51st Season • 491st Production SEGERSTROM STAGE / MAY 8 - JUNE 7, 2015

Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS

presents PETER AND THE STARCATCHER a play by Rick Elice based on the novel by Dave Barry and Ridley Pearson music by Wayne Barker Michael B. Raiford Angela Balogh Calin Jaymi Lee Smith Michael K. Hooker SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Philip D. Thompson Jackie S. Hill Jennifer Ellen Butler* ACCENT COACH PRODUCTION MANAGER STAGE MANAGER

musical direction by David O directed and choreographed by Art Manke Bette and Wylie Aitken Alan and Olivia Slutzky Honorary Producers Honorary Producers

Corporate Associate Producers

Originally produced on Broadway by Nancy Nagle Gibbs, Greg Schaffert, Eva Price, Tom Smedes and Disney Theatrical Productions.

PETER AND THE STARCATCHER is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 • Phone: (212) 541-4684 Fax: (212) 397-4684 • www.MTIShows.com

Peter and the Starcatcher • South Coast Repertory • P1 CAST OF CHARACTERS Mrs. Bumbrake/Teacher ...... Tony Abatemarco* Grempkin/Mack/Sánchez/Fighting Prawn ...... Christian Barillas* Captain Scott ...... J. Paul Boehmer* Boy ...... Wyatt Fenner* Ted ...... Miles Fletcher* Lord Aster ...... Allen Gilmore* Alf ...... James MacEwan* Smee ...... Kasey Mahaffy* Molly ...... Gabrielle McClinton* Black Stache ...... Matt McGrath* Slank/Hawking Clam ...... David Nevell* Prentiss ...... Paco Tolson* Musicians ...... Joel Davel, David O*

PRODUCTION STAFF Casting ...... Joanne DeNaut, CSA Assistant Stage Manager ...... Kristen Cruz* SDC Foundation Observer/Assistant Director ...... Justin Lucero Associate Accent Coach ...... Andrea Caban Costume Design Assistants ...... Kaitlyn Kaufman, Adriana Lambarri Assistant Lighting Designer ...... Kristin Neu Assistant Sound Designer ...... Brian Svoboda Costume Design Interns ...... Julie Ann Carr, Elissa Forsyth Stage Management Interns ...... Emily Burst, Ciara Heaps Light Board Operator ...... Andrew Stephens Follow Spot Operator ...... R.J. Romero Sound Board Operator ...... Jacob Halliday Wardrobe Supervisor/Dresser ...... Bert Henert Wig and Makeup Technician ...... Jenni Gilbert Additional Costume Staff ...... Mary Bergot, Bronwen Burton, Lesly Ceballos, Pauline Good, Lalena Hutton, Ashley Rigg, Sarah Timm, Helen Ton

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

P2 • South Coast Repertory • Peter and the Starcatcher LENGTH Approximately two hours, including one intermission

The use of cameras, videotaping or other video or audio recording of this production is strictly prohibited. Electronic devices should be turned off or set to non-audible mode during the performance. Please refrain from unwrapping candy or making other noises that may disturb surrounding patrons. Smoking is not permitted anywhere in the theatre.

Media Partner

Peter and the Starcatcher • South Coast Repertory • P3 Many Ways to Look at Peter Pan Wikipedia article entitled “List of Works Based on Peter Pan” itemizes scores of adaptations, reinterpretations, sequels, prequels and spin-offs tied to J.M. Barrie’s story—in books, plays and musicals, movies, television series, video games and other media. There’s even a pop-psychology concept called the “Peter Pan Syndrome,” referring to older men whose emotional lives have remained at an adolescent level. Having spawned so many cultural offspring, Barrie’s tale of the boy who wouldn’t grow up might reasonably be said to have Aentered the realm of myth in modern-day Western society: a figurative story that helps us explain to ourselves who we are and what we value. Here is a selective overview of some of the more notable iterations of Peter Pan, his story and the subsequent stories he has inspired.

*ORIGINS PETER PAN ON STAGE

lthough he appeared as a sec- here have been dozens of stage ondary character in J.M. Barrie’s versions of the story since Barrie’s A1902 novel, The Little White Bird, Toriginal, most of them written Peter Pan came into his own in Bar- and produced after the copyright ex- rie’s 1904 play, Peter Pan, or The Boy pired. Among the most noteworthy: Who Wouldn’t Grow Up, which Barrie ● later turned into a novel called Peter J The 1954 Jerome Robbins-direct- and Wendy (1911). (After the success ed musical may have become the of the play, the Pan chapters from The best loved stage version, but it was Little White Bird were republished as preceded by an earlier musical ad- Peter Pan in Kensington Gardens.) aptation that played on Broadway in During the first 50 years after it was 1950. Although originally intended written, the play appeared on a Lon- as a full-scale musical, it was finally don stage more than 10,000 times. At presented as a straight dramatic ver- the end of the novel, in a final chap- sion with five songs, whose music ter called “An Afterthought,” Peter be- and lyrics were written by Leonard friends Wendy’s daughter, Jane (and Bernstein. Frankenstein actor Boris Jane’s subsequent daughter Marga- Karloff played both Mr. Darling and ret), and it is suggested that this pat- Barrie describes Peter as a beautiful Captain Hook. Bernstein’s original tern will go on forever. boy with a beautiful smile, wearing score, including 45 minutes of mu- an outfit made of autumn leaves and sic that was cut for the 1950 staging, cobwebs. The character had two real- “...after the first production I life inspirations: Barrie’s older broth- had to add something to the er, David, who died at the age of 14 play at the request of par- and thus never grew up; and Michael ents … about no one being Llewelyn Davies, the second-young- able to fly until the fairy dust est of the five boys born to Barrie’s had been blown on him; so close friend, Sylvia Llewelyn Davies. Barrie became guardian to the boys many children having gone after the deaths of their father in 1907 home and tried it from their and their mother in 1910. A famous beds and needed surgical statue of Peter Pan in London’s Kens- attention.” ington Gardens was reputedly based - J.M. Barrie on photos of Michael Llewelyn Davies taken when he was six years old.

P4 • South Coast Repertory • Peter and the Starcatcher miere at the Dallas Theatre Center in 2013 and is now being groomed for a possible Broadway run. “I felt the darker elements of the original novel had always been leached out of the theatrical and cinematic ver- sions of the story,” Joseph said in an interview. “Fly brings those back. It’s a story about how every child but one grows up. Which is fun, scary, sad and magical. That’s what we’re playing with here.” The adaptation, whose music was written by Bill Sherman, has an Afro-Caribbean flavor, with bamboo treehouses and hip-hop dance moves.

