Reynolds' Life
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Samuel Johnson*S Views on Women: from His Works
SAMUEL JOHNSON*S VIEWS ON WOMEN: FROM HIS WORKS by IRIS STACEY B.A., University of British .Columbia. 1946 A Thesis submitted in Partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS in the DEPARTMENT OF ENGLISH We accept this thesis as conforming to the required standard The University of British Columbia September, 1963 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly ' purposes may be granted by the Head of my Department or by his representatives,. It is understood that copying, or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia, Vancouver 8, Canada. Date JjiMZ^kA- ^,/»^' ABSTRACT An examination of Samuel Johnson*s essays and his tragedy, Irene, and his Oriental tale, Rasselas, reveals that his concept of womanhood and his views on the education of woman and her role in society amount to a thorough-going criticism of the established views of eighteenth-century society. His views are in advance of those of his age. Johnson viewed the question of woman with that same practical good sense which he had brought to bear on literary criticism. It was important he said "to distinguish nature from custom: or that which is established because it was right, from that which is right only because it is established." Johnson thought that, so far as women were concerned, custom had dictated views and attitudes which reason denied. -
Hogarth in British North America
PRESENCE IN PRINT: WILLIAM HOGARTH IN BRITISH NORTH AMERICA by Colleen M. Terry A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History Summer 2014 © 2014 Colleen Terry All Rights Reserved UMI Number: 3642363 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3642363 Published by ProQuest LLC (2014). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 PRESENCE IN PRINT: WILLIAM HOGARTH IN BRITISH NORTH AMERICA by Colleen M. Terry Approved: ___________________________________________________________ Lawrence Nees, Ph.D. Chair of the Department of Art History Approved: ___________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts & Sciences Approved: ___________________________________________________________ James G. Richards, Ph.D. Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ___________________________________________________________ Bernard L. Herman, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
Trades' Directory. 811
1841.] TRADES' DIRECTORY. 811 SILK &VEL YET MANFRS.-continued. l\Iay William, 132 Bishops~ate without DentJ.30,31,32 Crawfordst.Portmansq Brandon William, 23 Spital square *Nalders, Spall & Co. 41 Cheapside Devy M. 73 Lower Grosvenor street, & Bridges & Camp bell, 19 Friday street N eill & Langlands, 45 Friday street 120 George street, Edinburgh Bridgett Joseph & Co.63 Alderman bury Perry T. W. & Co. 20 Steward st. Spitalfi *Donnon Wm.3.5Garden row, London rd British, IJ-ish, ~· Colonial Silk Go. 10~ Place & Wood, 10 Cateaton street Duthoit & Harris, 77 Bishopsgate within King's arms yard Powell John & Daniel, 1 Milk !'treet t Edgington \Yilliam, 37 Piccadilly Brocklehurst Jno. & Th. 32 & 331\-Iilk st t Price T. Divett, 19 Wilson st. Finsbury Elliot Miss Margt. Anne, 43 Pall mall Brooks Nathaniel, 25 Spital square Ratliffs & Co. 78\Vood st. Cheapside E~·les,Evans,Hands&.Wells,5Ludgatest Brown .Archbd. & Co.ltl Friday st.Chpsi Rawlinson Geo. & Co. 34 King st. City *Garnham Wm. Henry, 30 Red Lion sq *Brown James U. & Co. 3,5 Wood street Reid John & Co. 21 Spital square George & Lambert, 192 Regent street *Brunskill Chas.& Wm.5 Paternostr.rw Relph & Witham, 6 Mitre court, Milk st Green Saml. 7 Lit. Aygyll st.llegent st Brunt Josiah, & Co.12 Milk st. Cheapsi Remington, Mills & Co. 30 Milk street Griffiths & Crick, 1 Chandos street Bullock Wm. & Co. 11 Paternoster row tRobinsonJas.&Wm.3&4Milkst.Chepsid +Hall Hichanl, 29 St. John street Buttre~s J. J. & Son, 36Stewardst.Spital RobinsonJ. & T. 21 to 23 Fort st. Spitalfi *Hamer & Jones, 59 Blackfriars road Buttress John, 15 Spital square Salter J. -
