The Carroll News

Total Page:16

File Type:pdf, Size:1020Kb

The Carroll News John Carroll University Carroll Collected The aC rroll News Student 5-2-1941 The aC rroll News- Vol. 21, No. 15 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 21, No. 15" (1941). The Carroll News. 172. http://collected.jcu.edu/carrollnews/172 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. THE CARROLL NEWS Edited For and By the Students of John Carroll University VOL. XXI CLEVELAND, OHIO, FRIDAY, MAY 2, 1941 NO. 15 Glee Club olds 51si: Annual Concert: --------------------------------------~----------------~---------------------~ Featurel-lerman6russVaried ]Stunt Nite Set ]MoenkCapt.uresOr torica~~ Music at Severance I-I all For May 9; Name Coni:esi:; Shaker is Second Donnelly l-l ead Dunnigan is Third in Contest; J~ Procrastinate in C~n<:ert Marks Father Kiefer's Thirteenth Year with Club; Delivery of Decision; Carroll Stars as Chairman Only. Twenty Percent of Tickets Unsold at Presstime You may expect anything on Stunt Speaking on "God and International Law,'' Jean Moenk, senior, Dr. Louis J. Balogh, instructor in music at John Carroll, will Nite, May 9, when the students pre­ won the annual upperclass Oratodcal contest which was held ·· direct the University Glee Club in their 51st annual Concert, sent Carroll in burlesque, in a free-for­ Tuesday, April 22, at the Hotel Hollenden. Second and third Sunday ·evening, at Severance Hall at 8:15 p. m. all performance sponsored annually by places were awarded by the judges ~ · The main feature of the evening will the Student Union. two sophomores, Mitchell F. Shaker be a group of piano solos by Herman Chairman and production manager of Niles and Thomas Dunnigan of Cle­ this year is Bob Donnelly, with Ted Gruss of Youngstown, who is at pres­ Successful Pair veland. respectively. Shaker spoke on ent on a concert tour. Mr. Gruss has Saker his assistant. ''National Apostasy" and Dunnigan on studied with Robert Teichmueller at Acts of the four classes will be lim- "Peace is Where You Find It." Royal Conservatory in Leipsig. He was ited to 20 minutes, with an intermis- Runnerups included: Charles A. chosen in competition with twenty- sion of five minutes. The house man- Maurer on "Maybe the Democrats -· five of the most prominent pianists in agers have announced that they rc- Were Right"; Paul Vincent on ''Uni.on Europe to conduct the piano master serve the right to pull the curtain on with a Foreign Power"; and Larry Ca­ classes at the state conservatory at any act that breaks the time limit. hill on "Then· and Only Then" _ Zagreb in what was then Austria- This action will be taken because a Judges for the contest were: Muni­ Hungary. His European concerts num- dance is to be held after the perfor- cipal Judges Lillian B. Westropp, Mary ber over the century ma~k and were mance, and all time will be neaded. B. Grossman and Seth Hurd. played in practically every one of the I The classes will perform in the fol- European capitals. He has also ap- lowing turn: sophomores, first; juniors, Audience Waits 25 peared with many of the symphony second; seniors, third; and freshmen orchestras throughout Ew·ope as solo- last. Minutes For Decision ist. Three years ago Mr. Gruss made I Chairmen of the classes, appointet' his American debut under the spon- by the presidents, are: Jack Hunt, se After the speeches were given, an<f sorship of John Carroll at Severance niors; Bob Donnelly and Fred Fane!- the judges had retired to make tb HalL ly, juniors; Ted Salter, sophomorel> decision, the audience and spea' Gruss Offers Chopin, and Joe Olexo, freshmen. were kept in suspense for 25 m' as the j4dges worked out a v Debu~ y Selections Music for the dance will be provided ficult de< · . Mr. Gruss will play two of Chopin's I by the rarefactophone. works, the "Nocturne in F Major," and Judges for the evening have been Jean Moenk Finally, ks Carroll, .J. on chosen but their names will not be di- taking the 1 _of ~e ill .it. ence ''Etude in A Major.'' 1:hrec of De- -- /e Dr. • v•1l~o>(l •ft)ti!J ~· ..._~hed .... •oi• r~t~ ~~n~ ~""'"~.:.,.Dio l,>."t Pi- tl-.,• - ··------- ,T- i.he aeadlihe tr.-­ OLii.sys ~~) ·,mse tne re-I nd tne judge-chairman., -- announces the rlr t:::::; them to the audietce. 1 '~- / mainder of his program. the Photographic societ).,•s annu- ,.