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Library Friends News Stevens Memorial Library, North Andover, Mass
Library Friends News Stevens Memorial Library, North Andover, Mass. Spring 2003 Local Historian/Author at Spring 2003 Book Sale will Library for Book Signing be a Browser’s Delight The Friends will host Kathleen Dalton, Andover Thousands of excellent books of every kind to be resident and author of Theodore Roosevelt: A offered at unbelievably low prices. Strenuous Life, on May 7 at 7 p.m. at the library. The Friends of the Library Semi-Annual Booksale is Critics are lauding Kathleen Dalton’s Theodore the weekend of May 17th 9-5 & May 18th 2-5 with a Roosevelt: A Strenuous Life, published by Alfred A. special member’s preview on Friday, May 16th 5-7pm. Knopf in October. Lucky for us, Dalton is Cecil F. P. Bancroft Instructor of The Fall Book Sale 2002 raised more than $4,200! This history and social science at Phillips Academy and money will directly support the library. Our deepest lives in Andover with her husband, the historian E. thanks go to Star Market who provided us with plastic Anthony Rotundo and their two children. bags for purchases and the Buck a Bag Sunday. Issues Dalton deals with include homeland security during WWI; corporate greed in TR’s time and our own; Volunteers needed and the influence of the suffragist movement. The book sale’s success relies on volunteers. There are four ways you can help ensure this book sale is From the book jacket: “Both an updated political interpretation and an intimate personal story of a loving the most successful ever. but difficult man, his wife, his family, and his loyal First, give your personal library a thorough spring friends, [the book] will change persuasively the way we cleaning. -
Django Unchained
COLUMBIA PICTURES e WEINSTEIN COMPANY presentano un film di QUENTIN TARANTINO JAMIE FOXX CHRISTOPH WALTZ LEONARDO DiCAPRIO KERRY WASHINGTON e SAMUEL L. JACKSON Casting a cura di: Victoria Thomas Costumi di: Sharen Davis Montaggio di: Fred Raskin Scenografie di: J. Michael Riva Direttore della fotografia: Robert Richardson Executive Producers: Bob Weinstein, Harvey Weinstein, Michael Shamberg, Shannon McIntosh e James W. Skotchdopole Prodotto da: Stacey Sher, Reginald Hudlin e Pilar Savone Scritto e diretto da: Quentin Tarantino Distribuzione: Warner Bros. Pictures Italia Durata: 2 ore e 45 minuti Data d’uscita: 17 gennaio 2013 Materiali stampa: www.cristianacaimmi.com/materialidjango.zip 1 DJANGO UNCHAINED Sinossi Ambientato nel Sud degli Stati Uniti due anni prima dello scoppio della Guerra Civile, Django Unchained vede protagonista il premio Oscar® Jamie Foxx nel ruolo di Django, uno schiavo la cui brutale storia con il suo ex padrone, lo conduce faccia a faccia con il Dott. King Schultz (il premio Oscar® Christoph Waltz), il cacciatore di taglie di origine tedesca. Schultz è sulle tracce dei fratelli Brittle, noti assassini, e solo l’aiuto di Django lo porterà a riscuotere la taglia che pende sulle loro teste. Il poco ortodosso Schultz assolda Django con la promessa di donargli la libertà una volta catturati i Brittle – vivi o morti. Il successo dell’operazione induce Schultz a liberare Django, i due uomini scelgano di non separarsi, anzi Schultz sceglie di partire alla ricerca dei criminali più ricercati del Sud con Django al suo fianco. Affinando le vitali abilità di cacciatore, Django resta concentrato su un solo obiettivo: trovare e salvare Broomhilda (Kerry Washington), la moglie che aveva perso tempo prima, a causa della sua vendita come schiava. -
Fiftioen Cents a Week. New Orleans, Thursday Morning, January 18, 1849 Volume I Number 374
• FIFTIOEN CENTS A WEEK. NEW ORLEANS, THURSDAY MORNING, JANUARY 18, 1849 VOLUME I NUMBER 374. [From the N. Y. Literary World.] REMOVAL. ties of New Orleans are in league with the cabmen T>RIESTLEY & BEIN have removed their entire Stock FASHIONABLE DANCING ACADEMY WANTS. THE DAILY CHESCEN 21 Xttanljattaner in Nero GDrkane. and shoemakers." JL of HARDWARB.IRON. &C..&C-, ^ Who knows ! from No«. 19 New Levee and 36 and 40 LADIES' CALISTHENEUM : A S'TUATION WANTED-Br a »«vir. penevsrin« rllRLISHK» KVKKY l>AÏ—SUNDAYS «XCEITICU— THg MUNICIPALITIES—THIIR ARCHITECTURE AND I have often thought with pity of the New Or Tchoupitoulas street, to their New Stores, xA man. in s Grocery or WeMern Produce Store, u Ssles- PROMBNADKS. No8. 