DOCSLIB.ORG

Studi Interculturali 1/2017 Issn 2281-1273

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Studi Interculturali 1/2017 Issn 2281-1273 STUDI INTERCULTURALI 1/2017 ISSN 2281-1273 MEDITERRÁNEA - CENTRO DI STUDI INTERCULTURALI DIPARTIMENTO DI STUDI UMANISTICI - UNIVERSITÀ DI TRIESTE Studi Interculturali 1/2017 Chuck Berry (Saint Louis, 18 ottobre 1926 - Saint Charles, 18 marzo 2017) (foto: Gijsbert Hanekroot/Getty Images>) «Meanwhile, I was still thinkin' If it's a slow song, we'll omit it If it's a rocker, then we'll get it And if it's good, she'll admit it C'mon queenie, let's get with it» Studi Interculturali #1 /2017 issn 2281-1273 - isbn 978-0-244-60518-6 MEDITERRÁNEA - CENTRO DI STUDI INTERCULTURALI Dipartimento di Studi Umanistici Università di Trieste A cura di Mario Faraone e Gianni Ferracuti. Grafica e webmaster: Giulio Ferracuti www.interculturalita.it Studi Interculturali è un’iniziativa senza scopo di lucro. I fascicoli della rivista sono distribuiti gratui- tamente in edizione digitale all’indirizzo www.interculturalita.it. Nello stesso sito può essere richiesta la versione a stampa (print on demand). © Copyright di proprietà dei singoli autori degli articoli pubblicati: la riproduzione dei testi deve essere autorizzata. La foto di Chuck Berry (Gijsbert Hanekroot/Getty Images) è tratta da <http://www.scoopnest.com/user/TheAVClub/843240562350329856>. Mediterránea ha il proprio sito all’indirizzo www.ilbolerodiravel.org. Il presente fascicolo è stato chiuso in redazione in data 28.04.2017. Gianni Ferracuti Dipartimento di Studi Umanistici Università di Trieste Androna Campo Marzio, 10 - 34124 Trieste SOMMARIO ILARIA ROSSINI: Dislocazione nello spazio, nel tempo e nello spirito. Pagine di scrittura migrante .............................. 7 ANNA DI SOMMA: «Meditazioni sudamericane»: La tappa sudamericana dell’onto-antropo-logia di Ernesto Grassi ...................................................... 37 MARIO FARAONE: «Barbari alle porte»: rappresentazioni, appropriazione e rifiuto del fascismo e del nazismo nella narrativa e nella saggistica britannica degli Anni Trenta .................................................................... 55 GIANNI FERRACUTI: «Un po’ serpente e un po’ gatta in amore...»: il flamenco e l’identità culturale andalusa I. Il Fla- menco nella stampa di fine Ottocento ..................................................................................................... 123 PIER FRANCESCO ZARCONE: al-Siqilliyya: la Sicilia arabo-islamica (ricordo di un tempo che fu) .................................................. 163 QUADERNI DI STUDI INTERCULTURALI N. 1 - SUPPLEMENTO AL N. 1/2017: Gianni Ferracuti: L’Origine e le Differenze: L’idea di realtà in Xavier Zubiri e la prospettiva in- terculturale. DISLOCAZIONE NELLO SPAZIO, NEL TEMPO E NELLO SPIRITO PAGINE DI SCRITTURA MIGRANTE ILARIA ROSSINI Me siento afortunado de ser caminante. No soy de aquí, ni de allá, soy ciudadano del mundo. (Mamadou Dia 2015, p. 166) 1. INTRODUZIONE Troppo spesso quando si parla di migrazione la si percepisce in un’unica prospettiva, caratterizzata dallo sguardo verso il futuro, dove prevale l’idea dell’arrivo del soggetto mi- grante nella nuova realtà, tutta da esplorare e da scoprire, spesso mettendo in rilievo fatto- ri di disquilibrio e spaesamento, tralasciando come tale esperienza sia anche carica dello 8 «Studi Interculturali» n. 1 /2017 sguardo verso il passato, verso il mondo lasciato alle spalle, con tutte le sue sfumature e implicazioni. Il migrante si trova ad altalenare fra due spazi e due tempi, dovendo combattere tra il desiderio di conoscere e interagire con una nuova realtà e il desiderio di non staccarsi dal proprio passato, vivendo una crisi interiore. Rushdie sottolinea infatti come «tutti gli emigranti si lasciano dietro il proprio passato, anche se alcuni