A History of Kanarese Literature Second Edition Revised And

Total Page:16

File Type:pdf, Size:1020Kb

A History of Kanarese Literature Second Edition Revised And TH E H ERITAGE O F INDIA SERIES Z R A Th e Right Re v ere nd V . S . A A I H , Bi shop of Dor na k al . R U HA R . D . Litt . J . N . F A ' , M A , A lrea dy pu blished. T he ud h sm . S E A H eart of B d i K J AUND RS , M . M H M . A . M D A ok M . C IL . s a . J . A P A , , . n a n P n n P R IN C IP A L PE C W C l I di a i ti g . R Y BRO N , a c utt a . es e u P R E B A K a n a r e Lit ra t re . E . IC , . ’ KE Sérnkh s . A E IE D LE I H Th e ya Sy tem . B RR A T , D . C . L L D . itt . lm M a a h a n s NIC I. M C IC L M D Psa s i S . O . A . Li t . of r t i t A N O , , . t n i e a u e F . E M A l e A s . ub u o r . Hi tory of Hi d Lit r t r E K AY , , J b p m s th e T a m l Sa a Sa n s . CIS I S B Hy n of i iv i t FRAN K NG URY , A n G E PH M A n d . a a e . B . a ILLI S , . P , , B g lor - m E E T h e a ma M ma sa. A . E KE K r i B RRI DAL ITH , D . Litt . a r S u bjects p roposed a n d volu mes u n der p rep a ti on . SANSKR IT AND PALI LI TERATUR E . t h e e P F A M E n m s . A CD LL O Hym s fro V da RO . A ON , xford . Ma h a an e P a u e . F D E An th ology of y a Lit r t r RO . L . LA VALLE E Gh en . POUSSIN , t h n ns m t e a s h a ds . F E E Se le ctio fro Up i . J . W ST RN , M . A D elhi . h e R m a n S cen es from t a ya a . Selections from th e Ma habh ara ta . TH E PH ILO SO PH IES . A n n u n n u Ph s h N H I trod ctio to Hi d ilo op y . J . FAR'U AR M E M A H m . C E Z I . JO N K N , , Bo ba y Th e P s h h e s h h il o o p y of t Upa n i a d s . ’ n a s e n a H M P a a a . A . K . S M S k r V d t AR A , . A a tia l a . ’ n Ramanuja s Ved a ta . h Th e B udd is t Sys tem . D M F INE ART AN USIC . n n h e u e . W I dia Arc it ct r R . L . E ING , B . A Ma dra s . I ndi a n Sc ulpt ure . Th e M n A s . P I CI L PE C W u i or rt R N PA R Y BRO N , C a lc tt a . n . M d a n ns C . B W A kn I i Coi . J RO N , . Luc ow . B OGRAP S O “ M N NT ND AN I HIE F E I E I I S . a u a u dh K S E A . G t ma B d a . J . AUND RS , M . , R a ngoon . Ramanu ja . A k a . V . S K M . Cal u a A b r F . LAC , c tt . T u i D ls as . i n r n th Ta e T M . A k u a . Ra b d a a gor . E . J . HOM PSON , B an r T R VERNACULAR LITERA U E . K u rr l P L E Th e B A . e a . A . O P Y H , . , Erod . mn th e a s . S . E Hy s of Alv r J . M . HOOP R , M. A . , Ma dr a s . ’ Tu s a R ama na in n G M A l i D s s ya Mi ia ture . J . DANN , . , P a tna . mn s B en a i S n e s . TH M A a nku a . Hy of g l i g r E J O PSON , M . , B r fi mns P R . D D Sfi Hy . ROF . SIRAJ U IN , Lahore , a nd W . R . C e z n WILSON , I . S D ra Gha i Kha . u i n G j a rat Hym s . u K a na rese R eligio s Lyric s . STOR S O RNA ULAR L T RATU HI IE F VE C I E RE . M . A a u a . en a i . P E B g l C . S . AT RSON , C lc tt M . A . hma da a d . u a a i R . G j r t . H BOYD , , A b M . P na . M A . D . Lit t . M a a hi . NIC L C IC L r t O A N O , , , oo U u H H A L M A . h a . d . B . G . r O S , , B op l T m B B . A . Ba n a e . a il . FRANCIS KINGS URY , , g lor H A M n R B H ANGA T elugu . P . C H EN CH IA , M. a dra s , a d AJ A UJ R A O e . , Ellor A L . T T a n d um . M a l a yala m . T . K . JOSEP H , B . riv r Si nha l ese . NOTABLE INDIAN PE OPLES . Th e Rajpu ts . n n M M M E M AP IL LAI l e e . Th e S h s s . K . C . A yri a C ri tia A N , l pp y Th e Sikh s . A V RIOUS . e n k T N M W M . A P . D Mod r Fol a l es . W . OR AN BRO N , h h P il a delphi a . I n dia