DOCSLIB.ORG

BWTB JPG&R Aug. 21St 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BWTB JPG&R Aug. 21St 2016 1 Playlist Sunday Aug. 21st 2016 *Special in studio guest Stray Cat Slim Jim Phantom OPEN Paul McCartney – English Tea - Chaos and Creation in the Backyard ’05.. Paul: I was on holiday, and if you want a cup of tea, you don't do what you do in England, say `A cup of tea please', They always say `What kind of tea?' You know like in England nobody would ever say `What kind of tea?' Well they actually would these days, but in the old days it was never like `What kind of tea?' It'd be like `What do you mean? Cuppa tea.' So now they say `What kind of tea?' and you have to say `English Breakfast tea ` and then they go `Oh OK' and you get it you know you get an ordinary cup of tea. So I just thought that's amazing that calling it English tea', but I thought it's kind of original because we don't call it that. 1 2 The Beatles - Savoy Truffle - The Beatles George took his inspiration for his fourth song on the “White Album” from a box of chocolates, specifically a Mackintosh’s Good News double centre chocolate assortment box, said by George to be Eric Clapton’s favorite brand. Most of the candies mentioned by George in the song came from the specific candies found in the box. Confections such as Creme Tangerine, Montelimart, Ginger Sling, Coffee Dessert and Savoy Truffle were part of the assortment. Cool Cherry Cream and Coconut Fudge were Harrison creations. When George sings “But you’ll have to have them all pulled out after the Savoy Truffle,” it is a warning to his friend Eric Clapton that he will have to have his decaying teeth pulled out. After some rehearsal, the backing track was recorded in one take on October 3, 1968, at Trident Studios. With George playing electric piano, Paul on Rickenbacker bass, and Ringo on drums. Harrison’s lead vocal was recorded at Trident Studios on October 5. Chris Thomas’ score for saxophones (distorted at Harrison’s request) was recorded at Abbey Road on October 11. The final overdubs for “Savoy Truffle” on October 14 were also the last instruments recorded during the “White Album” sessions: organ, tambourine, bongos, and George playing a lead guitar part on his Fender Telecaster. This is the third of four Harrison songs on the “White Album” that John Lennon does not appear on. 2 3 The Beatles - Good Morning Good Morning - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: John Based on a Kellogg’s Cornflakes television commercial John heard while sitting at the piano and feeling a bit “stuck” trying to write something for “Sgt. Pepper.” Paul plays a stinging guitar solo and flourishes with his right-handed Fender Esquire. The basic rhythm track was recorded on February 8, 1967 in eight takes, four of them complete. Overdubs followed with John’s lead vocal and Paul’s bass added on February 16. A horn section consisting of members of the Brian Epstein-managed band Sounds Inc. (previously Sounds Incorporated) was brought in on March 13. Sounds Incorporated had been one of the opening acts on the Beatles’ 1964 and 1965 tours. RINGO – Six O’clock (Macca) – RINGO 1973 Personnel : Ringo - Lead vocals, drums Paul McCartney - Piano, synthesizer, backing vocals, string and flute arrangements Linda McCartney - Backing vocals Klaus Voorman - Bass Vini Poncia - Acoustic guitar, percussion 3 4 One song from each Beatle to Kick off today’s show… 4 5 BREAK The Beatles - I Need You - Help! (Harrison) Lead vocal: George Recorded in five takes on February 15, 1965, the first day of recording for what was to become the “Help!” album, with overdubs completed the next day. It is the second original George Harrison song to be recorded by the Beatles. Harrison wrote “I Need You” for his future wife, Pattie Boyd. The track is notable for the first use on a Beatles record of what is now known as a “wah-wah pedal.” George achieved this by playing his 12-string Rickenbacker through a foot-controlled volume pedal. Ringo provides cowbell percussion. On U.S. album: Help! - Capitol LP 5 6 The Beatles - It’s Only Love- Help! (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP The Beatles - We Can Work It Out – Past Masters Recorded: 20/29 October 1965 RELEASED AS A CHRISTMAS SINGLE ON DEC. 3RD 1965 AND IT KICKED OFF THE RUBBER SOUL SESSIONS IN OCT. 1965 Yesterday & Today in US / Collection of Oldies in UK Written by Paul as a pleading song to Jane Asher, who had just moved away from London to join the theatre. It was the first such instance in their relationship, and one that contributed to their eventual breakup The Beatles - If You've Got Trouble – HELP! Sessions 18th February 1965 - Take 1. Previously unreleased, this was intended to be Ringo's vocal outing on Help! ... but was replaced with "Act Naturally". Often bootlegged. 