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Animal Crackers Be Part of the Scene Be Part of the Scene
700 W. Rio Salado Parkway, Tempe, Arizona 85281 ® be part of the scene Spring '13 ® Songwriters' Showcase IX May 17 be part of the scene with special guest Jerry Riopelle Spring '13 Studio Singer/songwriter/producer Jerry Riopelle joins Arizona musicians Blaine Long, Roxie Whipple and Marconias for a night of original music. Riopelle, a member of the Arizona Music and Entertainment Hall of Fame, has written several Top 40 hits and his songs have been covered by numerous artists including Herb Alpert, Joan Baez, Leon Russell, Kenny Loggins, Rita Coolidge and Meat Loaf. June 8-Sept. 7 Animal Crackers Gallery be part of the scene This family-oriented exhibition will feature local artists' work depicting Arizona animals Liar Liar Pants on Fire Pants Liar Liar and national artists' works celebrating animals from across the world. The exhibition will feature outreach programs and workshops with local artists and organizations. Anne Coe: ® Lakeshore Jazz Series April 5 Walk-in Wednesdays Snarky Puppy Open Mic with Walt Richardson Lakeside 6-10 p.m., Wednesdays January-May Award-winning Snarky Puppy fuses a deep knowledge and respect for Sign-up begins at 5:45 p.m. musical tradition with sonic and conceptual innovation in a way that is Take in spectacular views and enjoy live music by able to reach the most critical or carefree of audiences. The group has Valley musicians. Special youth performances from 5 to 6 p.m. (sign-up: 4:45 p.m.) Light food and been hailed as "one of the most inventive in sound and funk since beverage available. -
January 29, 2001
CITY AND COUNTY OF SAN FRANCISCO EDWIN M. LEE, MAYOR OFFICE OF SMALL BUSINESS REGINA DICK-ENDRIZZI, DIRECTOR Legacy Business Registry Staff Report HEARING DATE JULY 10, 2017 ROOKY RICARDO’S RECORDS Application No.: LBR-2016-17-067 Business Name: Rooky Ricardo’s Records Business Address: 419 Haight Street District: District 5 Applicant: Richard Vivian, Owner Nomination Date: January 26, 2017 Nominated By: Supervisor London Breed Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Rooky Ricardo’s Records is a vintage record store located in the Lower Haight neighborhood that opened in 1987. The shop was started by Richard “Dick” Vivian and specializes in rare and underappreciated vinyl records of musical genres such as soul, funk, jazz, rock, and oldies from the 50s and 60s. Originally located at 448 Haight Street, Rooky Ricardo’s brought African American soul music to the diverse population of the Lower Haight and offered and continues to offer well-curated old soul and rock 45s. Over the years, Rooky Ricardo’s has become an important fixture in the neighborhood, celebrating the rich artistic and musical history of the Lower Haight and becoming a place of art, culture, discovery and community along Haight Street. After 29 years in the same location, the shop was eventually forced to relocate due to an increase in rent. In order to ensure continued service to the Lower Haight community and the continued tradition of celebrating vibrant art and music culture of community’s history, Vivian moved the shop across the street to 419 Haight Street. Rooky Ricardo’s Records continues to be a vibrant place for the community to discover “new old” music and has become a vital part of the Lower Haight community and economy, attracting both tourists and locals to walk in and explore the selection of unique music and sample records at the listening stations set up in the store, which have become a key component of experiencing the shop. -
University of Cincinnati News Record. Wednesday, May 28, 1969. Vol. LVI
~\C~Nl'~,\ fUC\ Uniye+:9'ity of Cinoinnati h •• ' J , ,-'t N'E"W'-S ·~.RE'~C-ORD Pub lis ned Tu e sd ay s andFridays during the Ac a d em ic Year l'xcept :IS scheduled, ...1.50, , ~ .. ,~ I_OJ Cincinnati. Ohio, Wednesday, May 28, 1969 No. 51 ~19 _ '\9" Vol. 56 ~ . Painter Talks '-On Disorders, Board Petitions- Court To Eliminate Comments OnUBA Demands Names Of Individuals From Order The Board further, on the disorder marked virtually every Mark Painter- stated that he does Editor's Note: by Jim Lipovsky suggestion of the Student Senate other large university in the land. not support the United Black The following statement .uias and others, has decided to Now, therefore, in light of Association's demands that are formally approved by a recent activities, the Board of In the wake of recent disorders unanimousuote of the tic Board underscore the applicability of the on the UC' campus, Student Body concerned with teacher hiring and Order to all persons on campus by . Directors votes as follows: firing because he opposes the , of Directors at a special meeting 1) As the legal governing and President Mark Painter offered his held' last Sunday morning. May petitioning the Court to eliminate opinions on several of the issues placement of 'faculty review or individual names and groups from policy-making body of" the veto powers in the' hands of any 26. The statement was submitted University, the Board of Directors facing the University. by the Board-Administration the Or'd er , since a)' these Speaking to the News Record, student organization. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Westminsterresearch Synth Sonics As