n Villa ge Gove rnmen t . P m n MR N . M P oe s by I n di a Women . S . ACNICOL , oona . A . n n T em e en s . K . T . P B . a u I di a ple L g d AUL , , C l c tt a . Cl a ss ica l Sa ns krit Lit era tu r e . n n m n d h n . RAO B H I ndi a Astro o y a C ro ology A ADUR L . D . SVA M IK AN N U PILLAI . ED ITO RIA L PREFA CE n e h en h a s e e h Fi a lly , br t r , w t o v r t ings a re ue h a s e e h n s a re h n u e h tr , w t o v r t i g o o ra bl , w a ts o e e h n s a re us ha s e e h n s a re u e v r t i g j t , w t o v r t i g p r , e e h n s a re e h e h wh a tso v r t i g lov ly, w a t s oev r t ings a re d e h e e b e a n u e of goo r p ort if t r y virt , a nd h ' h e e e n se n k on h es e h . if t r b a y pra i , t i t t ings No s ectio n of the p opul a tio n of I ndi a c a n afford t o h n e e a e . h e n egl e ct er a ci n t h r it g In r lit e r a tur e , philo s ophy , art , a nd r e gul a t e d l if e th e r e i s much th a t i s i un wor thl e s s , much a l s o th a t s di s tinctl y h e a lthy ; ye t th e tr e a sur e s of kn owl e dg e , wi s dom , a nd be a ut y which n e u the y co t a in a re too pr cio s to b e l o s t . Ever y citi z e n of I ndi a n e e ds t o use th em , if he i s t o b e a cul e m n n. T s i s a u ta r d ode r n I dia hi s tr e of th e Chr i sti a n , h m h Z a n t e M us li , t e oro s tri a a s of the Hi ndu .
Recommended publications
  • Battle and Self-Sacrifice in a Bengali Warrior's Epic
    Western Washington University Western CEDAR Liberal Studies Humanities 2008 Battle nda Self-Sacrifice in a Bengali Warrior’s Epic: Lausen’s Quest to be a Raja in Dharma Maṅgal, Chapter Six of Rites of Spring by Ralph Nicholas David Curley Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/liberalstudies_facpubs Part of the Near Eastern Languages and Societies Commons Recommended Citation Curley, David, "Battle nda Self-Sacrifice in a Bengali Warrior’s Epic: Lausen’s Quest to be a Raja in Dharma Maṅgal, Chapter Six of Rites of Spring by Ralph Nicholas" (2008). Liberal Studies. 7. https://cedar.wwu.edu/liberalstudies_facpubs/7 This Book is brought to you for free and open access by the Humanities at Western CEDAR. It has been accepted for inclusion in Liberal Studies by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. 6. Battle and Self-Sacrifice in a Bengali Warrior’s Epic: Lausen’s Quest to be a Raja in Dharma Ma2gal* INTRODUCTION Plots and Themes harma Ma2gal are long, narrative Bengali poems that explain and justify the worship of Lord Dharma as the D eternal, formless, and supreme god. Surviving texts were written between the mid-seventeenth and the mid-eighteenth centuries. By examining the plots of Dharma Ma2gal, I hope to describe features of a precolonial Bengali warriors” culture. I argue that Dharma Ma2gal texts describe the career of a hero and raja, and that their narratives seem to be designed both to inculcate a version of warrior culture in Bengal, and to contain it by requiring self-sacrifice in both battle and “truth ordeals.” Dharma Ma2gal *I thank Ralph W.
    [Show full text]
  • Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
    “Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com.
    [Show full text]
  • ESSENCE of VAMANA PURANA Composed, Condensed And
    ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama
    [Show full text]
  • Why I Became a Hindu
    Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita
    [Show full text]
  • Is the Gaudiya Vaishnava Sampradaya Connected to the Madhva Line?
    Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? – Jagadananda Das – The relationship of the Madhva-sampradaya to the Gaudiya Vaishnavas is one that has been sensitive for more than 200 years. Not only did it rear its head in the time of Baladeva Vidyabhushan, when the legitimacy of the Gaudiyas was challenged in Jaipur, but repeatedly since then. Bhaktivinoda Thakur wrote in his 1892 work Mahaprabhura siksha that those who reject this connection are “the greatest enemies of Sri Krishna Chaitanya’s family of followers.” In subsequent years, nearly every scholar of Bengal Vaishnavism has cast his doubts on this connection including S. K. De, Surendranath Dasgupta, Sundarananda Vidyavinoda, Friedhelm Hardy and others. The degree to which these various authors reject this connection is different. According to Gaudiya tradition, Madhavendra Puri appeared in the 14th century. He was a guru of the Brahma or Madhva-sampradaya, one of the four (Brahma, Sri, Rudra and Sanaka) legitimate Vaishnava lineages of the Kali Yuga. Madhavendra’s disciple Isvara Puri took Sri Krishna Chaitanya as his disciple. The followers of Sri Chaitanya are thus members of the Madhva line. The authoritative sources for this identification with the Madhva lineage are principally four: Kavi Karnapura’s Gaura-ganoddesa-dipika (1576), the writings of Gopala Guru Goswami from around the same time, Baladeva’s Prameya-ratnavali from the late 18th century, and anothe late 18th century work, Narahari’s
    [Show full text]
  • Sri Krishna Kathamrita
    Sri Krishna Kathamrita Tav k QaaMa*Ta& TaáJaqvNaMa( tava kathāmta tapta-jīvanam BBBiiinnndududu Issue No. 162 Fortnightly email mini-magazine from Gopal Jiu Publications 6 October 2007 Śrī Indirā Ekādaśī, 10 Padmanābha, 521 Gaurābda Circulation, 2,007 • CLAIMING TO BE GOD His Divine Grace A. C. Bhaktivedanta Swami Prabhupada • SECTARIAN PREJUDICE Srila Thakur Bhaktivinode Śrī Caitanya-śīkāmta 3.3 • FROM THE LIFE OF SRILA MADHVACHARYA • OBSTACLES ON THE PATH OF DEVOTION Śrī Hari Bhakti-sudhodaya, 10.46-50 • THE GAURA MOON PAGE ONE TOP COLLUMN TWO Highlights Highlights The Poet Jnana Das • THE CHAITANYA TREE Srila Kavi Karnapur, Śrī Caitanya-candrodaya 1.6-7 CLAIMING TO BE GOD of them falsely claim to be God themselves. This is a blasphemy declared by the asuras, His Divine Grace A.C. Bhaktivedanta and the demoniac followers of such asuras Swami Prabhupada also accept pretenders as God or his The conditioned life of a living being is incarnation. In the revealed scriptures there caused by his revolting against the is definite information of the incarnation of Lord. There are men called deva, God. No one should be accepted as God or or godly living beings, and there an incarnation of God unless he is confirmed are men called asuras, or by the revealed scriptures. demons, who are against the The servants of God are to be respected as authority of the Supreme Lord. God by the devotees who actually want to go In the Bhagavad-gītā (Sixteenth back to Godhead. Such servants of God are Chapter) a vivid description of the asuras is called mahātmās, or tīrthas, and they preach given in which it is said that the asuras are according to particular time and place.
    [Show full text]
  • The Sacred Mahakala in the Hindu and Buddhist Texts
    Nepalese Culture Vol. XIII : 77-94, 2019 Central Department of NeHCA, Tribhuvan University, Kathmandu, Nepal The sacred Mahakala in the Hindu and Buddhist texts Dr. Poonam R L Rana Abstract Mahakala is the God of Time, Maya, Creation, Destruction and Power. He is affiliated with Lord Shiva. His abode is the cremation grounds and has four arms and three eyes, sitting on five corpse. He holds trident, drum, sword and hammer. He rubs ashes from the cremation ground. He is surrounded by vultures and jackals. His consort is Kali. Both together personify time and destructive powers. The paper deals with Sacred Mahakala and it mentions legends, tales, myths in Hindus and Buddhist texts. It includes various types, forms and iconographic features of Mahakalas. This research concludes that sacred Mahakala is of great significance to both the Buddhist and the Hindus alike. Key-words: Sacred Mahakala, Hindu texts, Buddhist texts. Mahakala Newari Pauwa Etymology of the name Mahakala The word Mahakala is a Sanskrit word . Maha means ‘Great’ and Kala refers to ‘ Time or Death’ . Mahakala means “ Beyond time or Death”(Mukherjee, (1988). NY). The Tibetan Buddhism calls ‘Mahakala’ NagpoChenpo’ meaning the ‘ Great Black One’ and also ‘Ganpo’ which means ‘The Protector’. The Iconographic features of Mahakala in Hindu text In the ShaktisamgamaTantra. The male spouse of Mahakali is the outwardly frightening Mahakala (Great Time), whose meditatative image (dhyana), mantra, yantra and meditation . In the Shaktisamgamatantra, the mantra of Mahakala is ‘Hum Hum Mahakalaprasidepraside Hrim Hrim Svaha.’ The meaning of the mantra is that Kalika, is the Virat, the bija of the mantra is Hum, the shakti is Hrim and the linchpin is Svaha.
