Standards for Passing Papers in C2 Classes
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War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
Shareholder Activism BBLJ Symposium – April 4, 2014 Resources
Shareholder Activism BBLJ Symposium – April 4, 2014 Resources RESOURCES Pills and Partisans: Understanding Takeover Defenses Jordan M. Barry, John William Hatfield What Matters in Corporate Governance? Lucian Bebchuck, Alma Cohen, Allen Ferrell Shareholder Activism: An Overview Jaspreet Mann, J.D. Candidate ’16, Berkeley Business Law Journal Editor Articles included in this paper are: Shareholder Activism, European Corporate Governance Institute (ECGI) Ten Rules for Dealing with Activist Shareholders, Thomas W. Christopher, Yi Claire Sheng The M&A Journal, Kirkland & Ellis. When Shareholder Activism Goes Too Far, James Surowiecki, The New Yorker. Activism is Going Global Citi Warns Clients, David Gelles, The New York Times. Full Contact Investing: Activist Shareholder Get Engaged, William Donovan, About.com. Corporate Upgraders, The Economist. Boardrooms Rethink Tactics to Defang Activist Investors, David Gelles, The New York Times. A Quick and Dirty History of Shareholder Activism Tony Huynh, J.D. Candidate ’16, Berkeley Business Law Journal Editor Articles included in this paper are: The History of Shareholder Activism, Lucian Bebchuk, Beth Young. The Evolution of Shareholder Activism in the United States, Stuart Gillian, Laura Starks. Shareholder Activism and the Increase of Shareholder Value Tony Huynh, J.D. Candidate ’16, Berkeley Business Law Journal Editor Articles included in this paper are: A Label for Activist Investors That No Longer Fits, Steven M. Davidoff, The New York Times. Hedge Funds versus Private Equity Funds as Shareholder Activists in Germany – Shareholder Activism BBLJ Symposium – April 4, 2014 Resources Differences in Value Creation, Denis Schweizer, Mark Mietzner. How Activist Shareholders Turn from Villains Into Heroes, The Economist. Debunking Myths About Activist Investors, Chuck Nathan, RLM Finsbury Commentaries on Corporate Governance. -
DC Comics These 103 Comic Book Characters and Titles Make DC Comics a Marvel in the Field
DC Comics These 103 Comic Book Characters and Titles make DC Comics a marvel in the field. E U H S A L F E H T A L D E T C E P X E N U E H T F O S E L A T R U H K H M V Y A Y E D S R E S O L E H T H E P H A N T O M H L I C S K I A T B E G E E I L O N U E I L B R E Z A L B L L E H H P L R M I N Z P N E L R R K B L I T Z K R I E G D E P M U W O A L E A O M E G A M E N I P O E P R A T A T D R O D R X N O U T U A E T E P D N D M D G N K F V T E A T H H E O O A R K S S C C E S R S V M E K C O R T G S B O E A A W L E M S W U N H E C C I R T B K O L S R P E M U O R L D S V R E N P U E L O I O S I N U G I O R L D J L P N B C L L U D A D Y A A R M N W U F N V T I L U C Y A G M N U R H L E O D E N U H R T K I O N S S P A I C Y V Y M F D N E S A S I E S L M B A E R R I T S S T E E M M M A T M G A B S U O E U M T G E R O E K O O D Y B O O C S P E D I T I A A N C C O I B N S M I T T E E W L O U R L N R N I K T N T E N D R I A I Y M R N E G O C A W T A T T E D N E V R O F V A H R I O D M P M A O N K R A N C E B L H P E I A T R E Y T F A S A A F W N A T O R D B E U L H I Y L E K G E N S E O N N N N T E L C N O E N A C R E H C A E R P S O E C R I R I N A I E K A H H N S I D R I I N L S P N I D X T U S B A Y M F A P A O H T M F T U S E A T A N O U T P U W M A T V E S L G R G M R C I I E O R M R N E H T C A I P Y R O S R S M R D M B S U O B O M C D R W S E B A D S H S T T N B R S C I M O C E V I T C E T E D L H R T D C F T M E E S O C E L T O D C N H C S M A R H M F A A E D E A E E G I U H R U M A D A M E X A N A D U S E T C H C A R Q E S C U R U T C T -
Will Stronger Borders Weaken Innovation?
