 - LUCKY PETERSON Rest In Peace By Art Tipaldi 17 - CD REVIEW Living In The Shadows By Joseph Jordan COVER PHOTOGRAPHY © JIM HARTZELL PHOTOGRAPHY © MIKE LANDSMAN PHOTOGRAPHY © MIKE LANDSMAN JOSE RAMIREZ "PURA BLUES" By Jack Sullivan PHOTOGRAPHY © MIKE LANDSMAN or 14 years the Bonita Springs Blues Music Online: When did you Blues Festival has become first discover the blues? Fknown for introducing Florida blues fans to new and upcoming Jose Ramirez: I was around 12 or blues musicians. As a sponsor since 13 and was interested in playing the 2011, the Blues Music Magazine guitar, my dad told me “don’t even team has worked this event handling pick up the guitar without listening to artist CD sales, merchandise, and blues music first." Gratefully I followed renewing subscriptions. his advice and started studying B.B. This job requires our presence King’s masterful guitar playing. in the booths we are assigned to work in, and a view of the stage is not really Blues Music Online: Who were the a consideration. Rarely do we leave first blues artists you were listening the booth during sponsored events too? because we are usually busy BUT occasionally a band or band member Jose Ramirez: B.B. King, John Lee sounds so good it draws us out for Hooker, Buddy Guy, and Ray Charles a better view of their performance. -
This Week It Was in July of 1994-16 Months Ago-That We First Fea- Tured Oasis on Our Cover
THE MOST TRUSTED NAME IN RADIO ISSUE 2080 NOVEMBER 10 1995 This Week It was in July of 1994-16 months ago-that we first fea- tured Oasis on our cover. Back then, we noted how long it'd been since a band from Manchester, had stirred up any excitement. GAVIN heard some- Wee thing in Oasis, and the band felt Who confident that they'd be the first ever said is 900d that any lIbliCity? publicity English band to break through Seminarp The New now Music Manhattan American radio in a long time. rhappeningunningall over elicit' a,a, at They were right. Now, they are future 'remains one of several UK acts that have some in the industry talking about the first British invasion in 30 years. Back then, it was the Beatles, the uncertain ' So said Stones, the MHOS on the the Neal TOP NMS eve of the if But, says 15th Who, the Kinks, Josephson, co -fonder seminar The future ofMark the Animals, is thatit will the be anannual continue Manfred Mann, importanceevent ofgreat to industry.' to themusic Petula Clark, For MUSICiall tom line S, the Billy J. Kramer, is that bet - the NMS is a the Dave Clark Place toget Sall and heard, Five, Herman's Hermits, Gerry a rung ontheir hopeful and the Pacemakers, Peter and way up. In CWICOPI with Gordon, Chad and Jeremy, the the Seminal; Moody Blues, and, from Gavintrained issue its Spotlight on last Manchester, Freddie and the time. Aii8PlIaliVe This stage, takes Dreamers. Now, it could be and we as Oasis-rightvisit suchr main 44- corners Oasis, Blur, Portishead (top), left, Ivy there toyour fr Superstar;(top), freak and numerous others, as noted %frig Johnston, Alternativeand Engine.And 4-1' our by Alternative Editor Max Tolkoff Seana gals Linda .........., Baruth Ryanand and tips-aboutgather memories- and fellow close watchers of the the NMS from British music some of +--,' our 1 - rave label scene.