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Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the Photographs of Nils Strindberg
CROSSING BORDERS, SHIFTING BOUNDARIES – THE AURA OF THE IMAGE ISSN: 2183-8976 [PRINT] 2183-9468 [ONLINE] Volume 1, Issue 1 | Publication year: 2016 DOI 10.24840/2183-8976_2016-0001_0001_05 © SCOPIO EDITIONS HOMEPAGE: HTTPS://WWW.SOPHIAJOURNAL.NET WANDERING IN A SEA OF ICE: VOYAGE, NARRATIVE AND RESONANCE IN THE PHOTOGRAPHS OF NILS STRINDBERG Eduardo Brito Abstract Nils Strindberg (1872-1897) was a Swedish photographer that took part in Salomon August Andrée’s Balloon Expedition to the North Pole in 1897. The expedition failed – three days after the departure, the balloon landed on frozen sea and the three men tried to walk homewards for three months until they died. Thirty-three years later, their remains were found and, among them, Strindberg’s camera and exposed films. This article considers not only the questions that arise when we first see Strindberg’s images – how did this photograph survived and came to us? What happened after the balloon disappeared in the horizon? – but also aims to contextualize this photographic set in the history of Arctic imagery and to analyse its semantic resonances on artistic and authorial creation, thus demonstrating its importance, beyond an historical approach. Keywords: Photography, Artic, Salomon August Andrée, Narrative and Resonance WANDERING IN A SEA OF ICE: VOYAGE, NARRATIVE AND RESONANCE IN THE PHOTOGRAPHS OF NILS STRINDBERG Written by Eduardo Brito Introduction At 1:55 pm July 11th, 1897, the hydrogen balloon Eagle took off from Danes Island, on the Svalbard archipelago, towards the North Pole. Aboard, the photographer Nils Strindberg, meteorologist Knut Frænkel and chief engineer Salomon August Andrée. Thirty-three years later, the remains of the expedition were found at Kvitøya Island, 260 miles east their departing point. -
By Victor Nilsson
SWEDEN BY VICTOR NILSSON HISTORY OF SWEDEN CHAPTER I Sweden in Prehistoric and Early Historic Times—Archæological Finds and Classical Testimony The Swedes, although the oldest and most unmixed race in Europe, realized very late the necessity of writing chronicles or reviews of historic events. Thus the names of heroes and kings of the remotest past are helplessly forgotten, and lost also the history of its earliest religion and institutions. But Mother Earth has carefully preserved most of what has been deposited in her bosom, and has repaid diligent research with trustworthy and irrefutable accounts of the age and various degrees of civilization of the race which inhabited Sweden in prehistoric times. Thus it has been proved that Sweden, like most other countries, has had a Stone Age, a Bronze Age, and an Iron Age. But there is absolutely no evidence to prove the now antiquated theories of various immigrations into Sweden by different races on different stages of civilization. On the contrary, the graves from the remotest times, through all successive periods, prove by the form of the skulls of those buried in them that Sweden has, through all ages, been inhabited by the same dolichocephalic, or long-headed, race which constitutes the overwhelming majority of her people to-day. Sweden, physically considered, is not of as high antiquity as some countries of Europe. Yet it has been inhabited during the last four thousand years, at least. In the quaternary period the Scandinavian peninsula was a centre of a glacial movement which spread its disastrous influences over Western Russia, Northern Germany and Holland. -
AC Poster2 for Rep.Pdf
‘The music of the spheres’: books at the centre of a cultural universe S.S. Andrée’s Expedition to the North Pole Anna Charlier was born Places th in Sweden on 25 July Nils was working as a teaching 1871. She wanted to be- assistant at the Technical University Following Nils’ disappear- come a concert pianist, and had high marks in maths, chemis- ance, Anna lived as a piano but her life was dominat- try and astronomy. He was also a teacher, but seems to have ed by her relationship with Nils Strindberg, keen and talented photographer, so had Parkinson’s or similar. a trainee engineer/photographer who be- S.S. Andrée employed him as sec- She kept in touch with Nils’ came an explorer. ond in command and the official pho- relatives in Stockholm. 13 years later, she married tographer for his expedition to the an English French teacher, Gilbert Hawtrey, and moved to America. She later Literature & Film North Pole. The balloon set off from Svarlbard on 11th July 1897, when Nils moved with her husband to England, where she Flight of the Eagle by Per Olof Sundman was 23 years old. lived until her death in 1949. Perfect North, by Jenny Bond The men never returned. She asked for her heart to be cut out and The Expedition, by Bea Uusma buried next to Nils, and so it was. Their bodies were discovered 33 years later. Anna’s Book, by George Mac- beth Anna Charlier (2016) Available at: https://en.wikipedia.org/wiki/ Anna_Charlier (Accessed 30th May 2017) Flight of the Eagle: (Ingenjör Bond, J. -
