Musical Biography of Brett Deubner, Violist As One of This Generation's

Total Page:16

File Type:pdf, Size:1020Kb

Musical Biography of Brett Deubner, Violist As One of This Generation's Musical Biography of Brett Deubner, violist As one of this generation's most consummate violists, Brett Deubner has received worldwide critical acclaim for his powerful intensity and sumptuous tone. Commenting on Mr. Deubner's performance the New Jersey Star-Ledger wrote, "Deubner played with dynamic virtuosity hitting the center of every note no matter how many there were." And, "There is a burning intensity to Deubner's playing, and a refreshing variation in the color of his viola tone." The Strad magazine cited his playing for its "infectious capriciousness," and Classical New Jersey praised him for being "extremely sensitive and expressive." As a graduate of the Eastman School of Music, Mr. Deubner's career has included frequent solo recitals, membership in top American orchestras, and chamber music collaborations worldwide. He has collaborated with today's leading conductors Ann Manson, Perry So, Lucas Richman, David Lockington, Patricio Aizaga, Oliver Weder, and Rossen Milanov. While collaborating on chamber music he has performed with the Tokyo Quartet and Vermeer Quartet, pianists Joseph Kallichstein and Robert Koenig, cellists Wendy Warner and Sara Sant'Amrogio, clarinetists Guy Deplus and Alexander Fiterstein, violinists Timothy Fain, Stefan Milenkovich, Gregory Fulkerson, and Dimitry Sitkovetsky, flutists Ransom Wilson and Carol Wincenc, New York Philharmonic principal oboist Joseph Robinson, and Dallas Symphony principal oboist Erin Hannigan. His recent concerto performances have traversed over four continents with forty orchestras, including the Grand Rapids Symphony, the Thüringer Symphoniker in Saalfeld-Rudolstadt, Germany, the New Jersey Symphony Orchestra, the Knoxville Symphony, the Grainger Wind Symphony in Melbourne, the Filharmonic del Quito, the String Orchestra of the Rockies, the National Symphony of Ecuador, the State Orchestra of Merida, Venezuela, the New Symphony of Sofia, Bulgaria, the Orchestra Bell'Arte of Paris, the Peninsula Symphony of California, and the Kiev Camerata in Ukraine. Mr. Deubner's dedication to expanding the viola's repertoire is demonstrated by his collaborations with some of today's foremost composers, such as Grammy-winner Richard Danielpour, Samuel Adler, Lalo Schifrin, Andrew Rudin, David Del Tredici, in addition to several of this generation's young composers. Thus far, over eighty works for the viola, including over thirty viola concertos and numerous solo and chamber works for the viola, have been dedicated to and premiered by Mr. Deubner. During the 2015 – 2016 season he will premiere five new viola concertos, including Dr. Donald L. Appert's Concerto for Viola and Orchestra with the Oregon Sinfonietta on March 13, 2016. Further evidence of his devotion to the advancement of the viola can be seen by his teaching of viola master classes. In the fall of 2014 he held his first ever "viola seminar" in Provence, France, and in the winter he gave master classes to talented violists from all over Brazil. Other highlights of Mr. Deubner's 2014 – 2015 season include the world premieres of Frank Levy's Concerto for Viola, Winds, Brass, and Percussion with the Omaha Symphonic Winds, Eric Whitacre's The River Cam for viola and strings in Seattle, and Bruno Louchouarn's Sol Path for amplified viola, sound scape, and projection art at the Pasadena AxS Festival. The season also saw his debut appearance with Symphony Irvine in Los Angeles performing Martinu's Rhapsody – Concerto for viola and orchestra, his invitation and participation in the international festival "Gramado in Concert" in the Rio dul Sol region of Brazil where he performed Bruch's Romanze for viola and orchestra, his performance of Hindemith's Der Schwanendreher in his home state of New Jersey, and several performances of the two Brahms viola sonatas with Cuban pianist Juana Zayas. The summer of 2015 Mr. Deubner will teach and perform chamber music concerts at the Round Top Festival in Texas, give a master class and recital at the New York Summer Music Festival, and