cercano d’impacchettarlo in scatole e fagotti, ma durante il viaggio di quei cari ricordi e di quelle vecchie fotografie si perde sempre qualcosa, finché gli stessi proprietari non saranno più riconoscerli».i Il soggetto che vive in bilico tra due comunità - soprattutto quando queste sono molto diverse e lontane - non può non rifugiarsi nella forza del ricordo, maturando un forte sen- so di nostalgia verso il proprio mondo e i propri cari, così da essere «contemporaneamente qui e là, né qui né là, presente e assente»,ii qui con il corpo, là con la mente. Questo intenso desiderio e tentativo di recuperare, perlomeno tramite la forza del ri- cordo, ciò che è stato perduto, oggi è circoscrivibile alla sfera del sentimento, mentre in passato, come spiega Antonio Prete, era considerato una vera e propria malattia fisica che provocava «la chiusura a ogni stimolo esterno e la concentrazione esclusiva attorno al fantasma del ritorno in patria»,iii mentre Philippe Pinel ne parla come di un «bisogno imperioso, in coloro che ne vengono colpiti, di tornare al loro paese, di rivedere i luoghi della loro infanzia: in una paro- la, dal bisogno impellente di ritrovare la loro prima dimora».iv Il termine nostalgia fu coniato infatti nel 1688 da Johannes Hofer, studente alsaziano di medicina, quando all’Università di Basilea presentò la sua Dissertatio medica de nostalgia, dove l’unione delle parole greche nóstos (ritorno) e álgos (dolore) andava a sostituire Heimweh.v Ma c’è anche chi, come Rosalba Terranova Cecchini e Mara Tognetti Bordo- i Salman Rushdie, La vergogna, Garzanti, Milano 1991, pp. 72-3. ii Vladimir Jankélévitich, «La nostalgia», in Antonio Prete (a cura di), Nostalgia. Storia di un senti- mento, R. Cortina, Milano 1992, pp. 119-62, p. 126. iii Antonio Prete, «L’assedio della lontananza», in id. (a cura di) Nostalgia. Storia di un sentimento, cit., pp. 9-41, p. 12. iv Philippe Pinel, «Descrizione di una malattia. Natura, cause, rimedi», in Antonio Prete (a cura di), Nostalgia. Storia di un sentimento, cit., pp. 69-77, p. 69. v A. Prete, L’assedio della lontananza, cit., p. 10. Ilaria Rossini: Dislocazione nello spazio... 9 gna, parla di cristallizzazione, per intendere «il formarsi, nella mente dell’immigrato o dello straniero in generale, di un mitico ricordo del proprio Paese».vi Interessanti a tal proposito sono le considerazioni apportate da Bettini sulla scia dell’interpretazione di Claude Lévi-Strauss, che vedeva nella nostalgia un eccesso di comu- nicazione;vii perciò «chi troppo comunica con se stesso, con la propria identità, rifiutando di stabi- lire il dialogo con l’altro, finisce appunto per ammalarsi di “sé”»,viii al contrario, si raggiunge un difetto di comunicazione quando lo straniero «abbandona ogni comunicazione con se stesso, piomba nell’oblio della sua propria identità».ix La nostalgia, secondo tali considerazioni, non pone dunque direttamente le proprie ba- si sui concetti di memoria, ricordo, desiderio del ritorno, quanto sulla capacità o meno dell’individuo coinvolto di guardare al di là del proprio io, sentendosi parte di un tutto e sorpassando quel senso di egoismo che lo spinge a chiudersi in se stesso e a ritornare al proprio nido. Tuttavia, quando nella società d’arrivo non si percepisce il calore di una nuova patria, quando non si ha voce e qualsiasi tentativo di dialogo si riduce a un mono- logo con se stessi, a causa della mancanza di ascolto da parte degli autoctoni, sembra inevi- tabile ripercorrere con la mente il proprio passato e cercare di recuperare ciò che è lonta- no. Gli immigrati «discriminati, ghettizzati, guardati con supponenza o con sospetto»x nella società ospite,xi si aggrappano infatti «alle proprie tradizioni d’origine»xii scatenando il deside- rio di riappropriarsi dei colori, degli odori e dei sapori della propria patria, come recita un motto africano: «L’uomo non ritorna mai nel grembo di sua madre ma ritorna ben volentieri nel vi Rosalba Terranova Cecchini e Mara Tognetti Bordogna, Migrare. Guida per gli operatori dei ser- vizi sociali, sanitari, culturali e d’accoglienza, Franco Angeli, Milano 1992, p. 34. vii Claude Lévi-Strauss, «Le gesta di Asdiwal», in id., Antropologia strutturale due, Il saggiatore, Milano 1978, pp. 187-235, p. 231. viii Maurizio Bettini, «Introduzione. Nostalgici e indiscreti» a id. (a cura di), Lo straniero. Ovvero l’identità culturale a confronto, Laterza, Roma-Bari 1992, pp. 3-17, pp. 5-6. ix ibid., p. 11. x Silvia Albertazzi, Lo sguardo dell’altro. Le letterature postcoloniali, Carocci, Roma 2000, pp. 128-9. xi Accosto appositamente a società il termine ospite, per incitare ad una riflessione sull’uso di questo binomio, anche alla luce di quanto appena esposto, laddove i membri della realtà d’arrivo non sempre mettono in campo atteggiamenti che lasciano trapelare gesti di accoglienza e disponibi- lità, che caratterizzano colui che veramente ospita. xii S. Albertazzi, Lo sguardo dell’altro. Le letterature postcoloniali, cit., p. 129. 10 «Studi Interculturali» n. 1 /2017 xiii grembo natale». Ecco che oggi in ambito psichiatrico sono altri i concetti che si sono sostituiti alla no- zione di nostalgia; ad esempio, Quando si parla di una «reazione depressiva di disadattamento sociale», il nome conferito al fenomeno cessa completamente di designare, come faceva nostalgia, un luogo anteriore, un si- to privilegiato; non si prende più in considerazione l’ipotesi di una guarigione ottenuta attra- verso il rimpatrio. Si insiste invece sulla mancanza di adattamento dell’individuo alla società nuova cui deve integrarsi. La nozione di nostalgia poneva l’accento sull’ambiente d’origine (sullo Heim); la nozione di disadattamento pone invece l’accento, in modo tassativo, sulla ne- xiv cessità dell’inserimento nell’ambiente attuale. Il senso di nostalgia può concretizzarsi attraverso la messa in atto del ritorno
Load more

Recommended publications
  • Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 a Thesis Submitted to the University of Manches
    Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 A thesis submitted to the University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities 2017 David W. Mottram School of Arts, Languages and Cultures Table of contents Abstract p.4 Declaration p.5 Copyright statement p.5 Acknowledgements p.6 Introduction p.7 Terminology, sources and methods p.10 Structure of the thesis p.14 Chapter One The Lost War p.16 1.1 The place of ‘Spain’ in British politics p.17 1.2 Viewing ‘Spain’ through external perspectives p.21 1.3 The dispersal, 1939 p.26 Conclusion p.31 Chapter Two Adjustments to the Lost War p.33 2.1 The Communist Party and the International Brigaders: debt of honour p.34 2.2 Labour’s response: ‘The Spanish agitation had become history’ p.43 2.3 Decline in public and political discourse p.48 2.4 The political parties: three Spanish threads p.53 2.5 The personal price of the lost war p.59 Conclusion p.67 2 Chapter Three The lessons of ‘Spain’: Tom Wintringham, guerrilla fighting, and the British war effort p.69 3.1 Wintringham’s opportunity, 1937-1940 p.71 3.2 ‘The British Left’s best-known military expert’ p.75 3.3 Platform for influence p.79 3.4 Defending Britain, 1940-41 p.82 3.5 India, 1942 p.94 3.6 European liberation, 1941-1944 p.98 Conclusion p.104 Chapter Four The political and humanitarian response of Clement Attlee p.105 4.1 Attlee and policy on Spain p.107 4.2 Attlee and the Spanish Republican diaspora p.113 4.3 The signal was Greece p.119 Conclusion p.125 Conclusion p.127 Bibliography p.133 49,910 words 3 Abstract Complexities and divisions over British left-wing responses to the Spanish Civil War between 1936 and 1939 have been well-documented and much studied.