Wandering in a Sea of Ice Voyage, Narrative and Resonance in the Photographs of Nils Strindberg Eduardo Brito
Crossing Borders, Shifting Boundaries The Aura of the Image SOPHIA Crossing Borders, Shifting Boundaries – The Aura of the Image Issue 1 - 2016 ©scopio Editions ISSN 2183-9468 [online version] http://sophiajournal.net/ Wandering in a Sea of Ice Voyage, Narrative and Resonance in the photographs of Nils Strindberg Eduardo Brito Abstract Nils Strindberg (1872-1897) was a Swedish photographer that took part in Salomon August Andrée’s Balloon Expedition to the North Pole in 1897. The expedition failed – three days after the departure, the balloon landed on frozen sea and the three men tried to walk homewards for three months until they died. Thirty-three years later, their remains were found and, among them, Strindberg’s camera and exposed films. This article considers not only the questions that arise when we first see Strindberg’s images – how did this photograph survived and came to us? What happened after the balloon disappeared in the horizon? – but also aims to contextualize this photographic set in the history of Arctic imagery and to analyse its semantic resonances on artistic and authorial creation, thus demonstrating its importance, beyond an historical approach. Eduardo Brito (Guimarães, 1977) holds a Master’s degree in Artistic Studies - Museology and Curatorial studies - from the Faculty of Fine Arts, University of Porto. At the faculty, since 2013, Eduardo is a research fellow at the I2ADS’s Research Group in Art and Intermedia, researching on museology, film and visual studies and photography. Eduardo was project coordinator of Reimagining Guimarães, a photography, archive and curatorial programme developed for the Guimarães 2012 European Capital of Culture. -
Get the Classic #3
# 03 THE SPRING 2020 CLASSICA free magazine about classic photography In this issue FROZEN FILMS - The Andrée Polar Expedition 1897 SAMUEL BOURDIN on Guy Bourdin JIM GANZ at the J. Paul Getty Museum Photographs in the ROYAL COLLECTION TRUST FAIRS, EXHIBITIONS, COLLECTIONS AND MORE 1 PHOTO LONDON PETER FETTERMAN GALLERY Booth C13, May 14-17 2020 Roger Fenton. A Quiet day in the Mortar Battery. 23 April 1855. Albumen print. 280 by 355mm. £5000. ROLANDROLAND BELGRAVEBELGRAVE i i Ansel Adams. White Branches, Mono Lake, California, 1950 vintagevintage photographyphotography © Ansel Adams Publishing Trust 49 HOVA VILLAS, BRIGHTON BN3 3DJ ANSEL ADAMS 49 HOVATEL: 44 (0) VILLAS, 1273 470133 BRIGHTON MOB: +44 (0) 7810 BN3 718791 3DJ TEL: 44 (0) [email protected] 470133 MOB: +44 (0) 7810 718791 www.rolandbelgravevintagephotography.com Beauty and Truth [email protected] Member of ABA and ILAB www.rolandbelgravevintagephotography.com on view through September 2020 Member of ABA and ILAB www.peterfetterman.com Santa Monica, CA 2 [email protected] 310.453.6463 PETER FETTERMAN GALLERY Ansel Adams. White Branches, Mono Lake, California, 1950 © Ansel Adams Publishing Trust ANSEL ADAMS Beauty and Truth on view through September 2020 www.peterfetterman.com Santa Monica, CA [email protected] 310.453.6463 08 IN BRIEF 16 PARIS PHOTO NEW YORK 22 THE MOST VALUABLE LINCOLN PHOTO IN EXISTENCE 24 THE MCKINLEY COLLECTION 28 DOMINIC WINTER AUCTIONEERS AND CHISWICK AUCTIONS 32 SAMUEL BOURDIN On Guy Bourdin 46 FROZEN FILMS The Andrée Polar -
August Strindberg - Poems
Classic Poetry Series August Strindberg - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive August Strindberg(22 January 1849 – 14 May 1912) Johan August Strindberg was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic his earliest work, Strindberg developed forms of dramatic action, language, and visual composition so innovative that many were to become technically possible to stage only with the advent of film. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel. The Royal Theatre rejected his first major play, Master Olof, in 1872; it was not until 1881, at the age of 32, that its première at the New Theatre gave him his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that—building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play—responded to the call- to-arms of Émile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887). -