PETER PAN ON FILM

rom straight adaptations of his J Walt Disney made the character of was restored in 2000 and has since story to liberal re-inventions, Peter Peter Pan his own—and even more been performed in its entirety several FPan has been a fixture on film for so, Tinker Bell, who became a Disney times. almost as long as movies have been emblem—when he created his autho- ● around. rized animated adaptation in 1953. J The Bernstein musical lapsed Disney had planned to make Peter into obscurity upon the debut of the J J.M. Barrie himself was involved in Pan right after his success with his better-known 1954 musical version, the first film adaptation, a 1924 silent first animated feature, Snow White, staged on Broadway by legendary di- movie made by Paramount. He wrote in 1937, but was delayed by rights rector-choregrapher Jerome Robbins. a screenplay, but Paramount decided negotiations. He originally intended With music by Mark “Moose” Charlap to use the original stage script and to begin the movie with the origin and lyrics by Carolyn Leigh (as well took dialogue from it for the inter- of the character, Peter Pan, but in a as additional songs by Jule Styne, titles. 1940 story meeting he changed his Betty Comden and Adolph Green), mind, saying, “We ought to get right this is the version that baby boomers into the story itself, where Peter Pan will remember from its several live comes to the house to get his shad- TV performances during the 1950s, ow. That’s where the story picks up.” and today’s youth may have encoun- He finished by observing, “How Peter tered in its December 2014 television came to be is really another story,” broadcast (when it was presented as thus anticipating the book, Peter and “Peter Pan Live!”). It was also staged the Starcatchers by some 54 years. by SCR’s Summer Players in 2014. (Disney’s publishing arm, Hyperion Books, publishes the Starcatchers se- J Rajiv Joseph, known at SCR as the ries.) In 2002, Disney released an ani- author of the recent Argyros world mated sequel, Return to Never Land, premiere, Mr. Wolf, has written the in which Wendy’s daughter, Jane, be- book and lyrics for a new musical comes involved with Peter Pan against called Fly, which had its world pre- the backdrop of World War II, and has also created a series of seven direct- Opposite page: The front cover of J.M. Bar- to-video films starring Tinker Bell. rie’s Peter and Wendy, published in 1911, and Boris Karloff as Captain Hook in the 1950 J In 1991, another master architect production. This page clockwise from top left: The 1954 Broadway poster; the original re- of film fantasy, Steven Speilberg, re- lease poster from the 1954 animated movie; leased his Peter Pan movie, Hook. The the original poster from the 1924 film. story focuses on a grown-up Peter

Peter and the Starcatcher • South Coast Repertory • P5 tion of the play. A stage musical adap- terview, “and she looked up into my tation of Finding Neverland is due to eyes and said, ‘Yeah, Dad, but how open on Broadway later this year. did Peter Pan meet Captain Hook in the first place?’

Pan (renamed Peter Banning), a suc- cessful corporate lawyer who has lost touch with his childhood self, until his ancient enemy, Captain Hook, kid- J Pan is an upcoming film (due out naps his two children and spirits them this summer), starring an Australian away to Neverland. Peter returns to boy named Levi Miller in the title role, the island of his childhood and ends with Hugh Jackman as Blackbeard, “About a week later Dave and I were up reclaiming his youthful spirit. The Rooney Mara as Tiger Lily, and Aman- playing a gig down in Miami where he movie’s all-star cast included Julia da Seyfried as Mary Darling. Like Peter lives,” Pearson continued. “We were Roberts as Tinker Bell, Dustin Hoff- and the Starcatcher, it presents an talking about projects, and I said, ‘I’m man as Hook, Bob Hoskins as Smee origin story of Peter Pan and Captain seriously considering writing a pre- and Maggie Smith as Granny Wendy. Hook. quel to Peter Pan.’ He kind of looked (If you don’t know who played Peter, interested, so I gathered my courage see accompanying feature.) and asked, ‘Would you ever think PETER PAN IN BOOKS about co-writing it with me?’ And J Finding Neverland was a 2004 film here we are.” that starred Johnny Depp as J.M. Bar- rie and Kate Winslet as Sylvia Llewelyn great many authors have written Davies, the mother of the five boys fictional accounts that retell or Because we’re telling a story, who would become Barrie’s wards. A spin off from the Peter Pan story, that’s the thing. We’re not Based on the play, The Man Who Was some for young readers, others for an trying to write for children. Peter Pan, by Allan Knee, the film adult readership. But none has been We’re just telling a story.” offers a fictionalized account of the more successful than the series of – Ridley Pearson relationship between Barrie and the Starcatcher novels written by humor- Llewelyn Davies family. Following the ist Dave Barry and suspense author death of their father, the boys find a Ridley Pearson. The two longtime In discussing how their version differs playmate and surrogate father in Bar- friends had never collaborated on a from the original, Pearson observed rie, who enjoys indulging in make-be- book, although they had been mak- that the female characters in Barrie’s lieve adventures with them, which he ing music together for years in a band story were all “kind of weak.” Barry later incorporates into his play about called The Rock Bottom Remainders added, “We both have daughters, and boys who don’t want to grow up. The (other members have included Ste- we wanted there to be a girl charac- movie includes scenes from a produc- phen King, Scott Turow and Amy ter who was strong and brave. So we Tan). ended up creating what turned out to The 1991 movie poster for Hook; the Finding be my favorite character, this little girl Neverland poster from 2004; the book cover “I was reading Peter Pan to [my named Molly who really is the hero of for Peter and the Starcatchers in 2006. daughter],” Pearson recalled in an in- the book.”

P6 • South Coast Repertory • Peter and the Starcatcher Make a Peter Pan Match Match the performer to his or her contribution to the legacy of Peter Pan. If you need a hint, turn your program upside-down.

A. Allison Williams B. Robin Williams C. Jeremy Sumpter D. Cathy Rigby E. Mary Martin F. Robbie Kay

G. Michael Jackson H. Mia Farrow I. Sandy Duncan J. Bobby Driscoll K. Nina Boucicault L. Maude Adams

1. _____The very first actor ever to play the role of Peter on 7. _____One of the first real boys to play the role on screen—in a stage, when it premiered at the Duke of York’s Theatre in Lon- 2003 live-action movie—he grew several inches during produc-

don on Dec. 27, 1904. Her father, Dion, was one of the most tion, requiring the filmmakers to twice enlarge the window he

successful actor-playwrights of the 19th century. flew through. jumpers.” tree “my spell rearranged, name, his of letters The Hint: one of Columbus’ ships. Columbus’ of one

Hint: Her first name, which means “little girl” in Spanish, was also the name of of name the also was Spanish, in girl” “little means which name, first Her Hint: 8. _____He played a grown-up version of Peter (renamed Peter

2. _____First to play the role on Broadway, beginning on Oct. 16, Banning) in a 1991 Steven Spielberg movie—the first Peter Pan

. . Aladdin 1905, she co-designed her costume’s distinctive collar, which to have a cellphone. Disney’s in genie the of voice the was He Hint: became a fashion sensation called the “Peter Pan collar.”

Hint: She is related to the second and sixth U.S. presidents and shares their last name. name. last their shares and presidents U.S. sixth and second the to related is She Hint: 9. _____He played the character in television’s “Once Upon a

Time,” in which Peter was revealed to be the father of Rumpel-

3. _____The first male performer to play Peter on film (when he stiltskin. adaptation). was 15 years old). He was never actually seen in the role, because TV a (in Pinocchio and Pan Peter both played he Duncan, Sandy Like Hint: he only supplied the voice for the 1953 Disney animated movie.

Hint: His first name is also a word for a British policeman. British a for word a also is name first His Hint: 10. _____An Olympic gymnast, she played Peter in four successive Broadway revivals of the musical during the 1990s and contin- 4. _____She won a Tony Award as the first to play Peter in the Je- ued to reprise the role periodically until 2013.

rome Robbins Broadway musical in 1954, later reprising the role Theatre. Mirada La the at based is Rigby,

in live television broadcasts in 1955, 1956 and 1960. McCoy company, production her and County, Orange in born was She Hint: Hint: Her last name is the first name of one of SCR’s founding artistic directors. artistic founding SCR’s of one of name first the is name last Her Hint:

11. _____She’s the most recent actress to play Peter, in a live TV 5. _____She played Peter in a new musical version televised in broadcast of the musical that aired in December 2014.

