2010-03 Sweet Charity.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2010-03 Sweet Charity.Pdf Performing at the March 13 - April 10, 2010 13777 Fruitvale Avenue in Saratoga SARATOGA CIVIC THEATER Estate Plan for Benefit of Children — Wills & Living Trusts ...................................................................................................... HOME Incorporation and Business Contracts/Partnerships ...................................................................................................... CONSULTATIONS Litigation & Settlements — Injuries & Business Disputes FOR WILLS & TRUSTS Stephen F. Von Till & Assoc., Lawyers, 39 Years Experience Charles Lounsberry, a lawyer, mentally ill and confined in the Almshouse of Cook County, Illinois, had 7 provisions in his “Lawyer’s Last Will.” Here are two: Item 1: I give to good fathers and mothers, in trust for their children, all good little words of praise & encouragement & quaint pet names and endearments and I charge said parents to use them justly, but generously, as needs of their children shall require. Item 6: And to those who are no longer children or youths or lovers, I leave memory, and bequeath to them the volumes of the poems of Burns and Shakespeare, & of other poets, if their be others, to the end that they may live the old days over again, freely and fully, without tithe or diminution. If you want to make your Will or Trust, call me. We can talk a little “theatre” and discuss your estate plans. No charge for talk. Qualifications: University of Illinois College of Law, J.D., 1969, 7th in Class, Law Review, Michigan State University, B.A., 1966, LAW OFFICE High Honors, Humanities, Faculty, Santa Clara University School of Law, Law Clinic, 1987, Instructor, Stanford University Law School, Advanced Trial Advocacy Workshops, 1995–2006 STEPHEN F. VON TILL & Ass OCI A TE S VONTILL.COM Appointments Available in San Jose (510) 490-1100 10% Fee Reduction for Theatre Patrons’ Wills and Trusts PRESIDENT’S MESSAGE Welcome to “Sweet Charity”, the second production of WVLOA’s 45th season. We hope that you enjoy this delightful Neil Simon comedy with music by Cy Cole- man and lyrics by Dorothy Fields. Our final production of this season in June/July will be a new musical of Neil Sedaka songs, “Breaking Up Is Hard To Do”. Set in a Catskills resort in the 1960’s, the score showcases 18 of Sedaka’s classics. You’re Invited!!! Whether you are already one of our 1200+ subscribers or here in the Saratoga Civic Theatre for the very first time, we invite you to join us this Novem- ber for West Valley Light Opera’s 46th season. Because we realize the poor economy has affected the Silicon Valley lifestyles, we have chosen to keep our rates the same as last season. And we will maintain our policy of not charging any additional fees for tickets purchased through our Box Office and/or with a Credit Card. Look at Our Centerfold!!! Included in this program is a special blue insert, which we invite you to use to subscribe to WVLOA’s 46th musical season. Subscribe NOW to ensure good seats and substantial savings over the cost of individual tickets. Current subscribers may also use this form to renew for next season.. All subscriptions and individual ticket orders will be processed according to the date on which they are received, but actual tickets will not be assigned or mailed until after this season’s last production has concluded in August. Let me close by stating that you, the audience members who share your sup- port and enthusiasm for WVLO’s endeavors, make it a truly gratifying experience for all of us involved, both on the stage and behind the scenes. And we extend our special gratitude to those subscribers who have donated additional funds to ensure the excellent quality of sets and costumes that we strive to bring to this stage. We hope that you have a marvelous time at this