perform at the Lenape Chamber Ensemble and the Gretna Festival in Pennsylvania, and the Phoenicia Festival of the Voice in the Catskills. During the 2015 – 2016 season he will give debut performances with the Oregon Sinfonietta, the Orquesta Sinfonica de Campinas and the Orquesta Sinfonica de Rio Norte in Brazil, Musique sur la Mer in Los Angeles, and the Southern Arizona Symphony Orchestra, as well as make return appearances with the New Sussex Symphony in New Jersey, the Cal State LA/Olympia Youth Orchestra, and the Clark College Orchestra on March 9, 2016, during which he will perform Hindemith's Der Schwanendreher and Dr. Appert's Fantasy for Viola and String Orchestra (originally for contrabass) that was premiered by the Oregon Sinfonietta on November 9, 2014 with William Athens as soloist on contrabass. He will also make recordings of Dr. Appert's Concerto for Viola and Orchestra with the Oregon Sinfonietta, Hindemith's Der Schwanendreher with the Clark College Orchestra, and Amanda Harberg's Concerto for Viola and Orchestra with the Southern Arizona Symphony Orchestra, with which he will tour Brazil performing her viola concerto. Also scheduled for the 2015 – 2016 season are recitals in Ecuador, California, New Jersey, and Italy. In the spring of 2016, Mr. Deubner will return to Europe to judge a concerto competition and perform Giorgio Cambissa's viola concerto. Mr. Deubner's own concert series, "Music and More," will mark its seventh year in the fall, and will feature world premiers by composers Richard Danielpour and Bruno Louchouarn, as well as chamber music by Mozart, Loeffler, and Brahms in a series of intimate concerts throughout the year. During the 2016 – 2017 season, Mr. Deubner will premiere and record Danielpour's viola concerto that is being specifically written for him, and he will tour the United States with this amazing work. He will go on a five city tour of the West Coast from Los Angeles to Vancouver, as well as an East Coast tour culminating in a performance at Carnegie Hall. Performing in Gramado, Brazil For updates, video links to recent and future world premiere performances, guest master classes in the United States and abroad, please go to Mr. Deubner's website at www.BrettDeubner.com, as well as his own YouTube channel. .
Recommended publications
  • Fiery Pianist Khatia Buniatishvili Makes Indianapolis Symphony Orchestra Debut in Lilly Classical Series Concerts Jan
    Date: Monday, January 16, 2012 Contact: Tim Northcutt – (317) 262-4904 Jessica Di Santo – (317) 229-7082 Fiery Pianist Khatia Buniatishvili Makes Indianapolis Symphony Orchestra Debut in Lilly Classical Series Concerts Jan. 26-28 at Clowes Memorial Hall 2008 Arthur Rubinstein Competition prize winner performs Rachmaninoff Second Piano Concerto INDIANAPOLIS – As one of the fast-rising young stars in classical music, pianist Khatia Buniatishvili will make her Indianapolis Symphony Orchestra debut in performances of Sergei Rachmaninoff’s passionate and colorful Second Piano Concerto to highlight Lilly Classical Series concerts Thursday through Saturday, January 26-28, at Clowes Memorial Hall, located at 4602 Sunset Avenue on the Butler University campus. Originally scheduled for the Hilbert Circle Theatre, the venue change was prompted by the needs of the National Football League and the Indianapolis Super Bowl XLVI Committee to reserve large venues in the downtown area that are capable of hosting various Super Bowl events and activities. Preparations to host NBC’s Live with Jimmy Fallon during Super Bowl week will be underway at the ISO’s home that weekend. This all-Russian classical weekend, conducted by Princeton Symphony Orchestra Music Director Rossen Milanov, will open with Dmitri Shostakovich’s Festive Overture, a light and celebratory piece that the composer wrote to mark the anniversary of the Bolshevik overthrow of the Russian government in 1917. Buniatishvili will introduce herself to Indianapolis audiences in performances of one of the crown jewels of the piano repertoire, Sergei Rachmaninoff’s popular Second Piano Concerto. This glittering and melodic work showcases the technical artistry of the soloist with many rhapsodic moments spotlighting the pianist.
