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Vedic Cosmology and Ethics Gonda Indological Studies Published Under the Auspices of the J. Gonda Foundation Royal Netherlands Academy of Arts and Sciences Edited by Peter C. Bisschop (Leiden) Editorial Board Hans T. Bakker (Groningen) Dominic D.S. Goodall (Paris/Pondicherry) Hans Harder (Heidelberg) Stephanie Jamison (Los Angeles) Ellen M. Raven (Leiden) Jonathan A. Silk (Leiden) volume 19 The titles published in this series are listed at brill.com/gis Vedic Cosmology and Ethics Selected Studies By Henk Bodewitz Edited by Dory Heilijgers Jan Houben Karel van Kooij LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Library of Congress Cataloging-in-Publication Data Names: Bodewitz, H. W., author. | Heilijgers-Seelen, Dorothea Maria, 1949- editor. Title: Vedic cosmology and ethics : selected studies / by Henk Bodewitz ; edited by Dory Heilijgers, Jan Houben, Karel van Kooij. Description: Boston : Brill, 2019. | Series: Gonda indological studies, ISSN 1382-3442 ; 19 | Includes bibliographical references and index. Identifiers: LCCN 2019013194 (print) | LCCN 2019021868 (ebook) | ISBN 9789004400139 (ebook) | ISBN 9789004398641 (hardback : alk. paper) Subjects: LCSH: Hindu cosmology. | Hinduism–Doctrines. | Hindu ethics. Classification: LCC B132.C67 (ebook) | LCC B132.C67 B63 2019 (print) | DDC 294.5/2–dc23 LC record available at https://lccn.loc.gov/2019013194 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill‑typeface. ISSN 1382-3442 ISBN 978-90-04-39864-1 (hardback) ISBN 978-90-04-40013-9 (e-book) Copyright 2019 by Henk Bodewitz. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
Journal of Indian and Buddhist Studies, Vol. 49, No. 2
( 4) Journalof Indian and Buddhist Studies , Vol. 49, No. 2, March2001 King Prthu and His Genealogy Miwako KATO The story of king Prthu is often told to explain the origin of kingship . The following is the outline of the legend. Once there was a king named Vena, who was so impious that the sages slew him. Since he had no son, the sages churned the left hand of the wicked king . Then from the left hand came out a short and black barbarian Nisada. They then churned his right hand and great Prthu was born. Brahma consecrated him as the first king (adiraja), and in the midst of the ritual, two bards, Suta and Magadha were born to praise him. As a result of Vena's evil rule, people had been emaciated for want of food. In order to restore prosperity to them, taking up his bow and arrow, Prthu pursued the Earth who had assumed the form of a cow. Then the Earth begged for mercy and she entreated him to provide her with a calf so that she could give milk out of affection. After adopting Svayambhuva Manu as the calf, Prthu milked plants and vegetables from the Earth-cow on its own surface . Almost all of these elements occur in every version of the Prthu myth . Regarding his ancestor the texts differ from each other. That is, the texts of this story can be classified into three groups according to genealogical accounts of king Prthu. Some of the Puranns (P) such as the Harivamsa (H), Brahma-P. -
Dhruva the Ancient Indian Pole Star: Fixity, Rotation and Movement
Indian Journal of History of Science, 46.1 (2011) 23-39 DHRUVA THE ANCIENT INDIAN POLE STAR: FIXITY, ROTATION AND MOVEMENT R N IYENGAR* (Received 1 February 2010; revised 24 January 2011) Ancient historical layers of Hindu astronomy are explored in this paper with the help of the Purân.as and the Vedic texts. It is found that Dhruva as described in the Brahmân.d.a and the Vis.n.u purân.a was a star located at the tail of a celestial animal figure known as the Úiúumâra or the Dolphin. This constellation, which can be easily recognized as the modern Draco, is described vividly and accurately in the ancient texts. The body parts of the animal figure are made of fourteen stars, the last four of which including Dhruva on the tail are said to never set. The Taittirîya Âran.yaka text