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Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Barry Gifford Papers M0927
http://oac.cdlib.org/findaid/ark:/13030/tf6290054g No online items Guide to the Barry Gifford Papers M0927 Stephan J. Potchatek Department of Special Collections and University Archives 1998 ; revised 2017 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Barry Gifford Papers M0927 1 M0927 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Barry Gifford papers creator: Gifford, Barry, 1946- Identifier/Call Number: M0927 Physical Description: 57 Linear Feet: 57 boxes ; 1 map folder Date (inclusive): circa 1967 - 2012 Scope and Contents The Barry Gifford Papers comprise more than forty-eight boxes of archival material, the vast majority of which related to the publication process of Gifford's many books. The largest subseries is composed of manuscript material, including correspondence with publishers and editors, typewritten and handwritten drafts of books, and research materials. As well, there are fifteen boxes of Gifford's notebooks, which contain partial drafts of books as well as individual poems, journal entries, and memoranda. There is also a significant file of correspondence, notable primarily for the six boxes of letters Gifford wrote to his longtime friend and associate, bookseller Marshall Clements. Finally, the collection contains copies of books and other published material used in his research. Biographical / Historical Poet, biographer, novelist, memoirist, and essayist, Barry Gifford was born October 18, 1946 in Chicago to Adolph, a pharmacist, and Dorothy Colby Gifford, a model. He was raised in Chicago and in Key West and Tampa, Florida. Gifford attended the University of Missouri where he played baseball. -
In the Arboretum
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 In the arboretum Sally Cobau The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Cobau, Sally, "In the arboretum" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 2665. https://scholarworks.umt.edu/etd/2665 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofIVIONTANA Pemiission is granted by the autlior to reproduce tins material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** * * Please check "Yes" or "No" and provide signature Yes, I grant permission No, I do not grant permission Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. In the Arboretum B y Sally Cobau B.A., Northwestern University, 1990 Presented in partial fulfillm ent of the requirements for the degree of Master of Fine Arts The University of Montana 1 9 9 6 Approved by Chairperson A Dean, Graduate School Date UMI Number: EP35775 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Oasis Digital Studios and Apex Comics Group Partner with Comic-Book Industry Legends for New Multimedia Experiences and Nfts
Oasis Digital Studios and Apex Comics Group partner with Comic-Book Industry Legends for New Multimedia Experiences and NFTs Famed former Marvel Editor-in-ChiefTom DeFalco andartists Ron Frenz and Sal Buscema launch comic books, avatars, and AR enhanced NFT collectibles. Toronto / Vancouver, Canada / Erie PA / New York, NY – April 12, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) (“Liquid Avatar Technologies” or the “Company”,), a global blockchain, digital-identity and fintech solutions company, together with ImagineAR Inc. (CSE:IP / OTCQB:IPNFF), an Augmented Reality platform company, are excited to announce that Oasis Digital Studios (“Oasis”) has partnered with Apex Comics Group to publish Mr. Right, a new multimedia project by legendary Marvel Entertainment and pop culture veterans Tom DeFalco, Ron Frenz, and Sal Buscema. The program will consist of printed and digital comic books, digital avatars produced for the Liquid Avatar Mobile App and Marketplace, and AR enhanced NFT collectibles with Oasis. A sneak preview of the program will be made virtually on April 13th at the special presentation “NFTs Myths, Market, Media & Mania," hosted by Liquid Avatar, ImagineAR and Oasis Digital Studios: https://hello.liquidavatar.com/oasis-webinar-registration. The integrated campaign, expected to launch in early summer, will feature a series of limited- edition print and digital comic books, along with collector-enhanced NFTs, Liquid Avatar digital icons available in the Liquid Avatar Marketplace, and a fully immersive Augmented Reality multimedia program. A pre-sale waiting list is available for prospective purchasers and NFT collectors at the Oasis website: www.oasisdigitalstudios.com Mr. Right is led by Tom DeFalco, who was Marvel’s 10th Editor-in-Chief. -