1976 on the “Hallmark Hall of Fame” program, and also ap- Williams. Brian anchorman, news TV is father Her Hint:

peared in a London staging of J.M. Barrie’s Mary Rose.

who had an unusual baby. baby. unusual an had who Hint: She first gained fame playing a horror-movie character named Rosemary, Rosemary, named character horror-movie a playing fame gained first She Hint: 12. _____He never actually played Peter on film or stage, but was originally cast to play him in Spielberg’s Hook; he once said “I 6. _____The girl who put the pixie in pixie haircuts, she played am Peter Pan in my heart,” and his ranch was called Neverland.

Peter in a 1979 Broadway revival of the musical. Pop.” of “King the still is he many to 2009, in died he Although Hint: Hint: She also played Pinocchio in a 1976 TV movie with Danny Kaye. Danny with movie TV 1976 a in Pinocchio played also She Hint: Answer Key: 1-K; 2-L; 3-J; 4-E; 5-H; 6-I; 7-C; 8-B; 9-F; 10-D; 11-A; 12-G 11-A; 10-D; 9-F; 8-B; 7-C; 6-I; 5-H; 4-E; 3-J; 2-L; 1-K; Key: Answer

Peter and the Starcatcher • South Coast Repertory • P7 From the Playwright “To have faith is to have wings ... “

hen I came on board as playwright, [directors] his new play about our hero of old, this boy Peter, Roger Rees and Alex Timbers, and Disney’s bril- resonates with us all, and with the glorious actors liant dramaturg, Ken Cerniglia, had already hit and clever designers who gave it life, first of all, W on a great organizing principle. Act One would T in La Jolla, California, then at New York Theatre take place on board two ships at sea—all cramped quar- Workshop, and now on Broadway. I see the characters ters, tiny cabins, claustrophobic, dark, wet, sinister. Act emerging out of our island, our Neverland. Wendy has Two would take place on a tropical island, with bright not yet appeared. Instead, we have Molly, sky and big, open spaces. In order to create a simple, our hero, in a time before girls were en- stark environment in which to tell a young person’s couraged to be heroes; a generation story in an adult, muscular and surprising way, the direc- before Wendy, name or girl, is born. tors embraced the style of Story Theater, or Poor The- We have no Captain Hook either, or ater—a favorite technique of Alex’s and the trademark rather, we have no Hook yet. Instead, of Roger’s great Royal Shakespeare Company triumph, we have the pirate who shall become The Life and Adventures of Nicholas Nickleby. The Hook, but not until we’re through with him. He, dozen actors would play everyone and everything— whom the pitiful pirate kingdom calls Black Stache. sailors, pirates, orphans, natives, fish, mermaids, birds We have our orphans, perpetually lost, though not ... even doors, passageways, masts, storms, jungles. quite yet Lost Boys. We have natives and mermaids They would also narrate action and memory, giving and a perilously hungry crocodile. Even Tinker each of them a privileged relationship with the audi- Bell reaches our island before we leave it, ence. This would encourage the audience to be because she could not stay away. more than spectators; it would invite And we have a feral crea- them to play along, to partici- ture, bent low from inces- pate, to imagine … I aimed to sant beating, afraid of his write a play seasoned with the own shadow—the nameless boy contemporary, irreverent tone of Dave at the center of our story. How ironic and Ridley’s Peter and the Starcatchers and that he learns what it is to be a man the stylistic flourishes employed by J. M. Barrie a over the course of our play, when hundred years earlier for the original Peter Pan— he’s destined to stay a boy forever high comedy and low, alliteration, puns, broad …When I was a boy, I wished I physical gags, songs, meta-theatrical anachro- could fly, and the notion of being nisms, sentiment delivered so deftly that the a boy forever was pure delight. No home- end of the play breaks your heart. My challenge work, no chores, no responsibility, no sorrow. Now would be to write this new play in such a way that it that I’m in the middle of my life, I understand what I’d merged the two disparate styles … The marriage of clas- have missed had I never grown up, or fallen in love, or sic and modern in the writing brings the Story Theater stood my ground, or lost a battle—or written a play … aspect of the play into sharper focus. And the Story James Barrie found his character by embracing the no- Theater style gave me the freedom to create a vast land- tion of never growing up. I found mine by realizing I scape of far-flung places, physical and emotional. And had. the wings to take you there. – Rick Elice, 2012 – Rick Elice, 2014

P8 • South Coast Repertory • Peter and the Starcatcher Artist Biographies

Tony Abatemarco Laguna Playhouse, Center Theatre Group’s A Very Old Mrs. Bumbrake/Teacher Man with Enormous Wings and Cornerstone Theater Company’s As You Like It presented at Pasadena Play- is co-artistic director at Skylight house. His other television credits include a recurring Theatre Company. His awards in- role as a transgender informant on “The Bridge,” Mar- clude an Ovation Award for lead vel’s “Agents of S.H.I.E.L.D.” and “Without a Trace.” actor in a play, The Mystery of Irma He was a series regular on the CBS pilot for “The Jim Vep at Tiffany Theatre. He is a Gaffigan Show” and also appeared in the pilot for ABC three-time Los Angeles Drama Crit- Family’s “Bunheads,” opposite Sutton Foster. His film ics Circle (LADCC) nominee for lead performance, in- credits include Martin McDonagh’s Seven Psychopaths, cluding SCR’s Bach at Leipzig, and most recently for Red Best Night Ever, Bosco’s Guitar and the upcoming at International City Theatre, Long Beach. Last spring, he Two Man Job. Barillas attended the University of North appeared in Long Beach Opera’s The Soldier’s Tale by Carolina and received his MFA from UCLA, where he Igor Stravinsky. He received two National Endowment was the recipient of the George Burns Fellowship in for the Arts Directing Fellowships and has founded two Comedy. christianbarillas.com seminal L.A. theatres: The Accident Theatre and The Night House. He is a member of several theatre groups, J. Paul Boehmer including The Antaeus Company and Rogue Machine. Captain Scott He has directed on Broadway (Julie Harris in Lucifer’s Child), The Arts Theatre in London’s West End (Robyn is making his first appearance at Peterson’s Catwalk Confidential), regionally and in South Coast Repertory. He has Paris. His on-camera work totals 63 appearances includ- appeared on Broadway in Sir ing Beverly Hills Ninja 2, Town & Country, Sleeping Peter Hall’s An Ideal Husband with the Enemy, HBO’s “Sacrifice,” “The L Word,” “E.R.” and in the New York and off- and “Frasier.” He has had five national commercials run- Broadway premiere of Miss Evers’ ning in the last two years. He teaches at USC and Santa Boys. Regionally, he appeared in I Hate Hamlet, di- Monica College’s Emeritus College. As a playwright, he rected by Art Manke at the Pioneer Playhouse; played has won LA Weekly and Drama-Logue awards. His play, Hamlet at the Dallas Shakespeare Festival; and ap- Beautified, had its world premiere at Skylight Theatre, peared in two summer Shakespeare seasons and The 2012; and his latest, Forever House, will premiere there Constant Wife at The Old Globe. He has worked at this fall. tonyabatemarco.com theatres including Arena Stage, A.C.T., Walnut Street Theatre, Missouri Repertory, Laguna Playhouse and Cleveland Playhouse. His film and television credits Christian Barillas Grempkin/Mac/Sánchez/ include Skyline, The Thomas Crowne Affair, The Good Fighting Prawn German, “Star Trek: Voyager,” “Star Trek: Deep Space Nine” and “Star Trek: Enterprise,” “Frasier” and AMC’s appeared at SCR previously “The Lot.” Boehmer is also a well-known Audiobook in A Christmas Carol and The narrator with more than 400 titles available. Motherf**ker with the Hat, for which he received an LADCC Joel Davel nomination. On “Modern Family,” Musician he recurs as Ronaldo opposite Nathan Lane. His recent theatre credits include Romeo in Romeo & Juliet and made his SCR debut earlier this Richard III (Utah Shakespeare Festival), Pride and season in The Tempest. With a Prejudice and Twelfth Night (Oregon Shakespeare focus on creative original music, Festival) and Lydia (Yale Repertory Theatre and Den- Davel’s percussion career in- ver Center Theatre). His other theatre credits include cludes performance and record- Macbeth with The Antaeus Company, Sonia Flew at ing credits of jazz, rock and con-

