A Good Year Free
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I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director); -
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures. -
Focus 2016 World Film Market Trends Tendances Du Marché Mondial Du Lm Pages Pub Int Focus 2010:Pub Focus 29/04/10 10:54 Page 1
FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM 2016_ focus 2016 World Film Market Trends Tendances du marché mondial du lm Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Information on Markets and Financing, European Audiovisual Observatory Editorial assistants, LUMIERE Database Laura Ene, Valérie Haessig, Gabriela Karandzhulova Lay-out: Acom* Europe © 2016, Marché du Film Printed: Global Rouge, Les Deux-Ponts 2 Editorial As a publication of the Marché du Film, FOCUS FOCUS, une publication du Marché du Film, sera will be an essential reference for professional une référence incontournable pour tous les partici- attendees this year. Not only will it help you grasp pants professionnels cette année. Elle vous aidera the changing practices of the film industry, but it non seulement à appréhender les pratiques en con- also provides specific information on production stante évolution de l’industrie cinématographique, and distribution around the world. mais elle vous informera également de manière plus spécifique sur les secteurs de la production Once again, we are glad to collaborate with et de la distribution dans le monde entier. Susanne Nikoltchev and her team. With this part- nership, we aim to provide you with valuable Nous avons le plaisir de collaborer de nouveau insight into the world of film market trends. -
Alien: Covenant, Dir. by Ridley Scott (Twentieth Century Fox, 2017)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Alien: Covenant, dir. by Ridley Scott (Twentieth Century Fox, 2017) Alien: Covenant is the sixth instalment in the much-celebrated and critically acclaimed science-fiction/horror saga initiated in 1979 by Ridley Scott’s Alien and consisting also of James Cameron’s Aliens (1986), David Fincher’s Alien³ (1992), Jean-Pierre Jeunet’s Alien: Resurrection (1997) and the prequel film Prometheus (Scott, 2012).1 Alien: Covenant is also the twenty-fourth work by the eclectic eighty-year-old British producer and director, whose work has successfully spanned all cinematic genres, from science fiction (Blade Runner, 1982), through costume and historical drama (1492: Conquest of Paradise, 1992, and Kingdom of Heaven, 2005) and fantasy (Legend, 1985), to the detective film (Black Rain, 1989), the road movie (Thelma and Louise, 1991) and comedy (A Good Year, 2006). Covenant is a sequel to Prometheus; the earlier film depicts the search for the origins of the human species by a group of scientists, explorers, and the leading members of the Weyland Corporation, tracing their encounter with a being belonging to the race of the so- called Engineers. In Prometheus, the explorers discover near the end of the film that the last surviving Engineer had been frozen into hyper-sleep thousands of years earlier, preventing him from destroying Earth, a mission that he fortunately does not complete upon awakening. Prometheus is filled with references to religion, specifically Christian beliefs (allegedly, the Engineers’ mission to destroy our planet was ordered around the time of Christ’s death), the creation of life (the protagonist is sterile, but she gives birth to an alien life form), and, in a nod to Mary Shelley’s Frankenstein (1818), the horror of a creator refusing his own progeny. -
Music Editor
DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr. -
Titulo Análisis De La Película “1492: La Conquista Del Paraíso” De Ridley Scott
República Argelina Democrática y Popular Ministerio de la Enseñanza Superior y de la Investigación Científica Universidad AbdelhamidIbnBadis –Mostaganem- Facultad de Lenguas Extranjeras Departamento de Lengua Española Memoria de fin de Máster en “Civilización y literatura española” Titulo Análisis de la película “1492: La Conquista del Paraíso” de Ridley Scott. Presentada por: Denden Amel Miembros del jurado: Presidente/a: Director/a: Sahbatou Farid Vocal: Año académico: 2018/2019 Intitulé :"Analyse du film « 1492 : La Conquête de Paradis » " Résumé : Le filme parle dans le découverte d’Amérique dans lequel quelque gens considère comme conquête. Mots-clés : Cinéma ; 1492 ; Conquête ; Paradis ; découverte. Title: “Analyze a movie « 1492: The Conquest of Paradise »” Abstract: the movie speaks about discovery of America which some people consider it like a conquest. Keywords: Cinema; 1492; Conquest; Paradise ; discovery. العنوان تحليل فيلم غزو الجنة لردلي سكوت الملخص:الفيلم يتحذث عه اكتشاف امريكا الذي يعتبره بعض غزو وليس اكتشاف الكلمات المفتاحية السينما; 1492; غزو; الجنة;.اكتشاف REPUBLIQUE ALGERIENNE DEMOCRATIQUE ET POPULAIRE MINISTERE DE L’ENSEIGNEMENT SUPERIEUR ET DE LA RECHERCHE SCIENTIFIQUE UNIVERITE ABDELHAMID IBN BADIS – MOSTAGANEM- FACULTE DES LANGUES ETRANGERES FILIERE ESPAGNOLE MASTER « Civilisation et littérature espagnole » "Analyse du film « 1492 : La Conquête de Paradis » " de Ridley Scott Présenté par : Denden Amel Membres du jury : Président : Promoteur : Sahbatou Farid Examinateur : Année universitaire 2018/2019 Agradecimientos -
