October 14, 2017 Program
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New Jersey Symphony Orchestra Chamber Players Perform Works by Florence Price in Collaboration with Onecomposer
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Director of Public Relations & Communications 973.735.1715 | [email protected] njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra Chamber Players perform works by Florence Price In collaboration with ONEcomposer NJSO string quartets perform Price’s Five Folksongs in Counterpoint and String Quartet in G Major in virtual concert Performance premieres May 6 with special Zoom event free and open to the public Program is part of ONEcomposer’s yearlong celebration of Price Performance will be available at njsymphony.org and on YouTube NEWARK, NJ—The New Jersey Symphony Orchestra Chamber Players perform pathbreaking Black composer Florence Price’s revelatory Five Folksongs in Counterpoint and String Quartet in G Major in a special virtual performance, part of ONEcomposer’s yearlong celebration of Price. The performance premieres on May 6 at 7:30 pm with a free Zoom event open to the public. The chamber concert will be available on demand on the NJSO’s website and YouTube channel. In the special premiere event, NJSO Concertmaster Eric Wyrick and Assistant Principal Cello Na-Young Baek chat about Price’s extraordinary legacy with NJSO Associate Vice President of Artistic Planning Patrick Chamberlain and ONEcomposer founders Stephen Spinelli and Tamara Acosta from Cornell University. Patrons can register for the Zoom event at njsymphony.org/florenceprice. A new arts advocacy initiative, ONEcomposer is a commitment to musicians whose contributions have been historically erased. ONEcomposer’s inaugural season has forged partnerships with the Philadelphia Orchestra, Curtis Institute and NJSO, producing rave reviews on NPR and in The Philadelphia Inquirer in honor of Price and her remarkable accomplishments. -
Six Mallet Marimba MAKOTO NAKURA: Wood and Forest FRESH MARIMBA REPERTOIRE ISSUED NOV
October 16, 2012 | Contact: Sarah Baird Knight | [email protected] | t. 718/344-3690 | www.dotdotdotmusic.net ROBERT PATERSON: Six Mallet Marimba MAKOTO NAKURA: Wood and Forest FRESH MARIMBA REPERTOIRE ISSUED NOV. 13 ON AMERICAN MODERN RECORDINGS DOUBLE ALBUM RELEASE SHOW AT RUBIN MUSEUM OF ART, NOV. 14, 7PM FEATURING PERFORMANCES BY ROBERT PATERSON + MAKOTO NAKURA + AMERICAN MODERN ENSEMBLE American Modern Recordings, American Modern Ensemble (AME)’s lively outpost for studio albums, issues two full-length recordings of fresh marimba repertoire on Tuesday, November 13. Six Mallet Marimba, composed and performed by AME’s Robert Paterson, is comprised entirely of works born of Paterson’s newly-developed and impressive six-mallet technique. It is the first-ever album to feature only six-mallet works, advancing the repertoire significantly through Paterson’s technique, which allows for richer harmonic language and expanded range of motion. The second album, Wood and Forest, boasts an array of pieces by Paterson, Kenji Bunch, Jacob Bancks, Carlos Sanchez-Gutierrez, and Michael Torke, performed by Japanese marimba virtuoso, Makoto Nakura. Both discs will be ushered in by an exceptional release concert, “Modern Marimba,” on Wednesday, November 14, 7:00 PM at the Rubin Museum of Art (150 West 17 Street, New York, NY). The program will feature performances by Paterson, Nakura, and members of AME, showcasing selected works from each album. Paterson's performances will demonstrate his pioneering six-mallet technique, including the world premiere of his Mandala, for marimba duo, for NEW FROM AMERICAN MODERN RECORDINGS: Robert Paterson’s Six Mallet Marimba + Makoto Nakura’ – page 2 which he will be joined by Nakura. -
American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 Pm