of the Kr.s.n.a-yajurveda school which is more ancient than the above Purân.as describes this constellation by the same name and lists fourteen stars the last among them being named Abhaya, equated with Dhruva, at the tail end of the figure. The accented Vedic text Ekâgni-kân.d.a of the same school recommends observation of Dhruva the fixed Pole Star during marriages. The above Vedic texts are more ancient than the Gr.hya-sûtra literature which was the basis for indologists to deny the existence of a fixed North Star during the Vedic period. However the various Purân.ic and Vedic textual evidence studied here for the first time, leads to the conclusion that in India for the Yajurvedic people Thuban (α-Draconis) was Dhruva the Pole Star c 2800 BC. -
The Life of King Vena Features King Anga Quits His Kingdom Sriman Purnaprajna Dasa
Çré Çayana Ekädaçé Issue no: 41 15th July 2016 The Life of King Vena Features KING ANGA QUITS HIS KINGDOM Sriman Purnaprajna Dasa THE SAGES KILL KING VENA Conversation between Vidura and Maitreya WHY DID KING VENA FALL INTO HELL? Srila Jiva Goswami HOW WAS KING VENA'S BODY PURIFIED? His Divine Grace A.C.Bhaktivedanta Swami Prabhupada DEMIGODS WORSHIP MahaRAJA PRITHU Srila Vishvanatha Chakravarti Thakura Issue no 41, Page — 2 nityaà bhägavata-sevayä KING ANGA QUITS HIS KINGDOM divine personality appeared from the sacrificial Sriman Purnaprajna Dasa fire. He was dressed in white garments and carried a golden pot filled with sweet rice. After taking From his very birth, Dhruva’s son, Utkala, was a permission from the brāhmaṇas, King Anga very liberated soul. He was equipoised when confronted respectfully received that pot of sweet rice in his by material dualities, for he could see everything joined hands. After smelling it, the King offered a resting in the Supreme Soul and the Supreme Soul portion to his wife, Sunitha. Eating that food, which resting within everyone’s heart. To avoid material had the potency to bring forth a male child, the entanglement, Utkala remained as an urchin Queen was impregnated by the King. In due course - foolish, deaf, dumb and blind. He was like a of time, Sunitha gave birth to a son named Vena. flameless fire covered by ashes. Not seeing past his Since Sunitha was the daughter of death personified, pretense, the elderly family members and ministers her child was expected to be partially in the dynasty considered Utkala to be stupid and mad, so they of irreligion. -
THE DHRUVA STAMBHA / Vishnu Dhvaja (Qutub Minar) Wednesday, January 28, 2015 10:29 AM
THE DHRUVA STAMBHA / Vishnu Dhvaja (Qutub Minar) Wednesday, January 28, 2015 10:29 AM New Section 1 Page 1 New Section 1 Page 2 New Section 1 Page 3 New Section 1 Page 4 New Section 1 Page 5 New Section 1 Page 6 New Section 1 Page 7 New Section 1 Page 8 New Section 1 Page 9 New Section 1 Page 10 New Section 1 Page 11 New Section 1 Page 12 New Section 1 Page 13 New Section 1 Page 14 New Section 1 Page 15 New Section 1 Page 16 New Section 1 Page 17 THE DHRUVA STAMBHA / Vishnu Dhvaja (Qutub Minar) : : In 1961, some college students went with me to the Qutb Minar and e...ngaged an official guide, an M.A. in History. Questions and answers between our party and the Sarkari guide are given below in brief :- Q. What was the purpose of building this ‘MINAR’ ? A. Victory Tower. Q. Whose victory over whom ? A. Md. Ghori’s victory over Rai Pithaura (Prithvi Raj) Q. Where ? A. At Tarain near Panipat. Q. Why is the Victory Tower at Delhi ? A. Do not know. One gentleman from the visitors, a Lecturer in History in the University of Delhi, took up the threat and answered: The Victory Tower was commenced by Ghori because Delhi became his capital. Q. Objection, Sir! Ghori never had his capital at Delhi. His capital was at Ghazni. What logic is there in building the Victory Tower in Delhi ? A. Silence. Q. Even if the Minar was commenced by Ghori, its name ought to have been ‘GHORI MINAR’ and not ‘QUTB MINAR’. -