Finishing Off Joseph Van Aken
In-Focus Finishing Off Joseph van Aken Britain’s Leading Drapery Painter Joseph van Aken Going it Alone IMAGES NOT AVAILABLE In The London Tradesman (1747), a On van Aken’s death in 1749 his handbook of professions, the drapery brother Alexander, a lesser artist, tried painter is listed as a ‘mere mechanic to continue this family business, but hand’ who is ‘employed in dressing the the smooth running of several portrait figures, after the painter has finished painters’ studios was disrupted for the face, given the figure its proper months. No single drapery painter attitude, and drawn the out-lines of the Van Aken’s drapery may be one reason ever again achieved van Aken’s hold dress or drapery.’ This may have been why many portraits from the 1740s, over the market, and the practice of true for many anonymous hacks, but look so similar. Surviving drawings outsourcing drapery slowly dwindled. the Flemish-born artist Joseph van Aken suggest that Ramsay provided detailed By the 1760s and’70s, artists such (c.1699–1749) earned great wealth instructions about howvan Aken should as Thomas Gainsborough or Joseph as Britain’s leading drapery painter. pose and dress his figures. Others Wright of Derby were painting all parts He worked for Thomas Hudson, Allan merely supplied the face – sometimes of their canvases themselves. Ramsay, Joseph Highmore and so cut out and tacked to a larger canvas. many other successful portrait painters Such was the consistent quality of van Thomas Day (1748–89) of the 1740s that one critic remarked, Aken’s ‘draperies, silks, satins, velvets’ by Joseph Wright of Derby, 1770 NPG 2490 acidly: ‘As in England almost that artists found it a ‘great addition to everybody’s picture is painted, so their works and .. -
Romeo Revived .Pdf
McGirr, E. (2017). "What's in a Name?": Romeo and Juliet and the Cibber Brand. Shakespeare. https://doi.org/10.1080/17450918.2017.1406983 Peer reviewed version Link to published version (if available): 10.1080/17450918.2017.1406983 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Taylor and Francis at http://www.tandfonline.com/doi/full/10.1080/17450918.2017.1406983. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Elaine M. McGirr Reader in Theatre & Performance Histories University of Bristol “What’s in a name?”: Romeo and Juliet and the Cibber brand Abstract: The 1744 and 1748/50 performances of Romeo and Juliet by Theophilus Cibber, Jenny Cibber and Susannah Cibber explain the significance of the play’s return to the repertory, uncover the history of rival interpretations of Juliet’s character, and make sense of the careers and reputations of the theatrical Cibbers. The “Cibberian” airs of all three Cibbers were markedly different, as were their interpretations of Shakespeare’s star-crossed lovers. Keywords: Shakespearean adaptation, performance history, celebrity, authorial reputation, repertory In Romeo and Juliet, Juliet apostrophizes Romeo to deny thy father and refuse thy name, assuring her (supposedly) absent lover that a rose by any other name would smell as sweet. -
HOLBA-Insights-Report-Jul-20.Pdf
HEART OF LONDON JULY AREA PERFORMANCE HEART OF LONDON AREA PERFORMANCE CONTENTS JULY 2020 EDITION INTRODUCTION 02 Welcome to our area performance report. This monthly summary provides trends in footfall, spending SUMMARY ANALYSIS 03 and much more, in the Heart of London area. Focusing on Leicester Square, Piccadilly Circus, Haymarket, Piccadilly and FOOTFALL TRENDS 04 St James’s, find out exactly how our area has performed FOOTFALL OVERVIEW 05 throughout the month. HOURLY FOOTFALL 06 The report is available exclusively to members, and explores REGIONAL FOOTFALL 07 changes in trends that impact the performance of our area, allowing your business to plan with confidence and make the COVID-19 AND FOOTFALL 08 most of being in the heart of London. YOUR FEEDBACK IS IMPORTANT TO US PROPERTY & INVESTMENT 09 PLEASE CLICK ON THE BUTTON INVESTMENT 10 TO REQUEST NEW DATA OR ANALYSIS PROPERTY PERFORMANCE 11 LEASE AVAILABILITY 12 EVENTS & ACTIVITY 13 IMPACT CALENDAR 14 GLOSSARY 15 See our Glossary for more detail on data sources and definitions. 