    [Show full text]
  • This Is the File GUTINDEX.ALL Updated to July 5, 2013
    This is the file GUTINDEX.ALL Updated to July 5, 2013 -=] INTRODUCTION [=- This catalog is a plain text compilation of our eBook files, as follows: GUTINDEX.2013 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2013 and December 31, 2013 with eBook numbers starting at 41750. GUTINDEX.2012 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2012 and December 31, 2012 with eBook numbers starting at 38460 and ending with 41749. GUTINDEX.2011 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2011 and December 31, 2011 with eBook numbers starting at 34807 and ending with 38459. GUTINDEX.2010 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2010 and December 31, 2010 with eBook numbers starting at 30822 and ending with 34806. GUTINDEX.2009 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2009 and December 31, 2009 with eBook numbers starting at 27681 and ending with 30821. GUTINDEX.2008 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2008 and December 31, 2008 with eBook numbers starting at 24098 and ending with 27680. GUTINDEX.2007 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2007 and December 31, 2007 with eBook numbers starting at 20240 and ending with 24097. GUTINDEX.2006 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2006 and December 31, 2006 with eBook numbers starting at 17438 and ending with 20239.
    [Show full text]
  • Science for All
    SCIENCE FOR ALL Science for All :::::::::::::::::::::::::::::::::::: The Popularization of Science in Early Twentieth-Century Britain PETER J. BOWLER The University of Chicago Press : Chicago and London Peter J. Bowler is professor of history of science in the School of History and Anthropology at Queen’s University, Belfast. He is the author of several books, including with the University of Chicago Press: Life’s Splendid Drama: Evolutionary Biology and the Reconstruction of Life’s Ancestry, 1860–1940 and Reconciling Science and Religion: The Debate in Early-Twentieth-Century Britain; and coauthor of Making Modern Science. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2009 by The University of Chicago All rights reserved. Published 2009 Printed in the United States of America 18 17 16 15 14 13 12 11 10 09 1 2 3 4 5 isbn-13: 978-0-226-06863-3 (cloth) isbn-10: 0-226-06863-3 (cloth) Library of Congress Cataloging-in-Publication Data Bowler, Peter J. Science for all: the popularization of science in early twentieth- century Britain / Peter J. Bowler. p. cm. Includes bibliographical references and index. isbn-13: 978-0-226-06863-3 (cloth: alk. paper) isbn-10: 0-226-06863-3 (cloth: alk. paper) 1. Science news— Great Britain—History—20th century. 2. Communication in science—Great Britain—History—20th century. I. Title. q225.2.g7b69 2009 509.41'0904—dc22 2008055466 a The paper used in this publication meets the minimum re- quirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48-1992.
    [Show full text]
  • Images of Exhibition and Encounter (London: Palgrave Macmillan)
    This is a late draft of a chapter that will come out in: eds. Michael Lawrence and Karen Lury, The Zoo and Screen Media: Images of Exhibition and Encounter (London: Palgrave Macmillan). Expected publication date: May 2016. NB. Figures 1 and 2 have not been reproduced here for reasons of copyright. If you wish to cite or quote from this chapter, please use only the final published version. Dr Richard Hornsey Lecturer in Modern British History University of Nottingham, UK. Lázló Moholy-Nagy at the London Zoo: Animal Enclosures and the Unleashed Camera In February 1937, an exhibition called Modern Architecture in England opened at the Museum of Modern Art (MoMA) in New York, proclaiming what it saw as an exciting new wave of modernist building in England. The show consisted of enlarged black-and-white exterior photographs and accompanying floor-plans of recent housing blocks, department stores and private homes. It also included a maquette of the nursery school at London’s new Kensal House flats, plus a set of panels demanding the replacement of more of the city’s slums with modern hygienic housing. Upstairs and in contrast to what its curator Ernestine Fantl would later describe as an “endless sea of white stucco” (Carter, 1974: 51), visitors could watch a silent film about the seven modernist structures recently erected by the Zoological Society of London (ZSL) at its two sites at Regent’s Park in central London and at Whipsnade in rural Bedfordshire.1 1 The seven buildings built by Tecton for the ZSL were: a Gorilla House (1933), a Penguin Pond (1934), and a Refreshment Bar and Kiosk (1937) at Regent’s Park; and a Kiosk, a Giraffe House (both 1934), an Elephant House, and a Restaurant (both 1935) at Whipsnade.