musical and that you will join us for our future productions. —Edward Hand, President West Valley Light Opera Association WEST VALLEY LIGHT OPERA ANNOUNCES NEXT SEASON: 2010–2011 We invite you to become a subscriber to WVLO’s New Season Please use the blue insert in this program! Subscribe NOW to assure good seats and substantial savings! Current subscribers may use this form to renew for next season. Grateful Acknowledgements Andy Amaro, Lori Basuino, Susan Buchs, Les and Nancy Burger, Gerald Carter, Lucy Haab, Dan Singletary, Presentation High School, South Bay Musical Theater, Brian Mundy of Schurra’s Fine Confections, Ohlone College, SJ Repertory Theatre, TheatreWorks, West Valley College Music by Cy Coleman • Lyrics by Dorothy Fields •Book by Neil Simon Starring Katie O’Bryon as Charity Hope Valentine And Featuring Benjamin Perez, Brittany Blankenship, Patty Reinhart and Michael Carey Director: Bill Starr • Music/Vocal Director: Rachel Michelberg Choreographer: Jerry Rosas • Producers: Elizabeth Dale & Sergio Vela Peña Gala Opening: Saturday, March 13, 2010. 8:00 PM Fridays: March 19, 26, April 2, 9 . 8:00 PM Saturdays: March 20, April 3, 10. 8:00 PM Saturday Matinee: March 27. 2:30 PM Sunday Matinees: March 14, 21, 28. 2:30 PM “Sweet Charity” is presented through special arrangement with and all authorized performance materials are supplied by Tams-Witmark Music Library, Inc., 560 Lexington Avenue, New York, NY 10022 Visit our web site: www.wvlo.org • E-mail: [email protected] 24-hour Voice Mail: (408) 268-3777 West Valley Light Opera Donors: 2009–2010 Season West Valley Light Opera Association acknowledges the generosity of the following donors who have contributed to maintaining our productions’ excellence for the upcoming season. We are deeply grateful for your support! If you are employed by or retired from a company that has a Matching Gift program for non- A Note from the Director profit organizations and would like to double your gift to WVLO, call the Box Office, (408) 268-3777 and we will help you apply for this additional contribution. Throughout time, finding someone to commit to, confide in, share DIAMOND Morman/Noreen Miller Don Lawrie moments together, and LOVE is something very rare. One may search and search, and ($1,000 or more) Walter/Patricia Moorhead Helen Lott still be alone without any results. Sometimes it just happens, and that is true love. Anonymous (2) Duke Overton Jean McNamara Charity, like so many others, has so much love to give, and finding the right one Hank/Marcia Lawson Irene Panighetti Gordon Mullin Ralph Parkman Janet Papenhausen can be a lifelong challenge, but without taking that ‘risk’, one will never know. GOLD ($250 to $499) Corinne Permaul David/Dee Pierce If you have a loved one, congratulations, and enjoy every moment together as Ed/Marge Hand David/Alice Ray Corinne Rathjens time passes quickly. If you have not yet found that special person, then join Charity Jay/Marcia Sternin John Ribble Mildred Root James/Ellen Rodrigues Mr./Mrs. Andy Sermersheim on her journey in search of Mr. Right. SILVER ($100 to $249) Lawrence/Linda Saltman Mr./Mrs. David Swanson Bill/Bev Allman Chuck/Barbara Smith G. James Tobias “The greatest thing you’ll ever learn is to love and be loved in return.” – Natalie Cole Roger/Kathleen Arno Ed/Ellie Stafford Wayne/Ramona Wilson I’m dedicating this show to Ciya (my Charity), my daughter and husband and Gerard Blaufarb Jay Steele John Young Clare Dudley Robert/Drusilla Totman Mickey, my son and his wife, and to Dominic, our first grandchild. Enjoy! Terry/Mary Duffield Marjorie Ward FRIEND (Up to $19) —Bill Starr Gladys Fong Joe/Cathy Cassetta Donald Gaubatz SUPPORTER ($20 to $49) Betty Cooper Shirley Gross Mary Ann Barr Lynn Cushnie Ed/Ellie Kiss Don/Anne Bays Charles De Palmo Geraldine Levy Thomas Becker Karen Fear Mickey/Pam MacLaren, in Michael Bena Charlotte