Press Kit ARTISTS

Total Page:16

File Type:pdf, Size:1020Kb

Press Kit ARTISTS Press kit ARTISTS contact presse: Sophie Dulin • [email protected] • +33 6 07 90 76 30 Yann Perreau • [email protected] • +33 6 40 97 70 73 • Instagram : @setelosangeles Association Sète - Los Angeles • siret : 83875791200012 SCOLI ACOSTA Born in 1973 in Los Angeles, Scoli Acosta is represented by galerie Laurent Godin in France. «The aesthetics of resourcefulness» is a phrase that Scoli Acosta has often used to describe his wide-ranging artwork, which includes sculpture, installation, drawing, painting, photography, video and performance. Thirty-eight years old and slight of frame, Acosta has a sheepish but subtly theatrical demeanor that gives every conversation the feel of a performance. Though he grew up in Lincoln Heights and Baldwin Hills, he lived in Europe on and off through his 20s, speaks French, some German and some Spanish, and maintains a somewhat self-conscious relationship to English, his diction intermittently formal and colloquial. His process is one of meandering absorption, his work the outgrowth, in many cases, of his interactions with a particular place.” Holly Myers, Los Angeles Times, 2011. Levitating the Pentagon (poems), performance, 2011 ©La Ferme du Buisson LES ARTISTES SCOLI acosta Scoli Acosta films himself in front of the frescoes in Los Angeles, those that Agnes Varda filmed in Walls Walls, which is happening in his hometown. The members of Asco (nausea in Spanish), militant Chicanos artists of the 1960s, appear with Scoli Acosta in the Phantom Sightings exhibition at LACMA (Los Angeles County Museum of Art) in 2008. VANESSA atlaN Born in Paris (France) in 1971. Lives and works in Los Angeles. Vanessa Atlan has a Masters in Art History from the Sorbonne. Deliberately experimental, the artist explores - through various media including photography, paintings, collage, writings and sound - the intimate territories of her childhood in Sète (whose family is from) or her everyday life in Los Angeles. From her first photographic series, “Paris-Méditerranée” to “Wonderland Stereo” (an imaginary record label) her vision is profoundly connected to an emotional immediacy, balancing the fine line between fiction and reality like an existential thread. She has taken part in various exhibitions in Europe and the United States : Bonni Benrubi Gallery, NYC - HIE Gallery, Los Angeles - Galerie Philippe Chaume, Paris - Galeria Tagomago, Barcelona - Palazzo Spinelli, Naples. D.R. LES ARTISTES VANESSA atlaN Downtown Jerusalem Electric City BARBARA CARRASCO Barbara Carrasco is born in 1955. She is a Chicana artist and activist who lives and works in Los Angeles. She is considered to be a «renegade feminist» whose work critiques dominant cultural stereotypes involving socioeconomics, race, gender and sexuality. Carrasco is as equally comfortable as an artist in creating large-scale works, like murals, as she is with detailed, small-scale pen and ink work. Her art has been exhibited nationally and internationally. She was part of the important Chicano art exhibit, Chicano Art: Resistance and Affirmation (CARA).Carrasco continues to create art and teach others about art today. D.R. BARBARA CARRASCO Dolores Pregnant Woman in ball of yarn, 2004 Serigraphie, 2005. Tirage 165 L.A. History: A Mexican Perspective Fresque murale, 43 panneaux PERCIval EVERETT Born December 22, 1956 in Fort Gordon, Georgia. He is a writer and American professor. A versatile author, his writings are at the crossroads of several literary genres. He did graduate studies in biochemistry and philosophy at the University of Miami, recognizing that he was influenced by the writings of Ludwig Wittgenstein, including his semantic theories. He obtained university degrees in literature and philosophy. He began his career in literature in 1983, when he completed a master’s degree at Brown University through the publication of his novel Suder, which is based on a professional baseball player. Percival Everett is an English teacher and director of the Department of English Literature at the University of Southern California in Los Angeles. He is the winner of the 2010 John Dos-Passos Award. D.R. PERCIval EVERETT Romans Glyph (1999) Erasure (2001) American Desert (2004) Wounded (2005) The Water Cure (2007) I am Not Sidney Poitier (2009) Assumption (2011) Percival Everett by Virgil Russell (2013) Poésie Swimming Swimmers Swimming (2010) Intitle, 2014 FRANCESCA GABBIANI Born in 1965 in Montreal (Canada). Lives in Los Angeles. The idea of