Bitter Strike Ends at Brookdale
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Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Pearl Jam to Release Live Italian Concert Film Immagine in Cornice (Picture in a Frame) on September 25
For Immediate Release: July 31, 2007 PEARL JAM TO RELEASE LIVE ITALIAN CONCERT FILM IMMAGINE IN CORNICE (PICTURE IN A FRAME) ON SEPTEMBER 25 FILM IS DIRECTED BY DANNY CLINCH AND INCLUDES OVER AN HOUR AND A HALF OF LIVE PERFORMANCES AND RARE, BEHIND-THE-SCENES FOOTAGE FROM THE BAND'S 2006 ITALIAN CONCERT DATES SEATTLE, WA- Pearl Jam announces the release of Immagine in Cornice "Picture in a Frame" (Monkeywrench Records), a live concert film chronicling the band's performances with behind-the-scenes footage from the five Italian concerts that took place as part of the band’s 2006 European tour. Featured cities and venues include: Pala Malaguti in Bologna, the Arena di Verona, the Forum in Milan, Palaisozaki in Torino and Duomo Square in Pistoia, Italy. A limited edition commemorative t-shirt will be available for a special price when purchased with Immagine in Cornice at www.pearljam.com during a special pre-sale beginning August 22. Immagine in Cornice will be released at retail stores on Tuesday, September 25. Immagine in Cornice was directed by renowned photographer, filmmaker and long-time friend of the band Danny Clinch (Bruce Springsteen Devils and Dust, Live from Bonnaroo 2004) and was shot in High Definition, Super-8 and a number of formats in between. ''Picture in a Frame'' is a film I've really wanted to make," says director Danny Clinch. "The band invited me to Italy and gave me the access I needed to show a side seldom seen by their fans. It has become a collaboration, as well - the band even offered me some music that has never been heard and Mike (McCready) went into the studio to create some more music for the soundscapes. -
2017 Maryland Football Media Guide
2017 SCHEDULE SETTING THE STAGE DATE OPPONENT TIME MARYLAND HISTORY S2 at Texas Noon 2016 Record: 6-7 (3-6 B1G) First Year of Football: 1895 (125th season) S9 TOWSON Noon Head Coach: DJ Durkin (Bowling Green '01) All-Time Record: 640-581-43 (.523/1,264 games) S23 UCF TBA Coach’s Record: 7-7 (.500)/2nd season All-Time Bowl/Playoff Record: 11-14-2 (.444) S30 at Minnesota * TBA Coach’s Record at Maryland: 6-7 (.462)/2nd season National Championships 1 (1953) Top Returning Passer: Tyrrell Pigrome (So.) / 322 yds / 1 start Top All-Time Passer: Scott Milanovich (1992-95) / 7,301 yds O7 at Ohio State * TBA Top Returning Rusher: Ty Johnson (Jr.) / 1004 yds / 9.1 yds/c / 6 TDs Top All-Time Rusher: LaMont Jordan (1997-00) / 4,147 yds O14 NORTHWESTERN * TBA Top Returning Receiver: D.J. Moore (Jr.) / 637 yds / 15.5 yds/c / 6 TDs Top All-Time Receiver: Jermaine Lewis (1992-95) / 2,932 yds O21 at Wisconsin * Noon Top Returning Tackler: Jermaine Carter, Jr. (Sr.) / 110 TT / 9.0 TFLs Top All-Time Tackler: Eric Wilson (1981-84) / 481 tackles O28 INDIANA + * TBA N4 at Rutgers $ * TBA N11 MICHIGAN * TBA WHAT YOU NEED TO KNOW N18 at Michigan State * TBA N25 PENN STATE * TBA Head coach DJ Durkin is back for his second season at Maryland after improving the Terrapins record by three victories and leading the team to an appearance in the Quick Lane Bowl in his inaugural year at the helm. Durkin’s ALL CAPS indicates home game; *Big Ten game; 2 + Homecoming game.; $ at Bronx, N.Y. -
Dog Days of Summer Destin's Sugary White Beaches
® July/August 2016 www.jewishscenemagazine.com Destin’s SUGARY WHITE BEACHES DOG DAYS VISIT US ONLINE AT OF SUMMER WWW.JEWISHSCENEMAGAZINE.COM LARGE 25,000 SQ. FT. SHOWROOM WITH A HUGE SELECTION 888. S. White Station Rd. | 901-249-4065 | Decadentavenue.com | Featuring Judaic Artists Candace Luke-Bless, Alicia Kleinman, Fay Miller, Joy Stember T originalClif art ton custom framing Art 2571 Broad Ave. | Memphis, TN 38112 | 901-323-ARTS (2787) | TCliftonArt.com specializing in bar/bat mitzvah keepsake shadowboxes and ketubah framing Contents ® Publisher/Editor Susan C. Nieman 03 From the Editor Dogs are more than man’s best friend. Art Director Dustin Green 04 Destinations Art Assistant Henderson Park Inn 12 Laura Ehrhardt Paradise on Earth Photography Contributors 16 Dog Days Pat Brown 05 Destinations Barry Markowitz Henderson Beach Resort and Spa The Prince of Broad Avenue Destin Reimagined Argus loves visiting all of the shops Editorial Contributors on Broad Ave. when he isn’t working. Baptist Comprehensive Breast Center 06 From the Kitchen Jacob Craig Mark Hayden of Chef Josh Steiner 18 Feature Michael Luckey Dog Treats Pawsome Moms Frozen treats and baked goods your Amy Silberberg and Mary Kenner are Kini Kedigh Plumlee dogs will beg for. two of hundreds of foster pet parents Josh Steiner offering their homes to four-legged friends. Advertising Sales Director 07 Mixology Larry Nieman Cool drinks for a hot summer. 20 Pet Parents Sales Executive Meet Margaret, Shep and Chloe Louise Daisy-Marie White 08 Health, Body & Soul Meet Stacy and Barkley Keeping Up With Changing Breast Chief Financial Officer Cancer Guidelines and Technology. -