6 7 Musicians: Ringo Starr – double-tracked lead vocal, drums; John Lennon – rhythm guitar, backing vocal; Paul McCartney – bass guitar, backing vocal; George Harrison – lead guitar, backing vocal This was recorded during the Help! sessions, but Ringo dumped it in favor of Act Naturally. (You can hear what he thought of it during the instrumental break – he shouts out forlornly Rock on… anybody…) It has now been made available on Anthology 2. One song sung by each Beatle circa 1965… QUIZ #1 The Ringo sung song If You’ve Got Trouble was replaced with which song on the HELP! LP? 9.27 BREAK It’s a JPG&R edition of BWTB Winner_______________> The Beatles - Act Naturally - Help! (Morrison-Russell) Lead vocal: Ringo Lennon and McCartney had penned a song especially for Ringo to sing on the “Help!” album, but their creation, “If You’ve Got Trouble,” didn’t pan out in the studio. Ringo, a long-time country and western music fan, selected this chart-topping hit from 1963 by Buck Owens to be his song on the “Help!” album. The backing track was perfected in 13 takes on June 17, 1965. Ringo provided his vocal later that day. With the exception of the various oldies performed during the “Get Back” sessions (mostly jams during rehearsals) in January 1969, “Act Naturally” was the last song recorded by the Beatles that was not written by a member of the group. The B-side of “Yesterday” in the U.S. On U.S. album: Yesterday and Today - Capitol LP John Lennon – Crippled Inside – Imagine ‘71 7 8 Based on the 1920’s Blind Blake song, “Black Dog Blues.” Lyrically, it’s a very nasty swipe at Paul McCartney. This is just one of the songs John pointed at Paul after McCartney’s Ram was released. Paul – Bluegrass Can’t Buy Me Love – 1993 Sound check George Harrison – Any Road – Brainwashed ‘02 Composed in 1988 during the filming of a video for his album Cloud 9, Any Road would be George’s last single. It was nominated for Grammy Award in 2004 for Best Male Pop Performance. BREAK One song sung by each Beatle…. The Beatles - All I’ve Got to Do – With The Beatles (Lennon-McCartney) Lead vocal: John Written entirely by John Lennon and introduced to the other Beatles at the session at which it was recorded, The Beatles never played the song again. Lennon has said this soulful ballad was his attempt at making a Smokey Robinson song. Recorded on September 11, 1963 in 14 takes with an overdub (presumably George’s introductory 8 9 guitar chord) becoming “take 15” and the finished version. “All I’ve Got to Do” marked a rare instance in which John’s lead vocal was not double-tracked. On U.S. album: Meet The Beatles The Beatles - Things We Said Today - A Hard Day’s Night (Lennon-McCartney) Lead vocal: Paul Written in May 1964 on board a yacht called Happy Days during Paul McCartney's holiday in the Virgin Islands with his girlfriend Jane Asher, plus Ringo Starr and his future wife Maureen. Recorded in three takes on June 2, 1964. In his 1980 interview with Playboy magazine John Lennon remembered this being one of Paul’s better songs. McCartney double tracked his vocals. John Lennon's piano part was meant to be omitted from the final mix, but lack of separation between instruments meant that its sound leaked into other microphones during recording. As a result it can be heard on the released version. The b-side of the UK “A Hard Day’s Night” single. On U.S. album: Something New - Capitol LP The Beatles - Think For Yourself - Rubber Soul (Harrison) Lead vocal: George 9 10 The fifth original composition by George Harrison to be recorded by The Beatles was completed on November 8, 1965 in one take with overdubs under the working title “Won’t Be There With You.” The song features Paul playing his bass through a fuzz box to give it a distorted sound. On U.S. album: Rubber Soul - Capitol LP Ringo – Snookeroo – (Taupin/John) Goodnight Vienna 1974 9.57 BREAK 10 11 The Beatles - Mother Nature’s Son - The Beatles (Lennon-McCartney) Lead vocal: Paul Another Paul McCartney solo performance for the “White Album.” Paul remembers writing the song at his father’s home in Liverpool and that it was inspired by Nat “King” Cole’s recording of “Nature Boy.” After the other Beatles went home on the evening of August 9, 1968, Paul went through 25 live performances of the song, each featuring his vocal and his Martin D-28 acoustic guitar.