memory is at the heart of Francesca Gabbiani’s work. His collages describe moments frozen in time and space. It creates a space that seems familiar, but strange, as if the viewer was visiting a new place he or she has already seen. She is represented by the Baert Gallery. D.R. FRANCESCA GABBIANI Detritus Pareo/Scarf PIERO GOLIA Piero Golia was born in 1974 in Naples, Italy. His work has been exhibited in major exhibitions in the United States and Europe. From the beginning of his career, Piero Golia has overturned the conventions of contemporary art through concept, form and act. Luminous Sphere (2010), a mysterious luminous globe installed on the roof of the Standard Hotel on Sunset Boulevard, only comes on when Golia is in Los Angeles. Golia participated at the 2nd Moscow Biennale (2007), SITE Santa Fe, New Mexico (2008-09) at the California Biennial, Orange County Museum of Art (2008), at the 55th Biennale di Venezia, (2013) and Made in LA 2014, the fourth biennale of the Hammer Museum. Golia lives and works in Los Angeles, he is represented by the Gagosian Gallery. D.R. LES ARTISTES PIERO GOLIA Piero Golia, The Painter, 2016. Photo by Daniele Molajoli, © Gagosian Piero Golia - Comedy of Craft © Gagosian KIM GORDON Kim Althea Gordon (born April 28, 1953) is an American musician, songwriter, and visual artist. Born in Rochester, New York, Gordon was raised in Los Angeles and studied art at the Otis Art Institute. She later rose to prominence as the bassist, guitarist, and vocalist of the New York City-based alternative rockband Sonic Youth. Gordon also formed the musical project Free Kitten with Julia Cafritz (of Pussy Galore) in the 1990s and debuted as a producer on Hole’s debut album Pretty on the Inside (1991). Gordon also worked on a fashion line called X-Girl in 1993, and continued to write and release material with Sonic Youth throughout the 1990s and on into the late 2000s. D.R. KIM GORDON Palmiers, 2018 Installation, 2018 ALEX ISRAEL - BRET EASTON ELLIS Alex Israel was born in 1977 in Los Angeles. Bret Easton Elis was born in 1964 in Los Angeles. The duo met in 2010. They instantly established a link. Their collaboration is a reflection on Los Angeles, where the two creatives were born and raised, and wants to be «a slideshow of the subconscious of the city». The duo’s work process is a back-and-forth exercise: they meet at a bar in a Los Angeles mall to exchange ideas, Easton Ellis writes his fictional texts from their discussions, and Israel travels iStock looking for pictures of scenes that best illustrate their feelings and chooses a font. The pieces are then printed and painted in the studios of Warner Bros, thus strengthening their relationship with Los Angeles and the Hollywood film industry. Alex Israel and Bret Easton Ellis, Westside Pavilion Mall, Los Angeles, 2016. Photo by Aubrey Mayer ALEX ISRAEL BRET EASTON ELLIS Alex Israel and Bret Easton Ellis, Was She in Pain?, 2016, acrylic and UV ink on canvas, 84 × 168 inches (213.4 × 426.7 cm) © Gagosian Alex Israel and Bret Easton Ellis, Fourth Tequila, 2016, acrylic and UV ink on canvas, 72 × 144 inches (182,9 × 365,8 cm) © Gagosian PATRICK JACKSON Los Angeles native, Patrick Jackson works as both a collector and a maker to create crowded, immersive mixed-media environments. Whether compiling found objects, setting a scene for a presumed homicide, or sculpting visceral and scarred ceramics, he is invested in narrative and conceptual installations. D.R. LES ARTISTES PatricK JACKSON Drawings and Reliefs, 2016 © Ghebaly Gallery RICHARD JACKSON Born in Sacramento (USA) in 1939. Lives in Los Angeles. Richard Jackson questions the traditional definition of painting by exploring matter. His approach as a sculptor is mainly on the side of humor, experimentation with the desire to report an action while offering an unprecedented critical position towards the art world. Long unknown, he has now become a historical figure, defending this freedom to create amazing machines, crazy sculptures or potaches. With a backdrop, the projection of colors, as a raw, childish aesthetic enjoyment. He is represented by the Georges-Philippe & Nathalie Vallois gallery in Paris. Richard Jackson installing ‘Richard Jackson. New Paintings’ Hauser & Wirth London, 2014 © Richard Jackson Image courtesy the artist and Hauser & Wirth Photo: Tristan Fewings RICHARD JACKSON Untitled (Project for Orange County), 2013, canvas, wood, acrylic paint. Courtesy of the artist. Photo: © Grant MudfordGalerie Anne de Villepoix Painting with Two Balls, 1997, Ford