    [Show full text]
  • New Jersey Symphony Orchestra Chamber Players Perform Works by Florence Price in Collaboration with Onecomposer
    New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Director of Public Relations & Communications 973.735.1715 | [email protected] njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra Chamber Players perform works by Florence Price In collaboration with ONEcomposer NJSO string quartets perform Price’s Five Folksongs in Counterpoint and String Quartet in G Major in virtual concert Performance premieres May 6 with special Zoom event free and open to the public Program is part of ONEcomposer’s yearlong celebration of Price Performance will be available at njsymphony.org and on YouTube NEWARK, NJ—The New Jersey Symphony Orchestra Chamber Players perform pathbreaking Black composer Florence Price’s revelatory Five Folksongs in Counterpoint and String Quartet in G Major in a special virtual performance, part of ONEcomposer’s yearlong celebration of Price. The performance premieres on May 6 at 7:30 pm with a free Zoom event open to the public. The chamber concert will be available on demand on the NJSO’s website and YouTube channel. In the special premiere event, NJSO Concertmaster Eric Wyrick and Assistant Principal Cello Na-Young Baek chat about Price’s extraordinary legacy with NJSO Associate Vice President of Artistic Planning Patrick Chamberlain and ONEcomposer founders Stephen Spinelli and Tamara Acosta from Cornell University. Patrons can register for the Zoom event at njsymphony.org/florenceprice. A new arts advocacy initiative, ONEcomposer is a commitment to musicians whose contributions have been historically erased. ONEcomposer’s inaugural season has forged partnerships with the Philadelphia Orchestra, Curtis Institute and NJSO, producing rave reviews on NPR and in The Philadelphia Inquirer in honor of Price and her remarkable accomplishments.
    [Show full text]
  • Symphony Sounds
    Symphony Sounds November 2011 45 ththth Season, Number 1 Editor: Kenneth Gash Our Maestro’s Third Concert I Season Sunday, November 6 at 7:00 p.m. f you are like me, you have been eagerly Rolling Hills Covenant Church I awaiting the start of the 2011-2012 2222 Palos Verdes Drive North season of the Peninsula Symphony Rolling Hills Estates Orchestra and the wonderful music that our Maestro , Gary Berkson, will bring forth from PROGRAM your orchestra. During the year we will hear some old favorites as well as some beautiful Rule Britannia music which has never before been played by our orchestra. There will be soloists at all four concerts and there will be a Pops Concert in J. Strauss, Sr. Homage to Queen Victoria Waltz July with a superb guest conductor. Walton Viola Concerto Brett Deubner, Soloist Vaughan Williams Symphony No. 5 in D major CONCERT DETAILS Symphony Association members admitted at 6:00. Center-section priority seating is reserved for members at the Patron level and above. Concert Preview by Maestro Berkson at 6:15. General public admitted at approximately 6:50. POST-CONCERT MEET THE ARTISTS STEPHANIE NG PERFORMING AT THE FINAL 2010-11 CONCERT After the concert, Symphony Association members at the Patron level (and above ) are invited to meet the soloist, Brett Deubner and Maestro Gary Berkson at Music Preview a reception in the home of one of our members. Directions to the reception will be sent with the Ask our average audience member about membership cards to all who have contributed at the his or her favorite composers and we will Patron level or above.
    [Show full text]
  • SHEDDING LIGHT on BULGARIAN SYMPHONY ORCHESTRAS /PIANO Or FORTЕ
    SHEDDING LIGHT ON BULGARIAN SYMPHONY ORCHESTRAS /PIANO or FORTЕ/ Brief historic notes Orchestral music-making in Bulgaria goes back to mid-nineteenth century when in the Northeastern, multilingual town of Shumen the first ensemble was founded. It had entertainment and promotional purposes rather than serious concert activities. The significance of the ensemble though is mainly in the first establishment of a repertoire (Bulgarian and foreign) which was suitable for performance, as well as bringing together professionally educated national musicians and music-makers. Over WW2 orchestras developed in Bulgaria in lows and peaks. Those days gave rise to the Guards Orchestra (1892) conducted by Joseph Hohola; the Academic Symphony Orchestra (1928) and the Royal Military Symphony Orchestra (1936)both founded in Sofia by Prof. Sasha Popov; the State Philharmonic Orchestra at the National Opera (1935). At concerts in Bulgaria and abroad they perform major works by national and international musical classics. These ensembles invited outstanding guest conductors and soloists – Fausto Magnani, Karl Bohm, Bruno Walter, Edmondo de Vecchi, Emil Kupper, Carlo Zecchi, Henry Marteau, Paul Wittgenstein, Dinu Lipatti etc. After the end of the war the dynamic history of Bulgarian orchestras included both the above listed and numerous new ensembles founded all over the country. The Sofia Philharmonic Orchestra continued the tradition of the Sofia-based ensembles. The Philharmonic has performed with conductors Konstantin Iliev, Dobrin Petkov, Vassil Stefanov, Vladi Simeonov, Dimitar Manolov, Yordan Dafov, Emil Tabakov etc. At approximately the same time the capital saw the rise and establishment of yet another outstanding ensemble – the Symphony Orchestra of the Bulgarian National Radio (1948).
