Amos Garrett Amosbehavin' Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Amos Garrett Amosbehavin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Amosbehavin' Country: Japan Released: 1990 MP3 version RAR size: 1516 mb FLAC version RAR size: 1831 mb WMA version RAR size: 1937 mb Rating: 4.7 Votes: 197 Other Formats: MOD DMF AU MP2 APE ADX MIDI Tracklist Hide Credits I Can't Quit You 1 3:54 Written-By – Bobby Charles Baton Rouge 2 3:33 Written-By – Carl Brouse Some Cats Know 3 4:33 Written-By – J. Lieber & M. Stoller* Stella Aint Got No Brains 4 2:18 Written-By – Amos Garrett New Orleans 5 4:05 Written-By – Hoagy Carmichael Little Sister 6 3:28 Written-By – Bobby Charles Ha Ha In The Daytime 7 4:41 Written-By – Percy Mayfield Cardian Arrest 8 4:41 Written-By – Colin Linden, Eileen Tobin Love Songs Of The Nile 9 4:10 Written-By – A. Freed*, N.H. Brown* Imojochu 10 4:35 Written-By – Amos Garrett Credits Producer – Bill Garrett Notes Made in Japan Other versions Category Artist Title (Format) Label Category Country Year Amos Amosbehavin' (LP, Stony Plain SPL-1053 SPL-1053 Canada 1982 Garrett Album) Records Amos Amosbehavin' (LP, BPR 5149 Blueprint Records BPR 5149 US 1987 Garrett Album, RE) Amos Stony Plain SPCD 1189 Amosbehavin' (CD) SPCD 1189 Canada Unknown Garrett Records Amos Amosbehavin' (LP, Cuppamore 02 02 Germany 1982 Garrett Album) Records Related Music albums to Amosbehavin' by Amos Garrett Tori Amos - Tiawanese "Best Female Singers" Jackie's Strength The Amos Garrett, Doug Sahm, Gene Taylor Band - The Return Of The Formerly Brothers Amos Garrett - Third Man In Tori Amos - Upside Down Amos Garrett Doug Sahm Gene Taylor Band - Live in Japan Wagon Christ - At Amos Amos Milburn - Betty Amos - Hello To The Blues / What Would It Take Sean Garrett - Sean Garrett - Debut Sampler Amos 'N' Andy - Amos 'n' Andy.

Copy Link

Recommended publications

5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it.
[Show full text]
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.
[Show full text]
Toronto, January 17Th-19Th, 2009 Early Bird Registration on Sale Now Until December 31St
CANADA’S ESSENTIAL BLUES GATHERING KEYNOTE BRUNCH – seminars – receptions – showcases TORONTO, JANUARY 17TH-19TH, 2009 EARLY BIRD REGISTRATION ON SALE NOW UNTIL DECEMBER 31ST The Blues SummitIV is a three day music industry conference that SHOWCASES provides an opportunity for blues artists, event organizers and presenters to Hear the best in up-and-coming Canadian personally connect, to attend professional development seminars, working blues at the evening showcases in the meetings, showcase concerts, and networking receptions. Delta Chelsea hotel. Showcase artists include: Held at the Delta Chelsea Hotel in downtown Toronto, the Blues SummitIV is the largest meeting of blues industry people in Canada! Scott McCord and The Bonafide Truth Ben Manilla will be the keynote speaker – Toronto, ON reflecting on current blues industry trends Raoul Bhaneja – Toronto, ON and insights. Suzie Vinnick – Toronto, ON SOCAN Songs & Stories, Sunday, January 18th, Steve Strongman – Hamilton, ON 5:30-7pm featuring Suzie Vinnick, Ray Bonneville, Anderson/Sloski: The Joint Chiefs of Amos Garrett, and Matt Anderson. Soul – Orillia, ON Carlos del Junco – Port Hope, ON Dalannah Gail Bowen – Vancouver, BC Marshall Lawrence – Edmonton, AB The Twelfth Annual Maple Blues Awards will honour Tracy K and her Right Hand Band Canada’s best in blues at the gala ceremony on Monday, – Thunder Bay, ON January 19th at the Phoenix Concert Theatre, Monkey Junk – Ottawa, ON 410 Sherbourne St. in Toronto. Wes Mackey – Vancouver, BC Ross Neilsen – Fredericton, NB This year’s
[Show full text]
+II'l 'Iq( R- T I( L > ':-)'Tirt,'::)/I,--':, F ')I~'Je V2 ~T)Rl,J::Llt
r,tf r., ~l;tftrtl > +II'l 'Iq( r- t I( l > ':-)'tIrt,'::)/I,--':, f ')I~'je V2 ~t)rl,J::llt. 'tri, l p" I! j gl 'V Vol. No. 10 Moscow, .Idaho Friday, Feb. P 7 t 190 ea ~ sy> .. ae ..g .S 10 a I'aaisa Ieeaae l I'lag(S iII:fi..t;I'at;e canna >II' started to catch on isn't By ELAINE AMBROSE and as common as Argonaut Staff Writer grass. Chemicals, including reds, speed and acids. are hard to get but available. Blotter acid As spring approaches, kites won't be the only comes in hundred-hit quantities and sells for $1 things getting high around campus. This spring per hit. The latest thing in piHs is from hundreds of students will invest thousands of southern California. They are blue and dollars getting stoned. equivalent to three reds (downers). According to sources, the drug scene at Idaho Few Hassles has increased rapidly this year. Drugs of all Cocaine isn't used too often. A pinch of it can kinds are being brought in from Seattle, be purchased for $10. Spokane, Portland and Salt Lake. More is There have been no major hassles with expected after. spring vacation with students officials, advisors, or other students returning from southern California and the concerning drug users. Students know which East. rooms can be used for smoking dope. One girl Drugs aren't limited to the arboretum or the received complaints for smoking in her room. ad lawn as much as last year. Walk down the She had come from an eastern college where halls of many living groups and look for towels they "shoot up in the student lounge." n stuffed around the doors.