Friday, October 29Th
fridayprogramming fridayprogramming FRIDAY, OCTOBER 29TH 2 p.m.-2:45 p.m. Jackendoff as he talks with comic kingpin Marv WEBCOMICS: LIGHTING ROUND! Wolfman (Teen Titans), veteran comic writer WRITERS WORKSHOP PRESENTED by Seaside Lobby and editor Barbara Randall Kesel (Watchman, ASPEN Comics Thinking of starting a webcomic, or just curious Hellboy), comic writer Jimmy Palmiotti (Jonah Room 301 as to how the world of webcomics differs Hex), Tom Pinchuk (Hybrid Bastards) and Mickey Join comic book writers J.T. Krul, Scott Lobdell, from print counter-parts? Join these three Neilson (World of Warcraft). David Schwartz, David Wohl, Frank Mastromauro, webcomics pros [Harvey-nominated Dave Kellett and Vince Hernandez as they discuss the ins and (SheldonComics.com /DriveComic.com), Eisner- HOW TO SURVIVE AS AN ARTIST outs of writing stories for comics. Also, learn tips nominated David Malki (Wondermark.com) and WITH Scott Koblish of the trade firsthand from these experienced Bill Barnes (Unshelved.com / NotInventedHere. Room 301 writers as they detail the pitfalls and challenges of com)] as they take you through a 25-minute A panel focusing on the lifelong practical questions breaking into the industry. Also, they will answer guided tour of how to make webcomics work an artist faces. Scott Koblish gives you tips on questions directly in this special intimate workshop as a hobby, part-time job, or full-time career. how to navigate a career that can be fraught with that aspiring writers will not want to miss. Then the action really heats up: 20 minutes of unusual stress. With particular attention paid to fast-paced Q&A, designed to transmit as much thinking about finances in a realistic way, stressing 5 p.m.-7 p.m. -
Stanley Kubrick at the Interface of Film and Television
Essais Revue interdisciplinaire d’Humanités Hors-série 4 | 2018 Stanley Kubrick Stanley Kubrick at the Interface of film and television Matthew Melia Electronic version URL: http://journals.openedition.org/essais/646 DOI: 10.4000/essais.646 ISSN: 2276-0970 Publisher École doctorale Montaigne Humanités Printed version Date of publication: 1 July 2018 Number of pages: 195-219 ISBN: 979-10-97024-04-8 ISSN: 2417-4211 Electronic reference Matthew Melia, « Stanley Kubrick at the Interface of film and television », Essais [Online], Hors-série 4 | 2018, Online since 01 December 2019, connection on 16 December 2019. URL : http:// journals.openedition.org/essais/646 ; DOI : 10.4000/essais.646 Essais Stanley Kubrick at the Interface of film and television Matthew Melia During his keynote address at the 2016 conference Stanley Kubrick: A Retrospective1 Jan Harlan2 announced that Napoleon, Kubrick’s great unrea- lised project3 would finally be produced, as a HBO TV mini-series, directed by Cary Fukunaga (True Detective, HBO) and executively produced by Steven Spielberg. He also suggested that had Kubrick survived into the 21st century he would not only have chosen TV as a medium to work in, he would also have contributed to the contemporary post-millennium zeitgeist of cinematic TV drama. There has been little news on the development of the project since and we are left to speculate how this cinematic spectacle eventually may (or may not) turn out on the “small screen”. Alison Castle’s monolithic edited collection of research and production material surrounding Napoleon4 gives some idea of the scale, ambition and problematic nature of re-purposing such a momen- tous project for television. -
Magazines V17N9.Qxd