LARRY SMARR COLLABORATES • BIAS AT WORK • ELEVATE YOUR TAX FUNCTION THE Best Business The Global Innovation 1000 Books Will Stronger 2017 OF Borders Weaken Innovation? Winter 2017 $12.95 Display until February 27, 2018 www.strategy-business.com BUSINESS MEETS PASSION. PASSION MEETS PURPOSE. For more than 40 years, the Owner/President Management program has OWNER/ helped the world’s top executives and entrepreneurs take control of their enterprise, grow their skill sets, and fuel the passion that drives their business PRESIDENT endeavors. The intensive three-unit format expands your entrepreneurial mindset, business acumen, and industry insights over 24 months. You will MANAGEMENT emerge as a lifetime member of OPM’s global alumni network—equipped with the strategic vision to transform your company and your career. OWNER/PRESIDENT MANAGEMENT 09–27 SEP 2018 (UNIT 1 ONLY) LEARN MORE AT WWW.EXED.HBS.EDU/SB-OPM comment editor’s letter editor’s editor’s letter editor’s 1 Innovators within Borders We’ve been publishing the Global Innovation 1000, an annual report on corpo- rate R&D spending conducted by Strategy&, PwC’s strategy consulting busi- ness, since 2005. Every year, the innovation landscape has grown more and more open, with talent, information, and technical skill flowing across national borders. Until now. In this year’s report, “Will Stronger Borders Weaken Innovation?” (page 54), the tension between national interests (which can be characterized by suspicion of outsiders and protective of their home enterprises) and innovation (which has always been a boundary-crossing phenomenon) takes center stage. As authors Barry Jaruzelski, Volker Staack, and Robert Chwalik put it, “Companies are likely to lose efficiency, create redundancies, and take on higher costs,” espe- cially if they divide their research and development footprints into more autono- mous regional hubs. -
The Losers #1 (PDF)
THE LOSERS Issue One by Andy Diggle Fifth Draft www.andydiggle.com PAGE 1 1) Big pic, day. A US Army 'Humvee' jeep zooms dramatically towards us across the New Mexico desert, the wheels just leaving the ground as it tops a slight rise at high speed. It's painted desert brown. CAPTION WHITE SANDS MISSILE RANGE, NEW MEXICO. HUMVEE JAG BASE ONE, THIS IS CAVALIER 415. SECTOR EIGHT PERIMETER CLEAR, PROCEEDING TO SECTOR NINE. 2) Inset. Very close on the screen of a state-of-the-art laptop computer with a digital radio transceiver and various other high- tech add-ons duct-taped to the side. Jensen's fingers tap away frantically at the keyboard as information scrolls down the screen: > MIL-SPEC VHF DIGITAL PACKET ENCRYPTION > INTERCEPT OK > DECRYPT ALGORITHM START > PROCESSING... > DECRYPT OK > REROUTE PATCH JENSEN (off-panel) OKAY, WE'RE INTO THEIR V.H.F. ENCRYPTION. FROM NOW ON, THEY'RE TALKIN' TO US. VOICE (off-panel) REEL 'EM IN. 3) Inset. Close on JENSEN speaking into a cordless earpiece/mike. He touches one finger to the earpiece to hear better. We're somewhere dark - the only illumination comes from the computer screen. JENSEN UH, ROGER THAT, CAVALIER 415. (link) WE HAVE A REPORT OF A CIVILIAN VEHICLE BREAKDOWN ON U.S. 70, SECTOR NINE, GRID FOUR. THE LOSERS: ISSUE 1 PLEASE RECONNOITER AND ASSIST AS REQUIRED, OVER. RADIO JAG ROGER THAT, BASE ONE. WILL ADVISE, OUT. 4) Wide panel. A Soldier gets out of the Humvee, which has pulled up in foreground panel left. His uniform is brown desert colors. -
1 324 Clinton Ave #2, Brooklyn NY 11205 Cell: (917) 620 4529
JAMES SUROWIECKI 324 Clinton Ave #2, Brooklyn NY 11205 Cell: (917) 620 4529 [email protected] EDUCATION • Yale University, 1988-1995 o Ph.D. candidate in American History, A.B.D. o Prize Teaching Fellowship, 1991-1992 o Mellon Fellow • University of North Carolina, 1984-1988 o B.A. in History o Highest Distinction o Highest Honors in History o Phi Beta Kappa o North Carolina Fellow o Morehead Scholar TEACHING • Institute for Constitutional History, 2010 o Co-taught seminar on “The Constitution and the Economy” with John Fabian Witt of Yale Law School • Yale University, 1991-1995 o Part-time Acting Instructor (taught seminars on Gender and Globalization and the U.S. Civil Rights Movement) o Teaching assistant, Writing-Intensive Section (Post-1945 American History) o Teaching assistant (Post-1945 American History, Postbellum African-American History, History of American Popular Music) • Choate Rosemary Hall, 1992-1994 o Taught survey of American History (Fall 1993) o Developed syllabus and team-taught interdisciplinary course on race in America (Spring 1992, Spring 1993, Spring 1994) 1 JOURNALISM • Vice News Tonight (HBO), 2017-present o Senior story producer, U.S. News, responsible for editing scripts and supervising production of segments for nightly news show; co-manage team of 20+ correspondents and producers • The New Yorker, New York, NY, 2000-2017 o Business Columnist, writing bi-weekly column on business, economics, and finance o Host of Talking Business video interview series o Video commentaries for Newyorker.com o Contributor -