2 HEART OF LONDON AREA PERFORMANCE SUMMARY ANALYSIS – JULY 2020 Rainfall (mm) 2020 2019 500K 25 YEAR ON YEAR FOOTFALL 450K -72% Footfall in the current month compared to the same month last year 400K 20 350K 300K 15 MONTH ON MONTH FOOTFALL 250K +97% Footfall in the current month compared Footfall 200K 10 to the previous month Rainfall (mm) Rainfall 150K 100K 5 YEAR TO DATE FOOTFALL 50K -58% Footfall in the current year to date K 0 compared to the same period last year M T W T F S S M T W T F S S M T W T F S S M T W T F S S 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 1 2 Week 28 Week 29 Week 30 Week 31 July trend summary • Like-for-like footfall in the Heart of London area was down 72% in July 2020 compared to the same month last year. -
Timeline: 2-14 Baker Street Date Event Notes
Timeline: 2-14 Baker Street Parties: British Land, McAleer & Rushe. Bank of Ireland, NAMA, Portman Estate Topic: 2-14 Baker Street - in London which was subject to a loan from Bank of Ireland Timeline: Date Event Notes August Several media articles report on This was the second reported purchase by and agreement between British Land and McAleer & Rushe from British Land – the September McAleer & Rushe for the sale (by BL) previous deal was for the Swiss Centre in 2005 of 2-14 Baker Street. Leicester Square. Guide price for the 2-14 Baker Street property was UK£47.5m with British Land offering it as a potential 150,000 sq. ft development opportunity. 5th 2-14 Baker Street purchased by Travers Smith acted for McAleer & Rushe October McAleer & Rushe by British Land for Group on the acquisition. 2005 UK£57.2m. The existing building tenants: Purchase funded with a Bank of Offices let on a lease expiring in December Ireland loan. 2009. Retail accommodation let under four separate leases all expiring by December 2009 The property comprised 94,000 sq. ft. held on a 98 year headlease from the Portman Estate. 16th Planning Application submitted to Planning application filed by Gerald Eve, December Westminster City Council listing Chartered Surveyors and Property Consultants 2008 Owners pf 2-14 Baker Street as: Contact person: James Owens 1. Portman Estate (freeholder) [email protected] 2. Mourant & Co Trustees Ltd and Mourant Property Trustees Ltd Baker Street Unit Trust is owned by McAleer & as Trustees of the Baker Street Rushe with a Jersey address. -
Shakespeare and London Programme
andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries. -
'The Little-Ingenious Garrick and the Ingenious Little Hogarth'
Video transcript 'The little-ingenious Garrick and the ingenious little Hogarth' Robin Smith Honorary Professor of English, University College London and William Chubb Actor The Queen’s Gallery, Buckingham Palace Wednesday, 23 April 2014 ROBIN SIMON: In July 1746 the great actor David Garrick wrote a reply to an invitation from the reverend John Hoadly – [CAPTION: The Revd John Hoadly (right) detail from double portrait with Dr Maurice Greene, 1747, National Portrait Gallery] WILLIAM CHUBB: Your invitation to the Old Alresford I most cordially accept of and the little ingenious Garrick with the ingenious little Hogarth will get up on a horseblock. Mount a couple of quadrupeds, or one if it carries double and high away to the reverend Rigdom Funnydose there to be merry, facetious, mad and nonsensical. ' ROBIN SIMON: Well they were certainly facetious. The house party acted, at least to their great enjoyment, what was described as a little bawdy play by Garrick, entitled Rag-and-jaw – rag and jaw. At this stage I think I ought to make one thing clear about Georgian life and humour, it’s, well how shall we put it, very down to earth. And so if you wish you may put your hands over your ears now. Rag-and-jaw is a skit upon the relationship between Brutus and Cassius in Julius Caesar, only now of course inevitably the characters are Brute-arse and Cassy-arse. I didn't say that Georgian, Georgian hjour was subtle. <Footer addr ess> Accompanied by Lucius, oh sorry Loose-arse. Garrick played Cassy-arse and the reverend John Hoadly was Brute-arse. -