Garvich Congratulations memory of Cele Pincus Monte Boisen Alice Hansen Pat Mascarin Leonard/Phyllis Boenig Marion Jarrett Liz and Company Sergio Vela Peña Allen Breed Melanie Karren John R. Ray Robert E. Burke Victor/Lynda Kelaita on another fantastic production! Pam Rhodes Lucille Butorovich Michael Kurty Delphie C. Stevens Charles Calhan Mr./Mrs. Robert Manniello — Your colleagues at Ladera Travel Roy/Fay Tengelsen Cal/Dolly Coran Joseph Reickerd Donna Trumpp Trudy Eagle Sybil Ruggles Rosamond Wallace Ida Heller Clare Russell Richard/Nancy Walter Ernie/Marjorie Huesby Doris Sexton IN MEMORIAM Vera Mae Williams John/Ann Ivy Sally Stallard Elizabeth Kenton-Tate Leonore Tescher WALTER J. DUZMAL ANGEL ($50 to $99) Lee Knowlton Joy Walsh Jim/Helen Bean November, 1927 – February, 2010 Mr./Mrs. B.D. Briggs If you have been a subscriber for many years, you will remember Walt Ed/Dee Cavanaugh Computer Business Service portraying the role of Tevya in the West Valley Light Opera’s 1990 production Ruth Chesarek Quality Printing & Direct Mail of “Fiddler On The Roof”. He made such an impression on our audiences, Kent/Barbara Clerk Service not only for his wonderful voice, but for his acting ability as well. He actually Laurie Farran Gerald Hedquist 6472 Camden Ave #106 looked the part, too, and said many times, he had been given the opportunity Mr./Mrs. John Kiefer to play the “part of a lifetime” in that production. Walt was active in theater Donald Lake San Jose CA 95120 all over the Bay Area, sang in his Church choir and was part of a traveling Tom/Teddy Lancaster acting troupe which originated with Santa Clara Players years ago. He will Robert/Clare Landry (408) 268-1990 Jim/Margaret Mentink truly be missed. We extend our deepest sympathy to Phyllis and her family •Postcards during this difficult time. If your name is omitted or listed incorrectly here, please accept our apologies and leave a message on our Voice Mail, (408) 268-3777, or e-mail us at •[email protected] Cards so that we may update future listings.
Recommended publications
  • Guido Maria Guida “La Modernidad Del Orfeo Original Es Extraordinaria Y Sorprendente” Por Gamaliel Ruiz
    ENTREVISTA Guido Maria Guida “La modernidad del Orfeo original es extraordinaria y sorprendente” por Gamaliel Ruiz ara conmemorar el 450 aniversario del nacimiento del gran genio italiano Claudio Monteverdi (1567-1643), el pasado mes de marzo en la sala principal del Palacio de Bellas Artes se estrenó la ópera L’Orfeo en la versión Porquestada por Bruno Maderna en 1967, dentro de la programación del Festival del Centro Histórico. “La versión de Tuvimos la suerte de asistir a la segunda función de esta fascinante Maderna fue creación operística, estupendamente dirigida e interpretada por un escogida en el 450 elenco vocal mexicano de elevadísimo nivel, la Orquesta del Teatro de Bellas Artes y el Coro del citado teatro, esta vez dirigido por aniversario del Pablo Varela. nacimiento de Monteverdi por su La dirección musical de esta obra semiescenificada corrió a cargo del maestro Guido Maria Guida, quien ha trabajado desde hace modernidad” muchos años con distintas orquestas mexicanas y ha sido elogiado por su gran talento y destreza en el terreno sinfónico y también en pocos violines, muchas violas, violonchelos y contrabajos, todo óperas difíciles dirigir como el ciclo del Der Ring des Nibelungen lo contrario de la dotación de la orquesta clásica, romántica y y Tristan und Isolde de Richard Wagner, así como Die Frau ohne moderna, donde abundan los violines. Schatten (La mujer sin sombra) y Salome de Richard Strauss, Wozzeck de Alban Berg y Macbeth de Verdi, entre otras obras que Para representar el sonido de órgano, clavecín, tiorbas y laúdes, ha dirigido en nuestro país. otros instrumentos fundamentales del bajo continuo, utiliza dos arpas, dos guitarras, mandolina y también clavecín y órgano.