[Show full text]
Powder Blues Band
Powder Blues Band Last Updated: Tuesday, 12-Nov-02 12:09:58 Click on a letter below - [ Home ] - Biography - Discography - Links - Photos Powder Blues Band ● Tom Lavin (guitar, vocals) - [ Home ] ● Jack Lavin (bass, vocals) ● Willie MacCalder (piano, organ, vocals) - Concerts Listings ● Duris Maxwell (drums) - Database ● David Woodward (tenor sax, vocals) - Album Reviews ● Mark Hasselbach (trumpet) - Concert Reviews ● Gord Bertram (baritone sax; 1979-1981) - CMT Canada ● Wayne Kozak (tenor sax; 1979-1981) - Pop Encyclopedia ● Bill Runge (baritone sax; 1981-2001) - JAM! Metal ● Don Cummings (bass; replaced Jack Lavin 1983) - Chat ● Bill Clarke (trumpet; 2001) - JAM! Radio ● Adam Drake (drums; 2001) [ BIOGRAPHY | Discography | Links | Photos ] In May of 1978 The Powder Blues band is formed by Chicago-born Tom Lavin as a house band in Vancouveris Gastown. All the members came from other groups: Tom Lavin with Prism; Jack Lavin with Teen Angel; MacCalder with Willie And The Walkers; Maxwell with Doucette and Skylark; Woodward with Downchild; Kozak with Cobra, Prism and Denise McCann; Bertram with Foreman Byrnes;and Hasselbach with Airbrush. They played the local Vancouver club scene for the next 18 months. By 1979 the band had recorded their debut album, 'Uncut', Canoe Google and end up releasing it on their own Blue Wave label after being turned down by all the major record labels. But the band generated enough buzz on their own causing RCA to re- release the album and the band tours Canada and U.S. on strength of four Top-10 singles. eUncute was certified double platinum [200,000 copies] in Concerns or Feedback? February 1981.
[Show full text]
Ravi Coltrane Steps out of His Parents' Shadows And
001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
[Show full text]
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more..
[Show full text]
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino – with whom he recorded a duet of the same song in the 1990s – and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the songwriting royalties for the rest of his life! Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ which Kris Kristofferson committed to record. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.
[Show full text]
Report Stephen Bruton Stephen Bruton
Mountainview Publishing, LLC INSIDE the Straight Talk from a Guitarist’s The Player’s Guide to Ultimate Tone TM Guitarist... $10.00 US, November, 2002/VOL.4 NO.1 Report Stephen Bruton Stephen Bruton 11 Welcome to the Third Anniversary Issue of TQR. We’d like to begin this month’s trip by sending our sincere thanks and appreciation to each and every one of you for granting us the privilege of PRS Goldtops, guiding and inspiring you in your ongoing love affair with the guitar. It’s you who make our The Emerald Gem, monthly Quest for Tone possible, and that’s a fact we never forget. ell, Amigos, we’re still in Texas, and we’re and a Confession kickin’ off this issue with a true guitarist’s W guitarist – Mr. Stephen Bruton of Austin, Texas. The All Music Guide (www.allmusic.com) con- from The Temple cisely describes Bruton’s tone as “reflective, wist- ful, bittersweet, rollicking and earnest.” All true, but there’s much more to consider here... Bruton grew up in Fort Worth, the son of a jazz drum- 13 mer and record store owner. The significance of these simple twists of fate are not lost on Blackbox Effects... Mr. Bruton. During the 1960s, Fort Worth’s Jacksboro Highway was a guitar player’s paradise – a melting pot of musical styles More Worthy Tone and dicey nightlife that produced an uncan- ny number of top notch, A-team session Gizmos from The players and touring pros like Bruton, T Bone Burnett, Bill Ham, Mike O’Neill, Land of a James Pennebaker, Buddy Whittington, Bob Wills, King Thousand Lakes! Curtis, Cornell Dupree, and Delbert McClinton.
