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A New Book by Hans Lindahl
403 Etica & Politica / Ethics & Politics, XXI, 2019, 3, pp. 403-415 ISSN: 1825-5167 A NEW BOOK BY HANS LINDAHL GIANFRANCESCO ZANETTI Department of Jurisprudence, University of Modena and Reggio Emilia [email protected] ABSTRACT Hans Lindahl’s new book is an extremely valuable contribution. It offers a fresh notion of globaliza- tion processes, grounded in a sound social ontology. Lindahl’s theory is described on the background of most of the contemporary debate, painstakingly scrutinized in the book. The sobering conclusion is that no Great Emancipation is truly possible: the only contingency-burden solutions are those nor- mative practices that Lindahl calls “restrained collective self-assertion”. KEYWORDS Inclusion/exclusion, borders/limits, recognition, equality, bio-cultural rights. The Argentinian writer Jorge Louis Borges stretched his wild imagination beyond the usual boundaries that even phantasy writers set to themselves. Among the labyrin- thine, mind-bending ideas his fertile mind was able to conceive, there is of course the notorious Book of Sand, an enchanted volume whose pages, each of them, can always split into two different pages, in a seamless process, and whose not-reachable, unthink- able central page has no back1. One does not have to delve into the optical paradoxes by Escher or by Victor Vasarely to enjoy the thrill of an intellectual challenge of this kind. It is possible to experience a sort of healthy, theoretical bewilderment even in the mundane, analytical field of contemporary legal and political philosophy. 1 El libro de Arena, Buenos Aires, Emecé, 1975; Norman Thomas Di Giovanni translated it into English for The New Yorker. -
Press Release
PRESS RELEASE The Courts Called Her Crazy. The FBI Called Her a Kidnapper. Her Kids Called Her a Hero. Boston, MA –No Way Out But One, an independent documentary by Garland Waller and Barry Nolan, tells the incredible story of Holly Collins, a kidnapper to some and a hero to many. The film also examines the larger issue of the tragic failure of the family court system to achieve its most important mandate, to protect children. In 1994, Holly Collins was a desperate mother determined to protect her children from abuse at the hands of their father. Believing that she had no other choice, Holly kidnapped her own kids, left everything behind, and went on the run. She became an international fugitive, wanted by the FBI. She became the first American to ever be granted asylum by the Dutch government as a result of domestic violence. To capture the full story, the happily married team of veteran producers, Garland Waller and Barry Nolan, traveled to the Netherlands, Washington D.C., St. Paul, Minnesota, and Albany, NY. They used the Freedom of Information Act to obtain never before seen FBI files. They gathered extensive medical evidence, court records, and sworn affidavits. They drew on published research and interviewed witnesses, legal experts and doctors. Gracious and supportive friends recorded voiceovers, a la Ken Burns style, to capture some of the riveting drama of Holly’s story. Wendie Malick of Hot in Cleveland, Ron Masak, once the sheriff in Murder She Wrote, Doogie Houser’s dad, Jim Sikking, and one time NBC anchor John Palmer all lent their voices to the project. -
The Hepatopulmonary Syndrome: NO Way Out?