    [Show full text]
  • Mahwah Public Library
    Mahwah Public Library Adelphi Chamber Ensemble Alison Brewster Franzetti (piano) Sylvia Rubin (violin), Melissa Macy (violin), Sally Fillmore (viola), Genevieve Jeuck Sallemi (violin) Martha Calhoun (cello ), and Anne Taylor (viola) Sunday February 23, 2014 at 2:00 PM Brahms: Sextet for Strings no 1 in B flat major, Op. 18 Melissa Macy (Violin); Sylvia Rubin (Violin); Sally Fillmore (Viola); Genevieve Jeuck Sallemi (Viola), Martha Calhoun (Cello); Anne Taylor (Cello) Intermission Fauré: Quartet for Piano and Strings no 2 in G minor, Op. 45 Alison Brewster Franzetti (Piano); Sylvia Rubin (Violin); Genevieve Jeuck Sallemi (Viola); Anne Taylor (Cello) MARTHA CALHOUN (CELLO) holds a B.A. and a Masters of Music from the State University of New York at Stony Brook where she was a student of Bernard Greenhouse. She has also studied with Raya Garbousova and Timothy Eddy. She is an avid devotee of contemporary music and has worked with a number of composers including Bulent Arel and Daria Semegen, whose music she has recorded for Opus One. She was a founding member of the Long Island Pro Musica and continues to be a passionate chamber musician. In her other life, she is a Senior Counsel with the New York City Law Department, where she defends the City in class action lawsuits. SALLY FILLMORE (VIOLA) is an active chamber and orchestra musician. She currently plays with the Adelphi Chamber Orchestra of New Jersey. She has recently played with the Park Avenue Chamber Orchestra and Lawyers Orchestra in New York City, the Livingston Symphony Orchestra, and the Metropolitan Orchestra in New Jersey.
    [Show full text]
  • 2019 Round Top Music Festival
    James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
    [Show full text]
  • Download Annual Report
    THE BAROQUE ORCHESTRA of NEW JERSEY 2018-2019 Annual Report From Our President I am pleased to share with you the 2018-2019 Annual Report of The Baroque Orchestra of New Jer- sey. As we begin our 24thseason of bringing affordable live music to the community, I want to thank our patrons, partners and sponsors for their support. Without you, we would not be where we are today. Over the past few years, BONJ has continued to grow artistically, as can be discovered by a review of the programs offered, the artists involved and the quality of the performances (clips available on our website, YouTube, Cablevision, e.g.). The Pearl & Julius Young Music Competition, and The Cynthia Platt Scholarship offer young musicians the chance to continue their music education and to perform with the Orchestra. I especially want to highlight two areas where our presence has expanded significantly: Locally: we have performed at Fundraisers for several important organizations including the Madison Area YMCA, Loyola Jesuit Center, United Way of Northern New Jersey, and Life with Joy, Inc. In addition, we have partnered with Morris Arts, Madison Arts & Culture Alliance, Morris Arts and Culture Committee, US National Park Service, Morris Tourism Bureau, among others, to produce programs that combine music with other arts, culture and historical offerings available in our commu- nity. Internationally: driven primarily by Maestro Robert W. Butts's growing recognition as a Conductor, Composer, Professor, and Musician, performances by Maestro Butts and BONJ musicians, and of his music have taken place in London, Venice, Korea, France, Italy, and Poland.
