The Compact, Issue 11, December, 2006
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The Talking Stick Summer 2013 We Believe That “My Name Is Santieli Ephraim, I’M in Class Six in Nainokanoka Primary School in Tanzania
a f r i c a n initiatives COMMUNITY EMPOWERMENT SOCIAL JUSTICE the talking stick summer 2013 We believe that “My name is Santieli Ephraim, I’m in class six in Nainokanoka primary school in Tanzania. I’m everyone has the “We Want to Shine All Over” an official in our song and dance club that is same rights but not Dancing towards an Education Olakira A. Olakira means star. We named our club a star because a star shines all over and all of us are able we also want to shine all over. This project has to exercise them really motivated parents and the population of the school has really increased. Our club Olakira has really motivated many parents and children. Make a Wrong Right now three girls from our club who couldn’t read before can now, because of our help. We a Right are still recruiting other girls so that we can give advice to each other and therefore share and solve our problems as a club. Our vision African Initiatives is a rights organisation, as Olakira A is to ensure that parents educate challenging injustice in Ghana and children especially girls and are aware of the Tanzania. Together with African partners importance of education to both boys and girls. and the communities in which they Not so many girls are getting pregnant now and work, we fight to realise the rights of they are studying hard because the project is marginalised people so that they can motivating them.” enjoy the same basic freedoms and resources as us. -
Felix Issue 1223, 2002
The Student Newspaper of Imperial College 6 A 2-/2. Felix's patented double Everything you ever REFERENCE entry crossword gives wanted to know about you pondering material. the Virgins... ever... COLLECTION Page 22 Page 27 Imperial College and Science Museum Libraries Top Up Fees Abandoned? In a dramatic about face the government higher education funding in January, but this is appears to have backed down over the issue of the first clear sign that the government is lis- top up fees. tening to the concerns of students. It is expect- Somewhere between ten and twenty thou- ed that this paper will - rather than giving the sand students from all over the country gath- green light for top up fees as had been feared - ered in London on Wednesday to protest the suggest the introduction of a graduate tax com- fact that the government seemed to be on the bined with an extended loans system. This will verge of forcing top up fees upon students, and hopefully deal with the financial crisis currently that evening Tony Blair, the Prime Minister, facing our entire higher education system. seemingly signalled a drastic policy reversal. Very few Imperial College students attended This was due, he said, to such a policy possibly the march, with the exception of a large group leading to a divisive and elitist system. It may of medical students, reported to number three be closer to the truth, however, that he backed hundred and fifty. The poor attendance has down over growing fears that the issue could do Westminster U-Turn been blamed on a lack of publicity from the to his government what the poll tax did to that Union, which is believed to be due to the fact of Margaret Thatcher. -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Spring/Summer Fashion Highlights
Spring/summer fashion highlights Crystal Antlers Robert Ballagh Pete Doherty Beers of the world Marble at The Abbey tn2’s pick of the most exciting things to Calendar of fun do in Dublin this coming fortnight Tuesday Wednesday Thursday Friday Saturday Sunday Monday 24 25 26 27 28 1 2 Sam Shepard’s Ages of Looking for some “high- Tonight is the last night Hooray For Humans, The very excellent Hockey and Passion So, I know it’s been on the Moon has its world energy mega electro of Martin McDonagh’s with support from Kidd Four Tet is to be found Pit are riding a pretty since September, but premiere tonight, with rock?” Good, because The Pillowman at The Blunt, you say? Happy tonight in Andrew’s Lane massive wave of hype Exquisite Corspe at Stephen Rea and Seán Le Galaxie are around Helix. days. with Sunken Foal, among at the moment – now’s IMMA is over at the end McGinley starring. tonight (and are rather The Helix, 7.30 pm, €10 Eamonn Doran’s, 8 pm others in support. your chance to see if of the month and is The Peacock Theatre, 8 fun indeed). Andrew’s Lane Theatre, they’re any good. worth a look. pm, €22 Whelans, 8 pm, €10 10 pm, €25 Whelans, 8 pm, €15 IMMA, until 31 March 3 4 5 6 7 8 9 Clonmel-born John The Choice Music Mark Geary is in Whel- OrphanCode play a Peter Bjorn and John Watchmen went on Self-taught artist Stano Brennan has an exhibi- Prize is announced ans tonight. -
