EXTENSIONS of REMARKS September 17, 1971
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Pbr Tours & World Finals
PBR TOURS & WORLD FINALS PBR TOURS & WORLD FINALS PBR USA Tours ............................... 2 PBR Unleash The Beast ........................ 2 PBR Pendleton Whisky Velocity Tour ............. 3 PBR Touring Pro Division ....................... 4 PBR Australia ................................. 5 PBR Brazil ................................... 6 PBR Canada .................................. 7 PBR Mexico .................................. 8 PBR World Finals ............................. 9 2020 PBR World Champion .................... 10 2020 PBR World Finals Event Winner and Rookie of the Year ........................ 12 2020 YETI PBR World Champion Bull ........... 13 2020 PBR World Finals Awards ................ 15 2020 PBR World Finals Event Results ........... 16 PBR TOURS & WORLD FINALS PBR USA TOURS The PBR brings “America’s Original Extreme Sport” to major arenas across the United States with the nationally-televised Unleash The Beast, featuring the Top 35 bull riders in the world, in addition to the Pendleton Whisky Velocity Tour and Touring Pro Division, the PBR’s expansion and developmental tours. respectively. Each event pits the toughest bull riders in the world against the top bovine athletes on the planet. During two hours of heart-pounding, bone-crushing, edge-of-your-seat excitement fans are entertained by the thrills and spills on the dirt against the back drop of the show’s rocking music and pyrotechnics. It is world class athleticism and entertainment rolled into one, unlike any other major-league sport. UNLEASH THE BEAST The PBR’s nationally- televised Unleash The Beast (UTB) features the world’s Top 35 bull riders going head-to-head against the fiercest bucking bulls on the planet. During a regular-season, two-day UTB event, each of the 30 riders will ride in one round each day - Round 1 and Round 2. -
Telling Stories to a Different Beat: Photojournalism As a “Way of Life”
Bond University DOCTORAL THESIS Telling stories to a different beat: Photojournalism as a “Way of Life” Busst, Naomi Award date: 2012 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Telling stories to a different beat: Photojournalism as a “Way of Life” Naomi Verity Busst, BPhoto, MJ A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Media and Communication Faculty of Humanities and Social Sciences Bond University February 2012 Abstract This thesis presents a grounded theory of how photojournalism is a way of life. Some photojournalists dedicate themselves to telling other people's stories, documenting history and finding alternative ways to disseminate their work to audiences. Many self-fund their projects, not just for the love of the tradition, but also because they feel a sense of responsibility to tell stories that are at times outside the mainstream media’s focus. Some do this through necessity. While most photojournalism research has focused on photographers who are employed by media organisations, little, if any, has been undertaken concerning photojournalists who are freelancers. -
David Douglas Duncan's Changing Views on War: an Audio-Visual
SENT NBSONE ED 177 577 CS 205 214 AUTHOR Politowski, Richard TITLE - David Douglas Duncan's Changing Views'on War: An Audio-Visual Presentation. PUB DATE 78 NOTE 25p.; Paper presented at the AnnualMeeting of the Associaticn for Education in Journalism(62nd, Houston, Texas, August 5-8, 1979) EDRS PRIC2 MF01/PCe1 Plus Postage. DESCRIPTORS *Changing Attitudes; *MultimediaInstructionC Photographs; Slides; *War IDENTIFIERS *DuncaA (David Douglas) ABSTRACT This paper is the script for a slldepresentation abcut photographer Davld Douglas Duncanand his view of war. It is intended to be used with slides madefrom pictures Duncan took during World War II, the Korean War, and the warin Viet Nam and published in various books and periodicals. Itdiscusses a shift in emphasis to be seen both in the pictures and inthe text written ky Duncan in which he increasingly portrayed thesuffering and death of war. It concludes by saying that Duncan in hispictures did not oppose war it. general but opposed the sentiventalizing orglorifying of war. (T43) **************************************e.******************************* Reproductions supplied by EDRS are the best that canbe made from the original document. *********************************************************************** S CIIPARTMENTOR /ALM. OUCATION s we NATIONAL INSTITUTEOR EDUCATION HAS SEEN RHSSO. THIS DOCUMENT FROM DUCED EXACTL YAS RECEIVED OROANaATIOt. ORIGIN- THE PERSON OR CPINiONS MING IT POINTSOT VIE*OR NE( ESSARIL 'TFPRE sT ATI D DO NOT INSTIT.11$ st NT OFIC lAt NATIONAL Out A .ON POS1ON OR POl It LIN rft. DAVID DOUGLAS DUNCAN'SCHANGING VIEWS ON WAR Lu . ) anaudio-4sua1presentation by Richard Politowski Michigan StateUniversity PERMISSION "O ILE PRODUCATHIS MATERIAL HAS BEEN GRAN D BY ElchArsLEolitowski 0 THF ELAICATIONALRI ';OURGP; iNf AT ON C.1 t1 T 1 It RIC, Copyright 1978 V) David Douglas Duncan'sChanging Views on War SLIDES TEXT It's the wounded thatwreck 1. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Ambassador Donald R. Heath, the U.S. Embassy in Saigon and the Franco-Viet Minh War, 1950-1954 by Alexander David Ferguson Thesis for the degree of Doctor of Philosophy August 2018 UNIVERSITY OF SOUTHAMPTON Abstract FACULTY OF HUMANITIES History Doctor of Philosophy AMBASSADOR DONALD R. HEATH, THE U.S. EMBASSY IN SAIGON AND THE FRANCO-VIET MINH WAR, 1950-1954 By Alexander David Ferguson This thesis provides the first scholarly analysis of the U.S. Embassy in Saigon from the American decision to support France’s war against the Viet Minh with military and economic assistance in 1950 to Ngo Dinh Diem’s appointment as prime minister of Vietnam in 1954. -
The 100 Greatest Military Photographs
The 100 Greatest Military Photographs From Military Times Publishing Company, insert to the 25 Sept 2000 issues of Army/Navy/AF Times No. 100 Robert Capa WWII No. 99 U.S. Navy Archives Pearl Harbor No. 98 Jacob Harris WWII No. 97 Ray Platnick WWII No. 96 David Turnley Operation Desert Storm No. 95 Charles Kerlee WWII No. 94 Christopher Morris USS Stark No. 93 Philip Jones Griffiths Vietnam, 1968 No. 92 Christopher Morris Persian Gulf War No. 91 U.S. Army Archives WWII, July 1944 No. 90 William Dinwiddle Rough Riders, 1898 No. 89 Brad Markel Andrews AFB, 1991 No. 88 Philadelphia Public Ledger WWI, Nov 1918 No. 87 Adrian Duff WWI, Sep 1918 No. 86 Stanley Tretick South Korea No. 85 U.S. Army Signal Corps Lt Gen George S. Patton No. 84 Robert Jakobsen Ca National Guard, 1940 No. 83 Wayne Miller WWII, 1944 No. 82 U.S. Army Air Force WWII, 1943 No. 81 U.S. Army Archives WWII, 1944 Paris, France No. 80 Peter Turnley “Highway of Doom” Persian Gulf War, 1991 No. 79 Hank Walker South Korea, 1950 No. 78 U.S. Marine Corps Vietnam No. 77 Steve Elfers Operation Desert Storm No. 76 Steve Elfers Operation Desert Storm No. 75 Bruno Barbey Persion Gulf War No. 74 Alexander Gardner Civil War, 1862 No. 73 Jeff Tuttle Operation Desert Shield No. 72 U.S. Army Archives WWII, 1943 Tarawa Atoll No. 71 Alfred Cooperman WWII, 1943 No. 70 Rich Mason Persian Gulf War No. 69 W. Eugene Smith Saipan, WWII No. 68 Larry Burrows Vietnam, 1966 Plane is a Douglas A–1 Skyraider No. -
War, Women, Vietnam: the Mobilization of Female Images, 1954-1978
War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: William J. Rorabaugh, Chair Susan Glenn Christoph Giebel Program Authorized to Offer Degree: History ©Copyright 2013 Julie Annette Riggs Osborn University of Washington Abstract War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn Chair of the Supervisory Committee: William J. Rorabaugh, History This dissertation proceeds with two profoundly interwoven goals in mind: mapping the experience of women in the Vietnam War and evaluating the ways that ideas about women and gender influenced the course of American involvement in Vietnam. I argue that between 1954 and 1978, ideas about women and femininity did crucial work in impelling, sustaining, and later restraining the American mission in Vietnam. This project evaluates literal images such as photographs, film and television footage as well as images evoked by texts in the form of news reports, magazine articles, and fiction, focusing specifically on images that reveal deeply gendered ways of seeing and representing the conflict for Americans. Some of the images I consider include a French nurse known as the Angel of Dien Bien Phu, refugees fleeing for southern Vietnam in 1954, the first lady of the Republic of Vietnam Madame Nhu, and female members of the National Liberation Front. Juxtaposing images of American women, I also focus on the figure of the housewife protesting American atrocities in Vietnam and the use of napalm, and images wrought by American women intellectuals that shifted focus away from the military and toward the larger social and psychological impact of the war. -
Photojournalism / Documentary Photography