Peter and the Starcatcher • South Coast Repertory • P9 temporary classical with groups led by Amy X Neu- Allen Gilmore burg, William Winant, Kaila Flexer, Jack West, David Lord Aster Tanenbaum and John Duykers. Davel collaborates most often with composer Paul Dresher and, for 16 is happy to make his SCR debut years, has been part of his electro-acoustic band, the in Peter and the Starcatcher with Davel/Dresher Duo, and the international touring his friend, director Art Manke. He Double Duo Jazz Quartet. This includes performances has previously been seen on the at Disney Hall, Carnegie Hall’s Zankel Hall and tours West Coast at Santa Cruz Shake- of Australia and Russia. As a composer, music direc- speare in Bach at Leipzig and The tor, soloist and improviser, Davel has appeared solo Three Musketeers (both directed by Manke); All’s Well on-stage for numerous productions for choreogra- That Ends Well; Henry IV, Pt.1; As You Like It; and The pher Claudine Naganuma, the Cream City Semi-Circus Merry Wives of Windsor. He has performed at Berke- and the California Shakespeare Theater. Known for ley Repertory Theatre in Accidental Death of an An- his use of electronics, Davel has 20 years of design ex- archist, Arabian Nights, A Doctor in Spite of Himself perience with music synthesizer pioneer Don Buchla. and Argonautika. This season in Chicago he has been The Buchla “Marimba Lumina” employed for Peter seen at Court Theatre in Waiting for Godot and the and the Starcatcher is now built exclusively by Davel world premiere of The Good Book by Lisa Peterson for himself and others to play. joeldavel.com and Denis O’Hare. In 2014, he became the first black actor to play Scrooge in Goodman Theatre’s nearly 40 years producing A Christmas Carol. Gilmore is an Wyatt Fenner Boy army infantry veteran and a 2015 Lunt-Fontanne Fel- low, originally from Houston, Texas. appeared at SCR previously in Rest, The Whale, Misalliance, the James MacEwan Pacific Playwrights Festival read- Alf ings of The Few and Happy Face, the NewSCRipts reading of Going was born and raised in Johannes- to a Place where you Already burg, South Africa. He is a gradu- Are and Spirit Control and the Theatre for Young ate of South Coast Repertory’s Audiences productions of James and the Giant Peach Acting Intensive Program and is and The Borrowers. His recent credits include Stevie thrilled to return to SCR after ap- in Good People at La Mirada, Puck in A Midsummer pearing in A Christmas Carol and Night’s Dream with the Shakespeare Center of Los in Tartuffe in 2014. Some highlights from his South Af- Angeles, Slipping with Rattlestick West and perfor- rican credits include Mamma Mia, The Rocky Horror mances at the Geffen Playhouse, Ahmanson Theatre, Show, Grease, Don’t Drink the Water and The Beauty Ford’s Theatre, Folger Theatre, The Shakespeare Queen of Leenane. He has appeared on international Theatre Company, Arena Stage, The Theatre @ Bos- television in “Wild at Heart” and the HBO series “Gen- ton Court, A Noise Within and The Antaeus Company, eration Kill.” jamesmacewan.com among many others. His television credits include “Veronica Mars” and “Bones.” He is a graduate of Kasey Mahaffy USC. Smee appeared previously at SCR in Miles Fletcher Ted Crimes of the Heart, You, Nero, An Italian Straw Hat and Tak- is thrilled to be making his SCR ing Steps. His theatre credits in- debut. His credits include Into clude The Best Brothers and The the Woods (Wallis Annenberg Violet Hour at Ensemble Theatre Center for the Performing Arts); Company; The Tempest at A Noise Within; the world The Tempest (Steppenwolf The- premiere of Partners at the 2014 Humana Festival; atre Company); and four seasons Clybourne Park and Metamorphoses at Pioneer The- with the Oregon Shakespeare Festival with roles in atre Company; You, Nero at Arena Stage and Berke- numerous productions including The Cocoanuts, ley Repertory; The Miracle Worker and Assassins at Into the Woods, My Fair Lady and Romeo & Juliet. Berkshire Theatre Festival; The Merchant of Venice at