    [Show full text]
  • An Introduction to the Sattra Culture of Assam: Belief, Change in Tradition
    Journal of Ethnology and Folkloristics 12 (2): 21–47 DOI: 10.2478/jef-2018-0009 AN INTRODUCTION TO THE SATTRA CULT URE OF ASSAM: BELIEF, CHANGE IN TRADITION AND CURRENT ENTANGLEMENT BABURAM SAIKIA PhD Student Department of Estonian and Comparative Folklore University of Tartu Ülikooli 16, 51003 Tartu, Estonia e-mail: [email protected] ABSTRACT In 16th-century Assam, Srimanta Sankaradeva (1449–1568) introduced a move- ment known as eka sarana nama dharma – a religion devoted to one God (Vishnu or Krishna). The focus of the movement was to introduce a new form of Vaishnava doctrine, dedicated to the reformation of society and to the abolition of practices such as animal sacrifice, goddess worship, and discrimination based on caste or religion. A new institutional order was conceptualised by Sankaradeva at that time for the betterment of human wellbeing, which was given shape by his chief dis- ciple Madhavadeva. This came to be known as Sattra, a monastery-like religious and socio-cultural institution. Several Sattras were established by the disciples of Sankaradeva following his demise. Even though all Sattras derive from the broad tradition of Sankaradeva’s ideology, there is nevertheless some theological seg- mentation among different sects, and the manner of performing rituals differs from Sattra to Sattra. In this paper, my aim is to discuss the origin and subsequent transformations of Sattra as an institution. The article will also reflect upon the implication of traditions and of the process of traditionalisation in the context of Sattra culture. I will examine the power relations in Sattras: the influence of exter- nal forces and the support of locals to the Sattra authorities.
    [Show full text]
  • Download Download
    ISSN 0974-7907 (Online) ISSN 0974-7893 (Print) Journal of Threatened Taxa 26 May 2019 (Online & Print) Vol. 11 | No. 7 | 13815–13950 PLATINUM 10.11609/jott.2019.11.7.13815-13950 OPEN www.threatenedtaxa.org ACCESS J Building TTevidence for conservation globally ISSN 0974-7907 (Online); ISSN 0974-7893 (Print) Publisher Host Wildlife Information Liaison Development Society Zoo Outreach Organization www.wild.zooreach.org www.zooreach.org No. 12, Thiruvannamalai Nagar, Saravanampatti - Kalapatti Road, Saravanampatti, Coimbatore, Tamil Nadu 641035, India Ph: +91 9385339863 | www.threatenedtaxa.org Email: [email protected] EDITORS Typesetting Founder & Chief Editor Mr. Arul Jagadish, ZOO, Coimbatore, India Dr. Sanjay Molur Mrs. Radhika, ZOO, Coimbatore, India Wildlife Information Liaison Development (WILD) Society & Zoo Outreach Organization (ZOO), Mrs. Geetha, ZOO, Coimbatore India 12 Thiruvannamalai Nagar, Saravanampatti, Coimbatore, Tamil Nadu 641035, India Mr. Ravindran, ZOO, Coimbatore India Deputy Chief Editor Fundraising/Communications Dr. Neelesh Dahanukar Mrs. Payal B. Molur, Coimbatore, India Indian Institute of Science Education and Research (IISER), Pune, Maharashtra, India Editors/Reviewers Managing Editor Subject Editors 2016-2018 Mr. B. Ravichandran, WILD, Coimbatore, India Fungi Associate Editors Dr. B.A. Daniel, ZOO, Coimbatore, Tamil Nadu 641035, India Dr. B. Shivaraju, Bengaluru, Karnataka, India Ms. Priyanka Iyer, ZOO, Coimbatore, Tamil Nadu 641035, India Prof. Richard Kiprono Mibey, Vice Chancellor, Moi University, Eldoret, Kenya Dr. Mandar Paingankar, Department of Zoology, Government Science College Gadchiroli, Dr. R.K. Verma, Tropical Forest Research Institute, Jabalpur, India Chamorshi Road, Gadchiroli, Maharashtra 442605, India Dr. V.B. Hosagoudar, Bilagi, Bagalkot, India Dr. Ulrike Streicher, Wildlife Veterinarian, Eugene, Oregon, USA Dr. Vatsavaya S.