-------------------, 1\Vinning class. The victors will ob- After the meeting was ~d The program has been prepared to I tain the cup, which was won last year al salon is t~day at f o'clock. students of Ursuline, Notre - The photographs will be judged satisfy all listeners. It embraces a num- by the class of '40. Carroll joined with the contt. her of distinctive arrangements in the at that time by Rev. George J. a salon for a tete-a-tete with classical and modern. serious and hu­ Pickel, S. J., Mr. Eugene G. O­ and potato chips. morous, and religious and secular I berst, and Bernard S. Jablonski. Attendance at the contest was fields. It will be arranged in two sec­ The entries will be displayed minimum. tions with an intermission between. Dr. Reilley Speaks on the third floor of the main The notable numbers in the first part building from May 5th to 12th. (Editor's Note: - See editorial o. arc "Vale of Tuoni." Sibelius; "Rest. On Radio Program Students are invited to visit the 1pn9er's views on the attendance at Sweet Nymphs." Pilkington; "Sweet Due to the change of radio sched­ exhibit. this important event.) Hearts." Herbert. The second section ules to daylight saving time, the Uni­ will include three religious renditions versity's progTam will no:w be heard by Palestrina, Bach. and Arcadelt. weekly from 1:00 to 1:30 p.m. on Sat-· .Jon Cherkala Will urdays. l-lold ~lec~ions May 13th; Sing IA>Ye Song This Saturday the Radio Club will Jon Cherknla, a freshman, will be feature a discussion prepared ~ Dr. a featured baritone soloist. He will Edward Reilley, assistant professor~of Use New Voting Methods ~ing "Mnttinata," by Lconca\allo. This history. The program has been pre­ piece is the soothing Spanish love song pared to show that the passivity of Probably the most active, yet friendliest, class elections will made frunous in this country by Gigli. the people '\Vas the main cause of the ,be held May\ 13. The new system of caucus and ballot will be Jon will be remembered as the sur­ low morale and military unprepared­ used, through the efforts of the Union which decided on April ness of the United States in every prise hit of the President's com·ocation 22 to use the new system, even though war since its conception as a country. when he appeat·ed to sing two solos it took more work, just to establish Continued on page 6 Dr. Louis A. Balogh Dr. Reilley, by means of a discussion, will point out that corruption in sell Frosh Prepare for the better system or elections. ing and buying by the Government. The scenes were conspicuously cool and political maneuvering are nothing until last week when the students re­ Carrol/1-/o/ds Open 1-louse May 8 new and have always been done by Dance May 16th alized elections were upon them. the minority. The pursuit of the a]. The general theme has been adopt­ mighty dollar has taken precedence And 11th; General Public Invited Kermit Nee!~ president of the ed which discards the enmity-foster­ over our own military preparedness. freshmen, has instituted a new policy ing dorm-town strife, and established Hundred of high school seniors will de cend on Carroll Thurs­ On April 26, Mr. Gene Oberst, in­ in regard to the '44 class dance, a trend toward cooperation between day, l\lay 8, when the first of two Open Hou e date is held. structor in political science. led a dis­ which will be held May 16 at the factions made up of both dorm and cussion on the topic, "The Contribu­ Pine Ridge Country Club. Instead of city students. This system during the At 1 :30, the ''big four" high schools of Cle\'eland will have tion of College Athletics to National appointing a head chairman, Neely ap­ pre-election activity seems to have their contingents here, St. Ignatius, Morale." Assisting him in the presen­ pointed three chairmen, with sub­ given the presidency and treasurership Balogh Directs ND Choral Latin. Holy Name and Benedictine. tation were Jack Ennen, student man­ committees under them. to the townhops, and the vice-presi­ Club in Concert: May 9t:h At 2:30, the seniors of St. John's of ager, and Ed Sheridan, captain-elect These men include: program chair­ dency and secretaryship to the Bernet­ of the 1941 football team. man, Bob Ennen with his committee of JI\en. Canton, Ursuline of Youngstown, St. In charge of elections of the class­ Under the direction of Dr. Louis L. Don MacDonald, Louis Turi, Bill Grose Mary's and St. Vincent's of Akron, St. es, as appointed by Union prexy Bill Balogh, the Notre Dame College Cho­ and Murray Tordoff, who have offered Mary's of both Sandusky and Lorain Joyce are Joe McCarthy, juniors; Jack ral Club will present its annual spring 21st: Prom Conside red Best a free dance bid to the designer of Schmitt, sophomores; and Jack Ennen, concert at Hotel Statler, Friday eve­ will arrive.