Macbeth Production Notes
MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory. -
Download a Digital Copy of the Latest a Magazine Here (PDF)
A MAGAZINE Guest Editor Professor Paul Anderson Dean, School of Design A MAGAZINE Contributing Editors Briony McArdle-Oakley Guest Editor: Professor Paul Anderson Head of Alumni & Supporter Dean, School of Design Engagement Peter Piatkowski I am both delighted and honoured to be able to Alumni Relations Manager address you, my fellow Royal College of Art alumni, Jessie Bond Content Editor as Guest Editor of our magazine – and to introduce Sarah Macdonald myself as Dean of the School of Design. Publishing Manager Hannah Williams The College has changed immeasurably since I joined Assistant Content Producer as an Industrial Design student in October 1984, Design a newcomer to London. I met a wide range of students Jörg Schwertfeger from every corner of the globe, all of whom went on to Cover Artwork Le Gun make varied and valuable contributions to the world See page 30–31 for bios of all our of design. The MA was in many respects a very relaxed contributing alumni writers, illustrators affair, with our tutors visiting occasionally and us and photographers. students frequenting the Art Bar on a regular basis – We’d also like to thank our Alumni Council: some things never change! Sir David Adjaye OBE (MA Architecture, 1993) I am passionate about multiple aspects of design Frank H Auerbach and am happy to see so many of them represented here – (ARCA Diploma Class I Painting, 1955) Christopher Bailey MBE celebrating innovation that comes through a (MA Fashion Womenswear, 1994) David Constantine MBE commitment to diversity is a particular highlight. (MDes Computer Related Design, 1990) Sir James Dyson CBE, OM Another element close to my heart is digital design – (MDes Furniture, 1971) I founded Glasgow School of Art’s Digital Design Studio Tracey Emin CBE Television Design that gave basic training (MA Painting, 1989) in 1997 – so I’m extremely enthusiastic about the new in film-making to a select few students. -
Conocer 96.Pdf (312
CONOCER N.º 96 Mayo de 2018 Sumario - Presentación - Actualidad La restauración de la Giralda saca a la luz su verdadero color: el rojo ¡Cuidado con Twitter!, las mentiras vuelan - En portada 1968: el año de la rebelión de los jóvenes - Nuestro mundo La lucha de Marx 200 años después - Entrevista Marc Argemí, socio director de Sibilare y autor de El sentido del rumor: “Las redes sociales nos parecen gratuitas, pero el precio que pagamos son nuestros datos” - Literatura Pérez-Reverte presenta su último trabajo: una novela en clave perruna - Maestros del celuloide Ridley Scott, el director que convirtió a androides y aliens en personajes de culto - Libros - Mujeres de rompe y rasga Carmen de Burgos: la primera periodista profesional en España - Cotidianidades de la historia Vegetarianos, ya en la época de la Antigua Roma 1 Presentación Se cumple medio siglo de un año intenso en acontecimientos, protestas y revueltas que cambiaron la vida de generaciones y que tuvieron importantes consecuencias que han llegado hasta nuestros días. ¿Te apuntas a un recorrido por los hechos históricos más relevantes de aquel revolucionario año de 1968? Y si revolucionario fue el año 1968, no menos lo fueron las ideas del líder del movimiento de la lucha obrera contra el sistema capitalista, el alemán Karl Marx, de cuyo nacimiento se cumplen 200 años. También le dedicaremos un espacio en este número de la revista Conocer. El escándalo conocido como “Analyticgate”, la filtración de datos de millones y millones de usuarios de Facebook, ha creado una gran alarma social en las últimas semanas. El periodista Marc Algemí, autor del ensayo El sentido del rumor, nos ayuda a entender lo sucedido y el riesgo que corren nuestros datos en las redes sociales. -
Ridley Scott – Cinema E Visioni Dalla New Hollywood