Library Reader Resources Series #4 Photojournalism / Documentary Photography Cover: Cornell Capa. First Lady Jacqueline Kennedy Onassis, 1960. Readers Resource #4 was compliled for ICP Library International Center of Photography Library by Bernard Yenelouis 8/2002, LC updated by Pia 1114 Avenue of the Americas, Concourse Byron 3/2010. New York NY 10036-7703 (212) 857-0004 tel / (212) 857-0091 fax [email protected] Margaret Bourke-White. Eyes on Russia, Simon Don McCullin. The Destruction Business. Open & Schuster, 1931 TR820.5.R8 .B68 1931 Gate, 1971 TR820 .M33 1971 Margaret Bourke-White & Erskine Caldwell. Susan Meiselas. Carnival Strippers, Farrar You Have Seen Their Faces. Viking, 1937 Straus & Giroux 1975 TR681.W6 M45 2003 TR820.5.U6 .B68 1995 Carl Mydans. Carl Mydans Photojournalist, Bill Burke. I Want To Take Picture. Nexus Abrams, 1985 TR820 .M93 1985 Press, 1987 TR820.5.S64 .B87 1987 James, Nachtwey. Inferno. Phaidon, 1999 Robert Capa & John Steinbeck. A Russian TR820.6 .N33 1999 Journal, Viking, 1948 TR820 .C36.S7 1948, TR820.5.S65 .S74 1948 Gilles Peress. Telex Iran. Aperture, 1983 TR820.I7 .P47 1983 Robert Capa. Slightly Out of Focus. Holt, 1947 TR140 .C37 1999 .C37 1999 Sylvia Plachy & James Ridgeway. Red Light – Inside the Sex Industry. powerHouse Books, Henri Cartier-Bresson. The Decisive Moment. 1996 TR820.5.U6 .P53 1996 Simon & Schuster, 1952 TR140 .C37 2007 Sebatiao Salgado. Migrations: Humanity in Bruce Davidson. East 100th St. Harvard, 1970 Transition. New York: Aperture, 2000. TR820.5.U6 D38 2003 TR820.5 .S25 2000 David Douglas Duncan. War Without Heroes. Inge Bondi. CHIM – The Photographs of David New York: Harper & Row, 1970 TR820.6 Seymour. -
J4568/7568 History of Photojournalism Fall 2013 Class Schedule Keith Greenwood, Ph.D
J4568/7568 History of Photojournalism Fall 2013 Class Schedule Keith Greenwood, Ph.D. (Schedule is subject to change with advance notice) All readings available through the ERES system are marked (E) All items available through Blackboard are marked (BB) All reserve materials available at the Journalism Library are marked (R) Please have readings completed and be ready to discuss on the date listed. Items marked with a * are covered on reading quizzes. Week 1 August 20 Why Study History? Introduction, discussion of course requirements August 22 History and Visual Evidence Wisconsin Death Trip by Michael Lesy (BB)/(R) & “The Questionable Uses of 19th Century Photographs” by C. Zoe Smith in Journal of Visual Literacy (E) "You Can't Believe Your Eyes: Inaccuracies in Photographs of North American Indians" by Joanna Cohan Scherer (E) Written Assignment #1 due before class August 27 Week 2 August 27 Early History of Photojournalism *American Photojournalism Ch. 1 “Four Streams Nourish Photojournalism” & *American Photojournalism Ch. 2 “From Photography’s Invention to Proto-Photojournalism” pp. 17-34 August 29 Photographing Conflict: Civil War *American Photojournalism Ch. 2 “From Photography’s Invention to Proto-Photojournalism” pp. 35-59 & *“Photographs of War,” Ch. 3 in Carlebach, Origins of Photojournalism in America (E) & *Reading quiz #1 due before class. Reserve materials: Timothy O'Sullivan, America's Forgotten Photographer by James Horan (R) Witness to an Era: The Life and Photographs of Alexander Gardner by D. Mark Katz (R) Working Stiffs: Occupational Portraits in the Age of Tintypes by Michael Carlebach (R) History of Photojournalism Schedule Fall 2013 Week 3 Sept. -
Papers of the 2009 Dakota Conference
Papers of the Forty-first Annual DAKOTA CONFERENCE A National Conference on the Northern Plains “Abraham Lincoln Looks West” Augustana College Sioux Falls, South Dakota April 24-25, 2009 Complied by Lori Bunjer and Harry F. Thompson Major funding for the Forty-first Annual Dakota Conference was provided by Loren and Mavis Amundson CWS Endowment/SFACF, Deadwood Historic Preservation Commission, Carol Martin Mashek, Elaine Nelson McIntosh, Mellon Fund Committee of Augustana College, Rex Myers and Susan Richards, Blair and Linda Tremere, Richard and Michelle Van Demark, Jamie and Penny Volin, and the Center for Western Studies. The Center for Western Studies Augustana College 2009 TABLE OF CONTENTS Preface Abbott, Emma John Dillinger and the Sioux Falls Bank Robbery of 1934 Amundson, Loren H. Colton: The Town Anderson, Grant K. The Yankees are Coming! The Yankees are Coming! Aspaas, Barbara My Illinois Grandmother Speaks Bradley, Ed Civil War Patronage in the West: Abraham Lincoln’s Appointment of William Jayne as Governor of the Dakota Territory Braun, Sebastian F. Developing the Great Plains: A Look Back at Lincoln Browne, Miles A. Abraham Lincoln: Western Bred President Ellingson, William J. Lincoln’s Influence on the Settlement of Bend in the River (Wakpaipaksan) Hayes, Robert E. Lincoln Could Have Been in the Black Hills — Can You Believe This? Johnson, Stephanie R. The Cowboy and the West: A Personal Exploration of the Cowboy’s Role in American Society Johnsson, Gil In the Camera’s Eye: Lincoln’s Appearance and His Presidency Johnsson, -
Resource Guide for Grades 9-12