Recommended publications
  • War Comics from Wikipedia, the Free Encyclopedia
    War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories.
    [Show full text]
  • DC Comics These 103 Comic Book Characters and Titles Make DC Comics a Marvel in the Field
    DC Comics These 103 Comic Book Characters and Titles make DC Comics a marvel in the field. E U H S A L F E H T A L D E T C E P X E N U E H T F O S E L A T R U H K H M V Y A Y E D S R E S O L E H T H E P H A N T O M H L I C S K I A T B E G E E I L O N U E I L B R E Z A L B L L E H H P L R M I N Z P N E L R R K B L I T Z K R I E G D E P M U W O A L E A O M E G A M E N I P O E P R A T A T D R O D R X N O U T U A E T E P D N D M D G N K F V T E A T H H E O O A R K S S C C E S R S V M E K C O R T G S B O E A A W L E M S W U N H E C C I R T B K O L S R P E M U O R L D S V R E N P U E L O I O S I N U G I O R L D J L P N B C L L U D A D Y A A R M N W U F N V T I L U C Y A G M N U R H L E O D E N U H R T K I O N S S P A I C Y V Y M F D N E S A S I E S L M B A E R R I T S S T E E M M M A T M G A B S U O E U M T G E R O E K O O D Y B O O C S P E D I T I A A N C C O I B N S M I T T E E W L O U R L N R N I K T N T E N D R I A I Y M R N E G O C A W T A T T E D N E V R O F V A H R I O D M P M A O N K R A N C E B L H P E I A T R E Y T F A S A A F W N A T O R D B E U L H I Y L E K G E N S E O N N N N T E L C N O E N A C R E H C A E R P S O E C R I R I N A I E K A H H N S I D R I I N L S P N I D X T U S B A Y M F A P A O H T M F T U S E A T A N O U T P U W M A T V E S L G R G M R C I I E O R M R N E H T C A I P Y R O S R S M R D M B S U O B O M C D R W S E B A D S H S T T N B R S C I M O C E V I T C E T E D L H R T D C F T M E E S O C E L T O D C N H C S M A R H M F A A E D E A E E G I U H R U M A D A M E X A N A D U S E T C H C A R Q E S C U R U T C T
    [Show full text]
  • The Losers #1 (PDF)
    THE LOSERS Issue One by Andy Diggle Fifth Draft www.andydiggle.com PAGE 1 1) Big pic, day. A US Army 'Humvee' jeep zooms dramatically towards us across the New Mexico desert, the wheels just leaving the ground as it tops a slight rise at high speed. It's painted desert brown. CAPTION WHITE SANDS MISSILE RANGE, NEW MEXICO. HUMVEE JAG BASE ONE, THIS IS CAVALIER 415. SECTOR EIGHT PERIMETER CLEAR, PROCEEDING TO SECTOR NINE. 2) Inset. Very close on the screen of a state-of-the-art laptop computer with a digital radio transceiver and various other high- tech add-ons duct-taped to the side. Jensen's fingers tap away frantically at the keyboard as information scrolls down the screen: > MIL-SPEC VHF DIGITAL PACKET ENCRYPTION > INTERCEPT OK > DECRYPT ALGORITHM START > PROCESSING... > DECRYPT OK > REROUTE PATCH JENSEN (off-panel) OKAY, WE'RE INTO THEIR V.H.F. ENCRYPTION. FROM NOW ON, THEY'RE TALKIN' TO US. VOICE (off-panel) REEL 'EM IN. 3) Inset. Close on JENSEN speaking into a cordless earpiece/mike. He touches one finger to the earpiece to hear better. We're somewhere dark - the only illumination comes from the computer screen. JENSEN UH, ROGER THAT, CAVALIER 415. (link) WE HAVE A REPORT OF A CIVILIAN VEHICLE BREAKDOWN ON U.S. 70, SECTOR NINE, GRID FOUR. THE LOSERS: ISSUE 1 PLEASE RECONNOITER AND ASSIST AS REQUIRED, OVER. RADIO JAG ROGER THAT, BASE ONE. WILL ADVISE, OUT. 4) Wide panel. A Soldier gets out of the Humvee, which has pulled up in foreground panel left. His uniform is brown desert colors.