Once Upon a Time There Lived a King Called Uttanapada. He Had Two Wives, Suniti and Suruchi, and Two Sons, Dhruva and Uttama Respectively by Them
DHRUV Once upon a time there lived a king called Uttanapada. He had two wives, Suniti and Suruchi, and two sons, Dhruva and Uttama respectively by them. Suruchi was, however the king’s favourite wife. One day the five-year old Dhruva noticed the king fondling Uttama, holding him on his lap. Being a mere child, he too wanted to be caressed by his father. So he ran towards the king. The kind did not however respond with his love for fear of Suruchi. Suruchi held Dhruva back and said in an angry voice, “Dhruva! You do not deserve to sit on the king’s lap. Even though you too are his son, you are not born of me. Being a mere boy, you are not aware that you were born of the womb of another woman. If you aspire to sit on the king’s lap you have got to worship the Lord and by His Grace, be born of my womb.” Hearing these cruel words, Dhruva ran back to his mother crying aloud, as he found his father sitting unmoved by all that he had heard and seen. Seeing her son weeping disconsolately, the gentle Suniti took him lovingly on her lap. As she had already got the news of the events of the day and of the words which Suruchi uttered, she consoled Dhruva thus: “My son, Bear no ill- will towards others. Whoever causes distress to others, reaps the fruit of it afterwards in the shape of suffering. So do not grieve, my beloved son. Suruchi has spoken rightly when she asked you to worship the Lord. -
Dhruva Maharaj's Meeting with Nanda and Sunanda
Dhruva Maharaj’s meeting with Nanda and Sunanda Srimad Bhagavatam verse 4.12.22, (Class at Mayapur) Maharaj recites the verse: Tam Krishna-padabhinivishta chetasam Baddhanjalim prashraya namra kandharam Sunanda-nadau upasrutya sasmitam Pratyuchatuh pushkaranabha sammatau Translation: Dhruva Maharaj was always absorbed in thinking of the lotus feet of Lord Krishna. His heart was full with Krishna. When the two confidential servants of the Supreme Lord, who were named Nanda and Sunanda, approached him, smiling happily, Dhruva stood with folded hands, bowing humbly. They then addressed him as follows: Purport: Maharaj reads the purport by Srila Prabhupada: “In this verse, the wordpushkaranabha-sammatau is significant. Krishna, or Lord Vishnu, is known for His lotus eyes, lotus navel, lotus feet and lotus palms. Here, He is called pushkara-nabha, which means “the Supreme Personality of Godhead, who has a lotus navel,” andsammatau means “two confidential or very obedient servants.” The materialistic way of life differs from the spiritual way of life in that one is disobedience and the other is obedience to the will of the Supreme Lord. All living entities are part and parcel of the Supreme Lord, and they are supposed to be always agreeable to the order of the Supreme person; that is perfect oneness. In Vaikuntha world, all the living entities are in oneness with the Supreme Godhead because they never defy His orders. Here in the material world, however, they are not sammata, agreeable, but always asammata, disagreeable. This human form of life is a chance to be trained to be agreeable to the orders of the Supreme Lord. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Experts from Potana's Bhagavatam
Excerpts from Potana‟s Bhagavatam By A. V. S. SARMA 1957 PUBLISHED BY TIRUMALA -TIRUPATI DEVASTHANAMS TIRUPATI C O N T E N T S Foreword Introduction Life of Potana Prayer Dedication SKANDA I. 1. The rule of King Parikshit 2. Sringi curses Parikshit 3. Suka meets Parikshit II. 1. The conversation between Suka and Parikshit. III. 1. Hiranyaksha IV. 1. Dhruva 2. Prithu 3. Barhi 4. Puranjana 5. The penance of Prachetasu brothers V. 1. Rishaba 2. Bharatha VI. 1. Ajamila 2. The fight between Danavas and Devatas 3. Chitraketu VII 1. The curse upon the guards at the gateway of Vaikunta 2. Hiranyakasipu 3. Prahlada VIII. 1. The salvation of the elephant king, Gajendra. 