    [Show full text]
  • Stotras in Sanskrit, Tamil, Malayalam and Krithis Addressed To
    Stotras in Sanskrit, Tamil, Malayalam and Krithis addressed to Guruvayurappan This document has 10 sanskrit stotras, 5 Tamil prayers ,56 Malayalam prayers and 8 Krithis Table of Contents 1. Stotras in Sanskrit, Tamil, Malayalam and Krithis addressed to Guruvayurappan .......... 1 2. Guruvayu puresa Pancha Rathnam(sanskrit)........................................................................... 5 3. Sri Guruvatha pureesa stotram .................................................................................................. 7 4. Sampoorna roga nivarana stotra of Guryvayurappan ......................................................... 9 5. Solve all your problems by worshiping Lord Guruvayurappan ........................................ 13 6. Guruvayu puresa Bhujanga stotra ............................................................................................ 17 7. Guruvayupuresa Suprabatham ................................................................................................. 25 8. Gurvayurappan Suprabatham .................................................................................................. 31 9. Guruvayurappan Pratha Smaranam ...................................................................................... 37 10. Sri Guruvatha puresa Ashtotharam ........................................................................................ 39 11. Sampoorna roga nivarana stotra of Guryvayurappan ....................................................... 45 12. Srimad Narayaneeyamrutham(Tamil summary of Narayaneeyam)
    [Show full text]
  • The Acting Chairman of the Board of Governers, Mr. David Summerscale Addressing the School. the Head of School, Ms. Sonya G
    The Acting Chairman of the Board of Governers, Mr. David Summerscale addressing the School. The Head of School, Ms. Sonya G. Mehta addressing the school community. 33 | YEARBOOK 2017-2018 eexxhhiibbiitioonnss 34 | YEARBOOK 2017-2018 Beauty and Harmony Founders' Art Exhibition The paint brush has been weaving magic for years and centuries; its bristles embracing surfaces of variety, leaving behind colourful stories in its wake, be it on canvas or soft paper. For the drawing of another Founders', the Art department brought forth an exhibition of natural beauty through canvas and paper works presenting landscape arts. Nature is a show of beauty and harmony, with the theme set as landscape, the Art department journeyed to impart joy. 35 | YEARBOOK 2017-2018 The Craft, Design and Technology Exhibition 36 | YEARBOOK 2017-2018 Eureka-The Physics Department’s Exhibition The exhibition presented a variety of robots- river surveillance robot, spider robot, garbage collecting robot, light and line following robot. The Eureka section presented an automatic cloth line, a quiz buzzer, a cooling solution, a monkey gun, a manual smart phone and an efficient emergency light. The Science ‘Adda’ A unique exhibition designed to stoke the scientific temper of students which presented innovative models such as the Magnetic Switch, the Lemon Battery, the Shooter Wheel and Dancing Light and Dancing Water. 37 | YEARBOOK 2017-2018 The Biology Department’s Exhibition A unique hands on exhibition was presented with the following highlights- ‘Know your blood group! Do you think you are healthy? Come and find out yourself! Food adulteration! Is your food safe?’ Beauty products from plants available in the backyard were showcased.
    [Show full text]
  • The Life of Krishna Chaitanya
    The Life of Krishna Chaitanya first volume of the series: The Life and Teachings of Krishna Chaitanya by Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center (second edition) Copyright © 2016 Jagannatha Vallabha Vedic Research Center All rights reserved. ISBN-13: 978-1532745232 ISBN-10: 1532745230 Our Jagannatha Vallabha Vedic Research Center is a non-profit organization, dedicated to the research, preservation and propagation of Vedic knowledge and tradition, commonly described as “Hinduism”. Our main work consists in publishing and popularizing, translating and commenting the original scriptures and also texts dealing with history, culture and the peoblems to be tackled to re-establish a correct vision of the original Tradition, overcoming sectarianism and partisan political interests. Anyone who wants to cooperate with the Center is welcome. We also offer technical assistance to authors who wish to publish their own works through the Center or independently. For further information please contact: Mataji Parama Karuna Devi [email protected], [email protected] +91 94373 00906 Contents Introduction 11 Chaitanya's forefathers 15 Early period in Navadvipa 19 Nimai Pandita becomes a famous scholar 23 The meeting with Keshava Kashmiri 27 Haridasa arrives in Navadvipa 30 The journey to Gaya 35 Nimai's transformation in divine love 38 The arrival of Nityananda 43 Advaita Acharya endorses Nimai's mission 47 The meaning of Krishna Consciousness 51 The beginning of the Sankirtana movement 54 Nityananda goes begging
    [Show full text]