    [Show full text]
  • Standards for Passing Papers in C2 Classes
    STANDARDS FOR PASSING PAPERS IN C2 CLASSES Writing Program, UC Santa Cruz, 2007 Preface 2 Educational Objectives of the C Requirement and Specific Goals of C1 and C2 4 Rubric: Assessing Students as Writers at the End of C2 7 Essays with a Rating of 1: “Does not meet C2’s minimum goals” 8 Essay A, “James Surowiecki 9 Essay A Explanation 15 Essay B, “Street Racing” 16 Essay B explanation 24 Essays with a Rating of 2: “Demonstrates satisfactory if at times marginal proficiency” 25 Essay C, “Pig Tales Essay” 26 Essay C explanation 29 Essay D, “Is Our Homeland Security Program Working?” 30 Essay D explanation 37 Essay E, “COINTELPRO in The 60’s” 38 Essay E explanation 49 Essay with a Rating of 3: “Demonstrates clear competency” 50 Essay F, “The Censorship of the Past Versus the Rating System of the Present 51 Essay F explanation 61 Essay G, “Surfrider Foundation” 62 Essay G explanation 72 Essay with a Rating of 4: “Demonstrates sophisticated understanding and execution” 73 Essay H, “William Tecumseh Sherman: The Private Politician” 74 Essay H explanation 85 Essay I, “The Real State of Technology” 86 Essay I explanation 95 C2 Standards - 1 of 95 Preface Between 2003 and 2005, the UCSC Writing Program undertook a multi-faceted assessment project that as one of its many goals set out to clarify the Writing Program Faculty’s standards for evaluating students’ writing at the end of Writing 1, Composition and Rhetoric (now known as Writing 2, Rhetoric and Inquiry). The project began with extensive research on theories and methodologies of assessment, continued with our refining our educational goals for Writing 1/Writing 2 and developing a rubric and protocol for evaluating the quality of students’ essays, and culminated in an ambitious pilot in 2004 in which 17 faculty members scored 54 essays randomly selected from 43 sections of Writing 1.
    [Show full text]
  • Vertigo and the Auteur Figure
    Ambiguous Authorities: Vertigo and the Auteur Figure ISABELLE LICARI-GUILLAUME Abstract: This article examines authorial performance in the context of DC’s Vertigo line. In the 1990s, Vertigo gained its reputation as an innovative and progressive imprint by promoting the work of British scriptwriters, who were hailed as true author figures, despite the inherently collaborative nature of the mainstream comics industry. In a manner reminiscent of “auteur theory”, writers such as Neil Gaiman, Warren Ellis or Grant Morrison developed attractive authorial personae which they consistently displayed through interviews, letter columns or social media, but also, more importantly, by inserting their avatars within the comics they scripted. Upon closer examination, however, it becomes clear that their work in fact simultaneously asserts and destabilizes writerly authority, in a manner that is consistent with Linda Hutcheon’s view of postmodernity. By multiplying author figures and playfully disseminating authority, Vertigo authors question their own authorial control over the text, asserting instead the crucial role played by the reader. Bio: Isabelle Licari-Guillaume is a Teaching and Research Assistant at the Department of English at Université Bordeaux Montaigne, France. She specializes in contemporary comics studies and has recently defended her PhD, which examined the British Invasion of American comics, its aeshetic evolution over time, and its influence on the editorial history of DC's Vertigo imprint. Her other fields of interest include translation and gender studies, on which she has written several articles. In 2015, she edited a collection of essays on the body in comics (Les Langages du corps dans la bande dessinée, l'Harmattan) and is currently editing another volume, Translators of Comics / Les Traducteurs de bande dessinée.
    [Show full text]
  • GRANT MORRISON Great Comics Artists Series M
    GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images.