Pinto, metal, wood, canvas, acrylic paint, 20 x 36 x 20 feet. Photo: © Grant Mudford EDDIE RUSCHA Eddie Ruscha, son of artist Edward Ruscha, is a multidisciplinary artist living in Los Angeles. He graduated from the California Institute of Art in 1991. Ruscha’s visual style is strongly influenced by graphic design, psychedelic album, comic strip and poster art, Italian interiors and fashion, as well as all the movements of the fine arts in the hope of blurring the boundaries between them. Art and music have always been inseparable for Ruscha. Eddie has released several records over the years, producing different styles of psychedelic electronic music. In the world of music, Ruscha is now nicknamed Secret Circuit. His work has been the subject of numerous exhibitions including The London Institute, Regional Fund of Contemporary Art. D.R. EDDIE RUSCHA Cover and Music, 2018 JIM SHAW Born in Midland (USA) in 1952.
Recommended publications
  • Tout Est Art ? * * Is Everything Art ? Ben at the Musée Maillol
    Everything is art, 1961, 33.5 x 162 cm, The Musée Maillol reopens with an exhibition by Ben acrylic on wood, Ben’s personal collection. TOUT EST ART ? * * IS EVERYTHING ART ? BEN AT THE MUSÉE MAILLOL Ben takes possession of the newly reopened Musée Maillol for the first large-scale exhibition devoted to the artist in Paris. Bringing together over 200 artworks principally from the artist’s own personal collection, as well as private collections, this retrospective, which features several previously unseen installations, provides the public with an insight into the multiple and complex facets of this iconoclastic, provocative and prolific artist, an advocate of the non-conformist and the alternative for over 50 years. This exhibition devoted to Ben is part of a new programme of exhibitions put in place by Culturespaces at the Musée Maillol which will reopen its doors in September after 18 months of renovation work. In the late 1950s, Benjamin Vautier (b. 1935) more widely known as Ben, declared: ‘I sign everything’. This statement, corroborated by his images and actions, illustrates his belief that the world and indeed art, is a whole, and that everything constitutes art. Each phrase, however brief, reveals a meditation on important issues such as truth in art, the role of the artist in society and the relationship between art and life itself. His ‘écritures’ or written texts reflect his own personal questions and bear testimony to a critical spirit that is quick to question everyone and everything, including himself. Inspired by Marcel Duchamp’s ready-mades, Ben has systematically perpetuated the notion that a work of art is recognizable not by its material content, but by its signature alone.
    [Show full text]
  • Pender Humane Society and Their Phone 910-937-1164 Or 910-455-0182
    Expanding Families One Pet at a Time July 2017 Priceless TM Celebrating the Bond Between Humans and Animals PawPrints Magazine's Homeless cover Model Summertime is here and that can only mean one thing… it’s Kitten Season! Across the nation, millions of kittens are being born and are waiting for loving homes. My name is Elmer and Photo by: Michael Cline Photography I’m one such kitten. I was once sitting at Brunswick County Animal Control, but Adopt-An-ANGEL found me and took me in. Did you know they have over ONE HUNDRED kittens in their foster care program right now? Kittens just as precious as me, in all colors, sizes and shapes. I’m just 10-weeks-old and simply adorable. I love to play with toys, but I will also curl up happily on your chest and fall fast asleep. If you’d like to give me a loving home, please call my Adopt-An-ANGEL foster mom at 910-471-6909. She can also tell you about the other kittens up for adoption. And don’t forget, your county’s Animal Control is full of kittens too, so please visit and please look through this magazine at all the kittens pictured. There is someone for everyone! I’d now like to thank Michael Cline Photography for capturing my kittenish charm in my fruit-tastic cover photo and in the patriotic photo above. Being a cover model is quite exciting, but I’d much rather be someone’s beloved family member. “IF YOUR DOG IS NOT COMING TO YOU… YOU SHOULD BE COMING TO US!” Classes begin July 31st $10.00 off with this ad (first time students only) Not for profit service organization since 1971 910-392-2040 Visit our website at www.adtc.us Looking for the Hi, my name is Alice perfect house (35608354) and I’m a companion? One Patchwork Siamese who is small and girl.