P10 • South Coast Repertory • Peter and the Starcatcher Portland Center Stage; The Last Night of Ballyhoo and Men, Boy’s Don’t Cry, The Notorious Bettie Page, The Winter’s Tale at PCPA; and Tartuffe and Much The Anniversary Party, The Broken Hearts Club, The Ado About Nothing at Sonnet Repertory Theatre in Impostors; and on television in “Law & Order: Crimi- New York City. His television credits include playing nal Intent,” “Little Britain U.S.A.,” “Cruel Doubt” and Rick Joy on HBO’s “Getting On,” “American Hor- “Modern Family.” ror Story: Asylum,” “Castle,” “Franklin & Bash,” “Bad Teacher,” “CSI,” “Bones,” “Law & Order: LA” and “ER.” David Nevell Many thanks to Actors’ Equity Association, Patty Woo Slank/Hawking Clam and everyone at BRS/Gage for their tireless support. previously appeared at SCR in Arms and the Man. He just fin- Gabrielle McClinton Molly ished playing Vinnie in The Odd Couple at Laguna Playhouse. is making her SCR debut. Her Other recent appearances in- Broadway credits include Pippin clude Orsino in Twelfth Night at (understudy: leading player), the New Swan Shakespeare, Brian in The Morini Strad at first national tour of Green Day’s The Colony, Alan in God of Carnage at International American Idiot (Whatsername), City Theatre and Charlie in The Scene at Ensemble numerous regional productions Theatre Company of Santa Barbara. He has also ap- at the Alliance Theatre, The Muny in St. Louis, Pitts- peared at Shakespeare Center of Los Angeles (Com- burgh Civic Light Opera and Merry-Go-Round Play- edy of Errors, Twelfth Night, Romeo & Juliet), Hun- house. Her television and film credits include “The tington Theatre Company (Amphitryon), Pittsburgh Mentalist,” Won’t Back Down, and Fun Size. She Public Theatre (The Crucible), Utah Shakespeare earned her BFA at Carnegie Mellon School of Drama. Festival (Henry VIII, The Tempest), Geva Theatre (A GabrielleM.com Christmas Carol), La Mirada Theatre (Crazy for You, On Borrowed Time, My Fair Lady), San Jose Reper- tory (The Game of Love and Chance) and at Pacific Matt McGrath Black Stache Conservatory Theatre/PCPA (Light Up the Sky, The Winter’s Tale, Arcadia, Macbeth, Amadeus, Anything has appeared at SCR in Putting it Goes, A Midsummer Night’s Dream, Cinderella and Together, Ridiculous Fraud and Twelfth Night). Nevell earned his MFA in drama at UC Raised in Captivity. He most re- Irvine, and his BA in political science at Cal Poly San cently appeared in Verite by Nick Luis Obispo. He is head of voice/movement in the De- Jones at LCT3 (Lincoln Center partment of Theatre and Dance at Cal State Fullerton, Theater), The Legend of Georgia an associate teacher of Fitzmaurice Voicework, and McBride (Denver Center for the Performing Arts), has served as consultant to Walt Disney Entertainment His Girl Friday by John Guare (La Jolla Playhouse) Productions since 2008. and The Rocky Horror Show (The Old Globe). He starred in The Black Rider at Ahmanson Theatre in David O Los Angeles, San Francisco, London and Sydney. His Musical Director/Musician Broadway credits include Cabaret (Emcee) and A Streetcar Named Desire. His off-Broadway credits is a music-theatre artist who spe- include Hedwig and the Angry Inch, A Fair Country cializes in contemporary music (Lincoln Center Theater); Collection/A Kind of Alaska for the stage and concert hall. His by Harold Pinter, Minutes from the Blue Route and compositions include the Ova- The Dadshuttle (Atlantic Theater Company), Fat Men tion Award-winning score for Ubu in Skirts, The Old Boy, Life During Wartime, Amu- Roi (A Noise Within, 2006) and lets Against the Dragon Forces and Dalton’s Back the choral piece “A Map of Los Angeles” (Los Angeles (Drama Desk nomination). His regional appearances Master Chorale, Walt Disney Concert Hall). His musi- include Romance, Japes and Bell, Book and Candle cal direction credits include the world premieres of 13 (Bay Street Theatre); Caroline in Jersey and Loot (Wil- (Mark Taper Forum), Toy Story: The Musical (Disney liamstown Theatre Festival); Loot, His Girl Friday (La Creative Entertainment) and Songs & Dances of Imag- Jolla Playhouse); Distant Fires (LA Weekly Award); inary Lands (Overtone Industries), as well as the West and Snakebit. He appeared in the films Full Grown Coast premieres of (LaChiusa’s) The Wild Party, Little

Peter and the Starcatcher • South Coast Repertory • P11 Fish, and See What I Wanna See (The Blank Theatre). television and Mark Bennett’s A Midsummer Night’s His film compositions include the score for the docu- Dream (orchestrations), Chicago City Limits, the Ray- mentary Bronies: The Extremely Unexpected Adult mond Scott Orchestrette and orchestras worldwide. Fans of My Little Pony. He was the recipient of the His upcoming projects include I Heart Bob. He is a 2013 Los Angeles Drama Critics Circle Joel Hirschhorn member of the Dramatists Guild and artistic associate Award for Excellence in Musical Theatre and has re- for new musicals at New York Theatre Workshop. ceived numerous accolades for his work in L.A. the- atre, including most recently an LADCC Award for Art Manke (Director/Choreographer) has directed musically directing Floyd Collins (La Mirada Theatre). a wide variety of plays during more than a decade of He is the ongoing Music Supervisor and Arranger for work with SCR, including the West Coast premiere of Home Street Home, the new punk musical by Fat Mike, Itamar Moses’ Bach at Leipzig (for which he received Goddess Soma and Jeff Marx. his fifth LADCC Award), hit revivals of Noises Off, Tak- ing Steps, the musicals Lucky Duck and The Wind in the Willows, as well as numerous new play readings Paco Tolson Prentiss and workshops. His work has been seen at the Pasa- dena Playhouse, Denver Center Theatre Company, recently appeared in SCR’s 2015 Mark Taper Forum, Oregon Shakespeare Festival, Mil- Pacific Playwrights Festival read- waukee Repertory Theater, Seattle Repertory Theatre, ing of Vietgone, the latest in a de- Chicago Shakespeare Theater, Laguna Playhouse and cade-long collaborative relation- American Players Theatre, among others. Manke is a ship with playwright Qui Nguyen. co-founder and former artistic director (1991-2001) He is a graduate of Brown Uni- of A Noise Within, L.A.’s acclaimed classical theatre versity and a member of Ensemble Studio Theatre. company. A frequent guest lecturer at theatre schools Tolson has developed new work with Ma-Yi Theater across the country, he also directs for television, and Company, Vampire Cowboys, Studio 42, The Public holds a BFA from the University of Illinois and an Theater, EST, The Play Company, Center Theatre MFA from the American Conservatory Theater. His Group and SCR, among others. He trained at the Wil- upcoming projects include The Liar for Santa Cruz liamstown Theatre Festival and the Chautauqua Con- Shakespeare and Amy Freed’s The Monster-Builder at servatory. Find out more at www.pacotolson.weebly. Berkeley’s Aurora Theatre Company. He is currently com. “Love forever to Kate and my amazing family.” writing a new musical about Pearl Bailey, entitled Pearl’s in the House. Playwright, Director and Designers Michael B. Raiford (Scenic Design) is a scenic and Rick Elice (Playwright) wrote the Broadway produc- costume designer based in Austin, Texas. He previ- tions of Peter and the Starcatcher and Jersey Boys ously designed Death of a Salesman at SCR. His na- (with Marshall Brickman, Bob Gaudio and Bob Crewe, tional/regional theatre and opera credits include Geva directed by Des McAnuff, Tony Award, Best Musical) Theatre (Rochester, NY), The Cleveland Play House, and The Addams Family (with Marshall Brickman and Opera Boston, Kansas City Repertory Theatre, Central Andrew Lippa, directed by Jerry Zaks). His regional City Opera, Aurora Theatre Company, PlayMakers Rep- theatre credits include Turn of the Century (with Mar- ertory Company, Maltz Jupiter Theatre, Ford’s Theatre shall Brickman, directed by Tommy Tune); Double (Washington D.C.), The New Victory Theater (New Double (directed by Roger Rees), Dog and Pony York) and Actors Theatre of Louisville. At Actors The- (with Michael Patrick Walker) and Studio 54 (with atre, Raiford designed over 20 shows including a dozen Stephen Trask and Peter Yanowitz, directed by Chris- world premiere productions at The Humana Festival of topher Ashley). New American Plays. In Austin, he has designed at Bal- let Austin, Austin Lyric Opera, Rude Mechanicals, ZACH Wayne Barker (Music) was awarded the 2011 Theatre and Hyde Park Theatre. In addition, Raiford Drama Desk Award for Peter and the Starcatcher. works as a creative consultant in many fields includ- His Broadway credits include Dame Edna: Back ing architecture, interiors, advertising and yes, even With a Vengeance (composer, co-lyricist with Barry marching band/DCI and WGI. Raiford received his MFA Humphries). His regional theatre credits include The from University of Texas at Austin where he also taught Great Gatsby (Guthrie Theater) and Twelfth Night design for ten years. He is a member of United Scenic and The Three Musketeers (Seattle Repertory The- Artists Local 829. To see more of his work visit: flickr. atre). His other credits include “A Little Curious” for com/photos/michaelraiford/sets.