    [Show full text]
  • Rank Member Name Member Number Country Total Points 1
    Rank Member Name Member Number Country Total Points 1 Jaouad ACHAB BEL-1519 Belgium 278.88 2 Shuai ZHAO CHN-1532 China 174.31 3 Lovre BRECIC CRO-1524 Croatia 162.56 4 Mahammad MAMMADOV AZE-1590 Azerbaijan 146.49 5 Deni ANDRUN RAZIC CRO-1640 Croatia 123.66 6 Bolat IZUTDINOV RUS-1936 Russia 116.13 7 Lucas GUZMAN ARG-1519 Argentina 113.73 8 Mirhashem HOSSEINI IRI-15379 Iran 112.00 9 Ouahid BRIKI TUN-1526 Tunisia 102.21 10 Seok-bae KIM KOR-1700 Republic of Korea 101.58 11 Hakan RECBER TUR-2068 Turkey 93.78 12 Youssef ALY EGY-1637 Egypt 92.08 13 Jaroslaw MECMAJER POL-1540 Poland 91.53 14 Joel GONZALEZ BONILLA ESP-1558 Spain 86.78 15 Nikola VUCKOVIC SRB-1580 Serbia 81.74 16 Abel MENDOZA MEX-1552 Mexico 77.68 17 Abolfazl YAGHOUBIJOUYBARI IRI-12102 Iran 74.77 18 Saul GUTIERREZ MEX-1751 Mexico 72.66 19 Nuno COSTA POR-1501 Portugal 69.71 20 Bradly SINDEN GBR-1554 Great Britain 64.96 21 Ioannis PILAVAKIS CYP-1534 Cyprus 64.87 22 Dae-hoon LEE KOR-1513 Republic of Korea 64.07 23 Siddhartha King BHAT CAN-1516 Canada 62.81 24 Amir Mohammad BAKHSHI IRI-21137 Iran 60.00 25 Nutthawee KLOMPONG THA-1570 Thailand 59.58 26 Jure PANTAR SLO-1504 Slovenia 55.43 27 Thomas AUGER AUS-1561 Australia 51.45 28 Nikita PUSHANKO RUS-2852 Russia 50.79 29 Gili HAIMOVITZ ISR-1509 Israel 50.06 30 Simone CRESCENZI ITA-1584 Italy 49.91 31 Soroush AHMADI IRI-12998 Iran 47.99 32 Ferhat Can KAVURAT TUR-2230 Turkey 47.83 33 Arman IRGALIEV RUS-1523 Russia 47.36 34 Marcos CABALLERO ECHEVARRIA ESP-1888 Spain 47.23 35 Alimzhan SERIKBAYEV KAZ-1641 Kazakhstan 45.34 36 Vladimir KIM RUS-1515
    [Show full text]
  • Virus Can't Slow Down the Need to Feed Children in Peabody
    MONDAY, JUNE 29, 2020 Tech grad hurdles obstacles, gets grant so she can attend SSU By Steve Krause month when she found out she re- ITEM STAFF ceived the Stephen Phillips Memori- al Scholarship, a renewable $10,000 LYNN — Lizbeth Vela has been grant that will allow her to attend climbing uphill for a lot of her life. Salem State University. The schol- Lynn resident and Today, she nds herself standing at arship is awarded to students with Tech graduate Liz- the top, reaping the rewards for her nancial need who display academic beth Vela is the re- hard work and achievements. achievement, a commitment to serv- cipient of a scholar- Vela also worked through the La ing others (in school, their communi- ship that will allow Vida Scholars program, which helps ty, or at home), a strong work ethic her to attend Salem students of low-income families nd and leadership qualities. State University. colleges and some nancial aid. Vela saw it all pay off earlier this SCHOLARSHIP, A3 ITEM PHOTO | OLIVIA FALCIGNO Swampscott feeling the sting from jelly sh By David McLellan ITEM STAFF SWAMPSCOTT — There is a growing concern among residents about the in- creased sightings of lion’s mane jelly sh, with at least two reports of potential stings in Swampscott over the weekend. The lion’s mane jelly sh is the larg- est species of jelly, with tentacles that can grow up to 120 feet long. Over the past month, sightings at Massachusetts beaches have increased, prompting the state’s Department of Conservation and Recreation to issue “purple ag warn- ings” at times in Swampscott, Lynn, and Nahant, letting swimmers know a poten- Virus can’t slow down the need tially dangerous animal is in the waters.