    [Show full text]
  • NYU Paris ARTCR-UE9161001
    NYU Paris ARTCR-UE9161001 Topics in Visual Art and Culture : Art in Contemporary Culture Instructor Information ● Nicolas Baudouin ● Thursday 2.30 to 3.00 pm and 6.00 to 6.30 pm ● [email protected] Course Information ● ARTCR-UE9161001 ● Topics in Visual Art and Culture : Art in Contemporary Culture Course description: The Parisian art scene is mostly famous for the dynamic first half of the 20th century. This course will introduce the students to contemporary art in order to make them appreciate and understand the creativity and the dynamism of the artist community in today’s French capital. Focus will be made on the diversity of resources provided by the city. Special attention will be given on the new artistic practices and places as well as the different actors that are involved, such as the artists themselves, the private galleries network, museum's curators … References to the past and to the major artistic avant-garde movements and artists such as dada, geometrical abstraction, surrealism, expressionism … will be provided in order to ensure a better appreciation of today’s artistic concerns. Students will be exposed to the concept of “exception culturelle française” that involved the public institutions as key actors in the field of arts. The semester will be organized between lecture-seminar with slides in class and field visits such as museum, galleries, Art Fair etc… In order for the students to fully appreciate the quality and the interest of the art work that will be reviewed during the semester, references to the past and to the main streams of modern art and/or contemporary art will be an ongoing concern.
    [Show full text]
  • 16 August 1984 Greenbelt News Review
    Council Reviews Coming Year's 6rttnbtlt ca,ital Improvements Projects by Leta Mach How to spend $291,000 was the pleasant subject city council considered at a July 31 work session. The money has been designated for fiscal year 1984-85 capital improve­ ment projects. ltws Rt1Jitw Some projects had already been approved in FY 1983- AN INDEPENDENT NEWSPAPER 84. Totaling $49,500, the projects are Attick Park entrance road reconstruction, work on stairs and sidewalk to the post Volume 47 Numbez: 39 P.O. Box 68, Greenbelt, Maryland 20770 Thurs., Aug. 16, 1984 office, Greenhill drainage work and Centerway resurfacing 1 with new curb and sidewalk. A large portion of the money get but instead listed as future would be used for street resur­ needs. The projects included facing on Julian Court, Lastner Northway resurfacing from Ri<tge 61-11 Considers Plans for Reconstruction Lane, Rosewood Drive, Periwin­ to the Northway fields (estimate kle Drive, Hamilton Place, Lake­ $19,000), lake dredging (estimate crest Drive (Lakecrest Circle so $85,000), Eastway reconstruction .Of Plateau PL and Ridge Road Sidewalk Lakeside), Lakeside Drive (West­ (estimate $30,000), Hillside re­ way to Lakecrest), Westway construction Northway to Cres­ by Mavis Fletcher The discussion about the Ridge Cooperative League of the USA. (Ridge to resurfaced section), cent (estimate $55,000), resur­ Greenbelt City Manager Ro:id reconstruction centered vri­ CLUSA is currently working on Springhill Lane ( Breezewood to facing of half of the North Cen­ marily on whether a sidewalk drafting tax legislation which resurfaced section) and the At­ ter parking lot (estimate ~l'l,- James K.