P12 • South Coast Repertory • Peter and the Starcatcher Angela Balogh Calin (Costume Design) returns Cheese Man, Top Dog/Underdog, Lucky Duck and to SCR where she has designed costumes and/or sets Junie B. Jones and a Little Monkey Business. She for more than 40 productions, including The Whip- has been designing around the country for the last ping Man, Rest, The Whale, The Trip to Bountiful, The 16 years at theatres such as Oregon Shakespeare Weir, Circle Mirror Transformation, Crimes of the Festival, Dallas Theater Center, Steppenwolf Theatre Heart, Ordinary Days and The Happy Ones. She has Company, La Jolla Playhouse, Goodman Theatre, designed more than 60 productions for Chautauqua The Court Theatre, Pasadena Playhouse, Hartford Theater Company, Milwaukee Repertory Theater, Den- Stage, Alliance Theatre, Getty Villa, Utah Shakespeare ver Center Theatre Company, The Old Globe, Pasa- \Festival, Milwaukee Repertory and Lookingglass dena Playhouse, Georgia Shakespeare, A Noise Within Theatre Company. Her work has also been seen in and many local theatres. She has worked extensively China, Italy, Spain, Scotland and Ireland. Her previ- in film and television in the U.S. and Romania and has ous awards have included the 2003 Michael Merritt/ design credits with I.R.S. Media, Cannon Films, PBS, Michael Maggio Emerging Designer Award and a 2010 Full Moon Entertainment and Romanian Films. Calin is Joseph Jefferson Award. She is currently an associate a resident artist at A Noise Within Theatre. She gradu- professor of lighting design and associate head of ated with an MFA in set and costume design from the design at UC Irvine. Her website is available at jaymi- Academy of Arts in Bucharest, Romania. smith.com

Jaymi Lee Smith (Lighting Design) is thrilled to be Michael K. Hooker (Sound Design) is thrilled to working at SCR again after working on The Stinky return to SCR, having previously designed A Light in

and 2009 Galas. According to Wylie, “It is an honor Honorary Producers for Bette and me to produce new and exciting plays. It is a greater honor to receive the thanks of the play- Bette and Wylie Aitken (Honorary Producers) wrights, directors, actors and staff of this great insti- are among SCR’s most enthusiastic supporters and tution who sacrifice give so much to enrich all of us.” have been actively involved in the life of the theatre since 1998. Honorary Producers of last year’s 50th Alan and Olivia Slutzky (Honorary Producers) season production of Tartuffe, the Aitkens have are second-generation SCR supporters who served also been Honorary Producers of six SCR world as Honorary Producers of Arthur Miller’s Death of a premieres, including Lucinda Coxon’s Nostalgia, Salesman last season and Suzan-Lori Parks’ Topdog/ Julie Marie Myatt’s My Wandering Boy (as mem- Underdog in 2012. Alan was introduced to SCR at bers of The Playwrights Circle), Lauren Gunderson’s a young age by his parents, Joel and Judy Slutzky, Emilie: La Marquise du Châtelet Defends Her Life who became involved during the Second Step days Tonight, Itamar Moses’s Completeness, Catherine in the late 1960s. After returning to Orange County Treischmann’s How the World Began and Smokefall from Chicago in 2009, Alan and Olivia joined Plati- by Noah Haidle. They also supported the West Coast num Circle and became First Night subscribers on premiere of Haidle’s Saturn Returns, in addition to the Argyros Stage. Alan has served on SCR’s Board the 2008 Pacific Playwrights Festival. The Aitkens of Trustees since 2010 and is currently the Board’s are First Nights subscribers, Gala underwriters, and vice president of development. He and Olivia gen- Platinum Circle members, as well as major contribu- erously support SCR’s Gala every year and, as tors to SCR’s Next Stage Campaign and Legacy Cam- members of The Playwrights Circle in 2013, they paign. Wylie served 10 years on the Board of Trust- helped underwrite the world premiere of The Pa- ees (2000-10), with two years as president (2009 risian Woman. “SCR is an asset to our community and 2010) and served as chair of the California Arts and, on a personal level, an additive to our lives,” Council. Now in her fourth year as an SCR Trustee, Alan says. “For us, one of the great things about Bette serves as vice president, community relations. SCR is experiencing the variety of works; whether a Last season, Bette served as vice chair of SCR’s 50th classic or a new play—it’s an opportunity to stretch Season Gala Ball, having previously chaired the 2006 your brain.”

Peter and the Starcatcher • South Coast Repertory • P13 the Piazza, Becky Shaw, Goldfish and Our Mother’s house, Utah Shakespeare Festival, California Shake- Brief Affair. On Broadway, he designed Looped, star- speare Theater, TheatreWorks, Perseverance Theatre, ring Valerie Harper, as well as the Looped national Spoleto Festival USA and Shakespeare Santa Cruz. She tour, starring Stephanie Powers. His regional credits also has stage-managed operas for Long Beach Opera include Sunday in the Park with George at The Rep- and Pacific Repertory Opera. Butler has a BA in the- ertory Theatre of St. Louis, Sweeney Todd at Opera atre arts from UC Santa Cruz and has been a member Theatre of St. Louis, as well as shows at Pasadena of Actors’ Equity since 2007. Playhouse, Arena Stage, Cincinnati Playhouse in the Park and Kirk Douglas Theatre. Recent local shows in- Kristen Cruz (Assistant Stage Manager) has been clude the world premieres of Backyard and Better at part of the stage management team at SCR for five The Echo Theater Company in Los Angeles. He spent seasons. She holds an MFA in stage management from six years as senior media designer for Walt Disney UC Irvine and a BA in theatre arts and minor in music Imagineering, where he produced sound for Disney from Vanguard University. She is also an adjunct pro- theme parks worldwide, including Hong Kong Dis- fessor at Azusa Pacific University. Her other theatre neyland, Tokyo Disney Sea and Walt Disney Studios credits include work at Pasadena Playhouse (Lythgoe Park in Paris. Recent Disney projects include music Family Productions), Laguna Playhouse, Irvine Bar- production for the Disney Dream cruise ship and an clay Theatre, The Wooden Floor, Little Fish Theatre, upcoming show at Shanghai Disneyland. Currently, The Actor’s Fund, American Coast Theater Company, he serves as head of the sound design program at UC Chance Theater and numerous dance companies in Irvine. Southern California. Cruz is a proud member of Ac- tors’ Equity. Philip D. Thompson (Accent Coach) is the head of the MFA program in acting at the UC Irvine, and Marc Masterson (Artistic Director) is in his fourth works as a voice and dialect coach for professional season with SCR. His recent directing credits include and university productions. He is certified as a mas- Zealot, Death of a Salesman, Eurydice and Elemeno ter teacher of Fitzmaurice Voicework and is the co- Pea at SCR, As You Like It for the Houston Shake- founder of Knight-Thompson Speechwork. He is speare Festival, The Kite Runner at Actors Theatre of the past president of the Voice and Speech Trainers Louisville and the Cleveland Play House. He served Association. He is the head of voice and text at the for 11 years as artistic director of Actors Theatre of Utah Shakespearean Festival and has served as resi- Louisville and produced the Humana Festival of New dent coach there for 15 seasons and more than 100 American Plays. During his Actors Theatre tenure, he productions. He has coached at Pasadena Playhouse, produced more than 100 world premieres, expanded Denver Center Theatre Company and Alabama Shake- audiences and the repertoire, deepened arts educa- speare Festival, among others, including numerous tion programs and spearheaded numerous communi- productions at Cincinnati Playhouse in the Park. This ty-based projects. His other Louisville directing credits is his 24th production at SCR. include A Midsummer Night’s Dream, Shipwrecked! An Entertainment, Glengarry Glen Ross, The Tem- Jennifer Ellen Butler (Stage Manager) has been pest, Mary’s Wedding, The Crucible, Betrayal, As You a part of the stage management team at SCR for 12 Like It, The Importance of Being Earnest and Mac- seasons and more than 45 productions. Her other beth. The world premieres he directed at the Humana theatre credits include productions at Laguna Play- Festival include works by Lisa Dillman, Wendell Berry,