    [Show full text]
  • 15-L. Films Abra Ensemble Yaron Abulafia
    Bios of PQ Projects Participants | Page 1 15-L. FILMS Sala Beckett / Theatre and International Drama Centre (Performance Space Exhibition) 15-L. FILMS is a production company based in Barcelona, created in 2013 by Carlota Coloma and Adrià Lahuerta. They produce documentaries for cinema and other platforms, and for agencies and clients who want to explore the documentary genre in all its possibilities. Their productions have been selected and awarded in many festivals: MiradasDoc, Milano International Documentary Festival, HotDocs and DOCSMX among others. They have been selected to participate in several workshops and pitches such as: IDW Visions du Réel; Cross Video Days; Docs Barcelona. ABRA ENSEMBLE Hall I + Abra Ensemble (Performance Space Exhibition) ABRA Ensemble's works aspire to undermine existing power structures as they express themselves in the voice, language patterns and ways of speech. They seek rather communal, feminist strategies of composition, listening and creative-coexistence. Exposing the emergence of the music itself, ABRA Ensemble bridges the existing limits between contemporary virtuoso vocal art and the performative, transformative encounter with an audience. In the five years since its founding in 2013, the ensemble has performed at a diverse range of venues in Israel and Europe, released a debut album and gained considerable recognition both in the new-music and contemporary performance scene. YARON ABULAFIA Jury Member 2019 / PQ Ambassador Yaron Abulafia has designed over 200 theatre and dance performances, installations, concerts and television shows internationally. He has designed for the Netherlands Dans Theater, the English National Ballet, Rambert Dance Company, Staatsballett Berlin, Danza Contemporanea de Cuba and the Hungarian State Theatre of Cluj in Romania – to mention but a few.
    [Show full text]
  • Repertoire and Performance History Virginia Opera Repertoire 1974-2020
    Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE
    [Show full text]
  • Wagner Textos De Mario Lavista, Juan Arturo Brennan, Eusebio Ruvalcaba, Evodio Escalante Y Roberto García Bonilla
    Revista de la Academia de Música del Palacio de Minería • Verano 2013 • Número 9 En el bicentenario de Richard Wagner Textos de Mario Lavista, Juan Arturo Brennan, Eusebio Ruvalcaba, Evodio Escalante y Roberto García Bonilla Wagner en el Amazonas Reseñas de Juan Ángel Vela del Campo, Pablo Espinosa y Mario Saavedra de la puesta en escena de Parsifal de Sergio Vela Notas a los programas Temporada de Verano de la Orquesta Sinfónica de Minería ÍNDICE En el Bicentenario de Richard Wagner pág. 3 Encuesta sobre Wagner, de Roberto García Bonilla. Textos de Mario Lavista, Juan Arturo Brennan y Sergio Vela. 5 Wagner y la música de su época, por Eusebio Ruvalcaba. 8 Wagner y los filósofos, por Evodio Escalante. 11 En busca del revolucionario Richard Wagner, por Roberto García Bonilla. 16 Wagner rejuvenece en Manaos, por Juan Ángel Vela del Campo 19 La magia de Wagner en Manaos, por Pablo Espinosa. 22 Una entrevista con Sergio Vela a propósito del Parsifal de Manaos, por Pablo Espinosa. 27 Wagner en el Amazonas, por Mario Saavedra. 35 Proemio a la temporada 2013 de la Orquesta Sinfónica de Minería 39 Notas a los programas de la Temporada 2013 de la Orquesta Sinfónica de Minería, por Juan Arturo Brennan. 87 Lauderos y laudería en México. Un testimonio. 90 Dos poemas de Emiliano Álvarez. 91 Calendario y temas de las emisiones del programa de radio sobre ópera de Sergio Vela en Opus 94.5 de FM. Violas (Humor). Chiste. Cartón de Ros. 92 Noticias, por Gilberto Suárez Baz. Foto de portada: Bernardo Arcos 2 Un genio en perspectiva Encuesta sobre Wagner a Juan Arturo Brennan, Mario Lavista y Sergio Vela Por Roberto García Bonilla A ciento treinta años de su muerte sigue causando controversia.