Aviation in Svalbard – Part 1
Aviation in Svalbard – Part 1 There are now few opportunities to visit places where aviation history was made that have remained essentially unchanged. Angela and I had that privilege in July when we visited the Arctic region of Svalbard, which includes the more commonly recognised island of Spitzbergen. Although the trip’s main purpose was to study flora and fauna, our voyage on the small Russian owned, Jamaica registered, chartered expedition ship Serenissima took us to almost all the sites of any aviation significance in the region. The area’s situation near the top of the world results in a low temperature climate all year and 24 hours of daylight in summer and complete darkness through much of the winter. The Governor of Svalbard, presently a lady, is responsible for administration of the region. No permanent residence by persons over 65 years old is permitted due to the lack of adequate local hospital and care facilities, persons reaching that age must relocate to the Norwegian mainland. There is also an embargo on childbirth in the region for similar reasons. Nowadays the airspace above the region is relatively untroubled by aviation activity, with the exception of emergency missions undertaken by helicopters. Scheduled airline flights to the European mainland are limited to a handful each week. In fact, during our travels of over a week in the region, only one helicopter was seen airborne and no contrails were observed. An early objective of aviators was to make an aerial journey to or over the North Pole, a location only defined by navigational measurement, difficult to access by land and impossible (before nuclear submarines!) by sea. -
Norra Real För 100 År Sedan
Norra Real för 100 år sedan - ett drivhus för polaräventyrare av Patrick Lönnberg Kring sekelskiftet 1800/1900 var upptäcktsfärdernas utövare sin tids hjältar av högsta rang och Sverige häng- de inte riktigt med. Det mesta hade på den här tiden haft sina upptäckare, men ännu återstod polartrakterna. Det lockade tre elever på Norra Real, nämligen Alfred Björling, som deltog i en Grönlandsexpedition, Nils Strindberg, som var en av delta- garna i Andréexpeditionen och Finn Malmgren som kom att fungera som metreolog på den omskrivna Italiaexpeditionen. Carl Svedelius vid avtäckningen av tavlan den 24 april 1931: Sällsamma och gripande öden förena de tre forna lärjungarnas namn på den min- nestavla, som nu infällts i väggen här utanför. Alfred Björling, Nils Strindberg och Finn Malmgren dogo alla i unga år. Deras liv kännetecknades av levnadslust och mod, av längtan till äventyr och dåd och av en forskariver, som de alla tre inriktade på förhål- landena i polartrakternas kalla, ödsliga och svårtillgangliga värld. För dem alla blev slutligen också livet deras sista insats i denna forskning. ... Ni, som nu sitta här på bänkarna såsom lärjungar, och vi, som ha vår plats i läro- salarnas katedrar, vi skola alla, undan för undan efterträdas av nya generationer, på samma sätt som vi ha följt efter dem, som voro före oss, och allas våra namn skola förr eller senare förblekna och glömmas. Men Alfred Björlings, Nils Strindbergs och Finn Malmgrens namn skola leva länge. De stå där nu huggna i granit, och det är ett mate- rial, som trotsar tiden. För den, som läser tavlans inskriptioner, skall tavlan alltid, nu och i kommande tider, vittna om mod och ungdomlig dådkraft. -
Polarforskningssekretariatet 2007 Årsbok Yearbook
Polarforskningssekretariatet Polarforskningssekretariatet är en statlig myndighet med uppgift att främja och samordna svensk polarforskning. Det innebär bl.a. att följa och planera forskning och utvecklingsarbete samt organisera och genomföra forskningsexpeditioner i Arktis och Antarktis. Polarforskningssekretariatet är förvaltningsmyndighet för lagen Swedish Polar Research Secretariat (2006:924) om Antarktis och prövar frågor om tillstånd för vistelse eller verksamhet i enlighet med lagen. The task of the Swedish Polar Research Secretariat is to promote and co-ordinate Swedish polar research. This means e.g. to follow and plan research and development and to organise and lead research expeditions to the Arctic and Antarctic regions. The Swedish Polar Research Secretariat is the administrative authority for the Act on Antarctica (2006:924) and handles