[Show full text]
The (New) Gate of Cleve
The (New) Gate of Cleve The Gate of Cleve (after March 1964 and a change of ownership, the “New” Gate of Cleve) opened in late October or early November 1961 (they advertised their second anniversary on November 2, 1963) at 161 Dupont St. (just west of Davenport on the south side). In May, 1965 the business moved to 45A Avenue Rd. just north of the Purple Onion. It closed in mid to late April, 1966. Listings of musicians in the popular press were sparse until early 1963. The “Cleve” apparently starts with musicians performing Friday to Sunday but by 1962, advertised musicians played only on Friday and Saturday nights until early 1965 when management started bringing in more musicians from the US. After that, engagements often started earlier in the week. As with other coffee houses it’s more than possible that music was offered other nights but the musicians not recognized in published advertisements. Revised: February 10, 2021 1961 Nov 24-26 Sharon Trostin “also” Ted Star Nov 24th p.34 Friday-Sat 9 pm to 3 am, Sunday 830- Schafer 12:30 Dec 8–10 Greg Curtis with Peter Star Dec 8th. P.37 an advertisement referring to Curtis as Wyborn Saturday (9th) only an “internationally known balladeer and folk singer” Dec 15-17 Greg Curtis (15-16) & Peter Star Dec 15th, p.21 again an advertisement for both but Wyborn (16-17) additionally Peter Wyborn now described as “Western Canada’s leading folk artist” 1962 Sep 29 Toronto Star “Toronto This Sep 29th p. 24. After hours coffee houses are named: Week” (Clubs) column Bohemian Embassy, the Pirates Cave,
[Show full text]
Bill Colgate
LiÀÊLÕÃÌ iÌ>« ÞÃV>Ê ÕiÃ BILL COLGATE ,>`V>Ê,>` / iÊÀ>`Ê"`Ê/À>`ÌÊ"vÊ->ÌÕÀ`>ÞÊ } Ì ÀìÀiÊ À>âÞ ÊÞÊ Õ« L`Þ¿ÃÊ ÃÃÊ>Ãi 1Ãi`Ê/Ê/ ÊÌÊ7>ÃÊ`ÊÊi>Ài` 6ViÊÀÊ/ iÊ*>ÃÌ ÀÊ ÀÞ}Ê"ÕÌÊÕ` /ÊÌÊÌ ,>`Ê/Ê->>À> Ü>Ì}ÊvÀÊÃ Ê ¿ÌÊÜÊÊ-ÕÊÊ/ÀÌÊ/} Ì «iÀÀ¿ÃÊ iÜÊ Ì iÃ 7>Ì}ÊÀÊ- -iÌ }Ê7Vi`Ê/ ÃÊ7>ÞÊ iÃ Û}Ê"Ê/ iÊ"ÕÌÃìÊ"vÊ/ iÊ>Ü / iÊÀ>ViÊ"vÊ9Õ iL>Ê*i ÌÊÌ iÀÊ-}ÊLÕÌÊ/ iÊ,> iÛ¿ÃÊ,} ÌÊ>`Ê> ÌÊ-ÌÊ iÃÊ ÜÊ/Ê9Õ ,VÊEÊ >ÌÃÊÌ¿ÃÊ9Õ} LLÞÊ-Ì>Þi`Ê/Ê}ÊÌÊ/ iÊ>À Ü iÊ`Ã>ÕÀÃÊÀÕi`ÊÌ iÊi>ÀÌ ÊÌÊ/ iÊ, ÞÌ -ÌÕVÊiÀiÊÊÌ iÊ ÕiÃ ViÞÊ } Ì >ÌiÊ/ >ÌÊ/À> Ê7Ê-ÌÊ,iiLiÀÊ9Õ Ài} ÌÊ/À>Ê, ÊÀÕ` *i>ÃiÊ* iÊi ÀÕÃ i`ÊÊÌ iÊ}À«ÊvÊÞÕÀÊÛi® >iÊ"vÊ >ÞÃ iÌÊÌÊ iÊ/ iÀi >V°°V> J VÌ>VÌÊ *OAN "ENDONÊ «Ê ÛiÌÃ Çn£Ê }Ê -Ì°Ê 7°Ê -ÕÌiÊ £äÎÊ /ÀÌÊÊ" Ê Ê x6Ê Îx Ê {£È°xä{°ÈxÎÈÊÊ >Jv«iÛiÌÃ°VÊ }À>« VìÃ}ÊV>ÀÃ > ÜÜÜ°LV}>Ìi°VÊÊÊ graphicdesign [email protected] BILL COLGATE “A thousand yard stare and a three day beard / I used to think it was God I feared” Used To Think It Was God I Feared — boomer bust LiÀÊLÕÃÌ BILL COLGATE iÌ>« ÞÃV>Ê ÕiÃ (at a glance) ,>`V>Ê,>` / iÊÀ>`Ê"`Ê/À>`ÌÊ"vÊ->ÌÕÀ`>ÞÊBill Colgate} Ì is a bar band singer turned successful actor turned critically lauded and ÀìÀiÊ À>âÞ award winning singer/songwriter.
[Show full text]
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available.
[Show full text]