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1. Tel: 00353 1 6075713 Fax: 00353 1 6075623 Email: [email protected] Web: www.icg.ie Dublin Port Yearbook 2017 5 14 26 32 38 44 Contents 2 Message From The Chief 26 Alexandra Basin 53 Seafarers’ Centre Executive Redevelopment Dublin Port’s new €500,000 Eamonn O’Reilly, Dublin Port Work is continuing to progress on Seafarers’ Centre turned part of the Company Chief Executive, welcomes Dublin Port Company’s €227 million old Odlums mill into a welcoming you to this year’s publication. Alexandra Basin Redevelopment area for sailors docking in the port. Programme. 4 The Year In Review 56 Reviewing The Masterplan Some of the highlights of 2016, 32 Harbour Master Interview Dublin Port Company recently including the launch of Cruise Dublin, Dublin Port’s brand new Harbour announced the first review of its Dublin Port Company’s new cruise Master, Michael McKenna, talks us Masterplan 2012-2040, coinciding tourism development and marketing through how much he is enjoying a with the news that full trade figures agency, as well as Disney Cruise new voyage. for 2016 reveal increased cargo Line’s Disney Magic’s maiden voyage volumes of 6.3%, the fourth to Irish shores, Riverfest 2016 and 38 Soft Values Programme successive year of growth. the announcement that Dublin is to Dublin Port Company’s Soft Values become a home port for the first time project is aimed at integrating the port 58 Map of Dublin Port in 2018. -
1 '…For Peace Comes Dropping Slow.' Lessons from the Middle In
‘…for peace comes dropping slow.’ Lessons from the middle in Northern Ireland’s peace process. Tony Craig On August 15, 1998 a terrorist car bomb exploded in the town of Omagh in Northern Ireland killing 29 and injuring over 200. Omagh was the deadliest single bomb attack of Northern Ireland’s Troubles, though it occurred after the Good Friday peace agreement there had been ratified by convincing referendum majorities. Like with the assault on the US Capitol on January 6, 2021, history will primarily teach these events as markers of the end of a particular phase and the beginning of a new one (think 9/11) and certainly events like these offer moments of punctuation that are useful in developing narratives and communicating the past to a wider audience. The problem is however that episodes of conflict and violence can come to dominate our understanding of history to the detriment of other factors, trends and behaviors. They remain of course important, as when people are hurt, suffer or die their deaths have profound effects, and when dramatic events happen people pay attention. This emphasis on history as drama replayed in high contrast however dangerously muddies the wider reality where violence is never the whole picture and government action far from the only or even best response. If we view conflict and violence as the interruption of ordinary life; if we see them as aberrant, local, temporal and discordant, then we can see how push- button responses by the state can actually metastasize problems when applied in the longer term as well as how forebearance, stoicism and trust can be the better response to violent division. -
UNIVERSAL MUSIC • Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • Misterwives – Our Own Ho
• Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • MisterWives – Our Own House New Releases From Classics And Jazz Inside!!! And more… UNI15-07 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (BLU-RAY) Cat. #: EVB335029 Price Code: BC Order Due: February 5, 2015 Release Date: March 3, 2015 File: Pop Genre Code: 33 Box Lot: 25 8 01213 35029 2 Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (DVD) Cat. #: EV307009 Price Code: KK 8 01213 07009 1 Synopsis The original queen of crossover country-pop and the world’s best-selling female country artist of all time, Shania Twain, stars in her spectacular show “Shania: Still The One”. This ground-breaking residency show was filmed live at The Colosseum at Caesars Palace, Las Vegas where it began its