BASE BALL, BICYCLING and and a Win for the Worcesters Was Macou Was Taken Into the League As a in Looked For
THE SPORTINGLIFECOFYHIOHT, 1884, BY TEE 3PORTINO LIPB FVB. OO. ENTERED AT PHILA. P. O. AS SECOND CLASS MATTER. VOLUME 22, NO. 23. PHILADELPHIA, PA., MARCH 3, 1894. PRICE, TEN CENTS. the League. Everything points that remember after we rode out to the way. They have an imaginary griev grounds at Agricultural Park, when THE SPORTING LIFE. ance against the Southern League, sim A DODBTMMOYE. EASTERNAFFAIRS, we walked down the track somebody A WEEKLY JOURNAL ply because the League exercised its in the crowd shouted, 'Look at the mur M'NABB'S CRIME. prerogative arid installed Macou, in derers. Devoted to stead of giving the place to Mont AN OPPOSITION "Richmond was pitching that day, gomery. The idea is prevalent that LEAGUE TALKED OF THE RECENT SDCCESSFDL MEETING AWFDL RESULTS OF ILLICIT CON BASE BALL, BICYCLING AND and a win for the Worcesters was Macou was taken into the League as a IN looked for. He had come here on a GENERAL SPORTS AND compromise, with the understanding THE SOOTH. OF THE LEAGUE REVIEWED. special train. But we won, 11 to NECTION WITH AN ACTRESS. that they would 10. PASTIMES. immediately withdraw We just broke Richmond's heart, mak their case. This may have had some ing twenty-one base hits. We had to thing to do with it, but tho principal Birmingham and Montgomery, the! The Value ol Holding the Meeting make that number, as he would not let The Well-Known Base Ball Player Published by reason was that the situation of Maeon us steal a base. How well I remember prevented long jumps that would other Excluded Cities, at the Head ol a in the Metropolis-The Substitu how Stovey chased the ball over the Fatally Shoots THE SPORTING LIFE PUBLISHING CO. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
159-168 Honors.Indd
This is TERRAPINFootball ALL-TIME HONORS R ECRUITING S ECTION C OACHING S TAFF 2 0 0 7 O UTLOOK T ERRAPIN P ROFILES 2 0 0 6 R EVIEW T HE A C C 2 0 0 7 T ERRAPIN F OOTBALL M EDIA & R ECRUITING G UIDE 2 0 0 7 T ERRAPIN F OOTBALL M EDIA & R ECRUITING G UIDE ALL-AMERICANS Consensus First-Team FIRST-TEAM SELECTIONS Selections 1951 Bob Ward G 1952 Dick Modzelewski T Jack Scarbath QB 1953 Stan Jones T 1955 Bob Pellegrini C 1961 Gary Collins E 1974 Randy White DT 1976 Joe Campbell DT 1979 Dale Castro PK 1985 J.D. Maarleveld OT 2001 E.J. Henderson LB Bob Ward Dick Modzelewski Stan Jones Bob Pellegrini Gary Collins Randy White 2002 E.J. Henderson LB Walter Camp Football News Second Team Associated Press 1951 Bob Ward G First Team 1952 Tom Cosgrove C First Team 1952 Dick Modzelewski T 1984 Eric Wilson LB 1953 Chet Hanulak HB 1950 Bob Ward G Jack Scarbath QB 2001 E.J. Henderson LB 1955 Ed Vereb HB 1951 Bob Ward G 1953 Stan Jones T 2002 E.J. Henderson LB 1952 Jack Scarbath QB 1955 Bob Pellegrini C The Sporting News Dick Modzelewski T 1961 Gary Collins E Second Team First Team 1953 Stan Jones T 1974 Randy White DT 1995 Stephen Ingram OT 1951 Bob Ward G 1955 Bob Pellegrini C 1979 Dale Castro PK 1999 LaMont Jordan RB 1952 Jack Scarbath QB 1973 Randy White DT 2001 E.J. Henderson LB 2001 Bruce Perry RB Dick Modzelewski T 1974 Randy White DT 2002 E.J. -
The Following Players Comprise the 1975 Season APBA Pro Football Player Card Set