permit issues for visits or activities in accordance with the Act. ISSN 1402-2613 ISBN 978-91-973879-7-2 Årsbok Yearbook Årsbok Yearbook 2007 Polarforskningssekretariatet 2007 Swedish Polar Research Secretariat Årsbok Yearbook 2007 Polarforskningssekretariatet Swedish Polar Research Secretariat Omslag Cover © Polarforskningssekretariatet 2008 Foto Isbrytaren Oden anlöpte Antarktis för första Redaktör Daniel Fredh s. 2–3, 9 gången någonsin under 2007, efter många Sofia Rickberg Polarforskningssekretariatet s. 4, 5, 16, 18, 48 framgångsrika expeditioner i Arktis. Martin Jakobsson s. 4, 8, 125 Produktion och grafisk form Pär Comstedt s. 7 During 2007, the icebreaker Oden made its Jerhammar & Co Reklambyrå AB Björn Eriksson s. 10 first ever voyage to Antarctica, following many www.jerhammar.se successful expeditions in the Arctic. Radovan Krejci s. 10, 20, 49 Tryck Robert Schwarz s. 11 Innehållsförteckning Table of content NRS Tryckeri AB Dag Avango s. -
Voyage, Narrative and Resonance in the Photographs of Nils Strindberg
CROSSING BORDERS, SHIFTING BOUNDARIES – THE AURA OF THE IMAGE ISSN: 2183-8976 [PRINT] 2183-9468 [ONLINE] Volume 1, Issue 1 | Publication year: 2016 DOI 10.24840/2183-8976_2016-0001_0001_05 © SCOPIO EDITIONS HOMEPAGE: HTTPS://WWW.SOPHIAJOURNAL.NET WANDERING IN A SEA OF ICE: VOYAGE, NARRATIVE AND RESONANCE IN THE PHOTOGRAPHS OF NILS STRINDBERG Written by Eduardo Brito Introduction At 1:55 pm July 11th, 1897, the hydrogen balloon Eagle took off from Danes Island, on the Svalbard archipelago, towards the North Pole. Aboard, the photographer Nils Strindberg, meteorologist Knut Frænkel and chief engineer Salomon August Andrée. Thirty-three years later, the remains of the expedition were found at Kvitøya Island, 260 miles east their departing point. Among them, was one of the 13×18 cameras and seven copper cylinders, containing 48 films. From the 240 exposures, 93 still had information enough to be printed, thus bringing to light a set of images that depict, alongside with the diaries, the expedition’s narrative and fate: the three men wandered on a frozen sea for three months, trying to reach land, surviving and photographing.In this essay, the archaeology of this photographic set is presented, from the images’ conception to their finding, recovering and archiving process. Their photographic essence and ontology are also analysed – be it through their inscription on arctic photographic imagery, and their black-box effect as a document of an ill-fated journey – be it through their semantic resonances on artistic and authorial creation, inspiring, among others, Per Olof Sundman’s book Ingenjör Andrées luftfärd (The Flight Of the Eagle, 1967), Jan Troell’s homonymous film from 1982 and his 1997 En frusen dröm (A Frozen Dream) documentary, Joachim Koester installation A Message from Andrée and Tyronne Martinsson rephotographic work. -
Om Hemforande
NORDISK MUSEOLOGI 1994•1, S. 53-6 4 OM HEMFORANDE Sverker Sorlin Hemforande ar evigt manskligt. Tank pa jagarnas lager, hur kvinnorna atervande hem i aftonen med natter och bar, hur mannen slapade hem ett just fallt byte. Tank pa "Sista !asset in ". Tank pa dig eller mig, just atervanda ftan varuhuset med Julia shoppingpasar. Vi JYller garderober och kylskap med nyss forvarvade varor. Det verkar som om det finns en tillfredsstallelse knuten till hemforandet. Visst - det har varit arbete. Det ar under svett och moda som vi hemfor. Men nar vi hemfort skall vi fira! Det existerar inte nagon teori om hemforande, inte ens en hemforandets historia. Det finns en samlandets historia. Det finns backer och tidskrifter om samlande och samlare och samlingar. Om hemforandet finns, savitt jag vet, ingenting sarskilt. Samlande och hemforande ar inte identis DEN DANSKA ARAB/EN - ka. Samlande forutsatter en intention: EXPEDITIONEN 1761-1767 samlingen. Hemforaren kan forstas vara en samlare Mitt forsta exempel handlar om den dan - och ar det ofta. Men han kan ocksa vara ska expeditionen till Framre Orienten utan sadan vilja till ackumulation. 1761-1767. Den var liten, fem veten Hemforande kan vara aterkomst i triumf skapsman och en tjanare. Hjarnan bakom med trofeer och byten, men ocksa resulta expeditionen var den valkande Gottingen tet av planloshetens flyktiga ogonblick. filologen och orientalisten Johan David Vad som har skall folja ar tre historiska Michaelis. Han visste vad man skulle leta exempel pa hemforande. De reser fragor efter i Arabien, vilka fragor som skulle som galler den symboliska karaktaren hos stallas, vilka manuskript som skulle kopas.