Stories of Honor and Dedication Art That Tells Stories Resource Guide for Grades 9-12 Contact: Patriot Plaza Tour Manager Arts and Cultural Alliance Email: [email protected] Tel: 941-365-5118, x301 CONTENTS Use of Resources ........................................................................................................................... 3 Vocabulary Lists ............................................................................................................................ 4 Resources ......................................................................................................................................... 6 Article about Patriot Plaza ........................................................................................................ 7 Letter to Parents and Guardians ......................................................................................... 10 Military Person Questionnaire ............................................................................................. 11 Visit to Patriot Plaza ................................................................................................................. 12 The Artists of Patriot Plaza .................................................................................................... 16 Witness to Mission – Photographs ..................................................................................... 21 Witness to Mission – Photographs with Descriptions ............................................... 45 Contact Information ................................................................................................................. -
Picasso Through the Lens of David Douglas Duncan
Press Release Picasso Through the Lens of David Douglas Duncan Vieux Chalet, Gstaad 3 February – 28 February 2020 Opening reception: Sunday 2 February 2020 2 – 5 pm Opening hours: Wednesday and Thursday afternoon by appointment Opening at Vieux Chalet in Gstaad on the 2 February 2020, ‘Picasso Through the Lens of David Douglas Duncan’ gives a remarkable insight into the work and life of Picasso. Ceramics and paintings by the artist are presented in tandem with vintage photographs taken by the legendary photographer David Douglas Duncan during a period of unprecedented access to the artist’s studio. The works on view, created concurrently with the photographs, can be encountered as an ‘intervention’ throughout the domestic spaces of the chalet. The photographs, some of which have never been exhibited before, give an intimate portrait of the artist at work and at home. The project has been organised in close collaboration with the artist’s son, Claude Picasso, and James Koch, Partner at Hauser & Wirth. David Douglas Duncan was a renowned war photographer, photojournalist, and a self-described nomad. He was among the most influential photographers of the last century, capturing World War II, the Vietnam War, and photo essays for Life magazine which enabled him to roam the world. The resulting images filled more than 25 books, including eight on Picasso. Duncan’s first encounter with Picasso happened in February 1956 when he infamously rang the doorbell of La Californie, Picasso’s home in Cannes. The artist’s wife, Jacqueline, led him upstairs and he met Picasso in his bathtub, who allowed Duncan to photograph him. -
Broadsides Collection 1793-1994
ARIZONA HISTORICAL SOCIETY 949 East Second Street Library and Archives Tucson, AZ 85719 (520) 617-1157 [email protected] MS 970 Broadsides Collection 1793-1994 DESCRIPTION “Broadsides” referred to a promotion on any size sheet that was printed on one or both sides. Often quickly and crudely produced in large numbers and distributed free, broadsides are intended to have an immediate popular impact and then to be thrown away. Historically, broadsides have informed the public about news, publicized official proclamations and government decisions, announce entertainment events, advocate politi- cal and social causes, advertised products and services, and celebrated popular literary and musical efforts. Rich in detail and variety, and sometimes with striking illustrations, broadsides offer vivid insights into the activities and attitudes of a population. The broadsides in this collection document events taking place in and/or affecting Arizona. 1 box, 13 drawers, 2 shelves, 1 rare box, 55.5 linear ft. ACQUISITION The papers in this collection have been collected since the 19th century. Many of them were transferred from other collections at the Historical Society while some items have been received as single donations. ACCESS There are no restrictions on access to this collection. COPYRIGHT Requests for permission to publish material from this collection should be addressed to the Arizona Histori- cal Society-Tucson, Archives Department. PROCESSING Dena McDuffie processed this collection in January 2002. ARRANGEMENT Many of the documents in this collection are oversize. Oversize documents are arranged according to the same Series as the regular-size materials. Most oversize documents are housed in the Broadsides Cabinet; ex- tra large oversize documents are on the shelves adjacent to the cabinet; and rare broadsides are in the rare cage.