2017-Year-In-Review-Peakprosperity
2017 Year in Review Markets Fiddle While Rome Burns David B. Collum Betty R. Miller Professor of Chemistry and Chemical Biology Cornell University Email: [email protected] Twitter: @DavidBCollum Introduction “He is funnier than you are.” ~David Einhorn, Greenlight Capital, on Dave Barry’s Year in Review Every December, I write a survey trying to capture the year’s prevailing themes. I appear to have stiff competition—the likes of Dave Barry on one extreme1 and on the other, Pornhub’s marvelous annual climax that probes deeply personal preferences in the world’s favorite pastime.2 (I know when I’m licked.) My efforts began as a few paragraphs discussing the markets on Doug Noland’s bear chat board and monotonically expanded to a tome covering the orb we call Earth. It posts at Peak Prosperity, reposts at ZeroHedge, and then fans out from there. Bearishness and right-leaning libertarianism shine through as I spelunk the Internet for human folly to couch in snarky prose while trying to avoid the “expensive laugh” (too much setup).3 I rely on quotes to let others do the intellectual heavy lifting. PeakProsperity.com 1 “Consider adding more of your own thinking and judgment to the mix . most folks are familiar with general facts but are unable to process them into a coherent and actionable framework.” ~Tony Deden, founder of Edelweiss Holdings, on his second read through my 2016 Year in Review “Just the facts, ma’am.” ~Joe Friday By October, I have usually accrued 500 single-spaced pages of notes, quotes, and anecdotes. -
Vertigo and the Auteur Figure
Ambiguous Authorities: Vertigo and the Auteur Figure ISABELLE LICARI-GUILLAUME Abstract: This article examines authorial performance in the context of DC’s Vertigo line. In the 1990s, Vertigo gained its reputation as an innovative and progressive imprint by promoting the work of British scriptwriters, who were hailed as true author figures, despite the inherently collaborative nature of the mainstream comics industry. In a manner reminiscent of “auteur theory”, writers such as Neil Gaiman, Warren Ellis or Grant Morrison developed attractive authorial personae which they consistently displayed through interviews, letter columns or social media, but also, more importantly, by inserting their avatars within the comics they scripted. Upon closer examination, however, it becomes clear that their work in fact simultaneously asserts and destabilizes writerly authority, in a manner that is consistent with Linda Hutcheon’s view of postmodernity. By multiplying author figures and playfully disseminating authority, Vertigo authors question their own authorial control over the text, asserting instead the crucial role played by the reader. Bio: Isabelle Licari-Guillaume is a Teaching and Research Assistant at the Department of English at Université Bordeaux Montaigne, France. She specializes in contemporary comics studies and has recently defended her PhD, which examined the British Invasion of American comics, its aeshetic evolution over time, and its influence on the editorial history of DC's Vertigo imprint. Her other fields of interest include translation and gender studies, on which she has written several articles. In 2015, she edited a collection of essays on the body in comics (Les Langages du corps dans la bande dessinée, l'Harmattan) and is currently editing another volume, Translators of Comics / Les Traducteurs de bande dessinée. -
The New Yorker ’S Editorial Staf
PRICE $7.99 FEB. 22, 2016 FEBRUARY 22, 2016 5 GOINGS ON ABOUT TOWN 17 THE TALK OF THE TOWN Amy Davidson on Democrats and black voters; a Robert Moses opera; museum song; O.I.C. Man; James Surowiecki on populism and primaries. THE POLITICAL SCENE Jill Lepore 22 The Party Crashers The system comes under challenge again. SHOUTS & MURMURS Kelly Stout 28 Juror Instructions ANNALS OF WEALTH Jiayang Fan 30 The Golden Generation China’s young go West. LETTER FROM LOS ANGELES Nicholas Schmidle 36 The Digital Dirt The man celebrities fear most. A REPORTER AT LARGE William Finnegan 50 Last Days How jihad came to San Bernardino. FICTION Don DeLillo 60 “Sine Cosine Tangent” THE CRITICS POP MUSIC Hua Hsu 66 Kanye West’s “The Life of Pablo.” BOOKS George Packer 69 Six left-wing defectors. Joan Acocella 74 Alexander Chee’s “The Queen of the Night.