    [Show full text]
  • Contemporary Art Market 2011/2012 Le Rapport Annuel Artprice Le Marché De L'art Contemporain the Artprice Annual Report
    CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT LES DERNIÈRES TENDANCES - THE LATEST TRENDS / L’ÉLITE DE L’A RT - THE ART ELITE / ART URBAIN : LA RELÈVE - URBAN ART: THE NEXT GENERATION / TOP 500 DES ARTISTES ACTUELS LES PLUS COTÉS - THE TOP-SELLING 500 ARTISTS WORLDWIDE CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT SOMMAIRE SUMMARY THE CONTEMPORARY ART MARKET 2011/2012 Foreword . page 9 THE LATEST TRENDS How well did Contemporary art sell this year? . page 11 Relative global market shares : Asia/Europe/USA . page 12 Competition between Beijing and Hong Kong . page 14 Europe offers both quantity and quality . page 15 Top 10 auction results in Europe . page 16 France: a counter-productive market . page 17 Paris - New York . page 19 Paris-London . .. page 20 Paris-Cannes . page 21 THE ART ELITE The year’s records: stepping up by the millions . page 25 China: a crowded elite . page 26 New records in painting: Top 3 . page 28 The Basquiat myth . page 28 Glenn Brown, art about art . page 29 Christopher Wool revolutionises abstract painting . page 30 New records in photography . page 31 Jeff Wall: genealogy of a record . page 32 Polemical works promoted as emblems . .. page 34 New records in sculpture & installation . page 36 Cady Noland: € 4 .2 m for Oozewald . page 36 Antony Gormley: new top price for Angel of the North at £ 3 4. m . .. page 36 Peter Norton’s records on 8 and 9 November 2011 .
    [Show full text]
  • 0805 Gdp Sun Class
    0805_GDP_SunClass_Classifieds 8/3/2012 5:14 PM Page D1 WWW.GWINNETTDAILYPOST.COM • SUNDAY, AUGUST 5, 2012 2 • D1 To place your RECRUITMENTJOBS AD call 770-962-SELL Hospice Advantage is growing & our Atlanta ofce is currently looking for the following: – Per Diem RNs – Hospice Experience Preferred – Per Diem Social Worker - MSW – tLQSPHSBNXNBUDIo"MMFNQMPZFFTFMJHJCMF t.JMFBHFSFJNCVSTFEBUQFSNJMF t'MFYJCMFTDIFEVMFT t1BJEXFFLMZ *GJOUFSFTUFE QMFBTFWJTJUPVSXFCTJUFBU www.hospiceadvantage.netDMJDLPOUIF i$BSFFSTwUBCBUUIFUPQUP TFBSDIBQQMZGPS"UMBOUB ("PQFOJOHT Major Account Advertising Coordinator We Are Sta ng Up! The Gwinnett Daily Post, Gwinnett county’s largest and most respected Media Company, is Classi ed Display & Online Specialist looking for a Major account advertising Coordinator to join our Major Account sales team. The ideal candidate must be pro cient with PC & Mac programs, including PowerPoint, Word & Excel. Must possess excellent organizational skills and ability to multi-task. College degree preferred but not necessary. Duties include assisting Major Account sales staff and manager with all ongoing projects and manage and grow sales revenues. Developing presentations and proposals. This posi- Gwinnett Daily Post tion offers a competitive salary plus eligibility in the company’s full bene ts package. gwinnettdailypost.com If interested, send your If interested send your resume and cover letter to [email protected] or fax to resume and cover letter to &0&t%SVH'SFF8PSLQMBDF [email protected] or fax to 770-277-5277 &0&t%SVH'SFF8PSLQMBDF The Gwinnett Daily Post, Gwinnett County’s largest and most respected media company, is looking for a dynamic, outgoing, proven Sales Professional! The ideal candidate will work with local clients to develop creative comprehensive advertising packages using a multi-media approach.
    [Show full text]
  • Elettetei Welcome Home 1/3!