P14 • South Coast Repertory • Peter and the Starcatcher Craig Wright, Eric Coble, Adam Bock, Gina Gionfrid- thur Miller’s The Crucible; Sally Nemeth’s Holy Days; do, Melanie Marnich, Charles Mee and Rick Dresser. and Margaret Edson’s Pulitzer Prize-winning Wit, He served as artistic director of City Theatre in Pitts- which he also directed at Seattle Repertory Theatre burgh for 20 years and was founder and chairman of and Houston’s Alley Theatre. He has directed Ameri- the Greater Pittsburgh Arts Alliance, and as a theatre can classics such as A Streetcar Named Desire and has advisory panel member for the National Endowment distinguished himself in staging contemporary work, for the Arts as well as numerous foundations. He won including the critically acclaimed California premiere the Man of the Year Vectors Award, and received the of William Nicholson’s Shadowlands. He directed a Lifetime Achievement Award from the Pittsburgh New revival of Horton Foote’s The Trip to Bountiful and Works Festival. Samuel D. Hunter’s The Whale and Rest (world pre- miere) and The Whipping Man by Matthew Lopez. Paula Tomei (Managing Director) is responsible Benson received his BA in theatre from San Francisco for leading the overall administration of SCR. She has State University. been managing director since 1994 and a member of SCR’s staff since 1979. She is a past president of the David Emmes (Founding Artistic Director) is co- board of Theatre Communications Group (TCG), the founder of South Coast Repertory. He received the national service organization for theatre. In addition, Margo Jones Award for his lifetime commitment to she served as treasurer of TCG, vice president of the theatre excellence and to fostering the art of Ameri- League of Resident Theatres (LORT) and as a member can playwriting. In addition, he has received numer- of the LORT Negotiating Committee for industry-wide ous awards for productions he has directed during his union agreements. She represents SCR at national SCR career. He directed the world premieres of Amy conferences of TCG and LORT; is a theatre panelist Freed’s Safe in Hell, The Beard of Avon and Freedom- for the National Endowment for the Arts (NEA) and land, Thomas Babe’s Great Day in the Morning, the California Arts Council; site visitor for the NEA; Keith Reddin’s Rum and Coke and But Not for Me and has been a guest lecturer in the graduate schools and Neal Bell’s Cold Sweat; the American premieres of business at Stanford and UC Irvine (UCI). She of Terry Johnson’s Unsuitable for Adults and Joe teaches a graduate class in nonprofit management Penhall’s Dumb Show; and the Southland premiere at UCI and was recently appointed by the chancellor of Top Girls (at SCR and the Westwood Playhouse). to UCI’s Community Arts Council. She is also on the Other productions he has directed include New Eng- board of Arts Orange County, the county-wide arts land, Arcadia, The Importance of Being Earnest, council, and the board of the Nicholas Endowment. Woman in Mind and You Never Can Tell, which he She graduated from UCI with a degree in economics restaged for the Singapore Festival of Arts. He has and pursued an additional course of study in theatre served as a theatre panelist and onsite evaluator for and dance. the National Endowment for the Arts, as well as a panelist for the California Arts Council. After attend- Martin Benson (Founding Artistic Director), co- ing Orange Coast College, he received his BA and MA founder of SCR, has directed nearly one-fourth of from San Francisco State University and his PhD in SCR’s productions. In 2008, he and David Emmes re- theatre and film from USC. ceived the Margo Jones Award for their lifetime com- mitment to theatre excellence and fostering the art Music Theatre International (MTI) is one of the and craft of American playwriting. They also accepted world’s leading theatrical licensing agencies, granting SCR’s 1988 Tony Award for Outstanding Resident schools as well as amateur and professional theatres Professional Theatre and won the 1995 Theatre L.A. from around the world the rights to perform the larg- Ovation Award for Lifetime Achievement. Benson has est selection of great musicals from Broadway and be- received the Los Angeles Drama Critics Circle Award yond. MTI works directly with the composers, lyricists for Distinguished Achievement in Directing an unpar- and book writers of these shows to provide official alleled seven times for George Bernard Shaw’s Major scripts, musical materials and dynamic theatrical re- Barbara, Misalliance and Heartbreak House; John sources to over 60,000 theatrical organizations in the Millington Synge’s Playboy of the Western World; Ar- U.S. and in over 60 countries worldwide.

The Actors and Stage Managers em- The Scenic, Costume, Lighting and The Director is a member of the Soci- ployed in this production are members Sound Designers in LORT theatres ety of Stage Directors and Choreogra- of Actors’ Equity Association, the Union are represented by United Scenic phers, Inc., an independent national of Professional Actors and Stage Man- Artists Local USA-829, IATSE. labor union. agers in the United States.

Peter and the Starcatcher • South Coast Repertory • P15 PATRONS The following donors have contributed $150 to $299 to the Annual Fund this season. We gratefully recognize the vital role they play in supporting the highest quality of artistic production at SCR.