American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 pm: “Lingua Franca,” A Program of Recent and Brand New Music About Mangled Text, ICU Sounds, Rising, Falling, and Clashing Cultures Guest Ensemble: SYBARITE5 Message on chopstick wrapper in David Feurzeig’s Lingua Franca AME pianist Blair McMillen (photo by Bob London), SYBARITE5 The third definition of the phrase “lingua franca” in the Merriam Webster dictionary is: “something resembling a common language.” Lingua Franca is the name of a work by David Feurzeig that titles American Modern Ensemble’s November 1 concert at Brooklyn’s National Sawdust – describing a program that also includes a diversity of recent and new works by three winners of AME’s 10th Annual Composition Competition – Pierce Gradone, Texu Kim, and Aaron Mencher – and AME founder Robert Paterson: • David Feurzeig’s Lingua Franca (2014, New York premiere) for cello and bass, five settings of “unedited texts from around the world, composed in appreciation of the range of global English expression” which are also recited by the players • Pierce Gradone’s The Art of Falling (2011) for solo piano American Modern Ensemble’s Lingua Franca, November 1, 2017, at National Sawdust - Page 2 of 4 • Texu Kim’s Co.Ko. – un poco Loco (2017) for solo piano, “a 10-minute musical essay in three movements, reflecting contemporary Korea, where its own traditions and Western influences mingle in a slightly crazy way” • Aaron Mencher’s Rise (2016) for solo cello, evoking its title both figuratively and literally • Robert Paterson’s Ouvir Estrelas (2017, world premiere), a song setting of a poem in Portuguese by Brazilian Parnassian poet Olavo Bilac • Robert Paterson’s I See You, the New York premiere of a version for string quintet and recording of this 2016 work, originally scored for string orchestra and recording, inspired by a week the composer spent by his father’s bedside in the ICU The acclaimed string quintet SYBARITE5, the program’s guest ensemble, will perform I See You. -
Symphony Sounds
Symphony Sounds November 2011 45 ththth Season, Number 1 Editor: Kenneth Gash Our Maestro’s Third Concert I Season Sunday, November 6 at 7:00 p.m. f you are like me, you have been eagerly Rolling Hills Covenant Church I awaiting the start of the 2011-2012 2222 Palos Verdes Drive North season of the Peninsula Symphony Rolling Hills Estates Orchestra and the wonderful music that our Maestro , Gary Berkson, will bring forth from PROGRAM your orchestra. During the year we will hear some old favorites as well as some beautiful Rule Britannia music which has never before been played by our orchestra. There will be soloists at all four concerts and there will be a Pops Concert in J. Strauss, Sr. Homage to Queen Victoria Waltz July with a superb guest conductor. Walton Viola Concerto Brett Deubner, Soloist Vaughan Williams Symphony No. 5 in D major CONCERT DETAILS Symphony Association members admitted at 6:00. Center-section priority seating is reserved for members at the Patron level and above. Concert Preview by Maestro Berkson at 6:15. General public admitted at approximately 6:50. POST-CONCERT MEET THE ARTISTS STEPHANIE NG PERFORMING AT THE FINAL 2010-11 CONCERT After the concert, Symphony Association members at the Patron level (and above ) are invited to meet the soloist, Brett Deubner and Maestro Gary Berkson at Music Preview a reception in the home of one of our members. Directions to the reception will be sent with the Ask our average audience member about membership cards to all who have contributed at the his or her favorite composers and we will Patron level or above. -
Mahwah Public Library
Mahwah Public Library Adelphi Chamber Ensemble Alison Brewster Franzetti (piano) Sylvia Rubin (violin), Melissa Macy (violin), Sally Fillmore (viola), Genevieve Jeuck Sallemi (violin) Martha Calhoun (cello ), and Anne Taylor (viola) Sunday February 23, 2014 at 2:00 PM Brahms: Sextet for Strings no 1 in B flat major, Op. 18 Melissa Macy (Violin); Sylvia Rubin (Violin); Sally Fillmore (Viola); Genevieve Jeuck Sallemi (Viola), Martha Calhoun (Cello); Anne Taylor (Cello) Intermission Fauré: Quartet for Piano and Strings no 2 in G minor, Op. 45 Alison Brewster Franzetti (Piano); Sylvia Rubin (Violin); Genevieve Jeuck Sallemi (Viola); Anne Taylor (Cello) MARTHA CALHOUN (CELLO) holds a B.A. and a Masters of Music from the State University of New York at Stony Brook where she was a student of Bernard Greenhouse. She has also studied with Raya Garbousova and Timothy Eddy. She is an avid devotee of contemporary music and has worked with a number of composers including Bulent Arel and Daria Semegen, whose music she has recorded for Opus One. She was a founding member of the Long Island Pro Musica and continues to be a passionate chamber musician. In her other life, she is a Senior Counsel with the New York City Law Department, where she defends the City in class action lawsuits. SALLY FILLMORE (VIOLA) is an active chamber and orchestra musician. She currently plays with the Adelphi Chamber Orchestra of New Jersey. She has recently played with the Park Avenue Chamber Orchestra and Lawyers Orchestra in New York City, the Livingston Symphony Orchestra, and the Metropolitan Orchestra in New Jersey. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Download Annual Report