1975 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1975 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. ATLANTA 4-10 BALTIMORE 10-4 BUFFALO 8-6 CHICAGO 4-10 OFFENSE OFFENSE OFFENSE OFFENSE WR: Ken Burrow WR: Roger Carr WR: Bob Chandler WR: Bob Grim Alfred Jenkins TC OC Glenn Doughty J.D. Hill Bo Rather OC Wallace Francis OA Freddie Scott John Holland TC OC Steve Schubert TC OC Tackle: Len Gotshalk Tackle: George Kunz Tackle: Donnie Green Tackle: Jeff Sevy Brent Adams Dave Taylor Dave Foley Lionel Antoine Nick Bebout Ed George Halvor Hagen Bob Asher Guard: Dennis Havig Guard: Elmer Collett Jeff Winans Guard: Mark Nordquist Larron Jackson Robert Pratt OC Guard: Joe DeLamielleure Noah Jackson Royce Smith Bob Van Duyne Reggie McKenzie OC Revie Sorey Center: Jeff Van Note Ken Huff Jeff Yeates Bob Newton Paul Ryczek Center: Ken Mendenhall Bill Adams Center: Dan Peiffer TE: Jim Mitchell Forrest Blue Center: Mike Montler Dan Neal Greg McCrary OC TE: Raymond Chester Willie Parker TE: Bob Parsons (2) PA KB KOB QB: Steve Bartkowski Jimmie Kennedy OC TE: Paul Seymour Greg Latta Kim McQuilken QB: Bert Jones Reuben Gant Gary Butler Pat Sullivan Marty Domres QB: Joe Ferguson QB: Gary Huff HB: Haskel Stanback Bill Troup Gary Marangi Bob Avellini Mack Herron (2) TA OB HB: Lydell Mitchell HB: O.J. -
Terps in the Hall of Fame
MARYLAND HAS RETIRED THREE OF ITS JERSEY NUMBERS TO HONOR ITS HALL OF FAME PLAYERS: NO. 28 BOB WARD, NO. 62 JACK SCARBATH AND NO. 94 RANDY WHITE. TERPS IN THE HALL OF FAME all-time honors Dick Randy Bob Jerry MODZELEWSKI WHITE PELLEGRINI CLAIBORNE National Football Foundation Pro Football Hall of Fame National Football Foundation National Football Foundation College Hall of Fame (1993) (1994) College Hall of Fame (1996) College Hall of Fame (1999) Through three All-America years at National Football Foundation Bob Pellegrini was recruited to Mary- Former Maryland football coach Maryland and 14 All-Pro years in the Na- College Hall of Fame (1994) land as a quarterback, but made his name Jerry Claiborne was selected to join 12 tional Football League, Dick Modzelewski as one of college football’s best linemen. legendary college football players and was always “Little Mo.” At 6-0, 235 Randy White changed the look of In his first season, Pellegrini was a 6-2, two other coaches among the 1999 class pounds during his playing days at Mary- football’s defensive lines. At Maryland, 215-pound sophomore guard for the of inductees into the National Football land, he was one of the bigger collegiate and later in an All-Pro National Football 1953 national champion Terrapins. He Foundation College Hall of Fame. linemen during the early 1950s. He was League career with the Dallas Cowboys, would play guard again in 1954 in an Claiborne coached 28 seasons over- the second Mo at Maryland, following his he was regarded as the quickest defen- era when players went both ways, before all between stints at Virginia Tech (1961- older brother Ed, “Big Mo.” sive lineman to play the game. -
Popular Concert Recording and Actor Network Theory: an Examination of Pearl Jam and Participatory Culture on Youtube
POPULAR CONCERT RECORDING AND ACTOR NETWORK THEORY: AN EXAMINATION OF PEARL JAM AND PARTICIPATORY CULTURE ON YOUTUBE BETSY HAGESTEDT ABSTRACT Portland, OR–November 29, 2013: The house lights go down, the spotlights come up, the crowd cheers frantically as the band enters, and as the stage is flooded with blue lights a sea of smartphone screens captures it all for posterity–or for YouTube. This concert, played by Pearl Jam in support of their recently released album, Lighting Bolt, is a perfect demonstration of the proliferation of recording in concert venues with increasing technological access. Concert videos such as these–grainy, shaky videos, which often have the heads of audience members in rows further forward blocking portions of the frame–are circulated and shared through a wide range of online forums (example at http://youtu.be/7Sh8_D99rvc). INTRODUCTION In this paper I will discuss the use of technology for recording within popular concerts, using the Pearl Jam concert described above as an example. My interest is in the videos themselves, as material artifacts taken from a specific event, as well as in the interactions people have with these videos following the event. To expand on research related to recording of concert experiences I have focused on two specific questions: How does the technology used in video creation and consumption affect the object that is created and the interactions that individuals have with the object? In consumption of concert recordings, how are unique experiences discussed in a participatory framework where all viewers have not necessarily experienced the original event? 44 In answering these questions, I examine videos posted on the website YouTube, comparing the styles of the videos and the ways in which the technologies used in recording are altering the artifacts that are produced.