    elettetei Welcome home 1/3! "Welcome Home" banners, cookies, leis and a limousine were some of the props used by wives and friends who greeted about 200 Marines from 1st' Bn, 3d Marines, Sept. 3 at Platt Field, The Marines deployed for six months to Okitiawi, Japan as part of the Unit DeployMent Program. A chauffeur (0 opens his limousine's door for Cpl. Lon . Dykes and his wife, Vannessa. (Ahoce) A warm embrace. Change of command Adm Hays to head Pacific Command by SSgt. J.C. Haynes monies to be held Wednesday While the ceremony is not Chief of the U.S. Pacific Chief, (1.5. Naval Forces, Service Medal, with three LISPACOM, Camp H.M. at 5 p.m. at Hickam's Parade open to the general public, Comniand since July 1, i Euro!, and U.S. Com. gold stars; Silver Star Smith - Adm. Ronald J. Mall. military personnel, DqP has been confirmed by the mander, Eastern Atlantic. Medal, with two gold stm Hays will relieve Adm. The honored guest will be civilian employees, their U.S. Senate to become the Admiral Hays has a BS Legion of Merit; Distinguish William J. Crowe, Jr., as Gen. John W. Vessey, Jr., families and guests ate 11th Chairman of the Joint in Naval Schnee from the ed Flying Cross, with a silvc. Commander in Chief, U.S. Chairman of the Joint Chiefs welcome to attend. Iti'the Chiefs of Staff in Washing- U.S Naval Academy. and gold star; and Bronze Pacific Command in cere- of Staff. event of inclement weather, ton.
    [Show full text]
  • In Search of Japanoise Globalizing Underground Music
    16 In Search of Japanoise Globalizing Underground Music David Novak In 1990, I had just returned from a year of teaching English in Japan, so I was surprised when I came back to college in Ohio and started to hear about “Jap- anese Noise Music.” Some cut out the “music” idea altogether and called it all “Japanese Noise,” and others just compressed it to “Japanoise.” The name was supposed to identify a specic Japanese type of “Noise,” which was already a pretty vague genre name. Some friends added that its top artists mostly came from the Kansai region and the cities Osaka and Kyoto where I’d been living. I’d run into some noisy punk rock and experimental music in little under- ground record stores and small clubs around Japan … but Japanoise? I had never heard of it until I was back in the United States, when the Boredoms’ LP Soul Discharge found its way to the college radio station where I was a DJ, and tapped into the emerging independent music scene. At the time, the ow of underground cassettes, CDs, and vinyl into the station was increasing on a daily level. But dropping the needle on Soul Discharge released the most spectacularly dissonant racket I’d ever heard, tog- gling through a spectrum of styles and sounds. Sometimes Boredoms sounded like a hardcore band, sometimes a random Dada cutup of popular culture: it was desperately heavy but also funny as hell. You couldn’t possibly take it seriously, but, at the same time, it demanded your full attention.
    [Show full text]
  • Free Concert -Aft Sunday at 2 P.M
    --"'"'"'"rtrorl -1... Free Concert -aft Sunday at 2 p.m. on Platt Field Danny Kaleikini & Friends (See story on page A-tf A,;,7 crr . 14 6'. 'w .ts.,esr Danny Rti 'Mani Shnazz HAWAH MARINEcti Voluntary payment for delivery to MICAS housing/$1 per four week period VOL. 9 NO. :13 KANEOHE BAY, HAWAII, AUGUST 20, 1980 TWENTY-FOUR PAGES Change Pearl sailors receive new commander PEARL HARBOR - Rear Adm. served as the Naval Inspector Stanley J. Anderson will relieve General in Washington, D.C. Rear Adm. E.S. Briggs as Com- Before assuming that position in mander, Naval Logistics July 1977, he was commander, Information School set Command for the commander-in- Submarine Group Six in chief, U.S. Pacific Fleet, and as the Charleston, S.C. The rear admiral The next Navy, Marine Corps and Coast Guard Commander Naval Base, Pearl was born Nov. 5, 1927 in Information School is scheduled for 5 p.m. Monday. Harbor, during change-of- Minneapolis, Minn. He is married The classes are slated to run through Aug. 29 in the command ceremonies Friday. to the former Lora Zarubin of San Fellowship- Hall of the chapel building at Naval Station, Francisco, Calif. They have one -Pearl Harbor. The 25 -hour course will provide up-to-date Adm. Donald C. Davis, the son, Jay. information on 30 or more topics about programs and commander-in-chief, U.S. Pacific benefits. available to military personnel and their families. Fleet, will be the key speaker for Briggs has been nominated for Special programs stressing personal development, life Friday's 10 a.m.