Load more

Recommended publications
  • KISS Chikara Mp3, Flac, Wma
    KISS Chikara mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Chikara Country: Japan Released: 1988 Style: Hard Rock, Glam MP3 version RAR size: 1301 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1587 mb Rating: 4.4 Votes: 928 Other Formats: XM MP1 AUD MIDI DXD AHX AA Tracklist Hide Credits Rock And Roll All Nite 1 2:49 Written By – Gene Simmons, Paul Stanley Detroit Rock City 2 5:14 Written By – Bob Ezrin, Paul Stanley Love Gun 3 3:17 Written By – Paul Stanley I Was Made For Lovin' You (Extended Version) 4 7:56 Written By – Desmond Child, Paul Stanley, Vini Poncia Creatures Of The Night 5 4:02 Written By – Adam Mitchell, Paul Stanley I Love It Loud 6 4:15 Written By – Gene Simmons, Vinnie Vincent War Machine 7 4:15 Written By – Bryan Adams, Gene Simmons, Jim Vallance Lick It Up 8 3:55 Written By – Paul Stanley, Vinnie Vincent All Hell's Breaking Loose 9 4:33 Written By – Eric Carr, Gene Simmons, Paul Stanley, Vinnie Vincent Heaven's On Fire 10 3:20 Written By – Desmond Child, Paul Stanley Thrills In The Night 11 4:21 Written By – Jean Beauvoir, Paul Stanley Who Wants To Be Lonely 12 4:00 Written By – Desmond Child, Jean Beauvoir, Paul Stanley Uh! All Night 13 4:01 Written By – Desmond Child, Jean Beauvoir, Paul Stanley Tears Are Falling 14 3:55 Written By – Paul Stanley Companies, etc. Record Company – Polystar Co.,Ltd. Notes Japanese Only CD Pressing, Made In Japan. Only 100,000 copies were made.
    [Show full text]
  • Identifying Beatles New Zealand 45'S
    Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
    “Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan.
    [Show full text]
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • Kinross-Shire Can in the Village All My Life
    Kinross Newsletter Founded in 1977 by Mrs Nan Walker, MBE Issue No 367 September 2009 www.kinrossnewsletter.org ISSN 1757-4781 DEADLINE CONTENTS for the October Issue From the Editor ............................................................2 2.00 pm, Monday 21 September 2009 Letters ..........................................................................2 News and Articles .........................................................4 for publication on Kinross Show Prize Winners..........................................6 Saturday 3 October 2009 Police Box..................................................................11 Community Councils...................................................12 Contributions for inclusion in the Club & Community Group News .................................20 Newsletter Sport ..........................................................................31 The Newsletter welcomes items from clubs, Out & About...............................................................37 community organisations and individuals for Gardens Open..............................................................39 publication. This is free of charge (we only Congratulations and Thanks.........................................40 charge for commercial advertising - see Church Information, Obituaries....................................41 below right). All items may be subject to Playgroups & Nurseries...............................................43 editing. Please also see our Letters Policy on Notices.......................................................................44
    [Show full text]
  • Yesterday (Beatles Song)
    Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Willie Nelson
    LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
    [Show full text]
  • View Was Provided by the National Endowment for the Arts
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles.