2. The churning of Milk Ocean 3. Vamana 4. Matsyavatara XI. 1. Ambarisha 2. Sri Rama Avatara X. 1. Sri Krishna 2. The birth of Sri Krishna 3. Potana goes to Repalle 4. The death of Sakatasura 5. The end of Trinavarta 6. The sport of Balarama and Krishna 7. Movement to Brindavana 8. The humiliation of Brahma 9. The Ass 10. The Kaliya serpent 11. The story of Kaliya 12. The Summer 13. The rainy season 14. The Autumn 15. The Chill and Dewy Season 16. Krishna hides the clothes of the Gopikas 17. Wives of the sages feed Balarama & Krishna. 18. The humiliation of Indra 19. Nanda rescued 20. The Autumn season comes again 21. The songs of Gopi women 22. Krishna appears before Gopi women 23. Rasakreeda 24. Jalakreeda 25. Sudarsana relieved of his serpent shape 26. Sankachuda killed 27. Narada meets Kamsa 28. -
Devakinandan Pr Seminars
The Supreme Lord explains 3 kinds of determination in the Bhagavad Gita 18.33,34 and 35: That determination that cannot go beyond dreaming, fearlessness, moroseness and illusion – such unintelligent determination, on son of Prtha, is in the mode of darkness. But that determination by which one holds fast to fruitive results in religion, economic development and sense gratification is of the nature of passion, O Arjuna. That determination which is unbreakable, which is sustained with steadfastness by yoga practice, and which thus controls the activities of the mind, life and senses is determination in the mode of goodness. *3Types of Determination Bhagavad-Gita 7.28 yesham tv anta-gatam papam jananam punya-karmanam te dvandva-moha-nirmukta bhajante mam dridha-vratah Persons who have acted piously in previous lives and in this life and whose sinful actions are completely eradicated are freed from the dualities of delusion, and they engage themselves in My service with determination. *The Highest Form of Determination *Determination: The ability to persevere to achieve the supreme objective, while transcending many difficulties, challenges and obstacles along the way. *How did little Dhruva become such an emblem of determination? *Bhagavatam’s Definition of Determination *King Uttaanapaada - Powerful king who had two wives - Suniti and Suruci *Suruci was the favoured wife and so was her son, little prince Uttama *Suniti was least favoured and so was her son, little prince Dhruva *One day, the King places Uttama on his lap and is patting him -
Chats on Old Prints
x<^ Irerm. Q!^ndTQb)s CHATS ON OLD PRINTS THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES BOOKS FOR COLLECTORS tVith Frontispieces and many Illustrations. CHATS ON ENQLISH CHINA. By ARTHUR HAYDEN'. CHATS ON OLD FURNITURE. By Arthur Havden. CHATS ON OLD PRINTS. (How to collect and valuo Old Engravlnfs.) By Arthur Hayden. CHATS ON COSTUME. By G. Wooluscrokt Rhead. CHATS ON OLD LACE AND NEEDLEWORK. By E. L. Lowes. CHATS ON ORIENTAL CHINA. By J. F. Blacker. CHATS ON OLD MINIATURES. By J. J. Foster, F.S.A. CHATS ON ENQLISH EARTHENWARE. (Companion volune to " Ctaat« on EnglUh Ctalaa.") By Arthur Hayden. CHATS ON AUTOGRAPHS. By A. M. Broadley. CHATS ON PEWTER. By H. J. L. ]. MASSfe, MA. CHATS ON POSTAGE STAMPS. By Fred. J. Melville. CHATS ON OLD JEWELLERY AND TRINKETS. By MacIver Percival. CHATS ON COTTAQE AND FARMHOUSE FURNITURB, (Companion volume to " Chat* on Old Furniture.") By Arthur Hayuen. CHATS ON OLD COINS. By Fred. W. Bukgess. CHATS ON OLD COPPER AND BRASS. By Fred. W. Burgkss. CHATS ON HOUSEHOLD CURIOS. By Fred. W. Burgess. CHATS ON OLD SILVER. By Arthur HAYnE.\. CHATS ON JAPANESE PRINTS. By Arthur Davison Ficke. CHATS ON MILITARY CURI05. By Stakley C. Johnson. CHATS ON OLD CLOCKS AND WATCHES. By Arthur Hatden. CHAT5 ON ROYAL COPENHAGEN PORCELAIN. By Arthur Hayden. CHATS ON OLD SHEFFIELD PLATE. (Companion volume to "Chat* on Old Silver.**) By Arthur Hayden. CHATS ON OLD ENGLISH DRAWINGS. By Randall Davies. CHATS ON WEDGWOOD WARE. \ By Hakrt Barnard. BYB PATHS OF CURIO COLLECTING. By Arthur Hatdbm. With Frontitpiece and 72 Pull pafe Illustrations.