    [Show full text]
  • The Losers Pb
    WARNER BROS. PICTURES presenta in associazione con DARK CASTLE ENTERTAINMENT Una produzione WEED ROAD PICTURES (THE LOSERS) JEFFREY DEAN MORGAN ZOË SALDANA CHRIS EVANS IDRIS ELBA COLUMBUS SHORT OSCAR JAENADA e JASON PATRIC 1 Un film di azione esplosiva, tradimento e vendetta, “The Losers” racconta la storia dei membri di una unità delle Forze Speciali inviata in missione nella giungla boliviana. Ma la squadra, Clay, Jensen, Roque, Pooch e Cougar, scopre ben presto di essere diventata il bersaglio di un mortale intrigo, pianificato dall’interno da un nemico conosciuto solo come Max. Approfittando del fatto che si presume siano morti, gli uomini combattono strenuamente per dimostrare la propria innocenza e anche saldare il conto con Max. A loro si aggiunge la misteriosa Aisha, una bella agente con un suo piano e in grado di cavarsela egregiamente. Lavorando insieme, quando non litigano fra loro, devono riuscire a stare un passo avanti a Max, un uomo spietato, impegnato a trascinare il mondo in una nuova guerra globale ad alta tecnologia solo per il proprio profitto. Se riusciranno a bloccare Max e nello stesso tempo salvare il mondo, sarà un successo per il gruppo conosciuto come The Losers . “The Losers” è interpretato da Jeffrey Dean Morgan (“Watchmen”) nel ruolo di Clay; Zoë Saldana (“Avatar”, “Star Trek”) in quello di Aisha; Chris Evans (i film dei “Fantastici quattro”) in quello di Jensen; Idris Elba (“Obsessed”) come Roque; Columbus Short (“Stepping-Dalla strada al palcoscenico”) è Pooch; Oscar Jaenada (“Che: Parte seconda”) è Cougar; e Jason Patric (“Nella valle di Elah”) è Max. Sylvain White (“Stepping-Dalla strada al palcoscenico”) dirige il film da una sceneggiatura di Peter Berg e James Vanderbilt, basata sulla serie di fumetti scritti da Andy Diggle, illustrati da Jock e pubblicati da DC Comics/Vertigo.
    [Show full text]
  • Click Above for a Preview, Or Download
    FIGHTING AMERICANS Captain America TM & ©2002 Marvel Characters, Inc. N M O 2 0 A . 0 R 2 34 . T H E N E W C o l l e c t o r I n $ 9 T h . 9 e 5 U S Contents OPENING SHOT . .2 THE NEW (a salute to the fighting Americans who saved United Flight #93 from terrorists) UNDER THE COVERS . .4 (the inimitable Alex Toth drops us a card about this issue’s cover art) JACK F.A.Q. s . .6 (Mark Evanier solves a Frequently Asked Question about how inkers were ISSUE #34, MAR. 2002 Collector chosen at Marvel in the 1960s) R.L. BRYANT . .11 (our semi-regular columnist surveys a certain Scientific American) RETROSPECTIVE . .12 (Keith Hammond takes aim at Kirby’s run on Green Arrow) LOOKING BACK . .16 (Carmine Infantino reminisces about Joe, Jack, and all kinds of heroes) INNERVIEW . .21 (a brief chat with Jack, circa 1974) BATTLE LINES . .22 (Kirby’s 12-issue run was a winner for the Losers) OLD PANELING . .29 (some unseen ’50s Kirby comic strips) GALLERY . .30 (a selection of Captain America’s greatest hits, kicks, and wallops, shown at our giant tabloid size) KIRBY AS A GENRE . .46 (Adam McGovern dips into a grab-bag of Kirby homages) INTERNATIONALITIES . .48 (French comics legend Philippe Druillet learns that the Kirby influence speaks a universal language) PULPED . .54 (get your fingers dirty on these torrid, lusty Simon & Kirby illos) SHIELD . .58 (Spies, Hydra, Intrigue, and Espionage in a Lengthy Dissertation) COLLABORATORS . .66 (Simon says, “Read this article!”) EXTRA! .
    [Show full text]
  • Graphic Novel Finding Aid for Merril Collection of Science Fiction, Speculation & Fantasy Last Updated: September 15, 2020
    Graphic Novel Finding Aid for Merril Collection of Science Fiction, Speculation & Fantasy Last updated: September 15, 2020 Most books in this list are in English. We have some graphic novels in other languages . Books are listed alphabetically by series title. Books in series are listed in numerical order (if possible) — otherwise they’re listed alphabetically by sub-title. A | B |C |D | E |F |G | H | I| J| K | L | M | N |O | P | Q| R |S | T| U | V | W | X | Y | Z Title Writer/Artist Notes A A.B.C. Warriors. The Mills, Pat and Kevin A.B.C. Warriors began in Mek-nificent Seven O’Neill and Mike Starlord. McMahon A. D.: after death Snyder, Scott and Jeff Lemire A.D.D. : Adolescent Rushkoff, Douglas Demo Division et al. Aama. 1, The smell Peeters, Frederick of warm dust Aama. 2, The Peeters, Frederick invisible throng Aama. 3, The desert Peeters, Frederick of mirrors The Abaddon Shadmi, Koren Abbott Ahmed, Saladin and Originally published in single others magazine form as Abbott, #1-5. Aama. 4, You will be Peeters, Frederick glorious, my daughter Abe Sapien. Vol. 1, Mignola, Mike et al. The drowning Abe Sapien. Vol. 2, Mignola, Mike et al. The devil does not jest and other stories Across the Universe. Moore, Alan et al. “Superman annual” #11; The DC Universe “Detective comics” #549, 550, stories of Alan “Green Lantern” #188; Moore “Vigilante” #17, 18; “The Omega men” #26, 27; “DC Comics presents” #85; “Tales of the Green Lantern corps annual” #2, 3; “Secret origins” #10; “Batman annual” #11 The Action heroes Gill, Joe et al.
