Orchestral Concerts' Database
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Belfast Waterfront / Ulster Hall
Appendix B Ulster Hall - Programming Policy 1. Introduction The Ulster Hall will reopen in March 2009 following a major refurbishment. This is the second phase of the refurbishment work (Phase I 2005-06) and will see major changes to the venue including: Ulster Orchestra taking residency in the venue Addition of interpretive displays Launch of an education and community outreach programme Opportunity for the venue to actively programme and promote a range of events. Since 2004 the venue has been managed alongside Belfast Waterfront and it is envisaged that existing expertise within the Waterfront staff structure will inform and direct the relaunch of the Ulster Hall. This document addressed the programming policy for the ‘new’ Ulster Hall, identifying the changes in the venue’s operation and management and taking into account the overall marketplace in which the venue operates. 2. Context This policy is based on the following assumptions about how the Ulster Hall will operate in the future: A receiving house and programming venue Programming will have a mix of commercial and developmental objectives Opportunity for business use of the venue will be exploited In-house PA and lighting facilities will be available Premises will be licensed – alcohol consumption permitted in the main space for standing concerts An improved environment – front of house facilities, seating, dressing rooms Hire charges will need to be set appropriately to reflect these changes in order to compete within the market, whilst acknowledging a previously loyal client base 90683 - 1 - 3. Historical and Current Position Historical Position Typically the Ulster Hall has hosted around 150 events each year. -
Ulster Orchestra / Musicians' Union Freelance Orchestral Agreement
Ulster Orchestra / Musicians’ Union Freelance Orchestral Agreement 2019-2020 1. PREAMBLE This Agreement is made between the Ulster Orchestra Society Limited (‘the Society’) and the Musicians’ Union (‘the MU’) governing the minimum terms and conditions agreed collectively between the Society and the MU for the engagement of self-employed Musicians (‘a/the musician’) working as Extras and Deputies with the Ulster Orchestra. The terms and conditions set out in the Agreement shall be effective from 1st August 2019 The Society and the MU each recognise the other to be the appropriate body to negotiate on behalf of its members. For the avoidance of doubt this agreement is not intended to confer employee status on any Musician and the intention and understanding of all parties is that Musicians engaged under these terms and conditions are self-employed workers. 2. FREELANCE RATES The following shall be the minimum rates to be paid to a musician engaged to play for concerts, rehearsals and media work to be effective from 1st August 2019: 2.1 Concert Fee: For up to six hours playing on one day, including either two or more rehearsal sessions, a single rehearsal session and concert, or a single concert session only: Tutti £106.41 Sub-Principals £112.80 Principals £118.12 Section Leader £127.70 2.2 Single Rehearsals: For up to three hours playing where no other work is offered on the same day and the work does not include a concert (calculated as 60% of the full day rate): Tutti £63.85 Sub-Principals £67.68 Principals £70.87 Section Leader £76.62 Musicians based in the UK: where the musician is scheduled for a single rehearsal session (excluding the first day of a work period), they will be paid the concert fee. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
BBC Management Review 2010/11
Northern Ireland Management review 2010/11 a 01 Introduction 12 Looking ahead 19 Contacts 02 Two minute summary 18 Key priorities for next year 20 Northern Ireland 04 Service performance management “ Broadcasting makes an important contribution to the wealth and well-being of local society.” Peter Johnston, Director, BBC Northern Ireland Cover image Cover shows BBC Radio Ulster presenters at the launch of Open House in Broadcasting House, Belfast. Introduction The BBC’s mission may be constant and enduring, but the business of broadcasting, like society itself, is always changing. We can report on a year in which our services enjoyed broad and popular appeal, and much critical success. Network production increased and has now begun to achieve the critical mass on which its long-term sustainability depends; we enhanced our newsgathering with the appointment of new area-based reporters; and our local television portfolio was refreshed with additional landmark programmes and commissions that were intended to reflect community life in all its different aspects and diversity. We introduced schedule changes at BBC Radio Foyle; extended the availability of the BBC’s national DAB network in Northern Ireland; secured some necessary capital investment to facilitate local television outside broadcasts into the future; and delivered a range of BBC recordings and events – showcasing talent and providing moments of celebration for the whole community. All of this activity has been taken forward in the midst of real financial constraints. Further savings are in prospect and will require difficult choices about priorities and a clear focus on how we can maximise the impact and value of our service offering. -