89 and 91 CA P Street, opposite APOLLO ROOMS, man, or I m any capacity in which he can make hinuelf ine Bv HAYES, M'OUTRE ft OO. leans-ward exiled lielles of Broadway, and Wasli- Natchez street, where they have on hand and are constantly CARONDELET 8T H E ET, NEAR UNION. fnl. salary not. so much an object a* immediateemployment * M. S. M < LIRH..J. C LARttg. .J. o. PltRSUX. [Below we give another of the clever sketches of itigfon, and Chestnut streets, so used to the pecu receiving by arrivals from Foreign and ^mestic Manufac Aw communication addrened to X. B„ Cranent Office. R. ST. MAUR STUART respectfully intimates to will be promptly attended to. \w* a Manhattaner in New Orleans. From his descrip liar delights of their own promenades. In some turers, full supplies of every description of GOODS in their > mine— No. -
What to See Where to Stay Where to Eat
2010 EDition GREA t E R B A t O N R O u GE The Official Visitors Guide PluS is here! What to see Where to stay Where to eat SPONSORED BY: TheMusic Issue Date: Welcome Ad proof #4 • Please respond by e-mail or fax with your approval or minor revisions. • Ad will run as is unless approval or final revisions are received by the close of business today. • Additional revisions must be requested and may be subject to production fees. Carefully check this ad for: CORRECT ADDRESS • CORRECT PHONE NUMBER • ANY TYPOS This ad design © Louisiana Business, Inc. 2009. All rights reserved. Phone 225-928-1700 • Fax 225-926-1329 d o fo a Se & Steak Family owned and operated Fireside dining Can accommodate large parties including rehearsal dinners Fresh homemade yeast rolls will greet you at your table US Highway 190, Livonia, LA 70755 | 225-637-3663 | notyourmamas.net (just 20 minutes west of Baton Rouge and 40 minutes east of Lafayette) Open daily 11-9pm • Fri. and Sat. 11-10pm 3 WELCOME • www.visitbatonrouge.com Issue Date: Welcome Ad proof #2 • Please respond by e-mail or fax with your approval or minor revisions. • Ad will run as is unless approval or final revisions are received by the close of business today. • Additional revisions must be requested and may be subject to production fees. Carefully check this ad for: CORRECT ADDRESS • CORRECT PHONE NUMBER • ANY TYPOS This ad design © Louisiana Business, Inc. 2009. All rights reserved. Phone 225-928-1700 • Fax 225-926-1329 VISIT US AT WWW.HOOTERSLA.COM TO FIND A LOCATION NEAR YOU Hooters Siegen Lane 6454 Siegen Lane Baton Rouge, LA 70809 225-293-1900 Hooters College Drive 5120 Corporate Blvd. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
The House of Dance and Feathers Mardi Gras Indian Museum—New Orleans, LA
The House of Dance and Feathers Mardi Gras Indian Museum—New Orleans, LA Project Locus: Patrick Rhodes, Executive Director In the months following Hurricane Katrina the forces of nature seemed to have defeated New Orleans. Profession- als questioned the wisdom of rebuilding a city lying largely below sea level on a storm-prone coast, and government officials seemed helpless in organizing the cleanup and beginning a rebuilding process. As recovery plans got under way elsewhere on the Gulf Coast, it seemed New Orleans, and especially its poor, largely African-American districts, would remain forever in ruin. Some residents, however, refused to accept this pros- pect. For them, New Orleans was not a “disaster waiting to happen again”—a possible trap—but rather home to a vibrant community with a rich cultural heritage. One of these was a community activist, Ronald Lewis. In the Lower Ninth Ward, Lewis was known as the founder and curator of the House of Dance and Feathers Mardi Gras Indian Museum. Housed in a garage alongside his home, the museum had contained an extensive collection of relics celebrating the city’s African-American heritage, including costumes from its largely forgotten “second-line” Mardi Gras festivities. Like most structures in the Lower Ninth Ward, the museum was destroyed by the flooding that followed the storm. But its redesign and reconstruction eloquently express the importance of rebuilding New Orleans as a living city, rather than a tourist site. At the core of the effort was an activist collaboration between Lewis and the architect and educator Patrick Rhodes, but it also involved countless hours of volunteer work by students, profession- als, and community residents, aided by a significant grant from the Charles Engelhard Foundation. -
Publishing Brochure 2021