    [Show full text]
  • Bendis a Boon for Master Chief
    Annual 4th of July Sale! 20% off everything at all three Big Planet stores! Volume 11 #4 “News, reviews and opinions from the world of comics” July 2007 Bendis a boon for Master Chief world to Marvel’s willingness to Halo: Uprising #1 (of 4) make us wait for his return, it’s Comics based on toys, cartoons, been a little too long. You got the bands, TV shows, movies and sense that Marvel was ready to video games are risky business. pull the trigger on a new Thor For every successful adapta- series several times over that last tion like Star Wars, you get five couple of years, but that plans failures like the Wu-Tang Clan would fall through and the Odin comics. There are just so many Son would be put back on the things that can go wrong between shelf. Then we got the the original source material and Thor clone (or “Clhor”) the creation of the actual comic. in Civil War and gasps Sometimes a franchise just isn’t of horror were heard meant to be made into comics. from fans all over the world. So Other times, companies spend so it’s a great relief to finally see the much money obtaining the rights real Thor back in action. Making to do the book, they’re left with the homecoming even better is nothing to hire the right creative that the new series is written by J. team to make the project any Michael Straczynski and features good. There is a very incorrect art by Oliver Copiel.
    [Show full text]
  • Pre-Presidential Speeches
    Pre-Presidential Speeches • Luncheon Honoring Philippine Generals Santos & Valdez, Manila [January 1939] Our honored guests, this noon, have been the two senior officers of the Philippine Army practically from the date of its founding. No one could possibly be more familiar with the work they have done during the past three years, with the energy, the thought, the character, they have devoted to their duties, than myself. It is for this reason that I felt privileged to ask you to meet with me today in tribute to them, at the moment when one of them leaves the Army to assume another important position in the service of his people, while the other moves up to shoulder the responsibilities of the highest military post. Recently, I attended a movie in which one obstreperous female character asserted, each time she opened her mouth, that she spoke for two million club-women of the United States. Unlike that person, I am not authorized to speak for any group or sect, for any military or civil organization, or even for any individual except only Ike Eisenhower. But to my own opinions as to the loyalty, abilities and worthwhile accomplishments of Generals Santos and Valdez in the Philippine Army, I can and do give the most emphatic expression. Confirmation of my convictions can be found in every district, every city, every barrio of the Philippines. Slow but steady development of a real defensive force, progress toward greater unification of a people through intermingling in training station, better physiques among the trainees, greater observance of rules of health and hygiene and, finally, a definitely enhancing appreciation of the requirements of democratic citizenship, are but a few of the accomplishments traceable wholly or in part to the gradual unfolding of the defense plan.
    [Show full text]
  • Comics and Conflict: Arw and Patriotically Themed Comics in American Cultural History from World War Ii Through the Iraq War
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Comics and Conflict: arW and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War Cord A. Scott Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Scott, Cord A., "Comics and Conflict: arW and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War" (2011). Dissertations. 74. https://ecommons.luc.edu/luc_diss/74 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Cord A. Scott LOYOLA UNIVERSITY CHICAGO COMICS AND CONFLICT: WAR AND PATRIOTICALLY THEMED COMICS IN AMERICAN CULTURAL HISTORY FROM WORLD WAR II THROUGH THE IRAQ WAR A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY CORD A. SCOTT CHICAGO, ILLINOIS AUGUST 2011 Copyright by Cord A. Scott, 2011 All rights reserved. ACKNOWLEDGEMENTS This dissertation is not the product of a single person, but also reflects the contributions of many who helped in its creation and refinement. While the final result (and mistakes) are mine alone, I was assisted by many people whose help and input must be acknowledged.
    [Show full text]