    [Show full text]
  • New Mexico Daily Lobo, Volume 080, No 52, 11/2/1976." 80, 52 (1976)
    University of New Mexico UNM Digital Repository 1976 The aiD ly Lobo 1971 - 1980 11-2-1976 New Mexico Daily Lobo, Volume 080, No 52, 11/ 2/1976 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1976 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 52, 11/2/1976." 80, 52 (1976). https://digitalrepository.unm.edu/daily_lobo_1976/125 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1976 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. .CcnN'~IZJo m7n . UV?~w · · .:'4-.~W/nds for Construction, Equipment Cd;f~:! . Propo_sed Bond To Aid U. By Ka~n Moses can be found ... such as at the hygiene program," she added. Listed on· today's baliot ·is a $25 convention center.'' million education bond act which,· !The University has named as ·if passed, would provide UNM with irhe present dental hygiene second in priority the construction . a share. of $17 million for building program is· housed in temporary of a $4.5 million engineering construction and $8 million for new World War II barracks. "When it building. However, the chances of equipment. rains, the X-ray room · floods,' • money from the bond financing this Rhode said. · . building. are slim because of the The State Educational Institution ~xpense'of the building and"the top Improvement Bond Act would ·There's insufficient heat in the priority given the.
    [Show full text]
  • Collegedemocr Studentsenate Groupspetit
    i O B S E R V E R Thursday, October 17, 1996 • Vol. XXX No. 39 TI IE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S ■ S tudent S enate Senate to address student rightsCollege issues, du LacDemocra Student Senate groups petit By MICHELLE KRUPA Assistant News Editor In continuing their efforts to promote student rights, the College Democrats asked for the Student Senate’s support at its meeting yesterday. This came on the heels of a similar request by the College Democrats to the Hall Presidents Council on Tuesday. College Democrats are requesting support for student rights following the University’s denial of a request to approve a demonstration for National Coming Out Day The Observer/Shannon Dunne last Friday. ...but Senate members chose not to vote on the resolution College Democrat J.P. Cooney claimed the University’s until its next meeting. denial was “not based on the request itself, but on the assumption that GLND/SMC, an unrecognized student Ryan Mclnerney presented a historical perspective of du organization, was the original sponsor of the event.” Lac, explaining its various content changes during the “It should not have been the prerogative of the admin­ past 30 years, in an attempt to educate Senate members istration to accept or deny the demonstration. They about student rights. should only have recognized it,” Cooney said. In 1977, both students and faculty were removed from The Democrats claimed that the “administration tried the University Judicial Board, a group who handled to censor free speech and displayed blatant disrespect appeals in the disciplinary system, in an attempt to cen­ against the gay, lesbian, and bi-sexual members of the tralize control of the Board.
    [Show full text]
  • Words Cheri Amour Illustrator Fliss Kitson
    WORDS CHERI AMOUR ILLUSTRATOR FLISS KITSON Since the tentative first steps into her noise-rock legacy – originating And yet Gordon, now 60, is stronger than ever. Joining forces with in ‘80s grunge juggernaut Sonic Youth – Kim Gordon has manned a Bostonian noisenik Bill Nace to form Body/Head, she has just released consistent flurry of creative channels and respective counter-projects, new album ‘Coming Apart’ – an improvisational, free-form, dirge-heavy from her producing stint on Hole’s debut LP to her longstanding love affair work, reminiscent of Sonic Youth’s scordatura and gloom. So what are with contemporary art. the narratives behind her success? Where does her power come from? A recent show at the White Columns gallery in New York’s boujie West It can be argued that Gordon’s creative guises should be read as two Village might have been the first official survey exhibition of Gordon’s distinct branches; cerebral (head) and creative (heart), the two fibres ongoing art practice, but hers is an indefatigable creative legacy that colliding beautifully in her current work. stretches back to the late ‘70s, when Gordon studied at the Otis Art Institute in Los Angeles. She has since designed for fashion labels (Marni, Heads Up Sportmax), formed punk supergroup Free Kitten with Pussy Galore’s Julia Somewhere between writing her memoir, launching Body/Head and Cafritz and collaborated with the likes of Yoko Ono and Lydia Lunch. appearing on the new run of Girls (as if season three wasn’t exciting Iconoclastic and opinionated, Gordon’s persona has served the prevailing enough), Gordon headed back to her artistic roots in New York, the city ‘legend’ trope well, her detached and somewhat aloof manner shrouding that harboured her first exhibition some three decades before.
    [Show full text]