Nov10 COF C1:COF C1.qxd 10/13/2010 2:36 PM Page 1 ORDERS DUE th 13NOV 2010 NOV E E COMIC H H T T SHOP’S CATALOG COF FI page:FI 10/14/2010 2:28 PM Page 1 FEATURED ITEMS 1 COMICS & GRAPHIC NOVELS PHOENIX #0 G ARDDEN ENTERTAINMENT THE BOYS #50 G D. E./DYNAMITE ENTERTAINMENT SHERLOCK HOLMES: YEAR ONE #1 G D. E./DYNAMITE ENTERTAINMENT LOVE FROM THE SHADOWS HC G FANTAGRAPHICS BOOKS ARCHIE: 50 TIMES AN AMERICAN ICON SC G THE HERO INITIATIVE BOOK OF LILAH GN G KICKSTART COMICS THE SPIDER #1 G MOONSTONE 1 ROBERT JORDAN‘S NEW SPRING TP G TOR BOOKS VIETNAMERICA GN G VILLARD BOOKS HIGH SCHOOL OF DEAD VOLUME 1 GN G YEN PRESS GRIMM FAIRY TALES: MYTHS AND LEGENDS #1 G ZENESCOPE ENTERTAINMENT INC BOOKS & MAGAZINES DC SUPERHERO FIGURINE COLLECTION MAGAZINE: BLACKEST NIGHT COLLECTION G COMICS AGATHA HETERODYNE AND THE AIRSHIP CITY: A GIRL GENIUS NOVEL HC G FANTASY/SCI-FI 2 ROBERT E. HOWARD‘S THE SWORD WOMAN AND OTHER HISTORICAL ADVENTURES SC G FANTASY/SCI-FI STAR WARS: KNIGHT ERRANT MMPB G STAR WARS TOYFARE #163 G WIZARD ENTERTAINMENT TRADING CARDSS 2 UPPER DECK 2010 SP AUTHENTIC FOOTBALL TRADING CARDS G THE UPPER DECK COMPANY STAR WARS GALAXY SERIES 6 TRADING CARDS G TOPPS COMPANY APPAREL MARVEL VS. CAPCOM: DAVID VS GOLIATH T-SHIRT G MAD ENGINE BRIGHTEST DAY: THE FLASH WHITE T-SHIRT G GRAPHITTI DESIGNS LEGION II SYMBOL BLACK T-SHIRT G GRAPHITTI DESIGNS TOKIDOKI X MARVEL: METAL THOR BLACK T-SHIRT G TOKIDOKI TOYS & STATUES 3 WORLD‘S GREATEST DC HEROES RETRO ACTION FIGURES G DC HEROES 3 DOCTOR WHO: MATT SMITH AS THE ELEVENTH DOCTOR MAXI-BUST G DOCTOR WHO -
Parking Information
Parking Information Suburban Collection Showplace is conveniently located at 46100 Grand River Avenue, between Novi and Beck Roads in Novi, MI. Our Facility can be accessed From I-96 at the Novi and Beck Road exits. Parking will have a small charge For each day oF the event. There will be a Fully-equipped press room on site. Interviews may not be conducted inside the press room. More details on the location oF the press room will be provided. 3 Motor City Comic Con Floor Plan 2014 4 Schedule of Events *Schedule is subject to change Friday: ñ “Sweep the Leg” Panel with Billy Zabka and Martin Kove-Time TBD o They will discuss their roles in The Karate Kid ñ Ready-To-Play Deck Event-Beginners Level-Time TBD o Card game For beginners ñ Friday Anime Programming Schedule: o 11:30 a.m: Urusei Yatsura o Noon: Dirty Pair o 12:55 p.m.: Bodacious Space Pirates o 2:10 p.m.: Shinesmen o 3:10 p.m.: Saint Seiya o 4:30 p.m.: Tiger & Bunny- The Movie o 6:00 p.m.: Read or Die Saturday: ñ Costume Cosplay Contest (ages 13+)-Time TBD ñ Standard Format Constructed Event-Experienced Level o Card game For experienced gamers ñ Saturday Anime Programming Schedule: o 10:30 a.m.: Little Witch Academia o 11:00 a.m.: Fairy Tail o 12:15 p.m.: TBA o 2:15 p.m.: Nadia: The Secret oF Blue Water o 3:30 p.m.: TBA o 4:45 p.m.: Level E o 5:30 p.m.: TBA o 6:15 p.m.: Good Luck Girl o 7:30 p.m.: Akira o 9:30 p.m.: High School oF the Dead o 10:30 p.m.: Space Adventure Cobra ñ Get Drunk on Comics Panel-Time TBD o The guys From the Drunk on Comics podcast will discuss podcasting, -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Watchmencomicmovie.Com
WATCHMEN (1989) --------------------------------- Unproduced first draft screenplay written by Sam Hamm Adapted from the original DC Comics graphic novel WATCHMEN (1987), written by Alan Moore and illustrated by Dave Gibbons. WATCHMEN characters created by Alan Moore and Dave Gibbons. WATCHMEN is a trademark of DC Comics. --------------------------------- SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! Reading this screenplay WILL spoil numerous plot points found in the original WATCHMEN graphic novel. Therefore, we respectfully ask you, dear reader, to run -- don't walk -- to your nearest bookstore or comics specialty shop, buy the graphic novel, and read it cover-to-cover at least once before venturing further. We thank you, Alan Moore and Dave Gibbons thank you, DC Comics thanks you, and the fine folks at AOL/Time Warner thank you. --------------------------------- FADE IN: 1. EXT. NEW YORK - LIBERTY ISLAND - DAY The STATUE OF LIBERTY stands watch at the mouth of the Hudson. Over scene, we SUPER TITLE: NEW YORK CITY - JULY 1976 2. JERSEY CITY PIER - DAY A live news update. Network correspondent CINDY CHAN stands at the edge of the dock, the statue plainly visible in the distance behind her. CINDY -- insist that the situation is under control. Authorities have just agreed to the release of nine Radical Front prisoners in hopes of freeing the hostages. (adjusting her hair) We repeat: terrorists have taken Liberty Island, and are holding some forty hostages -- including tourists and maintenance workers -- captive in the Statue of Liberty itself. 3. FERRYBOAT - DAY The ferry -- one of six anchored a half-mile off Liberty Island -- has been commandeered by a fully-armed SWAT TEAM. -
SEPTEMBER ONLY! 17 & 18, 2016 Long Beach Convention Center SEE NATHAN FILLION at the PANEL!