    [Show full text]
  • Ning Fengviolin Virtuosismo
    CHANNEL CLASSICS CCS 40719 NING FENG VIOLIN PAGANINI&VIEUXTEMPS VIRTUOSISMO ORQUESTA SINFÓNICA DEL PRINCIPADO DE ASTURIAS ROSSEN MILANOV CONDUCTOR Ning Feng (photo: Lawrence Tsang) 2 NING FENG returns to the Shanghai Symphony Orchestra under the baton of Yu Long. “Ning Feng’s total mastery could be seen in the In recital and chamber music Ning Feng precision and sweep of his bow, and heard in the regularly performs with Igor Levit and Daniel effortless tonal range, from sweet to sumptuous.” Müller-Schott, amongst others, and in 2012 New Zealand Herald - founded the Dragon Quartet. He appears at major venues and festivals such as the Wigmore Hall in Ning Feng is recognised internationally as an artist London, the Concertgebouw Amsterdam, National of great lyricism, innate musicality and stunning Centre for Performing Arts (Beijing) as well as the virtuosity. Blessed with an impeccable technique Schubertiade, Mecklenburg-Vorpommern and Hong and a silken tone, his palette of colours ranges from Kong International Chamber Music Festivals. intimate delicacy to a ferocious intensity. The Berlin Born in Chengdu, China, Ning Feng studied at based Chinese violinist performs across the globe the Sichuan Conservatory of Music, the Hanns Eisler with major orchestras and conductors, in recital School of Music (Berlin) with Antje Weithaas and and chamber concerts. the Royal Academy of Music (London) with Hu Kun Recent successes have included a return to where he was the first student ever to be awarded the Budapest Festival Orchestra with Iván Fischer
    [Show full text]
  • 2019-2020 Season
    INTRODUCING YOUR 2019-2020 SEASON DISCOVER WORLD-CLASS MUSIC — CLOSE TO HOME ANDREW CONSTANTINE, MUSIC DIRECTOR 6 concerts for the price of 5 Act now to reserve your seats! PHOTO BY PHIL MACARONIS BY PHOTO ALL CONCERTS TAKE PLACE AT THE SANTANDER PERFORMING ARTS CENTER Read Music Director Andrew Constantine’s thoughts on our Classics Concerts – expressed below each repertoire. ROSENKAVALIER TO RACHMANINOFF PATHETIQUE with Pianist Adam Golka with Violinist, Eric Wyrick, and Electric Guitarist, Steve Mackey Saturday, September 21, 2019 at 7:30 p.m. Saturday, October 26, 2019 at 7:30 p.m. Strauss Don Juan, op. 20 Steven Mackey Four Iconoclastic Episodes Strauss Der Rosenkavalier Suite, Op. 59 Tchaikovsky Symphony No. 6, op. 74, B Minor, Pathetique Rachmaninoff Piano Concerto No. 2, op. 18, C Minor Reading favorite, violinist Eric Wyrick, returns with celebrated multi-genre composer Steve Mackey for a performance of his groundbreaking Four Rachmaninoff and Strauss, the epitome of Romanticism and some of Iconoclastic Episodes. Following this, Tchaikovsky’s musical ‘last will and the most luscious music ever written for orchestra. What a truly glorious testament,’ the incomparable Pathetique Symphony, probes the very heart evening this will be to spend with your Reading Symphony Orchestra. of the human condition with its searing melodies and brooding intensity. EROICA MOZART 39 with Violist, Brett Deubner Guest Conductor, André Raphel Saturday, December 7, 2019 at 7:30 p.m. with Pianists Alessio Bax and Lucille Chung Chadwick Tam O’Shanter Saturday, January 25, 2020 at 7:30 p.m. Richard Danielpour Viola Concerto Mozart Concerto for Two Pianos, K.
    [Show full text]
  • Mango Suite Program Pages
    PRINCETON SYMPHONY ORCHESTRA ROSSEN MILANOV, MUSIC DIRECTOR 2018–2019 Sunday May 19, 2019, 4pm Richardson Auditorium DEREK BERMEL’S MANGO SUITE Rossen Milanov, conductor Paulina Villarreal, mezzo-soprano Griset Damas-Roche, flamenco dancer Derek Bermel Mango Suite* (World Premiere) Lyrics by 1. A House of My Own Sandra Cisneros 2. Cathy Queen of Cats 3. Darius and the Clouds 4. Four Skinny Trees 5. One Longing 6. Mango Says Goodbye Sometimes *Princeton Symphony Orchestra Co-Commission The Mango Suite Project is made possible in part through an award from the National Endowment for the Arts. INTERMISSION Be sure to admire the visual art and writing in the lobby created by area middle school students in response to composer Missy Mazzoli’s Sinfonia (for Orbiting Spheres), performed by the PSO in March 2019. The students are participants in this season’s PSO BRAVO! Listen Up! program. Manuel de Falla El amor brujo Introducción y escena (Introduction and Scene) En la cueva (In the Cave) Canción del amor dolido (Song of Love’s Sorrow) El Aparecido (The Apparition) Danza del terror (Dance of Terror) El círculo mágico (The Magic Circle) A medianoche (Midnight) Danza ritual del fuego (Ritual Fire Dance) Escena (Scene) Canción del fuego fatuo (Song of the Will-o’-the-Wisp) Pantomima (Pantomime) Danza del juego de amor (Dance of the Game of Love) Final (Finale) El sombrero de tres picos (The Three-Cornered Hat), Suite No. 1 Introduction—Afternoon Dance of the Miller’s Wife (Fandango) The Corregidor The Grapes La vida breve, Spanish Dance No. 1 This concert is made possible in part through the support of Yvonne Marcuse.