REFERENCES deliberately separated chronic cough in children from that in 1 Morice AH, and ERS Task Force committee members, The adults since the aetiology is different. However, in adults the diagnosis and management of chronic cough. Eur Respir J causes and treatment of chronic cough are not age related and 2004; 24: 481–492. the elderly were frequent attendees in the 13 studies quoted in 2 Palombini BC, Villanova CAC, Araujo E, et al. A pathologic table 1 which presents the accumulated experience of specialist triad in chronic cough: asthma, postnasal drip syndrome, cough clinics [1]. and gastroesophageal reflux disease. Chest 1999; 116: 279–284. Decreased cough and aspiration are important clinical pro- 3 Teramoto S, Matsuse T, Ouchi Y. Clinical significance of blems but they were not the subject of our discussions. Clearly cough as a defence mechanism or a symptom in elderly neurological illness [2, 3] and anatomical abnormality [4] can patients with aspiration and diffuse aspiration bronchio- increase the likelihood of aspiration but this is neither age litis [letter]. Chest 1999; 115: 602–603. specific nor relevant to clinicians dealing with patients who 4 Teramoto S, Yamamoto H, Yamaguchi Y, Ouchi Y, present with isolated chronic cough. Matsuse T. A novel diagnostic test for the risk of aspiration Finally, an important function of documents such as the Task pneumonia in the elderly. Chest 2004; 125: 801–802. Force report is to provide a balanced overview of the literature. 5 Teramoto S, Yamamoto H, Yamaguchi Y, Kawaguchi H, Teramoto and colleagues seem to have concentrated largely on Ouchi Y. -
Turning Pain Into Power: Traffi Cking Survivors’ Perspectives on Early Intervention Strategies
Turning Pain into Power: Traffi cking Survivors’ Perspectives on Early Intervention Strategies Produced by the The contents of this publication may be adapted and reprinted with the following acknowledgement: “This material was adapted from the Family Violence Prevention Fund publication entitled Turning Pain into Power: Trafficking Survivors’ Perspectives on Early Intervention Strategies.” Family Violence Prevention Fund 383 Rhode Island Street, Suite 304 San Francisco, CA 94103-5133 TEL: 415.252.8900 TTY: 800.595.4889 FAX: 415.252.8991 www.endabuse.org [email protected] ©2005 Family Violence Prevention Fund. All Rights Reserved. Turning Pain into Power: Trafficking Survivors’ Perspectives on Early Intervention Strategies Family Violence Prevention Fund In Partnership with the World Childhood Foundation October 2005 AssessingTurning the PainNeeds into of Power:Trafficked Trafficking Young Women Survivors’ and Perspectives Children:Health ResponseWhat on Earlyis the Intervention RoleTrafficking of Health Strategies Report Care? Acknowledgments The Family Violence Prevention Fund (FVPF) is extremely grateful to all the people who made this project possible. In particular, the FVPF extends deep gratitude to all the survivors of human trafficking who courageously shared their experiences with us. We are honored to learn from their stories and hope that their experiences continue to inform and direct future public policy, intervention strategies, and prevention efforts. Likewise, we thank the advocates and activists who work tirelessly to empower these women and children to regain their lives completely. The Advisory Committee members who gave their input and expertise to this project were invaluable. Their pioneering work in the field of anti-human trafficking and dedication to helping survivors restore their well-being have enriched and informed this research from its inception. -
Donald Trump Shoots the Match1 Sharon Mazer
Donald Trump Shoots the Match1 Sharon Mazer The day I realized it can be smart to be shallow was, for me, a deep experience. —Donald J. Trump (2004; in Remnick 2017:19) I don’t care if it’s real or not. Kill him! Kill him! 2 He’s currently President of the USA, but a scant 10 years ago, Donald Trump stepped into the squared circle, facing off against WWE owner and quintessential heel Mr. McMahon3 in the “Battle of the Billionaires” (WrestleMania XXIII). The stakes were high. The loser would have his head shaved by the winner. (Spoiler alert: Trump won.) Both Trump and McMahon kept their suits on—oversized, with exceptionally long ties—in a way that made their heads appear to hover, disproportionately small, over their bulky (Trump) and bulked up (McMahon) bodies. As avatars of capitalist, patriarchal power, they left the heavy lifting to the gleamingly exposed, hypermasculinist bodies of their pro-wrestler surrogates. McMahon performed an expert heel turn: a craven villain, egging the audience to taunt him as a clueless, elitist frontman as he did the job of casting Trump as an (unlikely) babyface, the crowd’s champion. For his part, Trump seemed more mark than smart. Where McMahon and the other wrestlers were working around him, like ham actors in an outsized play, Trump was shooting the match: that is, not so much acting naturally as neglecting to act at all. He soaked up the cheers, stalked the ring, took a fall, threw a sucker punch, and claimed victory as if he (and he alone) had fought the good fight (WWE 2013b). -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