Publishing with Lekha Ink An Informational Packet for Authors LEKHA INK, CORP. ABOUT LEKHA INK Lekha: A Brief History Jyoti Yelagalawadi, an avid storyteller and writer since her youth, has always believed that children and youth can accomplish anything by using their imaginations. One of her life long dreams has been to bring unique and good quality books written for or by chil- dren. She started Lekha Publishers in 2002 when she saw the poems written by one of her friends, a volunteer in her neighborhood school. After noticing that no traditional pub- lishing company would publish this extremely unique book of poems, she researched and found out the best way to publish Richard Makenzie’s Poems From The Playground. After that she published Laugh With Dinosaurs and a couple of other books, that she had written, under the company’s banner. Jyoti started a writing program as an experiment in the summer of 2006, when a friend of Jyoti asked her to guide her daughter and a few other children in the art of writing. Jyoti's wonderful experience that summer inspired her to continue the writing center as a inseparable part of her independent publishing company, which was later incorporated as Lekha Ink, Corp. Since then she and her staff have guided and published over 5000 young authors in anthologies. She has personally guided 45 authors, both young authors and adults, in creating their own books. How Publishing with Lekha Works Lekha is a small, independent publishing house, and simply cannot afford to operate in the way of a tradi- tional publishing house, which covers all the initial costs, then pays the author a percentage of the book sales. -
Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans. Michael Eugene Crutcher Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Crutcher, Michael Eugene Jr, "Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans." (2001). LSU Historical Dissertations and Theses. 272. https://digitalcommons.lsu.edu/gradschool_disstheses/272 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Penny C. Sansevieri
:gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`rhnk;hhd PENNY C. SANSEVIERI New York FROM BOOK TO BESTSELLER :gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`Rhnk;hhd by Penny C. Sansevieri © 2007. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying and record- ing, or by any information storage and retrieval system, without permission in writing from author or publisher (except by a reviewer, who may quote brief passages and/or show brief video clips in a review). ISBN: 1-60037-088-8 (Hardcover) ISBN: 1-60037-085-3 (Paperback) ISBN: 1-60037-086-1 (eBook) ISBN: 1-60037-087-X (Audio) Published by: Morgan James Publishing, LLC 1225 Franklin Ave. Ste 325 Garden City, NY 11530-1693 Toll Free 800-485-4943 www.MorganJamesPublishing.com Interior Design by: Bonnie Bushman [email protected] MORE BOOKS BY PENNY C. SANSEVIERI GhgÛ\mbhg Get Published Today (Morgan James Publishing 2006) From Book to Bestseller (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! ,QÀQLW\3XEOLVKLQJ Get Published! $QDXWKRU·VJXLGHWRWKH RQOLQHSXEOLVKLQJUHYROXWLRQ (1st Books, 2001) ?b\mbhg 7KH&OLIIKDQJHU (iUniverse, 2000) Candlewood Lake (iUniverse, 2006) To subscribe to our free newsletter send an e-mail to ln[l\kb[^9ZfZkd^mbg`^qi^km'\hf P^]eho^rhnk_^^][Z\d' A^k^lahpmh\hgmZ\mnl3 Author Marketing Experts, Inc. 3RVW2IÀFH%R[ San Diego, CA 92142 www.amarketingexpert.com [email protected] ?hk?kZgl The best dad a girl could ever have. -
True Detective Episode Guide Episodes 001–024
True Detective Episode Guide Episodes 001–024 Last episode aired Sunday February 24, 2019 www.hbo.com c c 2019 www.tv.com c 2019 www.hbo.com c 2019 www.tvrage.com c 2019 celebdirtylaundry.com c 2019 www.refinery29.com The summaries and recaps of all the True Detective episodes were downloaded from http://www.tv.com and http:// www.hbo.com and http://www.tvrage.com and http://celebdirtylaundry.com and http://www.refinery29.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on February 26, 2019 by footstep11 with create_eps_guide v0.61 Contents Season 1 1 1 The Long Bright Dark . .3 2 Seeing Things . .7 3 The Locked Room . 11 4 Who Goes There . 15 5 The Secret Fate of All Life . 19 6 Haunted Houses . 23 7 After You’ve Gone . 27 8 Form and Void . 31 Season 2 35 1 The Western Book of the Dead . 37 2 Night Finds You . 41 3 Maybe Tomorrow . 43 4 Down Will Come . 47 5 Other Lives . 51 6 Church in Ruins . 53 7 Black Maps and Motel Rooms . 55 8 Omega Station . 59 Season 3 63 1 The Great War and Modern Memory . 65 2 Kiss Tomorrow Goodbye . 67 3 The Big Never . 69 4 The Hour and the Day . 71 5 If You Have Ghosts . 75 6 Hunters in the Dark . 77 7 The Final Country . 79 8 Now Am Found . 81 Actor Appearances 85 True Detective Episode Guide II Season One True Detective Episode Guide The Long Bright Dark Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Sunday January 12, 2014 Writer: Nic Pizzolatto Director: Cary Joji Fukunaga Show Stars: Woody Harrelson (Martin Hart), Matthew McConaughey (Rustin Cohle), Michelle Monaghan (Maggie Hart), Michael Potts (Det. -