RICCARDO ANTONIAZZI CINEMA E VISIONI DALLA NEW HOLLYWOOD Ridley Scott Cinema e visioni dalla New Hollywood di Riccardo Antoniazzi © dell’Autore dei testi 2021 © Edizioni NPE per questa edizione © degli aventi diritto per le immagini utilizzate Collana: Narrativa, 36 Direttore Editoriale: Nicola Pesce Ordini e informazioni: [email protected] Caporedattore: Stefano Romanini Ufficio Stampa: Gloria Grieco Service editoriale: Massimo De Martino Progetto grafico e illustrazione di [email protected] e quarta: Nino Cammarata Correzione bozze: Gabriella Vajano Stampato presso Rotomail Italia S.p.A. – Vignate (MI) nel mese di 2021 lugliooEdizioni NPE è un marchio in esclusiva di Solone srl Via Aversana, 8 – 84025 Eboli (SA) edizioninpe.it facebook.com/EdizioniNPE twitter.com/EdizioniNPE instagram.com/EdizioniNPE #edizioninpe Riccardo Antoniazzi Ridley Scott Cinema e visioni dalla New Hollywood Indice introduzione South Shields, autunno 1937 5 parte prima Gli esordi 9 capitolo Boy and Bicycle 11 primo capitolo I Duellanti 15 secondo parte seconda I primi capolavori 21 capitolo Alien 23 terzo capitolo Blade Runner 31 quarto capitolo 1984 39 quinto parte terza Il dopo-Blade Runner 43 capitolo Legend 45 sesto capitolo Chi protegge il testimone 51 settimo capitolo Black Rain: Pioggia Sporca 57 ottavo parte quarta Il decennio del disimpegno 63 capitolo Thelma & Louise 65 nono capitolo 1492: La conquista del paradiso 71 decimo capitolo L’Albatross: Oltre la tempesta 77 undicesimo capitolo Io sono leggenda 83 dodicesimo capitolo Soldato -
Ridley Scott Named Recipient of Visual Effects Society's Lifetime Achievement Award
Don't miss a post... Get SHOOT eNewsletters FREE Subscribe! Tuesday, December 2, 2014 FRONT PAGE NEWS SCREENWORK FORUM & NDS EVENT FRONT PAGE NEWS RIDLEY SCOTT NAMED RECIPIENT OF VISUAL EFFECTS SOCIETY’S LIFETIME ACHIEVEMENT AWARD Tuesday, Nov. 25, 2014 Ridley Scott Named Recipient of Visual Effects Society’s Lifetime Achievement Award LOS ANGELES The Visual Effects Society (VES), the industry’s professional global honorary society, named multiple award winning directorproducer Ridley Scott as the recipient of the VES Lifetime Achievement Award in recognition of his enormous contributions to filmed entertainment. The award will be presented at the 13th Annual VES Awards on February 4, 2015 at the Beverly Hilton Hotel. The VES Lifetime Achievement Award, Ridley Scott bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Scott for his vision and dedication to storytelling that blends iconic visual effects and unforgettable narrative on an epic scale. Scott’s fiercely innovative direction of groundbreaking films including science fiction classics Blade Runner and Alien and the sweeping chronicle Gladiator, has given rise to a new era of storytelling and had a profound impact on future generations of filmmakers. “Ridley Scott is a defining voice of the feature, broadcast and commercial forms,” said “Jeffrey A. Okun, VES Board chair. “His vision and contribution to the art is incomparable and his impact upon the visual effects and technical form is unparalleled. Ridley has given us a body of groundbreaking work to aspire to, and for this we are honored to award him with the prestigious Visual Effects Society Lifetime Achievement Award.” “The best filmmaking has always been the result of collaboration between artists, craftspeople and technicians, both in front and behind the camera,” said Scott. -
Martinez, Ana
Martinez, Ana From: Melissa Stone < [email protected]> Sent: Wednesday, October 07, 2015 2:16 PM To: Len Iannelli; Martinez, Ana Cc: Natalie Bjelajac; Rachael A. Palmisano Subject: RE: Ridley Director/Producer RIDLEY SCOTT has been honored with Academy Award nominations for Best Director for his work on Black Hawk Down, Gladiator, and Thelma & Louise. All three films also earned him DGA Award nominations. Scott’s most recent directorial credits include the recently released Exodus: Gods and Kings starring Christian Bale, Prometheus starring Michael Fassbender, Noomi Rapace and Charlize Theron and The Counselor, written by Cormac McCarthy and starring Michael Fassbender, Brad Pitt, Cameron Diaz, and Javier Bardem. Scott has garnered multiple award nominations over his illustrious career. In addition to his Academy Award and DGA nominations, he also earned a Golden Globe nomination for Best Director forAmerican Gangster, starring Denzel Washington and Russell Crowe. He also served as a producer on the true-life drama receiving a BAFTA nomination for Best Film. Scott also received Golden Globe and BAFTA nominations for Best Director for his epic Gladiator. The film won the Academy Award, Golden Globe, and BAFTA awards for Best Picture. In 1977, Scott made his feature film directorial debut with The Duellists, for which he won the Best First Film Award at the Cannes Film Festival. He followed with the blockbuster science-fiction thriller/!lien, which catapulted Sigourney Weaver to stardom and launched a successful franchise. In 1982, Scott directed the landmark film Blade Runner, starring Harrison Ford. Considered a science-fiction classic, the futuristic thriller was added to the U.S.