Anonymous • Pat & Art Adair • Barbara Stephen A. Gigliotti • Alan Goldin • Mr. • Mr. & Mrs. Ira G. Rivin • Donal Ruth & Bill Adams • The Agrela Family • Mar- Lotte Gopalakrishnan • Mr. & Mrs. David Robison • Eduardo & Teri L. Rodriguez • git & John Allen • Frances & John Apple- Gorevitz • Mrs. Robin Gotterer • Alan Harriet Roop • Art & Alice Rose • Rich- gate, MD • Ms. Barbara R. Archer • Mr. & Sharon Graves • Mr. & Mrs. Thomas ard & Karen Rosenberg • Elena & Toby Mark Archer • Mr. Donald H. Astle • Ms. Greeley • Esther H. Gressard • Debby Rothschild • Mr. & Mrs. Robert D. Rude Jennifer Bainum • Ms. Barbara Baranski • & Don Griffin • Ms. Pamela R. Gross • • Michael Rudolph • Joan Rutledge • Dr. Mrs. Suzanne Barker • Ms. Mary Bassett Mark Guillod & Alan Miller • Timothy John Santaniello • Fran Sawyer • Wayne • Joe & Yolande Bati • William & Jane F. Guth • Ms. Sharon Harrington • Jim & Madonna Saxton • Mr. & Mrs. James Bauer • Mr. & Mrs. Art Becker • Les & & Berri Harris • Diane & Jack Hecht • W. Schenold • David & Jean Schlesinger Susan Bender • E. Kenneth Bennett & Mr. & Mrs. Stacy Holmes • Sheri Horn • • Dr. Martin & Suzanne Serbin • Mr. & Richard P. Wagner • Mr. & Mrs. Emmet & Dr. Thomas & Janet Hryniewicki • Alan Mrs. Harold Sharp • Claudette Shaw • Ann Berkery • Dr. & Mrs. Thomas Besley Jackson & Lila Clay • Mr. Douglas Jones • Linda Shepard • Linda Silverman / Ercil • Mr. & Mrs. Bharat • John & Dixie Bliss Sondi & Norman Townsend • Peg Jordan Brown • Ms. Lynna Silverstein • Mr. & • Patricia Boatright • Dr. Maureen Bo- • Dale A. & Helen Juliar • Fran Jutzi • Mrs. Howard D. Simpson • Jack & Rita cian • Hans Bode • The Bower Family Dr. & Mrs. Stanley Kaplan • Mr. & Mrs. Sinder • Dr. Karl Skindrud • Stephen & • David & Harriet Boyarsky • Dennis & Dan L. Kelly • Maria Kennedy • Hedy Judith Slagle • Mrs. David Smiley • Mrs. Sandra Bradley • Mr. & Mrs. James E. Kirsh • Dorothy Kisling • Dr. Susan J. Barbara Smith • John W. Smith • Dave & Brewer • Shirley D. Brisacher • Dr. & Knight • Miriam & Len Kranser • William Mary Solomon • Ms. Louise Sperr • Gai Mrs. John Carlisle Brown • Mr. Lawrence Kuehl • Michael A. Kuhn • Lakewood L. Spickard • Steven & Phyllis Spierer • Browne • Flo Buchanan • Mr. & Mrs. High School Theatre Students • Dennis Sid & Carole Spinak • Mr. William Spur- Sydney E. Buck • Marshall R. Bull • Mr. & Bridget Lambert • The Landa Family • geon • Jeannine & Roy Stake • Mr. & & Mrs. Richard J. Burdge • David Taussig Mr. & Mrs. Michael Lanphere • Kevin & Mrs. Ron Stein • Mr. Roger Stewart • & Cecily Burke • Ronald & Linda Calkins Jeanne Lewand • Glenn Libby • James & Daniel & Jeanne Stokols • Harris & Eileen • Mr. & Mrs. I. Douglas Campbell • Val- Marsha Lindsey • Michael & Robin Lingle Stutman • Tad and Christine Sullivan • erie Cantwell • Mr. Robert L. Chamness • Rob & Cris Linn • Mr. & Mrs. Robert W. Mr. & Mrs. Thomas Summerfield • Robert • Mary B. Coates • Mr. & Mrs. Walter Little • Margaret M. Lord • Corinne Lun- & Betty Taylor • James & Pamela Taylor • Cochran-Bond • Mr. $ Mrs. Joseph Cole- sford • Ms. Patricia Lynch • Mr. & Mrs. Mr. & Mrs. Keeler Thompson • Dr. & Mrs. man • Sandy & Carl Collier • Joe W. Col- John Maglione • Bill & Karen Mangold • Jeremiah G. Tilles • Tom & Patti Tisone • lins • Leni & Roger Cook • Ellie Cortese Stephanie Marotta • Don, Marcia & Edna Tony Urbano • John & Penny Valenzuela • Donald A. Cox • Barbara Cronin • Marsey • Ms. Penelope May • Dr. John • Joan Leb & Ted Van Boemel • Dr. & Janeen & Roger Cunningham • Chantal & L. & Therese McAndrew • Judge & Mrs. Mrs. Samuel Vickery • Henry & Susan Juliette Daitch • Claire Davis • Dr. David John McOwen • Glen & Sylvia McWilliams Vierregger • Frank Wagner • Dr. & Mrs. M. Davis & Dr. Robin Mintzer • Mr. Jon • Mr. & Mrs. Juan A. Mendoza • Elliott Gerald A. Wagner • Dorothy & Arthur Davis • Dr. Daniel & Emma Dennies • & Joanne Mercer • Ramona W. Merle • Wahlstedt • Bill & Maria Wallace • Phyllis Mr. & Mrs. Gary Des Rochers • Brian & Mr. Jess Meyers • Dr. Sallie Mitchell • & Cal Wallace • James & Laura Wantz • Mary Donnelly • Shirley & Tom Donovan Dr. Houchang & Barbara Modanlou • Virginia Warren • Henry G. & Margaret A. • Ms. Jessica Dorman-Davis • Andrea Richard & Kathryn Moore • Mr. & Mrs. Weber • Drs. Gerald & Eleanor Weinstein Drakeford • Gail Dufour • Ralph & Janet Richard Moore • Drs. Huguette & Edgar • Dexter Welton • Mr. & Mrs. James M. Dunham • Reva & Norman Einhorn • Moran • Beth & Richard Moran • Mr. White • Susan White • Wendy Wickner • June & Jeff Elsten • Don & Karen Evarts & Mrs. Harry W. Myers • Ms. Laura A. Ann & Donald Williams • Dan Willoughby • Dr. & Mrs. Michael S. Fabricant • Mr. Myers • Dr. Norman Myers • Mr. & Mrs. • Ms. Kathy Wilson • Mr. & Mrs. Mark E. Eugene H Felder Jr • Mr. & Mrs. Ferdi- Mitsuhiko Nakano • Keith & June Nelson Wilson • Royce & Darlene Wise • Amy nand F. Fernandez • William & Cindy • Matthew Nelson • Mr. Brad Newell • Wisneskie • Max & Marilyn L. Wolfsberg Fisher • Glenn & Jane Fowler • Laila & Catherine Nordbak • Alice A. O’Keefe • • Priscilla F. Wolz • Woody & Flo Wood- Dudley Frank • Jeff & Sheri Frankston Engin & Honorata M. Oktay • Charlotte ruff • Ms. Marjorie Stanford • Benjamin • Steven & Janice Frates • Carole Fritz Oliva • Robert Ooten • Ms. Ginger Os- & Sandra Wright • Mr. & Mrs. Robert • Dr. & Mrs. Stanley Galant • Ms. Linda borne • Ms. Rina Paterno • Mr. Don Pat- Zaitz • Bunny & Sol Zechter • Dr. Allen Galloway • Keith & Cheryl Garrison • tison • Deborah Paull • Frances J. Pedley Zeltzer • Dr. Gilbert & Elaine Zuker Mrs. Justine Gentile • Michael J. Gentile • Ms. Nancy Pugh • Renate Rados • Drs. & Denise C. Harden • James & Roberta Julia & Irv Rappaport • Richard Rawe • Recognition based on gifts received on and George • Suzette Giannini • Mr. & Mrs. Dagmar & Walter Rios • Ms. Julie Rivera before April 20, 2015.

P16 • South Coast Repertory • Peter and the Starcatcher