THE BAROQUE ORCHESTRA of NEW JERSEY 2018-2019 Annual Report From Our President I am pleased to share with you the 2018-2019 Annual Report of The Baroque Orchestra of New Jer- sey. As we begin our 24thseason of bringing affordable live music to the community, I want to thank our patrons, partners and sponsors for their support. Without you, we would not be where we are today. Over the past few years, BONJ has continued to grow artistically, as can be discovered by a review of the programs offered, the artists involved and the quality of the performances (clips available on our website, YouTube, Cablevision, e.g.). The Pearl & Julius Young Music Competition, and The Cynthia Platt Scholarship offer young musicians the chance to continue their music education and to perform with the Orchestra. I especially want to highlight two areas where our presence has expanded significantly: Locally: we have performed at Fundraisers for several important organizations including the Madison Area YMCA, Loyola Jesuit Center, United Way of Northern New Jersey, and Life with Joy, Inc. In addition, we have partnered with Morris Arts, Madison Arts & Culture Alliance, Morris Arts and Culture Committee, US National Park Service, Morris Tourism Bureau, among others, to produce programs that combine music with other arts, culture and historical offerings available in our commu- nity. Internationally: driven primarily by Maestro Robert W. Butts's growing recognition as a Conductor, Composer, Professor, and Musician, performances by Maestro Butts and BONJ musicians, and of his music have taken place in London, Venice, Korea, France, Italy, and Poland. -
Concert Programdownload Pdf(349
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Stockhausen's Mantra For Two Pianos Eric Huebner and Steven Beck, pianos Sound and electronic interface design: Ryan MacEvoy McCullough Sound projection: Chris Jacobs and Ryan MacEvoy McCullough Saturday, October 14, 2017 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Mantra (1970) Karlheinz Stockhausen (1928 – 2007) Program Note by Katherine Chi To say it as simply as possible, Mantra, as it stands, is a miniature of the way a galaxy is composed. When I was composing the work, I had no accessory feelings or thoughts; I knew only that I had to fulfill the mantra. And it demanded itself, it just started blossoming. As it was being constructed through me, I somehow felt that it must be a very true picture of the way the cosmos is constructed, I’ve never worked on a piece before in which I was so sure that every note I was putting down was right. And this was due to the integral systemization - the combination of the scalar idea with the idea of deriving everything from the One. It shines very strongly. - Karlheinz Stockhausen Mantra is a seminal piece of the twentieth century, a pivotal work both in the context of Stockhausen’s compositional development and a tour de force contribution to the canon of music for two pianos. It was written in 1970 in two stages: the formal skeleton was conceived in Osaka, Japan (May 1 – June 20, 1970) and the remaining work was completed in Kürten, Germany (July 10 – August 18, 1970). -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
2019-2020 Season