LONG BEACH COMIC CON LOGO 2014 SAT SEPTEMBER ONLY! 17 & 18, 2016 Long Beach Convention Center SEE NATHAN FILLION AT THE PANEL! MEET LEGENDARY CREATORS: TROY BAKER BRETT BOOTH KEVIN CONROY PETER DAVID COLLEEN DORAN STEVE EPTING JOELLE JONES GREG LAND JIMMY PALMIOTTI NICK SPENCER JEWEL STAITE 150+ Guests • Space Expo Artist Alley • Animation Island SUMMER Celebrity Photo Ops • Cosplay Corner GLAU SEAN 100+ Panels and more! MAHER ADAM BALDWIN WELCOME LETTER hank you for joining us at the 8th annual Long Beach Comic Con! For those of you who have attended the show in the past, MARTHA & THE TEAM you’ll notice LOTS of awesome changes. Let’s see - an even Martha Donato T Executive Director bigger exhibit hall filled with exhibitors ranging from comic book publishers, comic and toy dealers, ENORMOUS artist alley, cosplay christine alger Consultant corner, kids area, gaming area, laser tag, guest signing area and more. jereMy atkins We’re very proud of the guest list, which blends together some Public Relations Director of the hottest names in industries such as animation, video games, gabe FieraMosco comics, television and movies. We’re grateful for their support and Marketing Manager hope you spend a few minutes with each and every one of them over DaviD hyDe Publicity Guru the weekend. We’ve been asked about guests who appear on the list kris longo but who don’t have a “home base” on the exhibit floor - there are times Vice President, Sales when a guest can only participate in a signing or a panel, so we can’t CARLY Marsh assign them a table. -
HOTELS with CASINOS
05_089620_ch01.qxd 7/26/07 10:46 AM Page 36 PART ONE ACCOMMODATIONS and CASINOS WHERE to STAY: Basic Choices LAS VEGAS HAS AN ASTOUNDING INVENTORY of about 137,000 hotel rooms. Washington, D.C., by way of contrast has 31,000. Occu- pancy rates are over 98% on weekends and average 92% for the whole week, compared to a national average of 61%. By 2010 it’s projected that the number of rooms in Las Vegas will top 170,000. As the memorable line from Field of Dreams suggests, “If you build it, they will come.” THE LAS VEGAS STRIP AND DOWNTOWN FROM A VISITOR’S PERSPECTIVE, Las Vegas is more or less a small town that’s fairly easy to get around. Most of the major hotels and casinos are in two areas: downtown and on Las Vegas Boulevard, known as the Strip. The downtown hotels and casinos are often characterized as older and smaller than those on the Strip. While this is true in a general sense, there are both large and elegant hotels downtown. What really differentiates downtown is the incredible concentration of casinos and hotels in a relatively small area. Along Fremont Street, downtown’s main thoroughfare, the casinos present a continuous, dazzling galaxy of neon and twinkling lights for more than four city blocks. Known as Glitter Gulch, these several dozen gambling emporiums are sand- wiched together in colorful profusion in an area barely larger than a parking COPYRIGHTEDlot at a good-sized shopping mall. MATERIAL Contrast in the size, style, elegance, and presentation of the down- town casinos provides a varied mix, combining extravagant luxury and cosmopolitan sophistication with an Old West–boomtown deca- dence.