run on December 1st, 2012. “Shania: Still The One” was created by Shania Twain and directed by Raj Kapoor. It takes the audience on a powerful journey through Shania’s biggest hits, country favourites and beloved crossover songs. Glamorous costumes, a 13-piece live band, backing singers and dancers are combined with stunning visuals and live horses to create the ultimate Las Vegas entertainment and to prove that Shania Twain is undoubtedly Still The One! Bonus Features Backstage Pass – an hour long documentary telling the story of the creation and staging of this amazing live show. Key Selling Points • Filmed in high definition and simultaneously released on Blu-ray. -
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me -
Interview Graham Hopkins
INTERVIEW GRAHAM HOPKINS Graham Hopkins Glen Hansard From Therapy? to The Frames, Gemma Hayes and a prestigious teaching slot at BIMM Dublin, Graham Hopkins tells Rhythm about his impressive career and forging some impressive friendships along the way WORDS: LOUISE KING PHOTOS: KEVIN NIXON usically, there is no other place I’d ridiculous… I couldn’t be happier.” my dad never wanted to push me into it.” rather be right now – this is my The son of a professional jazz drummer, Hopkins Hopkins’ first big break came at the tender age perfect gig,” enthuses Graham grew up surrounded by his dad’s kits and it wasn’t of 17, when he landed the gig with Irish rockers My Hopkins of touring with Glen long before he was taking an interest in them. “My Little Funhouse. “Overnight I was living the dream,” Hansard. “Not only has Glen dad Des always tells this story about him cleaning he reminisces, “and it was a very surreal brought together an extraordinary his drums next to my playpen, and me leaning over introduction to the professional world of being a Mband, but he trusts us to do what we feel is right for the side trying to hit them!” Hopkins chuckles. “But musician.” After the departure of founding his songs and the adrenaline when we play is just I actually ended up teaching myself to play, because member, Fyfe Ewing, the vacant drum throne in 42 | JULY 2013 WWW.RHYTHMMAGAZINE.CO.UK JULY 2013 | 43 INTERVIEW GRAHAM HOPKINS the mighty Therapy? beckoned, and Hopkins continued to hone his craft as the band headlined Graham has worked with arena tours and festivals around the world, and The Frames, Therapy?, Gemma Hayes and recorded three new studio albums together. -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment. -
IMRO Annual Report 2011
Contents Chairman‘s Statement 3 Chief Executive Officer‘s Annual Review 4 Performance at a Glance 5 Licensing Review 6-8 Distribution Review 8-9 International Review 10 Marketing & Membership Review 10-14 Corporate Governance 15-18 Board of Directors 19-24 Accounts Directors and Other Information 2 Directors‘ Report 3-6 Independent Auditors‘ Report 7-8 Income and Expenditure Account 9 Statement of Total Recognised Gains and Losses 10 Balance Sheet 11 Cash Flow Statement 12 Accounting Policies 13-14 Notes to the Financial Statements 15-23 2 Chairman’s Statement While the Irish business environment continues to be difficult, IMRO has nevertheless managed to have good results for 2011, as outlined by Victor Finn overleaf. Many factors contributed to this, including: The committee structure that allows strategy and policies to be discussed at length and recommendations to be made to the Board; Cost containment. Victor and his management team have continued to drive down the cost of running IMRO efficiently; Market penetration. Research has been carried out to determine the size of the market in every area of the company's business; strategies have been agreed to achieve this over time; Prudent investment in IT, and Continued protection of our members' right to be remunerated when their work adds value to business. As well as this work that aims to maximise members‘ royalties, there is continuous work being done to ensure a sustainable future, including: Alliances with other industry stakeholders MCPSI, PPI and RAAP via IMIR, the Irish Music Intellectual Rights group; Continuous engagement with Government; The work of IASCA, the Irish Association of Songwriters, Composers and Authors; Membership of the Creative Ireland Alliance: Development of a strategy to promote the value of copyright at all levels in the education sector, and Active membership of international organisations including CISAC, GESAC, BIEM and CIAM.