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap Exarchos, M. This is an electronic version of a paper presented at the 2nd Annual Synthposium, Melbourne, Australia, 14 November 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 2nd Annual Synthposium Synthesisers: Meaning though Sonics Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-School’ to Trap Michail Exarchos (a.k.a. Stereo Mike), London College of Music, University of West London Intro-thesis The literature on synthesisers ranges from textbooks on usage and historiogra- phy1 to scholarly analysis of their technological development under musicological and sociotechnical perspectives2. Most of these approaches, in one form or another, ac- knowledge the impact of synthesisers on musical culture, either by celebrating their role in powering avant-garde eras of sonic experimentation and composition, or by mapping the relationship between manufacturing trends and stylistic divergences in popular mu- sic. The availability of affordable, portable and approachable synthesiser designs has been highlighted as a catalyst for their crossover from academic to popular spheres, while a number of authors have dealt with the transition from analogue to digital tech- nologies and their effect on the stylisation of performance and production approaches3. -
Aynsley Dunbar Retaliation
AYNSLEY DUNBAR RETALIATION Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced that group's A Hard Road album, though with a somewhat more downbeat tone. The similarities were hardly coincidental, as the band's founder and leader, drummer Aynsley Dunbar, had been in the Bluesbreakers lineup that recorded the A Hard Road LP. Too, bassist Alex Dmochowski would go on to play with Mayall in the 1970s, and guitarist Jon Morshead was friendly with fellow axeman Peter Green (also in the Bluesbreakers' A Hard Road lineup), whom he had replaced in Shotgun Express. Though he was only 21 when he formed the Aynsley Dunbar Retaliation, the drummer had already played with several bands of note in both his native Liverpool and London. Stints in several Merseybeat groups had culminated in his joining the Mojos, and Dunbar played on a couple of singles by the group, though these were cut after their British chart hits. Shortly after leaving the Mojos, he did his stint with the Bluesbreakers, after which he played for a few months in the Jeff Beck Group, also appearing on their 1967 single "Tallyman"/"Rock My Plimsoul." Wanting to lead his own band, in mid-1967 he formed the Aynsley Dunbar Retaliation, joined by Morshead, who'd previously been in the Moments (with a pre-Small Faces Steve Marriott), Shotgun Express, and Johnny Kidd & the Pirates; singer/guitarist/keyboardist Victor Brox, who worked for a while with British blues godfather Alexis Korner; and bassist Keith Tillman. -
Steve Smith Biography 2020 Steve Smith's Drumming, While Always
Steve Smith Biography 2020 Steve Smith's drumming, while always decidedly modern, can best be described as a style that embodies the history of U.S. music. Originally drawn to the drums by hearing marching bands in parades as a child in his native Massachusetts, Smith began studying the drums at age nine, in 1963. After high school, Smith studied in Boston at the Berklee College of Music from 1972-76, where he had private lessons with both Gary Chaffee and Alan Dawson. His original love of rudimental parade band drumming is evident in his intricate solos. Likewise, his command of jazz, from New Orleans music, swing, big band, bebop, avant-garde to fusion, plus his rock drumming sensibilities and knowledge of rhythms from India allow him to push the boundaries of all styles to new heights. In 1976, Smith began his association with jazz-fusion by joining violinist Jean-Luc Ponty's group and recording the 1977 landmark fusion album Enigmatic Ocean. It was while touring with rocker Ronnie Montrose a year later that Smith was asked to join the popular rock band Journey which brought his playing to the attention of a rock audience. With Journey, Smith toured the world and recorded numerous successful albums including the immensely popular Escape (which includes the ubiquitous hit song “Don’t Stop Believin’”) and Frontiers, both of which garnered the band many Top 40 hits. Journey’s albums have sold in excess of 75 million copies worldwide to date. In 1985 Smith left Journey to pursue his original passion, jazz, and to continue his developing career as a session player, bandleader and educator. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland -
Trevor Nelson Collection 3 Download Zip
Trevor nelson collection 3 download zip CLICK TO DOWNLOAD CD1 Chic - Good Times Sister Sledge - Thinking Of You Marvin Gaye - Got To Give It Up Aretha Franklin - Jump To It. About The Trevor Nelson Collection, Vol. 3 This The Trevor Nelson Collection, Vol. 3 album was released in and featured titles like Good Times, Thinking Of You and Got To Give It Up from Chic and Marvin Gaye. Thinking About Your Love (Radio Edit)by Skipworth & Turner I Hear Music In The Streets by Unlimited Touch You Are My Melody by Change Nights Over Egypt by The Jones Girls Mr. Big Stuff by Jean Knight I'll Be Around by Spinners Disc: 3 1. Get Up Offa That Thing by James Brown 2. Papa Was A Rollin' Stone (Edited) by. VA-The Trevor Nelson Collection 3 () | Various Artists – The Trevor Nelson Collection 3 () R&B, Soul, Hip-Hop, Rap | Sony Music Entertainment UK Limited kbps | MP3 | unmixed | | | Download Full Music Albums for Free. 1/13/ · View credits, reviews, tracks and shop for the CD release of The Trevor Nelson Collection 2 on Discogs. Label: Sony Music - • Series: The Collection (8) • Format: 3x, CD Compilation • Country: UK • Genre: Hip Hop, Funk / Soul •. Find album reviews, stream songs, credits and award information for The Trevor Nelson Collection, Vol. 3 - Various Artists on AllMusic. Trevor Nelson returns with his essential soul selection. UMOD has launched a new TV ad, promoting the new 3CD collection, which includes Nelson’s choice soul cuts from his decades as a celebrated selector. Host of a regular and beloved Radio 2 show and considered “the most trusted man in soul music”, Nelson stars in a second spot as he. -
Guitarone Magazine
THE DEAD SET OUT ON SUMMER GETAWAY TOUR The Dead are coming together for their first Summer tour since Jerry Garcia's passing and will be joined on various dates of the tour by legendary musicians Bob Dylan, Willie Nelson, Steve Winwood, and celebrated Grateful Dead songwriter Robert Hunter. The Dead are kicking off the first leg of their Summer Getaway Tour at the sold-out Bonnaroo Festival in Tennessee on June 15 and will continue touring through early July. Steve Winwood will join the band from June 17-25, and Willie Nelson & Family will join the tour from June 27 through July 4; Nelson's final performance with The Dead will take place at his spectacular 4th of July picnic in Austin, TX. Tickets are on sale at dead.net as well as at Ticketmaster . The second leg of the Summer Getaway Tour will be co-headlined by the incomparable Bob Dylan, who will play prior to and sit in with The Dead. This pairing has not taken place since The Dead and Bob Dylan, along with his band, collaborated on a sold-out stadium tour in 1987. The second leg of the Summer Getaway Tour will be from July 29 through August 10. (Complete tour schedules follow.) The Dead are made up of Grateful Dead members Mickey Hart (percussion, drums, vocals), Bill Kreutzmann (drums), Phil Lesh (bass, vocals) and Bob Weir (guitar, vocals), whom are joined by keyboardists Jeff Chimenti and Rob Barraco, and lead guitarist Jimmy Herring. Also joining The Dead for the first time, injecting a soulful female voice, is Grammy-nominated singer Joan Osborne. -
Initiating Coverage: July 12, 2013 Equity Research Beamz Interactive Inc
Initiating Coverage: July 12, 2013 Equity Research Beamz Interactive Inc. Executive Summary Beamz Interactive Inc. - Corporate Description: Based in Scottsdale, AZ, Beamz Interactive, Inc. (http://www.thebeamz.com) has created a new interactive laser controller technology that can be used to develop new market opportunities in a wide variety of - The Company’s product development focus seems music, game, therapy and consumer applications. In its to be consistent with the opportunity identified by first application, the Company developed an innovative Electronic Arts, the North American Music new music technology and product offering that brings Manufactures (NAMM) and others in ter music to literally everyone in a manner that has - ms of physical specifications, MIDI capability, previously not been possible. Beamz allows people that Windows and Apple compatibility, expanded music have no musical background or training to play and library, targeted education / special needs / senior enjoy music within minutes, yet it has the depth to care content, and virtual DJ software for Mac, PC, enable accomplished DJs, artists and musicians to and mobile hardware. perform, compose and create very sophisticated interactive music. Beamz Interactive's technology Outlook for BZIC: As illustrated later in the report, portfolio includes multiple patents, patents pending and Murphy Analytics (MA) is estimating that BZIC may hit trade secrets covering interactive music, software, laser- breakeven at approximately $6 million in sales. At $25 based controllers,