    [Show full text]
  • John Lennon & Yoko Ono Double Fantasy Mp3, Flac
    John Lennon & Yoko Ono Double Fantasy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Fantasy Country: US Released: 1980 Style: Pop Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1546 mb Rating: 4.4 Votes: 233 Other Formats: XM ADX AC3 AAC DTS MPC DMF Tracklist Hide Credits 1 (Just Like) Starting Over 3:55 2 Kiss Kiss Kiss 2:41 3 Cleanup Time 2:57 4 Give Me Something 1:34 5 I'm Losing You 3:58 6 I'm Moving On 2:19 Beautiful Boy (Darling Boy) 7 4:01 Steel Drums – Robert Greenidge Watching The Wheels 8 3:59 Cimbalom [Hammered Dulcimer] – Matthew Cunningham I'm Your Angel 9 3:08 Arranged By [Horns] – Tony Davilio 10 Woman 3:32 11 Beautiful Boys 2:54 12 Dear Yoko 2:33 13 Every Man Has A Woman Who Loves Him 4:02 14 Hard Times Are Over 3:20 Companies, etc. Phonographic Copyright (p) – Yoko Ono Lennon Copyright (c) – Yoko Ono Lennon Licensed To – Capitol Records, LLC Recorded At – The Hit Factory Remixed At – The Hit Factory Remixed At – Record Plant, N.Y.C. Mastered At – Sterling Sound Remastered At – Sterling Sound Manufactured By – Capitol Records, LLC Credits Art Direction – John Lennon & Yoko Ono Artwork – Art Hotel, Christopher Whorf Artwork, Design – P. Linard Marketing And Advertising Ltd Backing Vocals – Benny Cummings Singers, Cas Mijac, Eric Troyer Bass Guitar – Tony Levin Concertina [English] – Randy Stein Drums – Andy Newmark Engineer – Lee DeCarlo Engineer [Assistant] – James Ball*, Jon Smith , Julie Last Guitar – Earl Slick, Hugh McCracken Guitar, Keyboards – John Lennon Horns – David Tofani*, George "Young" Opalisky*, Grant Hungerford, Howard Johnson , John Parran*, Roger Rosenberg, Ronald Tooley*, Seldon Powell Keyboards – George Small Mastered By [Original] – George Marino Percussion – Arthur Jenkins, Jr.* Photography By [Additional] – Allan Tannenbaum, Bob Gruen, David Spindel, Kishin Shinoyama, Lilo Raymond, Nishi F.
    [Show full text]
  • Favorite Beatles Songs.Xlsx
    FAVORITE BEATLES SONGS - VOTING BRACKETS First Round Second Round Third Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Third Round Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Hey Jude 57 55 Let It Be 1 Hey Jude Let It Be 32 Piggies 3 3 Savoy Truffle 32 16 Lovely Rita 15 27 Julia 16 Yellow Submarine Julia 17 Yellow Submarine 42 21 And Your Bird Can Sing 17 8 Lucy in the Sky With Diamonds 48 39 Nowhere Man 8 Lucy in the Sky With Diamonds Nowhere Man 25 Two of Us 8 13 Because 25 9 Across the Universe 36 22 Dear Prudence 9 Across the Universe Do You Want to Know a Secret 24 Within You Without You 14 30 Do You Want to Know a Secret 24 5 I Want to Hold Your Hand 51 50 Come Together 5 I Want to Hold Your Hand Come Together 28 She's a Woman 6 3 Doctor Robert 28 12 Rain 23 44 Sgt. Pepper's Lonely Hearts Club Band 12 I'm a Loser Sgt. Pepper's Lonely Hearts Club Band 21 I'm a Loser 26 11 You're Going to Lose That Girl 21 4 Blackbird 47 51 She Loves You 4 Blackbird She Loves You 29 Being for the Benefit of Mr. Kite! 8 5 Martha My Dear 29 13 Carry That Weight 32 26 She Said She Said 13 Carry That Weight She Said She Said 20 I'm Down 17 21 Sexy Sadie 20 Division 1 Division 2 6 Day Tripper 42 48 Can't Buy Me Love 6 Day Tripper Can't Buy Me Love 27 Revolution 9 10 7 Birthday 27 11 Helter Skelter 30 49 All My Loving 11 Helter Skelter All My Loving 22 Getting Better 24 5 I'll Cry Instead 22 3 Eleanor Rigby 45 43 While My Guitar Gently Weeps
    [Show full text]