Darnley Portraits
DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat -
The Morgan Presents the Satirical Drawings of Celebrated British
Press Contacts Noreen Khalid Ahmad 212.590.0310 [email protected] Shaili Shah 212.590.0311 [email protected] The Morgan Presents the Satirical Drawings of Celebrated British Artist William Hogarth Hogarth: Cruelty and Humor May 24, 2019 to September 22, 2019 New York, NY, Wednesday, April 3, 2019 — The Morgan Library & Museum announces a new exhibition of satirical drawings and prints by renowned artist William Hogarth (1697–1764). Best known for his humorous political commentary, Hogarth’s work engaged a broad audience and agitated for legislative and social change. His intricate drawings and richly anecdotal scenes depict the ills and injustices of eighteenth-century urban life, exploring the connections between violence, crime, alcohol abuse, and cruelty to animals. He hoped his William Hogarth (1697–1764), Detail of Fourth Stage of Cruelty, 1750–51, red chalk, some graphite, on paper, incised with stylus. The Morgan Library & Museum, III, 32e, purchased by graphic work would amuse, shock, and Pierpont Morgan (1837–1913) in 1909. Photography Steven H. Crossot, 2014. ultimately edify his audience. Opening May 24, Hogarth: Cruelty and Humor tells the story of Hogarth’s iconic images and the social realities of life in Georgian London that inspired him to advocate for reform through popular works of art. It is the first show at the Morgan devoted to this artist, whose style was so influential in British art that the word “Hogarthian” remains a recognizable way of describing works of satire. Featuring over twenty works, the show investigates Hogarth’s creative process and examines his embrace of humor, highlighting the Morgan’s exceptional cache of preparatory drawings for his two most acclaimed print series from 1751: Beer Street and Gin Lane, and The Stages of Cruelty. -
COMMERCIAL DIRECTORY. Albrecht Henry Jas. & Co. East India
292 COMMERCIAL DIRECTORY. [1841. Albrecht Henry Jas. & Co. east india merchts. 14 Eastcheap Alexander Wm. Southwm·k Arms P.H. 151 Tooley street AlbrecLt John, colonial broker, 48 Fenchurch street Alexander Wm. John, barrister, 3 King's bench walk,Templtt Albri~ht Eliz. (1\Ira.),stationer, 36 Bridge ho. pl. N ewing.cau Alexanure Auguste, for. booksel. 37 Gt. Russell st. Bloomsb Alcock Anthony,glass & chinaman, 6 Charles st. Westminster Alexandre Edme, artificial florist, 20 King's rd. Bedford row Alcock Edward, grocer, 361 Rotherhithe Aley James, Fathe1· Red Cap P.H. Camberwell green Alcock John, rag merchant, 12 Addle hill, Doctors' Commons Aley Thomas, watchmaker, 18 Park side, Knight~bridge Alcock Wm. printers' joiner, 2! White Lion st. N orton folgate Aley William, poulterer, 2 Queen's buildings, Knights bridge Alcock Rutherford, physician, 13 Park place, St. James's Altord Charles, lighterman, 12 Bennett's hill, Due. corn. Alder Edward, coffee rooms, 208 Sloane st. Knightsbridge Alford, Fitzherbert & Co. cloth factors, 10 Ironmonger lane Alder John, Golden Horse P. H. Glasshouse yd. Aldersgt. st AI ford J ames, cooper& oil bag ma. 8 Bennett's hill, Doe. corn. Alderman Wm.Hen.Lm·dNelsonP.H.ll!Bishopsgt.without Alford Jenkins, Colonel lVardle P.H. 138 Tooley street Alders Jas. engraver & chaser, 3 Thorney st. Bloomsbury sq Alford Robert,engraver, & copperplate, letterpress & gold Aldersey Joseph Stephens, attomey, 8 Gower st. Bedford sq printer, 13 Bridge street, Southwark Aldersey Richard Baker, who. stationer, 11 Cloaklane1 City Altord Thomas,coachmaker,Cumber land st. N ewingtonbutts Alderson Geo. D. & Co. lead mercs. 2 Blenl1eim st.