“Robert Morris: the Order of Disorder”, Art in America, May 2010
2% #2%!4)/. 2/"%24 -/22)3 4(% /2$%2 /& $)3/2$%2 Decades after its debutÑand disappearanceÑan early work is re-created by Robert Morris for the gallery that first sponsored it. "9 2)#(!2$ +!,).! This page and next, Robert Morris: Untitled (Scatter ROBERT MORRIS HAS re-created one Morris retrospective, but was not Piece), 1968-69, felt, steel, of the key works of Post-Minimalism, sent to the exhibition’s next venue, lead, zinc, copper, aluminum, Untitled (Scatter Piece), 1968-69, at the Detroit Institute of Arts. Instead, it brass, dimensions variable; at Leo Castelli Gallery, New York. Leo Castelli Gallery on 77th Street. was returned to storage, and subse- Photo Genevieve Hanson. First exhibited along with Continuous quently disappeared—curious, since All works this article © 2010 Project Altered Daily at the Castelli it consisted of 100 hefty pieces of Robert Morris/Artists Rights Warehouse on West 108th Street in metal and 100 pieces of heavy-duty Society (ARS), New York. March 1969, Untitled (Scatter Piece) felt, and weighed about 2 tons. traveled to the Corcoran Gallery of Re-creation, with its implication of exact Art in Washington, D.C., the follow- reproduction, is perhaps an imprecise ing November as part of an early word for the 2010 project. The ele- exist in a perfectly valid iteration while ments in the new work are indeed the in storage—presumably neatly stacked same type as in the original, but rather than strewn about. their disposition (not rule-bound The rectilinear metal pieces are CURRENTLY ON VIEW “Robert Morris: Untitled (Scatter Piece), but arrived at intuitively) responds to made of copper, aluminum, zinc, 1968-69” at Leo Castelli Gallery, New the work’s location: Morris maintains brass, lead or steel, and arrived at York, through May 15.
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