2020 WWE Finest
BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby -
THQ Online Manual
INSTRUCTION BOOKLET LIMITED WARRANTY THQ (UK) LIMITED warrants to the original purchaser of this THQ (UK) LIMITED product that the medium on which the computer program is recorded is free from defects in materials and workmanship for a period of ninety (90) days from the date of purchase. This THQ (UK) LIMITED software is sold ”as is“, without express or implied warranty of any kind resulting from use of this program. THQ (UK) LIMITED agrees for a period of ninety (90) days to either repair or replace, at its option, free of charge, any THQ (UK) LIMITED product, postage paid, with proof of purchase, at its Customer Service centre. Replacement of this Game Disc, free of charge to the original purchaser is the full extent of our liability. Please mail to THQ (UK) LIMITED, Ground Floor; Block A, Dukes Court, Duke Street, Woking, Surrey, GU21 5BH. Please allow 28 days from dispatch for return of your Game Disc. This warranty is not applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect in the THQ (UK) LIMITED product has arisen through abuse, unreasonable use, mistreatment or neglect. THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES AND NO OTHER REPRESENTATIONS OR CLAIMS OF ANY NATURE SHALL BE BINDING OR OBLIGATE THQ (UK) LIMITED. ANY IMPLIED WARRANTIES OF APPLICABILITY TO THIS SOFTWARE PRODUCT, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE NINETY (90) DAY PERIOD DESCRIBED ABOVE. IN NO EVENT WILL THQ (UK) LIMITED BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THIS THQ (UK) LIMITED PRODUCT. -
NO WAY out a Briefing Paper on Foreign National Women in Prison in England and Wales January 2012
NoWayOut_Layout109/01/201212:11Page1 NO WAY OUT A briefing paper on foreign national women in prison in England and Wales January 2012 1. Introduction Foreign national women, many of whom are known to have been trafficked or coerced into offending, represent around one in seven of all the women held in custody in England and Wales. Yet comparatively little information has been produced about these women, their particular circumstances and needs, the offences for which they have been imprisoned and about ways to respond to them justly and effectively. This Prison Reform Trust briefing, drawing on the experience and work of the charity FPWP Hibiscus, the Female Prisoners Welfare Project, and kindly supported by the Barrow Cadbury Trust, sets out to redress the balance and to offer findings and recommendations which could be used to inform a much-needed national strategy for the management of foreign national women in the justice system. An overarching recommendation of Baroness Corston’s report published in 2007 was the need to reduce the number of women in custody, stating that “custodial sentences for women must be reserved for serious and violent offenders who pose a threat to the public”. She included foreign national women in her report, seeing them as: A significant minority group who have distinct needs and for whom a distinct strategy is 1 necessary. NoWayOut_Layout109/01/201212:11Page2 However, when the government response2 and This comes at a time when an increasing then the National Service Framework for percentage of foreign women, who come to the Improving Services to Women Offenders were attention of the criminal justice and immigration published the following year, there were no systems and who end up in custody, have been references to this group.3 living in the UK long enough for their children to consider this country as home. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
November 2008 4 No Pride in Silence Countering Violence in the Family in Armenia
NO PRIDE IN SILE NC E COUNTERING VIOLENCE IN THE FAMILY IN ARMENIA Amnesty International is a global movement of 2.2 million people in more than 150 countries and territories who campaign to end grave abuses of human rights. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion – funded mainly by our membership and public donations. Amnesty International Publications First published in 2008 by Amnesty International Publications International Secretariat Peter Benenson House 1 Easton Street London WC1X 0DW United Kingdom www.amnesty.org © Amnesty International Publications 2008 Index: EUR 54/004/2008 Original language: English Printed by Amnesty International, International Secretariat, United Kingdom All rights reserved. This publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. The copyright holders request that all such use be registered with them for impact assessment purposes. For copying in any other circumstances, or for re-use in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. Cover photo: This drawing by an 11-year old artist was entered for a competition entitled “When peace reigns in the family”, organized by the Martuni Women's Community Council, Martuni,