    [Show full text]
  • Understanding the Role of Women As Leaders in Mexican Politics: Looking Back and Moving Forward
    University of San Diego Digital USD Dissertations Theses and Dissertations 2016 Understanding the Role of Women as Leaders in Mexican Politics: Looking Back and Moving Forward Rafael Tovar y Lopez-Portillo University of San Diego Follow this and additional works at: https://digital.sandiego.edu/dissertations Part of the Latin American History Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Digital USD Citation Tovar y Lopez-Portillo, Rafael, "Understanding the Role of Women as Leaders in Mexican Politics: Looking Back and Moving Forward" (2016). Dissertations. 58. https://digital.sandiego.edu/dissertations/58 This Dissertation: Open Access is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital USD. For more information, please contact [email protected]. Understanding the Role of Women as Leaders in Mexican Politics: Looking Back and Moving Forward by Rafael Tovar y López-Portillo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 Dissertation Committee Afsaneh Nahavandi, Ph.D. Iris Engstrand, Ph.D. Lea Hubbard, Ph.D. University of San Diego i Abstract The constant changes that occur in a globalized world have pushed gender equality to the forefront of many debates in the western world. Nevertheless, cultural values continue to influence the way in which governments, societies, and individuals behave in regard to the roles that men and women play. In Mexico, despite the cultural values that are embedded in society, women have been able to succeed in areas where, until a few decades ago, it would have been unimaginable.
    [Show full text]
  • Symposium “The Spanish Contribution to the Independence of the United States: Between Reform and Revolution (1763-1848)”
    Symposium “The Spanish Contribution to the Independence of the United States: Between Reform and Revolution (1763-1848)” Director of the National Portrait Gallery, Mr. Marc Patcher Ambassador Westendorp, Ambassador Eduardo Aguirre, General Sanz Roldán, President of CONACULTA, Mr. Sergio Vela Distinguished Authorities, Ladies and Gentlemen. It is a great pleasure for me, as Chairman of the Board of the US-Spain Council to be here today at the opening of this Seminar on “the Spanish Contribution to the Independence of the United States”. As you know, the US-Spain Council is a non-government institution whose mission is to strengthen ties in all fields of life (business, culture, education...) between our two nations. An important part of our work in the last few years has been what I would call the “historical dimension”: the greater public awareness –both here and in Spain- of the strong historical ties that bind our two countries; ties that date back, as will be clearly shown today and tomorrow, to the very earliest days of the American Revolution. I would like to thank you for your presence here today. I am sure that the outcome of the discussion of these two days will shed much light on what is still a little known part of the history of the United States of America. The organizers have rightly put the discussions in their proper historical context. The Seminar will debate not only the Spanish military and financial assistance to the American patriots, but also the process of Emancipation of the Spanish territories that bordered the young Republic, as well as the evolution of Hispanic heritage in the United States and its cultural relationship with Latin America.