Download Booklet
559747 bk Paine US_559747 bk Paine US 25/06/2013 13:48 Page 4 Ulster Orchestra AMERICAN CLASSICS Photo: Harrison Photography The Ulster Orchestra is one of Northern Ireland’s cultural cornerstones and since its foundation in 1966 has become one of the major symphony orchestras in the United Kingdom and Ireland. JoAnn Falletta was appointed John Knowles Principal Conductor in May 2011, the orchestra’s twelfth but first female and first American to be appointed to the post. The Hungarian-born violinist, Tamás Kocsis, leads PAINE the Orchestra. Northern Ireland’s only professional (1839-1906) symphony orchestra performs in front of over 100,000 people across Northern Ireland each year averaging eighty to ninety performances, including its more than forty main Symphony No. 1 season concerts, lunch-time concerts, BBC invitation concerts and concerts at many regional and national venues like the National Concert Hall in Dublin and Royal Albert Hall in London. The Ulster Orchestra gratefully The Tempest • As You Like It Overture acknowledges the significant support it receives from the Arts Council of Northern Ireland, its Principal Funder, the BBC, Belfast City Council and many of Northern Ireland’s leading businesses. Ulster Orchestra • JoAnn Falletta JoAnn Falletta JoAnn Falletta serves as Music Director of the Buffalo Philharmonic and Virginia Symphony in the United States and Principal Conductor of the Ulster Orchestra in Northern Ireland. She has guest conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, South America and Africa and is the Principal Guest Conductor of the Phoenix Symphony and Brevard Music Center of North Carolina. -
“By Learning a New Language, a Person Acquires a New Way of Knowing Reality” Augusto Boal
Appendix 2 FUNDING OF THE ARTS IN NORTHERN IRELAND 1.1 Introduction: Belfast City Council is a local government council and invests approx £7,700,000 annually in arts and heritage, in addition, through enhanced capital investment in cultural venues in 2008/2009 this has increased to £12,469,437. Our shared vision for cultural development in Belfast is to create a vibrant, cultural capital where arts and culture and placed firmly at the centre of economic, social and environmental regeneration in a way which inspires, empowers and elevates those who live, work in and visit the city. Culture and Arts Unit in Belfast City Council is part of Economic Initiatives section which has a remit for city regeneration. However, a number of different units and sections within Belfast City Council invest in and support the arts: - Belfast Waterfront and the Ulster Hall (both managed by Belfast City Council) provide a venue for cultural events and activities - Good Relations Unit fund a number of projects and those with a Artistic/Cultural elements amount to £121,083 - Creative Industries programme has invested £249,000 in 08/09 on a project to help small companies in the music industry - Events Unit organise civic events which frequently have a cultural element such as ‘Opera in the Gardens’, Lord Mayor’s carnival parade and Titanic festival - Tourism Unit has a Cultural Tourism Officer who has spearheaded initiatives like ‘Late Night Art’, Cultural tours and Music coordination. - Planning and Transport manage the Re-Imaging Communities project and -
The Kingdom Edward Elgar
lioyaCTunbridge ^WeCCs CfioraC Society THE KINGDOM EDWARD ELGAR Saturday 15th April 2000 7.30pm Programme 50p Royal Tunbridge Wells Choral Society Musical Director and Conductor: DEREK WATMOUGH Royal Tunbridge Wells Choral Society Orchestra Leader: RITA FRENCH Lyn Cook - Soprano Lyn was bom in Stroud and was encouraged to pursue a singing career after winning prizes at the Cheltenham Festival of Music. While studying at the Royal Academy of Music with Marjorie Thomas, she gained a notable reputation for her London perfor mances with the student Baroque group under Michael Proctor and for a series of recitals with the Norwegian pianist Bjorg Julsrud. On completion of her Diploma course she received a Vaughan Williams Trust Award to continue her studies, giving performances of Opera, Oratorio and Concert work under many notable conductors. Her portrayal of Micaela in Carmen received much critical acclaim. Her work during master classes at Aldeburgh particularly impressed Sir Peter Pears and Geoffrey Shaw. She now continues her studies with Keith Bonnington and has established an enviable reputation for Concert work. In 1987 Lyn joined the English National Opera where she has been chosen to sing cameo roles in Madam Butterfly, Osud, Hamel and Gretel. 7he Force o f Destiny, Cunning Little Vixen and Damnation o f Faust. In 1990 she toured the USSR with the company and amongst recent acclaimed concert performances have been Messiah (Handel), Requiem (Verdi), Pastoral (Bliss), B minor Mass (Bach) and the first performance of a new translation of St John’s Passion by Neil Jenkins. Major understudies include Chloe in Oueen o f Spades, Lidka in Two Widows, Heavenly Voice in Damnation o f Faust and first Flower Maiden in Parsifal. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription
V^ V \ ^h- >J r B OSTON SYMPHONY ORCH E STRA FOUNDED IN 1881 BY A -^_7^ EIGHTIETH SEASON 1 960 - 1961 I •aNnuA Ante BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, I960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President Richard C. Paine • Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [259] . -
2019-20 Our Vision
Arts Council of Northern Ireland - 2019-20 www.artscouncil-ni.org Our Vision Our vision is to ‘place the arts at the heart of our social, economic and creative life’. In Inspire, Connect, Lead, our five-year strategic framework for the development of the arts in Northern Ireland, 2019-24, we identify the main themes covering what we believe needs to be done to achieve this vision. In this Annual Review 2019-20 you will see the progress that has been made in these areas, including the new ‘Embrace the Place’ partnership with Tourism NI, profiling opportunities at international arts festivals, and bringing ‘the greatest literary show on earth’ to Northern Ireland. www.artscouncil-ni.org Cover Image: Distinguished granddaughter of Mahatma Gandhi, Tara Gandhi Bhattacharjee, opened the two-day literature festival, JLF Belfast 2019, and spoke at the Seamus Heaney HomePlace. Photo: Brian Morrison c21 theatre company presented Rosemary Jenkinson’s ‘May the Road Rise Up’, featuring Christine Clare, at the Brussels Platform, promoting the culture and creativity of Northern Ireland. Contents Overview 6 A Year in the Arts 10 The Board of the Arts Council 35 The Executive of the Arts Council 37 Financial summary 39 Frequently asked questions 43 www.darraghneely.com arts council of northern ireland annual review 2019-20 Welcome What we do Welcome to the Arts Council of Northern Ireland’s Annual Review 2019-2020. The Arts Council is the development agency for the arts in Northern Ireland, providing the main support for artists and This calendar-style review of our combined Exchequer and National Lottery-funded activities covers arts organisations throughout the region through a range many of the artistic highlights of the last (financial) year, expanding in greater detail on several of the of funding opportunities. -
Concert Report for Website Feb 2021
Birmingham Choral Union Concert Record Date Concert Composer Venue Conductor Soloists Accompaniment 16 March, 1891 Fair Rosamunde John Barnett Orchestra - 57 players Dr.Swinnerson Heap Chorus - 450 singers plus organ Programme cost 6d 25 March, 1892 Maritana W V Wallace Programme cost 1d 2 April, 1892 Messiah Handel 10 December, 1892 Maritana (excerpts) W V Wallace Noel Tide Thomas Facer 25 March, 1893 Maritana W V Wallace 10 March, 1894 Loreley (excerpts) Mendelssohn The Crusader Thomas Facer Chorus of 227 singers,35 orchestra members - no other details recorded 1 January, 1895 8th Series of Concerts. No further details available 12 October, 1895 Samson Handel Programme cost 1d 14 December, 1895 Noel Tide Thomas Facer Loreley Mendelssohn 22 February, 1896 Messiah Handel 1897 to 1898 - 10th, 11th & 12th 1 January, 1897 Series of Concerts. No further details available 21 October, 1899 Samson Handel 9 December, 1899 Messiah Handel 1900 to1903 - 14th, 15th & 16th Series of Concerts. No further 1 January, 1900 details available 23 January, 1904 Messiah Handel 18th Series of Concerts - no 1 January, 1905 details available 11 November, 1905 Gounod Night (excerpts) Gounod Advert in back of programme for Birmingham Choral & Orchestral Association (conductor J H Adams) to perform 'Faust' 6 December, 1905 Maritana W V Wallace 27 January, 1906 Messiah Handel 10 March, 1906 Eli Sir Michael Costa 1 1907 to 1913 - 20th to 26th Seris 1 January, 1907 of Concerts - No details available 24 January, 1914 Merrie England E German Birmingham Town Hall Richard -
Dame Joan Hammond (1912-1966) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JULY 2018 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended. -
City of Birmingham Choir Concerts from 1964
City of Birmingham Choir concerts from 1964. Concerts were conducted by Christopher Robinson and took place in Birmingham Town Hall with the CBSO unless otherwise stated. Messiah concerts and Carols for All concerts are listed separately. 1964 Mar 17 Vaughan Williams: Overture ‘The Wasps’ Finzi: Intimations of Immortality Vaughan Williams: Dona Nobis Pacem Elizabeth Simon John Dobson Peter Glossop Christopher Robinson conducts the Choir for the first time Jun 6 Britten: War Requiem Heather Harper Wilfred Brown Thomas Hemsley Performed in St Alban’s Abbey Meredith Davies’ final concert as conductor of the Choir Nov 11 & 12 Britten: War Requiem (Nov 11 in Wolverhampton Civic Hall Nov 12 in Birmingham Town Hall) Jacqueline Delman Kenneth Bowen John Shirley-Quirk Boy Choristers of Worcester Cathedral CBSO concert conducted by Hugo Rignold 1965 Feb 27 Rossini: Petite Messe Solennelle Barbara Elsy Janet Edmunds Gerald English Neil Howlett Colin Sherratt (Piano) Harry Jones (Piano) David Pettit (Organ) Performed in the Priory Church of Leominster Mar 11 Holst: The Planets CBSO concert conducted by Hugo Rignold Mar 18 Beethoven: Choral Symphony Jennifer Vyvyan Norma Proctor William McAlpine Owen Brannigan CBSO concert conducted by Hugo Rignold Mar 30 Elgar: The Dream of Gerontius Marjorie Thomas Alexander Young Roger Stalman May 18 Duruflé: Requiem Poulenc: Organ Concerto Poulenc: Gloria Elizabeth Harwood Sybil Michelow Hervey Alan Roy Massey (Organ) 34 Jun 2 Rossini: Petite Messe Solennelle Elizabeth Newman Miriam Horne Philip Russell Derek