INTRODUCING YOUR 2019-2020 SEASON DISCOVER WORLD-CLASS MUSIC — CLOSE TO HOME ANDREW CONSTANTINE, MUSIC DIRECTOR 6 concerts for the price of 5 Act now to reserve your seats! PHOTO BY PHIL MACARONIS BY PHOTO ALL CONCERTS TAKE PLACE AT THE SANTANDER PERFORMING ARTS CENTER Read Music Director Andrew Constantine’s thoughts on our Classics Concerts – expressed below each repertoire. ROSENKAVALIER TO RACHMANINOFF PATHETIQUE with Pianist Adam Golka with Violinist, Eric Wyrick, and Electric Guitarist, Steve Mackey Saturday, September 21, 2019 at 7:30 p.m. Saturday, October 26, 2019 at 7:30 p.m. Strauss Don Juan, op. 20 Steven Mackey Four Iconoclastic Episodes Strauss Der Rosenkavalier Suite, Op. 59 Tchaikovsky Symphony No. 6, op. 74, B Minor, Pathetique Rachmaninoff Piano Concerto No. 2, op. 18, C Minor Reading favorite, violinist Eric Wyrick, returns with celebrated multi-genre composer Steve Mackey for a performance of his groundbreaking Four Rachmaninoff and Strauss, the epitome of Romanticism and some of Iconoclastic Episodes. Following this, Tchaikovsky’s musical ‘last will and the most luscious music ever written for orchestra. What a truly glorious testament,’ the incomparable Pathetique Symphony, probes the very heart evening this will be to spend with your Reading Symphony Orchestra. of the human condition with its searing melodies and brooding intensity. EROICA MOZART 39 with Violist, Brett Deubner Guest Conductor, André Raphel Saturday, December 7, 2019 at 7:30 p.m. with Pianists Alessio Bax and Lucille Chung Chadwick Tam O’Shanter Saturday, January 25, 2020 at 7:30 p.m. Richard Danielpour Viola Concerto Mozart Concerto for Two Pianos, K. -
2015 Live Finals
2015 National Solo Competition Live Finals Friday, March 20, 2015 Salt Lake City, Utah Center for the Arts 123 West South Temple Abravanel Hall Salt Lake City, UT 84101 Thank you to our sponsors: Evening Performance Pirastro GmbH Grand Prize SHAR Music Audience Favorite Yamaha Corporation of America Laureate Prizes Nathan Gordon Fund Ralph Matesky Fund Warren Loranger Jeffrey Solow American String Teachers Association Friday, March 20, 2015 • Salt Lake City, Utah Message from the Chair Welcome to the finals of the ASTA National Solo Competition. Organizing a competition of this size and scope, which includes all of the modern string instruments in junior and senior divi- sions, is a complicated enterprise and there are many individu- als whose contributions have made it possible. My deepest thanks go to Libby Dietrich, who thoughtfully and comprehen- sively oversaw myriad aspects and details for this competition. President Stephen Benham, president-elect Brenda Brenner, and all of the staff at the national office took care of many other facets of the competition including raising the prize mon- ey—one of the most important and difficult tasks that goes into making it a successful event. A big thank you as well to the online judges, who in addition to selecting our online prize win- ners and the six Laureate Finalists (from more than 100 en- trants), also acted as my advisory committee. Our judges for the finals are generously offer- ing their time, knowledge, and artistry by giving master classes at the conference. We thank them and hope that you have or will attend their classes. -
STANLEY GRILL and I Paint Stars with Wings
STANLEY GRILL and I paint stars with wings... CAMERATA PHILADELPHIA STEPHEN FRAMIL | BRETT DOUGLAS DEUBNER | PEGGY PEI-JU YU THE FOUR ELEMENTS Stanley grill And I paint stars with wings... 01 Earth 8:34 02 Air 6:56 03 Water 3:09 soprano 04 Fire 5:05 Brett Douglas Deubner, viola PAVANNE TO A WORLD WITHOUT WAR cello conductor, 05 Moderato 8:29 IN PRAISE OF REASON 06 Adagio; Moderato 8:32 07 Allegro 6:17 PEGGY PEI-JU YU Stephen Framil, cello | Trish Giangiulio & Jonathan Clark, horns viola STEPHEN FRAMIL MYSTICAL SONGS (Fernando Rielo) | 08 Introduction 1:53 09 Corre 2:17 10 Intermezzo I 1:01 11 Alli 3:51 12 Intermezzo II 2:26 13 Tu eres la brisa 3:28 14 Intermezzo III 1:12 15 Un arbol tan callado 3:37 Peggy Pei-Ju Yu, soprano Brett Douglas Deubner, viola 66:47 innova 047 BRETT DOUGLAS DEUBNER CAMERATA PHILADELPHIA CAMERATA Produced by Ralph Farris. © Stanley Grill. All Rights Reserved, 2020. innova® Recordings is the label of the American Composers Forum. innova.mu stangrillcomposer.com STANLEY GRILL Raised in the Bronx, Stan has been obsessed with music since the age of six, when his mother took him to Carnegie Hall and he was astonished and awestruck by a performance of “La Mer.” While that obsession first took the form of playing piano at every possible moment (when not otherwise engaged in activities typical of a kid growing up in the Bronx of the 1950’s and ‘60s), it was Stan’s music theory studies at the Manhattan School of Music that converted that obsession to writing music – and to finding his own musical voice.