    [Show full text]
  • Un Fenómeno Cultural De Amplio Espectro Artículos De Ricardo Miranda, Luis Pérez-Santoja Y Gilberto Suárez Baz
    Revista de la Academia de Música del Palacio de Minería • Invierno 2014 • Número 15 El disco: un fenómeno cultural de amplio espectro Artículos de Ricardo Miranda, Luis Pérez-Santoja y Gilberto Suárez Baz Aspectos históricos, técnicos y científicos del disco, por Miguel Zenker Orfeo y Eurídice de Gluck, Jorge Terrazas y de Allende según Sergio Vela Imágenes, documentos, crónica, escribe sobre su fonoteca personal seguidos de una amplia entrevista Índice Presentación pág. 2 Presentación La revista Quodlibet aceptó con entusiasmo discutir un tema propuesto por uno de los miembros de su Consejo Editorial, Ricardo Miranda: el 3 El disco disco como fenómeno cultural de amplísimo espectro. Esto es: todo lo que 4 Confesiones de un adicto discográfico: bosquejos, recuerdos y testimonios, involucró su descubrimiento, el modo de difusión de la música que significó por Ricardo Miranda. su grandísimo éxito y la manera en la que modificó nuestra relación con el arte musical en el mundo. La reflexión cobra actualidad ante la decadencia 11 Trascendencia del disco en la difusión de la música. La decadencia de la industria del disco en un mundo que corre rápidamente hacia las nuevas maneras con del disco, por Luis Pérez Santoja. las que cotidianamente nos relacionamos con la música. El tema nos ha dado para reflexionar en torno a los aspectos técnicos del disco, la melomanía y 18 El disco: entre el fetichismo y el desapego, por Gilberto Suárez Baz. el coleccionismo. Este número refleja parte de la pasión con que se trató el 20 Cómo y para qué una colección de discos, por Jorge Terrazas y de Allende.
    [Show full text]
  • New Light on Two Maximum Mexican Composers
    New Light on Two Maximum Mexican Composers Coloquio Internacional Centenario de Carlos Chávez y Silvestre Revueltas ( 1899-1999) DuRING THE WEEK of September 7-11, 1999, the Chávez en el Departamento de Bellas Artes), Euge­ Mexican Consejo Nacional para la Cultura y las nia Revueltas (Revueltas y la Liga de Escritores y Artes (CONACULTA), funneling financia) and Artistas Revolucionarios [LEAR]), Ricardo Pérez moral support through the Instituto Nacional de Montfort (Carlos Chávez en los años cuarenta: cua­ Bellas Artes (INBA) and the Centro Nacional de las dillo o cacique cultural), Carlos Monsiváis (Acom­ Artes (CENART) sponsored paper reading sessions pañamientos culturales: Chávez y Revueltas en la twice daily September 8-9 at CENART's José Vas­ cultura mexicana 1920 a 1940), José Antonio Alca­ concelos Hall and September 10 at the Sala Manuel raz (Chávez y sus poetas: Novo, Villarrutia, Pellicer, M. Ponce in the Palacio de Bellas Artes, during López Velarde y González Martínez), Consuelo which invited participants read 23 ponencias. Carredano (Carlos Chávez en la obra de Adolfo Directed by Román Revueltas, son of Silvestre's Salazar), and Howard Pollack (More than good renowned novelist brother José (1914-1976), the neighbours: Copland's friendship with Chávez and youthful Orquesta Sinfónica Carlos Chávez played Revueltas) to Antonio Saborit (Mexican Gaieties: Tuesday night in CENART's Bias Galindo Audito­ intelectuales y artistas en la Babilonia de hierro, rium the opening concert of the week, Guadalupe 1920- 1930). Parrondo excelling as soloist in Chávez's 45-minute The Thursday daytime paper presenters included first piano concerto. Wednesday night in the same Aurelio Tel10 {Los vínculos de Chávez y Revueltas Bias Galindo Auditorium Jesús Medina, conductor, con América Latina), Leandro Donozo and Ornar and Lourdes Ambriz, soprano, presented chamber Cerrado (Revueltas en Buenos Aires: contribución music by the two honored composers.