CURRICULUM VITAE Name Birth Date and Place John D. Fair
CURRICULUM VITAE Name Birth Date and Place John D. Fair September 6, 1943 Waynesboro, Pennsylvania, U.S.A. Married Children Sarah Patterson Fair Jonathan Oliver Fair (b. 1982) Philip Alexander Fair (b. 1985) Address 759 Karlee Court, Auburn, AL 36830 (478) 986-9286 or [email protected] or The H. J. Lutcher Stark Center for Physical Culture & Sports, NEZ 5.700, 1 University Station, D3600, Austin, TX 78712 (512) 471-0995 [email protected]. Education B.A. Juniata College, Huntingdon, Pennsylvania, 1965 M.A. Wake Forest University, Winston-Salem, North Carolina, 1966 Thesis: "Women's Suffrage in Great Britain, 1913-1918" Ph.D. Duke University, Durham, North Carolina, 1970 Dissertation: "The Role of the Conference in British Politics, 1884-1918" Areas of Specialization British Political and Constitutional History Modern Irish History British Empire and Commonwealth Twentieth Century American (Physical Culture & Sport) History Southern History Teaching Experience Instructor of History, York College of Pennsylvania, York, Pennsylvania, 1967. Instructor of History, Millersville University of Pennsylvania, Millersville, Pennsylvania, 1968. Assistant Professor of History, Virginia Polytechnic Institute & State University, Blacksburg, Virginia, 1969-1971. Assistant Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1971-1975. Associate Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1975-1981. Visiting Professor of History, University of Maine at Orono, Orono, Maine, Summer, 1981. Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1981-1989, Professor and Head, 1989- 1995, Alumni Professor and Head, 1995-1997 Professor of History & Chair, Georgia College & State University, Milledgeville, Georgia, 1997-2002 Professor of History, Georgia College & State University, Milledgeville, Georgia, 2002-2012 Adjunct Professor of Kinesiology, University of Texas, Austin, 2012-. -
Melodrama Pop Em Quentin Tarantino E Sua Trilogia Histórica1 Carolina De Oliveira SILVA2 Universidade Anhembi Morumbi, São
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXIX Congresso Brasileiro de Ciências da Comunicação – São Paulo - SP – 05 a 09/09/2016 Melodrama Pop em Quentin Tarantino e sua Trilogia Histórica1 Carolina de Oliveira SILVA2 Universidade Anhembi Morumbi, São Paulo, SP Resumo Este artigo trabalha os três últimos filmes de Quentin Tarantino sobre a perspectiva da recuperação histórica autoral. "Bastardos Inglórios" (2009), "Django Livre" (2012) e "Os Oito Odiados" (2015) têm como pano de fundo a II Guerra Mundial e a Guerra Civil Americana. A temática da vingança retoma premissas clássicas do melodrama, ainda que ligeiramente modificadas: a luta entre o bem e o mal, o amor e o ódio, a família e a moralidade – encabeçadas principalmente por personagens femininas. A partir das relações entre o melodrama clássico e romântico e a hibridação característica do cineasta, pretende- se desenvolver uma análise que estabeleça elementos melodramáticos nos filmes que obedecem a uma lógica moral do universo criminoso, ainda que não possamos classificá-los como filmes do gênero melodrama. Palavras-chave: Análise Fílmica; Quentin Tarantino; Melodrama; Minorias; Audiovisual. Introdução “Meus personagens têm uma tremenda profundidade. Acho que crio indivíduos muito humanos e é por isso que as pessoas respondem a eles, tudo bem, e você sabe que eles todos são pessoas com esperteza e dor e decisões a tomar” (TARANTINO apud HATTENSTONE, 2012, p.301). Quentin Tarantino parece ultrapassar os limites da moral e dos bons costumes e defender seus gângsteres marginalizados a partir de uma mentalidade própria: a do profissionalismo. Talvez por tratar em sua grande maioria da bandidagem como um ganha-pão, a forma de admitir as mortes sangrentas e as atitudes absurdas ocorre pelo fato de aceitarmos o universo criminoso como provável, aparentes desde seu primeiro filme.