    [Show full text]
  • Julian Huxley - Wikipedia
    3/4/2021 Julian Huxley - Wikipedia Julian Huxley Sir Julian Sorell Huxley FRS[1] (22 June 1887 – 14 February 1975) was an English evolutionary Sir biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of Julian Huxley London (1935–1942), the first Director of UNESCO, a founding member of the World Wildlife Fund FRS and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television. He directed an Oscar-winning wildlife film. He was awarded UNESCO's Kalinga Prize for the popularisation of science in 1953, the Darwin Medal of the Royal Society in 1956,[1] and the Darwin–Wallace Medal of the Linnaean Society in 1958. He was also knighted in that same year, 1958, a hundred years after Charles Darwin and Alfred Russel Wallace announced the theory of evolution by natural selection. In 1959 he received a Special Award of the Lasker Foundation in the category Planned Parenthood – World Population. Huxley was a prominent member of the British Eugenics Society and was its president from 1959 to 1962. Contents Life Personal life Early career Mid career Julian Huxley as Fellow of New Later career College, Oxford 1922 Special themes Personal details Evolution Born Julian Sorell Huxley Personal influence 22 June 1887 Evolutionary synthesis London, England Evolutionary progress Died 14 February 1975 Secular humanism
    [Show full text]
  • Margaret Storm Jameson and the Spanish Civil War: the Fight for Human Values
    JOURNAL OF ENGLISH STUDIES - VOLUME 5-6 (2005-2008), 13-29 MARGARET STORM JAMESON AND THE SPANISH CIVIL WAR: THE FIGHT FOR HUMAN VALUES JENNIFER BIRKETT University of Birmingham ABSTRACT. Spain is not generally thought of as a significant theme in Jameson’s writing, or her political formation. But careful study of her life and writing discloses numerous connections to the country from the early 1930s onwards, and No Victory for the Soldier (1938), the novel she published under the pseudonym of James Hill, in the 1930s, closes with a lengthy section on the Spanish Civil War. The tragic heroism of the Republic at war provides the ideal context for Jameson’s exploration of the capacity of modernist art, or rather, modernist artists (the Auden generation) to speak in the name of the future of the common man. Spain, and especially the Basque country, fighting the fascist war machine, is one of the last repositories of humane living and European values: reason, justice, humanity and decency. “Does this mean anything to you?” (Hill 1939: 341) Through the mouth of Sergeant Derio, the Basque professor of philosophy waiting for the German and Italian bombs to fall on Bilbao, Storm Jameson expressed the hopes pinned on Spain and its revolution. Here was the last opportunity of seeing the values she nostalgically assigned to pre-industrial England enshrined in the making of modern, metropolitan Europe. As Derio tells John Knox, the musician helping to man the Republican field hospitals: “Here we still cared more for human beings than for anything they can make or possess.
    [Show full text]
  • Knowledge and Pleasure at Regent's Park
    KNOWLEDGE AND PLEASURE AT REGENT'S PARK The Gardens of the Zoological Society of London during the Nineteenth Century Sofia Åkerberg KNOWLEDGE AND PLEASURE AT REGENT'S PARK The Gardens of the Zoological Society of London during the Nineteenth Century Akademisk avhandling som med tillstånd av rektorsämbetet vid Umeå universitet för avläggande av filosofie doktorsexamen offentligen försvaras i Humanisthuset, hörsal F tisdagen den 4 december 2001, klockan 10.15 av Sofia Åkerberg Sofia Åkerberg, Knowledge and Pleasure at Regent's Park: The Gardens of the Zoobgical Society of London during the Nineteenth Century English text Department of Historical Studies, Umeå University, SE-901 87 Umeå, Sweden Monograph 2001. 254 pages Idéhistoriska skrifter nr 36 ISBN: 91-7305-147-0 ISSN: 0280-7646 Abstract The subject of this dissertation is the Zoological Gardens of the Zoological Society of London (f. 1826) in the nineteenth century. Located in Regent s Park, it was the express purpose of the Gardens (f. 1828) to function as a testing-ground for acclimatisation and to demonstrate the scientific impor­ tance of various animal species. The aim is t o analyse what the Gardens signified as a recreational, educational and scientific institution in nineteenth-century London by considering them from four different perspectives: as a pan of a newly-founded society, as a part of the leisure culture of mid-Victorian London, as a medi­ ator of popular zoology and as a constituent of the Zoological Society's scientific ambitions. After an introduction which describes the devlopment of European zoos, Chapter two recapitu­ lates the early years of the Society and the Gardens.