    [Show full text]
  • GEORGIEV Martin
    MARTIN GEORGIEV’s artistic activity connects the fields of composition, conducting and research in a symbiosis. As a composer and conductor he has collaborated with leading orchestras and ensembles, such as the Brussels Philharmonic, BBC Symphony Orchestra, Bulgarian National Radio Orchestra, Heidelberg Philharmonic Orchestra, Sofia National Philharmonic Orchestra, National Orchestra of Belgium, Azalea Ensemble, Manson Ensemble, Cosmic Voices choir, Isis Ensemble and Ensemble Musiques Nouvelles. More recently he was Composer in Residence to the City of Heidelberg - 'Komponist für Heidelberg 2012|13", featuring the orchestral commission The Secret which premiered in 2013 with the Heidelberg Philharmonic Orchestra conducted by the composer. Since 2013 he works as Assistant Conductor for the Royal Ballet at ROH Covent Garden, London, where he is involved with a number of world premieres. In 2010-11 he was SAM Embedded Composer with the BBC Symphony Orchestra, London. He has completed a PhD doctorate in Composition at the Royal Academy of Music, University of London (2012), in which he developed his Morphing Modality technique for composition. He also holds Masters' degrees in both Composition and Conducting from the Royal Academy of Music and the National Academy of Music 'Pancho Vladigerov', Sofia, Bulgaria. Born in 1983 at Varna, Bulgaria, he is based in London since 2005, holding both Bulgarian and British citizenship. He is a laureate of the International Composers' Forum TACTUS in Brussels, Belgium, where his works featured in the selection in 2004, 2008 and 2011; the Grand Prize for Symphonic Composition dedicated to the 75th Anniversary of the Sofia National Philharmonic Orchestra in 2003; the UBC Golden Stave Award in 2004; orchestral commission prize in memory of Sir Henry Wood by the Royal Academy of Music, London, in 2011; he was a finalist of the Hindemith Prize of the Schleswig-Holstein Music Festival in Germany in 2011 and a recipient of 15 prizes from national and international competitions as a percussionist.
    [Show full text]
  • 2015 Live Finals
    2015 National Solo Competition Live Finals Friday, March 20, 2015 Salt Lake City, Utah Center for the Arts 123 West South Temple Abravanel Hall Salt Lake City, UT 84101 Thank you to our sponsors: Evening Performance Pirastro GmbH Grand Prize SHAR Music Audience Favorite Yamaha Corporation of America Laureate Prizes Nathan Gordon Fund Ralph Matesky Fund Warren Loranger Jeffrey Solow American String Teachers Association Friday, March 20, 2015 • Salt Lake City, Utah Message from the Chair Welcome to the finals of the ASTA National Solo Competition. Organizing a competition of this size and scope, which includes all of the modern string instruments in junior and senior divi- sions, is a complicated enterprise and there are many individu- als whose contributions have made it possible. My deepest thanks go to Libby Dietrich, who thoughtfully and comprehen- sively oversaw myriad aspects and details for this competition. President Stephen Benham, president-elect Brenda Brenner, and all of the staff at the national office took care of many other facets of the competition including raising the prize mon- ey—one of the most important and difficult tasks that goes into making it a successful event. A big thank you as well to the online judges, who in addition to selecting our online prize win- ners and the six Laureate Finalists (from more than 100 en- trants), also acted as my advisory committee. Our judges for the finals are generously offer- ing their time, knowledge, and artistry by giving master classes at the conference. We thank them and hope that you have or will attend their classes.
    [Show full text]