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “Vinyl” and “Billions.” MUSICAL EVENTS Alex Ross 80 Works by Olivier Messiaen and Hans Abrahamsen. THE CURRENT CINEMA Anthony Lane 82 “Zoolander 2,” “Deadpool,” “A War.” POEMS Kevin Young 54 “Money Road” J. D. McClatchy 63 “Dirty Snow” COVER Kadir Nelson “Schomburg Center, Harlem, New York” DRAWINGS Chris Cater, Joe Dator, Michael Maslin, Barbara Smaller, Zachary Kanin, Tom Cheney, Frank Cotham, Paul Noth, Drew Dernavich, Liana Finck, Edward Steed, P. C. Vey, Harry Bliss, Tom Toro, Danny Shanahan, David Sipress, Christian COVER: SOURCE: CARL VAN VECHTEN (HURSTON); WILLIAM H. JOHNSON (SEATED COUPLE); COUPLE); (SEATED JOHNSON H. WILLIAM (HURSTON); VECHTEN VAN CARL SOURCE: COVER: (HOLIDAY) ARCHIVE/GETTY HISTORY UNIVERSAL (ELLINGTON); FOUNDATION/GETTY KOBAL JOHN Lowe, Jack Ziegler, Michael Crawford, Trevor Spaulding, Peter Kuper, Liam Francis Walsh SPOTS Ben Wiseman CONTRIBUTORS Jill Lepore (“The Party Crashers,” p. -
GRANT MORRISON Great Comics Artists Series M
GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images. -
1 • Yale University, 1988-1995 O Ph.D. Candidate in American
JAMES SUROWIECKI EDUCATION • Yale University, 1988-1995 o Ph.D. candidate in American History, A.B.D. o Prize Teaching Fellowship, 1991-1992 o Mellon Fellow • University of North Carolina, 1984-1988 o B.A. in History o Highest Distinction o Highest Honors in History o Phi Beta Kappa o North Carolina Fellow o Morehead Scholar TEACHING • Institute for Constitutional History, 2010 o Co-taught seminar on “The Constitution and the Economy” with John Fabian Witt of Yale Law School • Yale University, 1991-1995 o Part-time Acting Instructor (taught seminars on Gender and Globalization and the U.S. Civil Rights Movement) o Teaching assistant, Writing-Intensive Section (Post-1945 American History) o Teaching assistant (Post-1945 American History, Postbellum African-American History, History of American Popular Music) • Choate Rosemary Hall, 1992-1994 o Taught survey of American History (Fall 1993) o Developed syllabus and team-taught interdisciplinary course on race in America (Spring 1992, Spring 1993, Spring 1994) 1 JOURNALISM • Vice News Tonight (HBO), 2017-present o Senior story producer, U.S. News, responsible for editing scripts and supervising production of segments for nightly news show; co-manage team of 20+ correspondents and producers • The New Yorker, New York, NY, 2000-2017 o Business Columnist, writing bi-weekly column on business, economics, and finance o Host of Talking Business video interview series o Video commentaries for Newyorker.com o Contributor to “Politics and More” podcast o The Balance Sheet (blog on the financial crisis), -
The Losers Pb
WARNER BROS. PICTURES presenta in associazione con DARK CASTLE ENTERTAINMENT Una produzione WEED ROAD PICTURES (THE LOSERS) JEFFREY DEAN MORGAN ZOË SALDANA CHRIS EVANS IDRIS ELBA COLUMBUS SHORT OSCAR JAENADA e JASON PATRIC 1 Un film di azione esplosiva, tradimento e vendetta, “The Losers” racconta la storia dei membri di una unità delle Forze Speciali inviata in missione nella giungla boliviana. Ma la squadra, Clay, Jensen, Roque, Pooch e Cougar, scopre ben presto di essere diventata il bersaglio di un mortale intrigo, pianificato dall’interno da un nemico conosciuto solo come Max. Approfittando del fatto che si presume siano morti, gli uomini combattono strenuamente per dimostrare la propria innocenza e anche saldare il conto con Max. A loro si aggiunge la misteriosa Aisha, una bella agente con un suo piano e in grado di cavarsela egregiamente. Lavorando insieme, quando non litigano fra loro, devono riuscire a stare un passo avanti a Max, un uomo spietato, impegnato a trascinare il mondo in una nuova guerra globale ad alta tecnologia solo per il proprio profitto. Se riusciranno a bloccare Max e nello stesso tempo salvare il mondo, sarà un successo per il gruppo conosciuto come The Losers . “The Losers” è interpretato da Jeffrey Dean Morgan (“Watchmen”) nel ruolo di Clay; Zoë Saldana (“Avatar”, “Star Trek”) in quello di Aisha; Chris Evans (i film dei “Fantastici quattro”) in quello di Jensen; Idris Elba (“Obsessed”) come Roque; Columbus Short (“Stepping-Dalla strada al palcoscenico”) è Pooch; Oscar Jaenada (“Che: Parte seconda”) è Cougar; e Jason Patric (“Nella valle di Elah”) è Max. Sylvain White (“Stepping-Dalla strada al palcoscenico”) dirige il film da una sceneggiatura di Peter Berg e James Vanderbilt, basata sulla serie di fumetti scritti da Andy Diggle, illustrati da Jock e pubblicati da DC Comics/Vertigo.