    [Show full text]
  • “Once Through the Gate, Face Right. the Deer House, the Camel House
    1 “Once through the gate, face right. The Deer House, The Camel House, The Giraffe House, The Cattle and Zebra House and The Antelope House will all be found on your left across a canal and a wild ravine. Water Bus rides on the artificial river start at ten. As you face your right you see a path before you. Take it. You pass, on your right, The Owls Aviary and The Pheasantry. All of the pheasants have gone away and you can count up fourteen empty cages, waiting. You can listen to the wind across The Reptile House, The Reptiliary, The Gentlemen’s Toilets, The Charles Clore Pavilion for Mammals and Moonlight World. Ahead of you a great fence of wide-mesh wire catches the wind; it is a huge crazy sail that is warped to the ground like a tent and has a door of brushed aluminum. It peaks in twenty places, it bulges at its sides; thick steel pipes at strange angles just like spars and when you walk inside, saying, “You go first. You come first, you always came first for me. You know that,” the noise that she makes for you by listening in silence, saying nothing, even when you try to smirk your sudden words away, is lost. For you are in The Snowdon Aviary, opened in 1965, the first out-of-doors walk- through aviary in The London Zoo, which houses many birds from a variety of natural habitats. The Aviary was designed by Lord Snowdon in association with Mr. Cedric Price and Mr.
    [Show full text]
  • Thomas Henry Huxley – Wikipedia
    Thomas Henry Huxley – Wikipedia https://de.wikipedia.org/wiki/Thomas_Henry_Huxley Thomas Henry Huxley (* 4. Mai 1825 in Ealing, Middlesex; † 29. Juni 1895 in Eastbourne) war ein britischer Biologe und vergleichender Anatom, Bildungsorganisator und Hauptvertreter des Agnostizismus, dessen Begriff er prägte und durchsetzte. Als einflussreicher Unterstützer des Empirismus David Humes und der Evolutionstheorie Charles Darwins (was zu seinem Beinamen Darwin’s Bulldog führte) hatte er zusätzlich zu seinen eigenen umfangreichen Forschungen, Lehrbüchern und Essays sehr großen Einfluss auf die Entwicklung der Naturwissenschaften im 19. Jahrhundert. Thomas Henry Huxley (Fotografie) Leben und Wirken Ehrungen Schriften (Auswahl) Literatur Weblinks Einzelnachweise Thomas Henry Huxley wurde am 4. Mai 1825 als Sohn eines Lehrers[1] im später zu London gehörenden Ealing geboren. Seine anglikanischen Eltern George Huxley und Thomas Henry Huxley (1874) Rachel Withers hatten 1810 geheiratet. Thomas Henry war ihr siebtes Kind und gleichzeitig das jüngste überlebende von insgesamt acht.[2] Huxley trat 1841 als Gehilfe in die Praxis eines Schwagers, des Arztes James Godwin Scott, in London ein und besuchte parallel Vorlesungen am Sydenham College.[3] Am 1. Oktober 1842 nahm er am Charing Cross Hospital das Studium der Medizin auf,[4] welches er 1845 mit dem akademischen Grad eines Bacc. med. der University of London abschloss.[5] Im Anschluss verdingte er sich bei der Royal Navy. Nach kurzer Tätigkeit am Royal Naval Hospital in Haslar vermittelte ihm sein dortiger
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Psychotropes Models of Authorship, Psychopathology, and Molecular Politics in Aldous Huxley and Philip K. Dick Chris John Rudge A thesis submitted to the Department of English and the Faculty of Arts and Social Sciences at the University of Sydney in fulfillment of the requirements of the degree of Doctor of Philosophy 2015 ii Declaration of Originality This thesis contains no material that has been accepted for the award of any other degree or diploma in any university or institute of higher learning.
    [Show full text]