    [Show full text]
  • Elisabeth Blanke-Biggs
    ELISABETH BLANCKE-BIGGS - Soprano Elizabeth Blancke-Biggs is recognized as one of the most exciting sopranos on the international scene today. Critics have praised her virtuosic bel canto technique, the beauty of her voice, her pyrotechnic coloratura, and her unerring theatricality. A brilliant interpreter of the most demanding roles in the spinto-drammatico soprano repertory, she’s recently appeared as Puccini’s La Fanciulla del West in Sergio Vela’s production at Mexico City’s Palacio de Bellas Artes, Turandot in a new production mounted for her by André Heller-Lopes at the Theatro Municipal of Sao Paolo, Brazil, and for the Gala opening of the opera house in Xian, China, Puccini’s Tosca with the Charleston SC Symphony, and also with the OFUNAM Mexico City, and the Orquesta del Estado de Mexico. She sang Bellini’s Norma at the season opening at the Teatro Municipal in Rio de Janeiro, Strauss’ Elektra in the “Premio Abbiati” award winning production of the Teatro Comunale di Bologna, Gutrune in Götterdämmerung for Teatro Massimo Palermo, Salome with the Orchesta Sinfonica Nacional at the Palacio de Bellas Artes in Mexico City, and Verdi’s Requiem with the OSN at Bellas Artes. In previous seasons she was Violetta in Willy Landin’s new production of Verdi’s La Traviata at the Teatro Argentina de la Plata, for which she was awarded the Argentine Music Critics Association Award as “Discovery of the Year.” She sang Verdi’s Lady Macbeth in Montevideo, and Abigaille in Nabucco and for the Grand Théâtre de Gèneve, which critics hailed as “simply extraordinary…” as well as in Nancy, France, and at the Teatro Nacional de Costa Rica.
    [Show full text]
  • Sovereign Wealth Funds 2018 2018 Sovereign Wealth Funds Sovereign Wealth Funds 2018
    Sovereign wealth funds 2018 2018 Sovereign wealth funds Sovereign wealth funds 2018 Editor: Javier Capapé, PhD IE Sovereign Wealth Research Index Preface 7 Executive Summary 11 Chapter 1 - Beyond the horizon: Sovereign wealth fund direct investments in 2017-2018 15 Chapter 2 - SWFs as grown up investors: Asset allocation, purpose and maturity 29 Chapter 3 - The friends of sovereign wealth funds: SWFs co-investment strategies 39 Chapter 4 - An interview with Adrian Orr: Reflections on SWF risks, rewards and collective responsibility 55 Annex 1 - IE Sovereign Wealth Research Ranking 2018 65 Annex 2 - Sovereign wealth funds in Spain 2017-2018. The Spanish co-investment SWF 71 Sovereign wealth funds 2018 Index 5 Preface 1. Preface In 2018 the world economy continued the expansion begun With their period of slowdown behind them, the emerging two years earlier and grew by 3.7%,[1] a similar rate to the countries entered a new expansive stage and saw growth acce- previous year. While the rate of economic activity worldwide is lerate to 3.7% in 2017 and 2018. China continues to be the fas- reaching cruising speed, on a global scale we are seeing even test-growing of the major economies and is gaining a share of more signs of uncertainty, although their destabilizing capacity economic power in many areas, while fears of a crash landing is difficult to gauge. Two, in particular, stand out. On the one due to its high rate of indebtedness appear to have subsided. hand, the trade war, which a few quarters ago was merely a Latin America has some modest growth rates, and there is still hypothesis, and which has now begun to materialize in 2018.
    [Show full text]